FINE EUROPEAN CERAMICS Including the Collezione Fiordalisi of Neapolitan Porcelain Thursday 7 December 2017

Total Page:16

File Type:pdf, Size:1020Kb

FINE EUROPEAN CERAMICS Including the Collezione Fiordalisi of Neapolitan Porcelain Thursday 7 December 2017 FINE EUROPEAN CERAMICS Including the Collezione Fiordalisi of Neapolitan porcelain Thursday 7 December 2017 SPECIALIST AND AUCTION ENQUIRIES EUROPEAN CERAMICS Sebastian Kuhn Nette Megens Sophie von der Goltz lot 44 FINE EUROPEAN CERAMICS Including the Collezione Fiordalisi of Neapolitan porcelain Thursday 7 December 2017 at 2pm New Bond Street, London VIEWING ENQUIRIES CUSTOMER SERVICES PHYSICAL CONDITION OF Sunday 3 December Nette Megens Monday to Friday 8.30am LOTS IN THIS AUCTION 11am - 5pm Head of Department to 6pm PLEASE NOTE THAT ANY Monday 4 December +44 (0) 20 7468 8348 +44 (0) 20 7447 7447 REFERENCE IN THIS 9am - 4.30pm [email protected] CATALOGUE TO THE PHYSICAL Tuesday 5 December Please see page 2 for bidder CONDITION OF ANY LOT IS FOR 9am - 4.30pm Sebastian Kuhn information including after-sale GENERAL GUIDANCE ONLY. Wednesday 6 December Department Director collection and shipment INTENDING BIDDERS MUST 9am - 4.30pm +44 (0) 20 7468 8384 SATISFY THEMSELVES AS TO Thursday 7 December [email protected] THE CONDITION OF ANY LOT by appointment AS SPECIFIED IN CLAUSE 14 OF Sophie von der Goltz THE NOTICE TO BIDDERS SALE NUMBER Specialist CONTAINED AT THE END OF 24224 +44 (0) 20 7468 8349 THIS CATALOGUE. [email protected] CATALOGUE As a courtesy to intending Rome bidders, Bonhams will provide a £25.00 Emma Dalla Libera written indication of the physical Director condition of lots in this sale if a BIDS request is received up to 24 hours +44 (0) 20 7447 7447 +39 06 485900 before the auction starts. This +44 (0) 20 7447 7401 fax [email protected] written Indication is issued To bid via the internet please subject to Clause 3 of the Notice visit bonhams.com International Director European Ceramics & Glass to Bidders. Please note that bids should be John Sandon submitted no later than 4pm on +44 (0) 20 7468 8244 IMPORTANT INFORMATION the day prior to the sale. New [email protected] The United States Government bidders must also provide proof has banned the import of ivory of identity when submitting bids. into the USA. Lots containing Failure to do this may result in ivory are indicated by the your bid not being processed. symbol Ф printed beside the lot number in this catalogue. Telephone bidding can only be accepted on lots with a low-estimate in excess of £1,000. Live online bidding is available for this sale Please email [email protected] with ‘live bidding’ in the subject line 48 hours before the auction to register for this service Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Antony Bennett, Matthew Bradbury, Charlie O’Brien, Giles Peppiatt, India Phillips, Matthew Girling CEO, Lucinda Bredin, Simon Cottle, Andrew Currie, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Patrick Meade Group Vice Chairman, Jean Ghika, Charles Graham-Campbell, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Jon Baddeley, Rupert Banner, Geoffrey Davies, Matthew Haley, Richard Harvey, Robin Hereford, Ralph Taylor, Charlie Thomas, David Williams, Jonathan Fairhurst, Asaph Hyman, James Knight, David Johnson, Charles Lanning, Grant Macdougall Michael Wynell-Mayow, Suzannah Yip. Caroline Oliphant, Shahin Virani, Edward Wilkinson, Leslie Wright. SALE INFORMATION BIDS SHIPPING The following symbol is used IMPORTANT NOTICE +44 (0) 20 7447 7447 For information and estimates to denote that VAT is due on A surcharge of 2% is applicable +44 (0) 20 7447 7401 fax on domestic and international the hammer price and buyer’s when using MasterCard & Visa credit To bid via the internet please visit shipping as well as export premium cards and overseas debit cards www.bonhams.com licenses please contact Alban Shipping on +44 (0) 1582 493 099 † VAT 20% on hammer price Payment in Advance PAYMENTS [email protected] and buyer’s premium (Telephone to ascertain amount due) Buyers by: cash, cheque with banker’s card, +44 (0) 20 7447 7447 Collection and Storage VAT on imported items at a credit, or debit card. +44 (0) 20 7447 7401 fax after sale preferential* rate of 5% on hammer All sold lots will remain in price and the prevailing rate on Payment at time of collection by: Sellers Bonhams New Bond Street buyer’s premium cash, cheque with banker’s card, Payment of sale proceeds Collections department free credit, or debit card. +44 (0) 20 7447 7447 of charge until 5.30pm Y These lots are subject to CITES +44 (0) 20 7447 7401 fax Tuesday 2 January 2018. regulations, please read the Lots not collected by then will information in the back of VALUATIONS, TAXATION be returned to the department. the catalogue. & HERITAGE storage charges may apply. +44 (0) 20 7468 8340 +44 (0) 20 7468 5860 fax Please note that Bonhams [email protected] London will be closed from 5.30pm Friday 22 December 2017 CATALOGUE SUBSCRIPTIONS until 9am Tuesday 2 January 2018 To obtain any Bonhams catalogue for the holiday period. or to take out an annual subscription: Subscriptions Department Please note that Alban Shipping +44 (0) 1666 502200 will be closed from 12pm Friday +44 (0) 1666 505107 fax 22 December 2017 until 9am [email protected] Tuesday 2 January 2018. An evening celebrating Neapolitan culture, including music and a lecture on Neapolitan porcelain by renowned scholar Angela Caròla-Perrotti, will take place on 5 December. The event is kindly sponsored by the British Italian Society, the French Porcelain Society and Kirker Holidays. Tickets are available through their websites, or from [email protected]. ne Fio zio rd le a l li o s i C · · B onhams THE BEGINNINGS OF A COLLECTION. There is a mysterious mix made up of passion, curiosity and The arrival of a new piece was always an exciting and the desire to possess which changes a simple gesture of instructive experience in our family. We remember the scene decorative purchase into ‘the beginnings of a collection’. of the old antiques dealer slowly unpacking layers and layers of tissue paper to reveal one figure or a group, placing it in the We well remember the arrival of the first few cups of Real middle of the living room table to be immediately inspected Fabbrica Ferdinandea which were bought by our mother in the attentively with a backlight. We held our breath. Even we 1970s in a dark and dusty antiques shop in Naples, far from children knew, waiting at a distance, that unless the object what one could call the ‘central scene’ of collecting. Slowly, was in perfect condition it would not find a place on the these cups started to fill a shelf in our living room, dangerously shelves of their showcases. With the passing of time, and with next to the speakers of our stereo, until we were no longer great aesthetic taste and rigorous historical research, ever allowed in that part of the room. And soon after, there was more important pieces arrived and the collection truly justified also no more space for our rock-music records. the enormous pride of our father and mother, discreetly let We also remember the disastrous and unexpected fall of a show on the rare occasions in which the collection was open large painting which shattered a bowl decorated with little to close friends. flower bunches, late Real Fabbrica, which had been displayed The collection, as it stands today, is a testimony to that below on an antique sideboard. It was no doubt a terrible Neapolitan pride our parents felt. These objects represent the event, which in an instant clearly showed us all the fragility of still vibrant beauty of a vanished era, though more importantly, porcelain. Of course our parents were clearly disappointed, the collection shows that Neapolitan porcelain has nothing to yet they got over it quickly. At the time they were still only desire from other highly appreciated European porcelain, not enchanted by the purely decorative quality of porcelain. Had even Meissen. Moreover, the collection demonstrates what it happened 10 years later, the event would have been far can be possible using only local skilled artisans, modellers more tragic: by that time their fascination with the objects had and painters: works of graceful and perfect aesthetics, truly already transformed from a purely decorative appreciation to particular and unique. an admiration infused by a profound knowledge of the subject. Naples as a whole is a challenge; not only in the collective And just like that, little by little, the passion for collecting took imagination, but more so for those who live it day to day. The a hold on them; and with it came the accumulation of books, refined quality of this collection shows that, from time to time, auction catalogues and international contacts with other that challenge can be overcome. collectors of the subject, as well as the eternal search for ‘the missing piece’. We remember endless afternoons of discussions with the The children of the Collectors few other equally dedicated collectors, often under the knowing guidance of Angela Caròla-Perrotti, to whom we are hugely indebted. And while our parents became more and more expert on the subject, our house began to resemble a porcelain museum, much like the Duca di Martina in Naples. ne Fio zio rd le a l li o s i C · · B onhams NAPLES PORCELAIN: A BRIEF HISTORY Charles III of Naples and Sicily probably acquired a taste for Charles III was succeeded as King of Naples and Sicily by his porcelain following his marriage to Maria Amalia Christina son, Ferdinand IV, who – following the example of his father of Saxony, the daughter of the founder of the Meissen – revived the production of porcelain in Naples in 1771.
Recommended publications
  • A Századok Tartalommutatója – 1867-1916
    A SZÁZADOK 1867—1916. ÉVI FOLYAMAINAK TARTALOM MUTATÓJA. ÖSSZEÁLLÍTOTTA DR PELZ BÉLA. FENNÁLLÁSÁNAK ÖTVENÉVES FORDULÓJA ALKALMÁBÓL KIADJA A MAGYAR TÖRTÉNELMI TÁRSULAT. BUDAPEST, 1917. AZ ATHENAEUM IRODALMI ÉS NYOMDAI R.-T. NYOMÁSA. ftiW''* •->;i5i, .... ..-, il) WIO A SZÁZADOK 1867—1916. ÉVI FOLYAMAINAK TA RTA LO M MUTATÓJ A. ÖSSZEÁLLÍTOTTA DR PELZ BÉLA. FENNÁLLÁSÁNAK ÖTVENÉVES FORDULÓJA ALKALMÁBÓL KIADJA A MAGYAR TÖRTÉNELMI TÁRSULAT. BUDAPEST, 1917. AZ ATHENAEUM IRODALMI ÉS NYOMDAI R.-T. NYOMÁSA. Budapes', az Athenaeum r.-t. könyvnyomdája. ELŐSZÓ. A Magyar Történelmi Társulat ötvenéves fennállása alkalmából elhatározta a Századok ötvon évfolyama egy- séges Név- és Tárgymutatójának és az ötven évfolyam Tartalommutatójának kiadását. A Név- és Tárgymutató tekintve a feldolgozandó anyag nagyságát csak néhány év múlva jelenhet meg. Addig is szolgáljon segédeszközül jelen Tartalommutató, mely az egyes czikkeket tartalmazza a következő ré- szekben : 1. A Századokban megjelent czikkeket szerzőik betű- rendjében olyformán, hogy minden szerző neve után követ- keznek először az önálló czikkek, azután a könyvismer- tetések a czímek betűrendjében. 2. A névtelenül, álnév és jegyek alatt megjelent czik- keket czímeik betűrendjében. 3. Nekrologokat az elhalálozottak betűrendjében és 4. az ismertetett könyvek czímeit a könyvek szerzői- nek betűrendjében. Megjegyzem, hogy az állandó rovatokat, mint : Tör- ténelmi könyvtár, Uj könyvek, Mit csinálnak történet- íróink, Társulati és személyi hírek, bibliographiai össze- állítások stb. a jelen füzetbe nem vettem fel, hanem a mennyiben szükséges, a Név- és Tárgymutatóban fogom azokat feldolgozni. Budapest, 1917. november hó. Dr. Pelz Béla. Abafi Lajos : Feszler Ignácz Aurél. 1878. 618. Ábel Jenő : Színügy Bártfán a XV. és XVI. században. 1884,-22. Acsády Ignácz, czikkek : A magyar társadalom 1680 körül. 1886.10.
    [Show full text]
  • The Business Organisation of the Bourbon Factories
    The Business Organization of the Bourbon Factories: Mastercraftsmen, Crafts, and Families in the Capodimonte Porcelain Works and the Royal Factory at San Leucio Silvana Musella Guida Without exaggerating what was known as the “heroic age” of the reign of Charles of Bourbon of which José Joaquim de Montealegre was the undisputed doyen, and without considering the controversial developments of manufacturing in Campania, I should like to look again at manufacturing under the Bourbons and to offer a new point of view. Not only evaluating its development in terms of the products themselves, I will consider the company's organization and production strategies, points that are often overlooked, but which alone can account for any innovative capacity and the willingness of the new government to produce broader-ranging results.1 The two case studies presented here—the porcelain factory at Capodimonte (1740-1759) and the textile factory in San Leucio (1789-1860)—though from different time periods and promoted by different governments, should be considered sequentially precisely because of their ability to impose systemic innovations.2 The arrival of the new sovereign in the company of José Joaquin de Montealegre, led to an activism which would have a lasting effect.3 The former was au fait with economic policy strategy and the driving force of a great period of economic modernization, and his repercussions on the political, diplomatic and commercial levels provide 1 For Montealegre, cf. Raffaele Ajello, “La Parabola settecentesca,” in Il Settecento, edited by Giovanni Pugliese Carratelli (Naples, 1994), 7-79. For a synthesis on Bourbon factories, cf. Angela Carola Perrotti, “Le reali manifatture borboniche,” in Storia del Mezzogiorno (Naples, 1991), 649- 695.
    [Show full text]
  • Rachel Feinstein: Maiden, Mother, Crone November 1, 2019 - March 22, 2020 the Jewish Museum, New York
    Rachel Feinstein: Maiden, Mother, Crone November 1, 2019 - March 22, 2020 The Jewish Museum, New York Exhibition Checklist All works by Rachel Feinstein St. Sebastian, 2012 Polymer resin, steel, wire, and wood 100 x 48 x 24 in. Private Collection, Greenwich, Connecticut Model, 2000 Mirror, wood, plaster, and enamel paint 90.75 x 40.5 x 52 in. Courtesy of the artist and Gagosian Gallery St. Michael, 2012 Polymer resin, steel, wire, and wood 102 x 56 x 30 in. Courtesy of the artist and Gagosian Gallery Crucifixion, 2003 Plaster, plywood, fabric and enamel paint 108 x 73 x 25 in. Hall Collection A small wooden Crucifixion group from around 1500 was the inspiration for this life-size abstraction. Feinstein has a deep interest in the high European craft of medieval Germany, but her multipart composition was roughly cut with a jigsaw from sheets of plywood. Its hand-hewn materiality reflects the urgency of its time; this was the first piece she made and exhibited after the September 11 terrorist attack, which she witnessed from her downtown New York apartment. The Walrus Is Paul, 2000 Wood and enamel paint 48 x 72 x 20 in. Private collection, New York Mr. Time, 2015 Powder-coated aluminum, vinyl, and working clock 91.5 x 73 x 22 in. Courtesy of the artist and Gagosian Gallery This sculpture is based on a drawing by the artist’s son, Francis Currin, made when he was ten years old. Like many of Feinstein’s works, Mr. Time leaves traces of its dramatic transformation from a small pencil drawing to a human- scale, three-dimensional metal object.
    [Show full text]
  • The Elegant Home
    The Elegant Home The Home Elegant Ӏ Los Angeles Ӏ March 25 and March 26, 2019 25 and March March Bonhams The Elegant Home 7601 W. Sunset Boulevard Los Angeles CA 90046 Los Angeles | March 25 and March 26, 2019 25350 +1 (323) 850 7500 +1 (323) 850 6090 fax Featuring bonhams.com Paintings, Silver, Furniture, Carpets, Works of Art and Clocks AUCTIONEERS SINCE 1793 The Elegant Home Los Angeles SALE BIDS ILLUSTRATIONS REGISTRATION Monday March 25, 2019 at 10am +1 (323) 850 7500 Front cover: Lot 432 (detail) IMPORTANT NOTICE Tuesday March 26, 2019 at 10am +1 (323) 850 6090 fax Inside front cover: Lot 780 (detail) Please note that all customers, Day 1: Lot 350 (detail) irrespective of any previous activity VIEWINGS To bid via the internet please visit Day 2: Lot 512 with Bonhams, are required to Friday March 22, 12pm-5pm www.bonhams.com/25350 Inside back cover: Lot 118 complete the Bidder Registration Saturday March 23, 12pm-5pm Back cover: Lot 114 Form in advance of the sale. The Sunday March 24, 12pm-5pm Please note that bids must be form can be found at the back submitted no later than 4pm on of every catalogue and on our VENUE the day prior to the auction. New website at www.bonhams.com 7601 W. Sunset Boulevard bidders must also provide proof and should be returned by email or Los Angeles, California 90046 of identity and address when post to the specialist department bonhams.com submitting bids. or to the bids department at [email protected] SALE NUMBER Please contact client services with 25350 any bidding inquiries.
    [Show full text]
  • Bustelli's Creations
    Bustelli's creations Objekttyp: Chapter Zeitschrift: Mitteilungsblatt / Keramik-Freunde der Schweiz = Revue des Amis Suisses de la Céramique = Rivista degli Amici Svizzeri della Ceramica Band (Jahr): - (1997) Heft 111 PDF erstellt am: 04.10.2021 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch We must return to an earlier age for another vignette of the and most of the 18th centuries, troupes of the Commedia Commedia dell'Arte. In 1568, even before Italian comedians dell'Arte, but latterly more often players of the Théâtre journeyed to France, Hans Fugger of the renowned Augsburg Italien, roamed across the Continent, to Bohemia, Hungary family of bankers and merchants, had arranged for a and Poland, to Scandinavia, and via Flanders to England, company of four players, the troupe of Maestro Jacopo da from France to Spain and to Germany.
    [Show full text]
  • Vincenzo Gemito (1852-1929) October 2019 Sculptor of the Neapolitan Soul from 15 October 2019 to 26 January 2020
    PRESS KIT Vincenzo Gemito (1852-1929) October 2019 Sculptor of the Neapolitan soul from 15 October 2019 to 26 January 2020 Tuesday to Sunday 10am to 6pm INFORMATIONS Late opening Friday until 9pm www.petitpalais.paris.fr . Museo e Certosa di San Martino, Photo STUDIO SPERANZA STUDIO Photo Head of a young boy Naples. Fototeca del polo museale della campaniaNaples. Fototeca Vincenzo Gemito, PRESS OFFICER : Mathilde Beaujard [email protected] / + 33 1 53 43 40 14 Exposition organised in With the support of : collaboration with : Vincenzo Gemito (1852-1929), Sculptor of the Neapolitan soul- from 15 October 2019 to 26 January 2020 SOMMAIRE Press release p. 3 Guide to the exhibition p. 5 The Exhibition catalogue p. 11 The Museum and Royal Park of Capodimonte p. 12 Paris Musées, a network of Paris museums p. 19 About the Petit Palais p. 20 Practical information p. 21 2 Vincenzo Gemito (1852-1929), Sculptor of the Neapolitan soul- from 15 October 2019 to 26 January 2020 PRESS RELEASE At the opening of our Neapolitan season, the Petit Pa- lais is pleased to present work by sculptor Vincenzo Gemito (1852-1929) that has never been seen in France. Gemito started life abandoned on the steps of an or- phanage in Naples. He grew up to become one of the greatest sculptors of his era, celebrated in his home- town and later in the rest of Italy and Europe. At the age of twenty-five, he was a sensation at the Salon in Paris and, the following year, at the 1878 Universal Ex- position.
    [Show full text]
  • Antiques & Collectables
    An online live auction Antiques & Collectables Wednesday 9th September at 11.00am Wednesday CATHERINE SOUTHON auctioneers & valuers ltd ANTIQUES & COLLECTABLES - September 2020 Antiques & Collectables Wednesday 9th September at 11.00am VIEWING By strict appointment on Monday 7th from 2pm-5pm Tuesday 8th from 9am-6pm Morning of the sale until 11am Please telephone 07808 737694 or 0208 468 1010 (not week of auction) Please note that in line with Government restrictions, this is not a public auction. Bidding will take place online, by telephone or by leaving absentee bids in advance of the auction PLEASE NOTE THAT WE WILL BE MOVING OFFICES FROM 1ST SEPTEMBER 2020 TO: Airivo Chislehurst 1 Bromley Lane Chislehurst Kent BR7 6LH HOWEVER THE AUCTION AND VIEWING WILL TAKE PLACE AT FARLEIGH GOLF CLUB AS USUAL Welcome to Catherine Southon Auctioneers & Valuers Director: Catherine Southon MA Specialists: Tom Blest Prudence Hopkins Sale Administrator: Nicola Minney Auction Enquiries and Information: 0208 313 3655 (Before 1st September) 0208 468 1010 (After 1st September) 07596 332978 07808 737694 Email: [email protected] IMPORTANT NOTICES Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.thesaleroom.com. All payments should be made by bank transfer, debit card or through www.thesaleroom.com. Please note that we are no longer taking credit cards as payment. COLLECTIONS Items must be collected by strict appointment from Farleigh Golf Club by 4:30pm on Friday 11th September. After this time they will be taken to our new office at Airivo Chislehurst 1 Bromley Lane Chislehurst Kent BR7 6LH.
    [Show full text]
  • Timeline1800 18001600
    TIMELINE1800 18001600 Date York Date Britain Date Rest of World 8000BCE Sharpened stone heads used as axes, spears and arrows. 7000BCE Walls in Jericho built. 6100BCE North Atlantic Ocean – Tsunami. 6000BCE Dry farming developed in Mesopotamian hills. - 4000BCE Tigris-Euphrates planes colonized. - 3000BCE Farming communities spread from south-east to northwest Europe. 5000BCE 4000BCE 3900BCE 3800BCE 3760BCE Dynastic conflicts in Upper and Lower Egypt. The first metal tools commonly used in agriculture (rakes, digging blades and ploughs) used as weapons by slaves and peasant ‘infantry’ – first mass usage of expendable foot soldiers. 3700BCE 3600BCE © PastSearch2012 - T i m e l i n e Page 1 Date York Date Britain Date Rest of World 3500BCE King Menes the Fighter is victorious in Nile conflicts, establishes ruling dynasties. Blast furnace used for smelting bronze used in Bohemia. Sumerian civilization developed in south-east of Tigris-Euphrates river area, Akkadian civilization developed in north-west area – continual warfare. 3400BCE 3300BCE 3200BCE 3100BCE 3000BCE Bronze Age begins in Greece and China. Egyptian military civilization developed. Composite re-curved bows being used. In Mesopotamia, helmets made of copper-arsenic bronze with padded linings. Gilgamesh, king of Uruk, first to use iron for weapons. Sage Kings in China refine use of bamboo weaponry. 2900BCE 2800BCE Sumer city-states unite for first time. 2700BCE Palestine invaded and occupied by Egyptian infantry and cavalry after Palestinian attacks on trade caravans in Sinai. 2600BCE 2500BCE Harrapan civilization developed in Indian valley. Copper, used for mace heads, found in Mesopotamia, Syria, Palestine and Egypt. Sumerians make helmets, spearheads and axe blades from bronze.
    [Show full text]
  • FINE EUROPEAN CERAMICS Wednesday 14 June 2017
    FINE EUROPEAN CERAMICS Wednesday 14 June 2017 SPECIALIST AND AUCTION ENQUIRIES EUROPEAN CERAMICS Sebastian Kuhn Nette Megens Sophie von der Goltz FINE EUROPEAN CERAMICS Wednesday 14 June 2017 at 2pm New Bond Street, London VIEWING ENQUIRIES CUSTOMER SERVICES PHYSICAL CONDITION OF Sunday 11 June Nette Megens Monday to Friday 8.30am LOTS IN THIS AUCTION 11am - 3pm Head of Department to 6pm PLEASE NOTE THAT ANY Monday 12 June +44 (0) 20 7468 8348 +44 (0) 20 7447 7447 REFERENCE IN THIS 9am - 4.30pm [email protected] CATALOGUE TO THE PHYSICAL Tuesday 13 June Please see page 2 for bidder CONDITION OF ANY LOT IS FOR 9am - 4.30pm Sebastian Kuhn information including after-sale GENERAL GUIDANCE ONLY. +44 (0) 20 7468 8384 collection and shipment INTENDING BIDDERS MUST SALE NUMBER [email protected] SATISFY THEMSELVES AS TO 24223 THE CONDITION OF ANY LOT Sophie von der Goltz AS SPECIFIED IN CLAUSE 14 OF CATALOGUE +44 (0) 20 7468 8349 THE NOTICE TO BIDDERS [email protected] CONTAINED AT THE END OF £25.00 THIS CATALOGUE. International Director BIDS As a courtesy to intending +44 (0) 20 7447 7447 European Ceramics & Glass bidders, Bonhams will provide a +44 (0) 20 7447 7401 fax John Sandon written indication of the physical To bid via the internet please +44 (0) 20 7468 8244 condition of lots in this sale if a visit bonhams.com [email protected] request is received up to 24 hours before the auction starts. This Please note that bids should be written Indication is issued submitted no later than 4pm on subject to Clause 3 of the Notice the day prior to the sale.
    [Show full text]
  • The-Dredgings-Februa
    February, 2020 Volume 31, Issue 6, AS LIV redgingsthe Being the Voice of the Barony of Lochmere in the Kingdom of Atlantia, SCA, Inc. Inside this issue Populace Meeting Minutes......... 4 Arts & Sciences ........................... 6 Food for Thought ........................ 7 History Highlights— Giordano Bruno ......................... 8 Their Excellencies... o the mighty Populace of Lochmere! Sarra and I are looking at a busy next couple of months with T our progress and are excited to hopefully see you all! It brings us joy to see all of you out enjoying what you do. It's your passion that makes our Barony strong. Table of Contents We are so happy that Lochmeri are continually being recognized for Their Excellencies ........................2 their efforts - we encourage all of you to look around to see if an award Baronial Progress .........................2 recommendation can be made for someone you deem worthy. Sarra and New Member Information ...........3 I are always on the lookout for recommendations too! Lochmere Calendar of Events .......3 Lochmere Baronial Progress .........3 The daylight hours are getting longer. In a short while archery and Atlantia Calendar of Events ..........3 thrown weapons practice will begin. It's an exciting time! Information on the Dredgings ......3 Attention Lochmere Officers ........3 Populace Meeting Minutes ..........4 HAVE FUN! Baronial Reoccurring Activities .....4 This Month in History ...................4 Yours in service, Arts & Sciences ............................6 Cormacc and Sarra Food for Thought .........................7 Baron & Baroness, Lochmere History Highlights .........................8 Lochmere Officers Listing .............13 Lochmere Baronial Champions .....13 Lochmere Baronial Progress Front Cover Winter University AEdult Swim (Baron only) Feb. 1, 2020 Kingdom of Aethelmearc Photo by Aryanna Hawkyns: Elevation of Baroness Avice Barony of Dun Carraig, Feb.
    [Show full text]
  • The Sarah Belk Gambrell Collection of European Porcelain
    THE SARAH BELK GAMBRELL COLLECTION OF EUROPEAN PORCELAIN Thursday, June 24, 2021 DOYLE.COM THE SARAH BELK GAMBRELL COLLECTION OF EUROPEAN PORCELAIN AUCTION Thursday, June 24, 2021 at 10am Eastern EXHIBITION Friday, June 18, Noon – 5pm Saturday, June 19, Noon – 5pm Sunday, June 20, Noon – 5pm Monday, June 21, 10am – 6pm And by Appointment at other times Safety protocols will be in place with limited capacity. Please maintain social distance during your visit. LOCATION Doyle Auctioneers & Appraisers 175 East 87th Street New York, NY 10128 212-427-2730 This Gallery Guide was created on (date) Please see addendum for any changes The most up to date information is available On DOYLE.COM Sale Info View Lots and Place Bids Doyle New York 1 2 Elizabeth I Silver-Mounted Rhenish Böttger Red Stoneware Coffee Pot and Cover Saltglazed 'Tigerware' Jug Circa 1710-15, designed by J.J. Irminger Circa 1580, the silver mount inscribed on the Of squared pear form, the conforming domed hinge 'PETER ELY, OBT. 1684', on the cover cover with pagoda knop, the scroll handle with 'GEO. GUNNING 1815 WATERLOO' and on the channeled sides and a studded exterior, the underside of the foot 'GIVEN BY KING squared curved spout issuing from the gaping CHARLES THE SECOND' and 'G.G. TO M.G. jaws of a scaly serpent, a double-scroll bridge 1834' support above, each side of the body lightly Globular with cylindrical neck and loop handle polished, on a flaring stepped square foot. mottled in brown, the repoussé cover caste with Height 7 3/4 inches, width 6 1/2 inches.
    [Show full text]
  • Some Continental Influences on English Porcelain
    52925_English_Ceramics_vol19_pt3_book:Layout 1 24/7/08 09:12 Page 429 Some Continental Influences on English Porcelain A paper read by Errol Manners at the Courtauld Institute on the 15th October 2005 INTRODUCTION Early French soft-paste porcelain The history of the ceramics of any country is one of We are fortunate in having an early report on Saint- continual influence and borrowing from others. In the Cloud by an Englishman well qualified to comment case of England, whole technologies, such as those of on ceramics, Dr. Martin Lister, who devoted three delftware and salt-glazed stoneware, came from the pages of his Journey to Paris in the year 1698 (published continent along with their well-established artistic in 1699) to his visit to the factory. Dr. Lister, a traditions. Here they evolved and grew with that physician and naturalist and vice-president of the uniquely English genius with which we are so Royal Society, had knowledge of ceramic methods, as familiar. This subject has been treated by others, he knew Francis Place, 2 a pioneer of salt-glazed notably T.H. Clarke; I will endeavour to not repeat stoneware, and reported on the production of the too much of their work. I propose to try to establish Elers 3 brothers’ red-wares in the Royal Society some of the evidence for the earliest occurrence of Philosophical Transactions of 1693. 4 various continental porcelains in England from Dr.. Lister states ‘I saw the Potterie of St.Clou documentary sources and from the evidence of the (sic), with which I was marvellously well pleased: for I porcelain itself.
    [Show full text]