Economist Eyes Joblessness Gain
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Retrofuture Hauntings on the Jetsons
City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2020 No Longer, Not Yet: Retrofuture Hauntings on The Jetsons Stefano Morello CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/446 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] de genere Rivista di studi letterari, postcoloniali e di genere Journal of Literary, Postcolonial and Gender Studies http://www.degenere-journal.it/ @ Edizioni Labrys -- all rights reserved ISSN 2465-2415 No Longer, Not Yet: Retrofuture Hauntings on The Jetsons Stefano Morello The Graduate Center, City University of New York [email protected] From Back to the Future to The Wonder Years, from Peggy Sue Got Married to The Stray Cats’ records – 1980s youth culture abounds with what Michael D. Dwyer has called “pop nostalgia,” a set of critical affective responses to representations of previous eras used to remake the present or to imagine corrective alternatives to it. Longings for the Fifties, Dwyer observes, were especially key to America’s self-fashioning during the Reagan era (2015). Moving from these premises, I turn to anachronisms, aesthetic resonances, and intertextual references that point to, as Mark Fisher would have it, both a lost past and lost futures (Fisher 2014, 2-29) in the episodes of the Hanna-Barbera animated series The Jetsons produced for syndication between 1985 and 1987. A product of Cold War discourse and the early days of the Space Age, the series is characterized by a bidirectional rhetoric: if its setting emphasizes the empowering and alienating effects of technological advancement, its characters and its retrofuture aesthetics root the show in a recognizable and desirable all-American past. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
Television Today 1*
Fn.Jon. 3, 1975 TELEVISION TODAY 1* The Tribune cannot be responsible for errors caused by last- minute changes. Schedules are printed as a public sen-ice and supplied by local stations. Highlights Noveio 31—Movie: "Man From SANKXD AND SON SPECIAL 04P.M. Channel Chuckles Frisco" (1944) 2—Botifton 3ft-lt Is Written Fred returns borne after a long trip "Immigration: The Gate Crashers." 4-Merv Griffin: Woyne •yMKEAMI and spoils his own surprise party An examination of the problems and Newton. Sandier and • 9:31 P.M. (repeat). Channels 4, 3, 8; 8 p.m. effects on our society of the millions of Young, Pete Barbutti. 34-Foitb For Todov lono Cantrell illegal aliens who have entered and The Reel PBS $eoson SlO-Mike Douglas: Jamie • MP.M. KUNG Rl If you watch Channel 9, you may have Fare, Don Rather, George 2-40-Newj A journey to mysterious Indian bur- continue to enter the U.S. in disregard noticed that the PBS schedule which started Shearing 4-3-S-Police Woman: Ruby ial grounds, and into the frightening of the law. Channels 7, 11, 13; 10 p.m. 8—Mike Douglas: Joel Grey, Dee in the fall is the public network's feeblest Sergio Franchi 6—Firing Line recesses of the human mind, awaits TONIGHT SHOW and least distinguished lineup in years. A »H4-Sesome Street 7-1V13-NewsCloseup: Caine when he en- George Peppard, Leslie Uggams new system of government funding had left 11-StarTrek "Immigration, The Gate 12—Jeopordv Crasners" counters a young and Art Carney join Johnny Carson PBS fractured and near-penniless. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Committee on Evaluation of Comic Books Collection
Mss. 126 COMMITTEE ON EVALUATION OF COMIC BOOKS COLLECTION Scope and Content: The Committee on Evaluation of Comic Books donated the comic book collection in the Rare Books & Special Collections Department of the Public Library of Cincinnati and Hamilton County. It contains the founder, Reverend Jesse Murrell’s, correspondence, lists and articles regarding the Committee on Evaluation of Comic Books. This committee was founded in Cincinnati in 1948 shortly after Reverend Murrell preached a scathing sermon regarding comic books in May. Reverend Jesse Murrell of Covington, Kentucky organized the Committee. Another founding member was Ernest Miller, then the associate director, later becoming the director of the Public Library of Cincinnati and Hamilton County. The bulk of the collection consists of over 500 comic books from 1948 to 1966 that were evaluated by the committee. In 1950 the committee’s evaluation list was published in the February and October issues of Parents’ Magazine. It was published in this magazine every year from 1950 to 1959. From 1948 to 1960 the committee produced the evaluation list at least once a year, sometimes twice. On May 21, 1970, Mr. Miller was appointed the archivist of the Committee and all materials were housed at the Public Library of Cincinnati and Hamilton County, Main Library. The Committee on the Evaluation of Comic Books continued to meet until 1979. “Our major purpose is to help the people formulate critical judgment as to the comics, then we try to help them buy and read selectively.” Reverend Murrell died in 1972; as did Mr. Miller. It was Mrs. -
On Allegations: Personal Gain* HOLMDEL - Former N.J
' . •-._. -r"-— - . July 4 rams Planned in Many Towns SEE STORY PAGE 2 Sunny and Hot Sunny and hot today. Clear, ••' cool tonight. Sunny and pleas- FINAL ant tomorrow and Sunday. Ked Bank, Freehold 'Long Branch EDITION Monmoath County's Outstanding Home Newspaper VX)L.94,NO.'5 RED BANK, N.J., FRIDAY, JULY 2,1971 TEN CENTS !*** f "ST" .,..,.. t on Allegations: Personal Gain* HOLMDEL - Former N.J. in' the. conspiracy-extortion, I ever use my office for any Highway Authority Executive trial of Hudson County offi- personal gain." Director D. Louis Tonti, cials. Asked if he were denying Holmdel, this morning denied Mr. Stern said the two, any personal involvement in the allegation that he had apparently acting on "ad- land transactions, Mr. Tonti. used advance information' vance information" pur- replied "I didn't say that But' about the site of the Garden chased the land on which the the conclusion drawn is with- "State Arts Center to personal Arts Center stands for $90,500, out foundation... profit in land dealings. later sold it to the Highway "1 never used my office for "I never used my office for Authority for $300,000, and de- any personal gain." any personal gain," Mr. Tonti posited the money in Swiss Back from Abroad averred. banks. Mr. Tonti, now head of D. The allegation about Mr. No'Foundation'., Louis Tonti Associates, a Tonti and former N.J. High- "The suggestion is-without Woodbridge-based construc- way Authority member Wil- any loundation in fact," Mr. tion concern, returned late liam Sternkopf was made Tonti said, "At no time did I last night from a business trip Wednesday by U.S. -
Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources December 2019 SurveyLA Citywide Historic Context Statement Entertainment Industry/Industrial Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS PREFACE 1 CONTRIBUTORS 1 INTRODUCTION 1 HISTORIC CONTEXT INDUSTRIAL PROPERTIES ASSOCIATED WITH THE ENTERTAINMENT INDUSTRY, 1908-1980 3 Origins of the Entertainment Industry in Southern California 3 Entertainment Industry Development in the 1920s and 1930s 13 Entertainment Industry Development During World War II 59 Entertainment Industry Development in the Postwar Era 63 SUB-THEME: ORIGINS OF THE MOTION PICTURE INDUSTRY, 1908-1919 72 Development of Industrial Districts and “Motion Picture Zones” 72 Development of Early Motion Picture Production Facilities 73 SUB-THEME: MOTION PICTURE INDUSTRY: MAJOR STUDIO ERA – “THE BIG EIGHT,” 1919-1949 76 Development of Major Motion Picture Production Facilities 76 SUB-THEME: MOTION PICTURE INDUSTRY: INDEPENDENT STUDIOS AND RENTAL PLANTS, 1919-1980 80 Development of Independent Motion Picture Production Facilities 80 SUB-THEME: RADIO BROADCASTING INDUSTRY, 1922-1945 84 Development of Radio Broadcasting Facilities 84 SUB-THEME: TELEVISION BROADCASTING INDUSTRY, 1931-1980 88 Development of Television Broadcasting Facilities 88 SUB-THEME: RECORDING INDUSTRY, 1925-1980 -
Orientalism in I Dream of Jeannie
APPROVAL PAGE FOR GRADUATE THESIS OR PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF REQUIREMENTS FOR DEGREE OF MASTER OF ARTS AT CALIFORNIA STATE UNIVERSITY, LOS ANGELES BY Stephanie Abraham Candidate Interdisciplinary Studies: Cultural Studies Field of Concentration TITLE: HOLLYWOOD’S HAREM HOUSEWIFE: ORIENTALISM IN I DREAM OF JEANNIE APPROVED: Dr. Steven Classen Faculty Member Signature Dr. Dionne Espinoza Faculty Member Signature Dr. John Ramirez Faculty Member Signature Dr. Alan Muchlinski Department Chairperson Signature DATE: 06/07/06 HOLLYWOOD’S HAREM HOUSEWIFE: ORIENTALISM IN I DREAM OF JEANNIE A Thesis Presented to The Faculties of the Departments of Chicana/o Studies, Communication Studies, and Sociology California State University, Los Angeles In Partial Fulfillment Of the Requirements for the Degree Master of Arts By Stephanie Abraham June 2006 © 2006 Stephanie Abraham ALL RIGHTS RESERVED ii ACKNOWLEDGEMENTS This project would not have been possible without the love, support, and patience of so many people in my academic and personal communities, who figured out how to support me even when overwhelmed by their own responsibilities. My expectations of graduate school have been surpassed at California State University, Los Angeles. I have encountered mentors who have greatly impacted my life. I have had the great fortune of spending hours talking and laughing with my thesis advisor, Dr. Steven Classen. He listens and advises and is not afraid to let out his inner-cheerleader to encourage his overworked and underpaid graduate students. He is an excellent professor and mentor. I am also significantly indebted to Dr. Dionne Espinoza, who lets it slide that I call her “dude,” and consistently challenges me to take my scholarship, my dreams, and myself seriously. -
Monday-Friday Saturday Sunday
WCIU-TV 26.2 • Comcast 223 • RCN 14 • WOW 17 • AT&T Uverse 23 • DIRECTV 23 • Dish Network 23 Effective 9/27/10 Monday-Friday Saturday Sunday 5:00AM First Business Sponsored Sponsored 5:30 Sponsored Sponsored Sponsored 6:00 Dennis The Menace Sponsored The Courtship Of Eddie's Father 6:30 Father Knows Best First Business Chicago Sponsored 7:00 Saved By The Bell CPS Sports Edition (E/I) Green Screen Adventures (E/I) 7:30 Silver Spoons Green Screen Adventures (E/I) Green Screen Adventures (E/I) 8:00 One Day At A Time Green Screen Adventures (E/I) Green Screen Adventures (E/I) 8:30 Maude Sponsored Sponsored 9:00 The Cosby Show Saved By The Bell Saved By The Bell 9:30 The Cosby Show Sponsored Sponsored 10:00 Who's The Boss Addams Family The Bullwinkle Show 10:30 Who's The Boss Sponsored The Underdog Show 11:00 I Love Lucy Cheers The Brady Bunch 11:30 I Love Lucy Cheers The Brady Bunch 12:00PM The Andy Griffith Show Eight Is Enough The Brady Bunch 12:30 The Andy Griffith Show The Brady Bunch 1:00 Leave It To Beaver I Dream Of Jeannie I Dream Of Jeannie 1:30 Leave It To Beaver I Dream Of Jeannie I Dream Of Jeannie 2:00 I Dream Of Jeannie The Partridge Family The Partridge Family 2:30 Barney Miller The Partridge Family The Partridge Family 3:00 Hogan's Heroes The Monkees The Monkees 3:30 Gilligan's Island The Monkees The Monkees 4:00 Roseanne Silver Spoons Silver Spoons 4:30 Roseanne Silver Spoons Silver Spoons 5:00 The Nanny Who's The Boss Who's The Boss 5:30 The Nanny Who's The Boss Who's The Boss 6:00 Bewitched Good Times One Day At A Time -
Horror Begins at Home: Family Trauma In
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank HORROR BEGINS AT HOME: FAMILY TRAUMA IN PARANORMAL REALITY TV by ANDREW J. BEARD A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2012 DISSERTATION APPROVAL PAGE Student: Andrew J. Beard Title: Horror Begins at Home: Family Trauma in Paranormal Reality TV This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Dr. Carol Stabile Chairperson Dr. Anne Laskaya Member Dr. Priscilla Ovalle Member Dr. Lynn Fujiwara Outside Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2012 ii © 2012 Andrew J. Beard iii DISSERTATION ABSTRACT Andrew J. Beard Doctor of Philosophy Department of English June 2012 Title: Horror Begins at Home: Family Trauma in Paranormal Reality TV This dissertation argues that paranormal reality television is a form of what some have referred to as “trauma television,” a site of struggle between meanings of family and the violence often found in the hegemonic nuclear family ideal. Programs such as A Haunting and Paranormal State articulate family violence and trauma through a paranormal presence in the heteronormative family home, working to make strange and unfamiliar the domestic and familial milieus in which their episodes take place. -
33:42:46 Total Tracks Size: 2.6 GB # Artist Title Length
Total tracks number: 760 Total tracks length: 33:42:46 Total tracks size: 2.6 GB # Artist Title Length Genre 01 Arrogant Worms The Happy Happy Birthday Song 01:36 Birthday 02 Barbara Mandrell Happy Birthday Dear Heartache 02:34 Birthday 03 Barney Happy Birthday To You 01:34 Birthday 04 Beatles Happy Birthday 02:42 Birthday 05 Bobby Vinton Happy Birthday Sweet Sixteen 01:33 Birthday 06 Britney Spears- Happy Birthday to you Britney Spears- Happy Birthday to you 01:14 Birthday 07 Comedy Funny Happy Birthday Song 01:36 Birthday 08 Conway Twitty Happy Birthday Baby 02:54 Birthday 09 Disney Happy Happy Birthday to You 03:10 Birthday 10 Disney Children's Favorites Happy Birthday Song 01:15 Birthday 11 Feliz Cumpleanos Happy Birthday in Spanish 01:51 Birthday 12 Frank Sinatra Happy Birthday to You 00:28 Birthday 13 Fun Happy Birthday Song Fun Happy Birthday Song 01:45 Birthday 14 Happy Birthday Happy Birthday 00:41 Birthday 15 Jimi Hendrix Happy Birthday 02:03 Birthday 16 Justin Timberlake Happy Birthday 01:13 Birthday 17 Kathy Young and The Innocents Happy, Happy Birthday Baby 02:17 Birthday 18 Marilyn Monroe Happy Birthday to You 02:02 Birthday 19 Monkees Happy Birthday To You 01:02 Birthday 20 Neil Diamond Happy Birthday Sweet Sixteen 03:39 Birthday 21 Neil Sedaka Happy Birthday Sweet Sixteen 02:33 Birthday 22 New Kids On The Block Happy Birthday To You 02:49 Birthday 23 N'Sync Happy Birthday to Rosie (acapella) 01:19 Birthday 24 Patsy Cline Happy Birthday, Baby 02:19 Birthday Feliz Cumpleanos (Live from General 25 Ricky Martin 00:44 Birthday Hospital) 26 Ronnie Milsap Happy Happy Birthday Baby 03:42 Birthday Happy Birthday Lisa (Bart And Michael 27 Simpsons 01:11 Birthday Jackson) Happy Birthday, Mr. -
Read Ebook {PDF EPUB} My Favorite Martian by Dona Smith My Favorite Martian by Dona Smith
Read Ebook {PDF EPUB} My Favorite Martian by Dona Smith My Favorite Martian by Dona Smith. ############# My Favorite Martian ############ ############## season 1 1963-64 ############## ##################### (bw) ################### CBS Sundays 7:30 pm EST 37 episodes aired 39 prod. nos. (prod. nos. 1 -39) - 2 missing/ unproduced? 1.01 My Favorite Martian (pilot episode) 29-Sept-1963 CBS Sun Guest Cast: Pamela Britton . Mrs. Brown Ina Victor . Annabelle Erickson Simon Oakland . Lieutenant Murphy Herbert Rudley . Colonel Whitehead J. Pat O'malley . Harry Burns Lee Krieger . Radarman Marc Towers . Plainclothesman Linden Chiles . Howard Loomis Synopsis: On the way home from missing a flight of the X-15 that he was supposed to cover for his newspaper, Tim O'Hara sees a small spacecraft crash in a desolate area. The man he pulls out of the ship is a Martian professor who has been studying the people of Earth for several hundred years. The Martian gives him details of the X-15 flight, and when the story is printed, Tim is arrested, told he won't be released until he tells them who among the military personnel revealed the secret information to him. Since no one would believe the truth, Tim is afraid he'll never get out. But then the Martian appears out of thin air in his cell and suggests a plan that finally satisfies the authorities. Tim offers room and board to his new-found Martian friend while he's repairing his spaceship. In return, the martian, who among other things can read minds, becomes invisible and converses with animals, offers to help Tim with his reporting.