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WCIU-TV 26.2 • Comcast 223 • RCN 14 • WOW 17 • AT&T Uverse 23 • DIRECTV 23 • Dish Network 23 Effective 9/27/10 Monday-Friday Saturday Sunday 5:00AM First Business Sponsored Sponsored 5:30 Sponsored Sponsored Sponsored 6:00 Dennis The Menace Sponsored The Courtship Of Eddie's Father 6:30 Father Knows Best First Business Chicago Sponsored 7:00 Saved By The Bell CPS Sports Edition (E/I) Green Screen Adventures (E/I) 7:30 Silver Spoons Green Screen Adventures (E/I) Green Screen Adventures (E/I) 8:00 One Day At A Time Green Screen Adventures (E/I) Green Screen Adventures (E/I) 8:30 Maude Sponsored Sponsored 9:00 The Cosby Show Saved By The Bell Saved By The Bell 9:30 The Cosby Show Sponsored Sponsored 10:00 Who's The Boss Addams Family The Bullwinkle Show 10:30 Who's The Boss Sponsored The Underdog Show 11:00 I Love Lucy Cheers The Brady Bunch 11:30 I Love Lucy Cheers The Brady Bunch 12:00PM The Andy Griffith Show Eight Is Enough The Brady Bunch 12:30 The Andy Griffith Show The Brady Bunch 1:00 Leave It To Beaver I Dream Of Jeannie I Dream Of Jeannie 1:30 Leave It To Beaver I Dream Of Jeannie I Dream Of Jeannie 2:00 I Dream Of Jeannie The Partridge Family The Partridge Family 2:30 Barney Miller The Partridge Family The Partridge Family 3:00 Hogan's Heroes The Monkees The Monkees 3:30 Gilligan's Island The Monkees The Monkees 4:00 Roseanne Silver Spoons Silver Spoons 4:30 Roseanne Silver Spoons Silver Spoons 5:00 The Nanny Who's The Boss Who's The Boss 5:30 The Nanny Who's The Boss Who's The Boss 6:00 Bewitched Good Times One Day At A Time 6:30 Bewitched Good Times One Day At A Time 7:00 The Mary Tyler Moore Show Stooge-a-Palooza Sponsored 7:30 The Dick Van Dyke Show Sponsored 8:00 All In The Family Sponsored 8:30 All In The Family Sponsored 9:00 The Jeffersons All In The Family All In The Family 9:30 The Jeffersons All In The Family All In The Family 10:00 Good Times The Jeffersons The Jeffersons 10:30 Sanford & Son The Jeffersons The Jeffersons 11:00 Frasier Sanford & Son Sanford & Son 11:30 Cheers Taxi Maude 12:00AM The Bob Newhart Show Get Smart Get Smart 12:30 Married With Children Get Smart Get Smart 1:00 Sponsored Svengoolie Sponsored 1:30 That's My Mama Wild America (E/I) 2:00 Diff'rent Strokes That's My Mama 2:30 Dennis the Menace That's My Mama 3:00 Steve Wilkos Mork & Mindy Mork & Mindy 3:30 My Favorite Martian My Favorite Martian 4:00 True Hollywood Story The Flying Nun The Flying Nun 4:30 The Flying Nun The Flying Nun ( R ) = Rerun (E/I) = Educational/Informative Subject to Change WCIU-TV 26.2 • Comcast 223 • RCN 14 • WOW 17 • AT&T Uverse 23 • DIRECTV 23 • Dish Network 23 5:00AM 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 12:00PM 12:30 1:00 1:30 2:00 2:30 3:00 3:30 4:00 4:30 5:00 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 12:00AM 12:30 1:00 1:30 2:00 2:30 3:00 3:30 4:00 4:30 Subject to Change.

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Michael Zinberg Is a Director, Writer and Producer of Prime-Time Television Dramas, Comedies and Movies
MICHAEL ALLAN ZINBERG SUMMER 2014 Michael Zinberg is a Director, Writer and Producer of prime-time television dramas, comedies and movies. Moving to Los Angeles in the summer of 1968, he began his award-winning career as an usher at CBS-Television City, and as a writer and production assistant. He soon became Associate Producer of NICHOLS, starring James Garner. He then joined the Mary Tyler Moore (MTM) Company (72), where he wrote, produced and directed The Bob Newhart Show (Six Seasons) and worked on MTM’s other series, including the Mary Tyler Moore Show. From MTM he took his first turn at NBC as VP Program Development (79-81), bringing Hill Street Blues, and Cheers to air. Later, as President NBC-P (93-95), he supervised Homicide, JAG and all NBC Late Night programming. His time at the Network gave him unique insight as a Writer and Creator-Producer, but he always saw himself primarily a Director. His Directing career includes shows in every format, many of which he wrote and produced. Among them, Newhart, WKRP in Cincinnati, Family Ties, Taxi, The Yellow Rose, Til I Kissed Ya (MOW), Cold Steel & Neon, The Practice, Everybody Loves Raymond, Midnight Caller, Gilmore Girls, NCIS, LOST, Rizzoli & Isles, Private Practice, The Unit, Lie To Me, NCIS New Orleans, The Michael Fox Show, The Blacklist and The Good Wife. He received the Directors Guild of America Award for Outstanding Directing in Television Drama for the Viet Nam Trilogy of QUANTUM LEAP, a series he also Executive Produced. A four time Emmy nominee, he received The Lifetime Achievement Award from The Caucus of Writers, Producers and Directors.
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The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139).
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Many Loves Ofdobie Gillis, Hawaiian Eye, 77 Sunset Strip, Wagon Train, Ben Casey, My Mother the Car, and Perry Mason
BARBARA BAIN Born in Chicago on September 13th, Barbara Bain graduated from the University of Illinois with a Bachelor’s Degree in Sociology before relocating to New York City. Once there, Bain found gainful employment as a high fashion model and explored her life-long love of dance by studying with Martha Graham, master of American modern dance. Further exploring her interest in the arts, Bain began her acting training in the private class of the most famous and respected of all acting teachers, Lee Strasberg. After a successful audition, she accepted an invitation to become a member of his legendary The Actors Studio. Bain toured with the road company of Paddy Chayefsky's Middle of the Night, a tour which landed her in Los Angeles, and not long thereafter Bain found work on some of the most popular television shows of the day. She appeared opposite Larry Hagman in United Artists' Harbormaster and with Darrin McGavin in the popular Mike Hammer series. Perhaps her first real big break came, however, when she was cast in the recurring role of Karen Wells, love interest of David Janssen, in the seminal private-eye series, Richard Diamond, Private Detective. Bain continued to work steadily, appearing in numerous television series: Tightrope, The Law and Mr. Jones, Straightaway and Adventures in Paradise. She also had the opportunity to flex her comedy skills in one of the most memorable episodes of the classic The Dick Van Dyke Show, created by Carl Reiner. In the episode "Will You Two Be My Wife," Bain turned in a hilarious performance as "Dorie-doo," a blonde bombshell with whom Van Dyke must break-up in order to marry the ever-perky Mary Tyler Moore.
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Legal Challenges to State Censorship, 1915–1981
392 Book Reviews moral, family-focused, citizen ideals . were contrasted with images of urban-affiliated youth and Left political activist movements that suggested a ‘rejection of American values’ and of ‘straight American society’’’ (79). Expanding on this theme, a fascinating overview of MTM Productions’ ‘‘quality comedies’’ of the 1970s offers richly detailed analyses of The Mary Tyler Moore Show, The Bob Newhart Show, and WKRP in Cincinnati, contending that while these shows presented a ‘‘newly urbane imagination of the Midwest’’ (113) they also deflected larger issues of dissent and unrest prevalent in the Vietnam and post-Vietnam eras, representing the Heartland as a place ‘‘untouched by political turmoil . which survived the sixties unfazed, unaltered and in balance’’ (117). Among other topics, remaining chapters explore the controversial portrayals of lesbianism in Rosanne and Ellen, as well as how news coverage and commemora- tion of the 1995 Oklahoma City bombing drew insistently on the Heartland narrative. There are a few problematic areas. Although the book is for the most part engagingly written, it is occasionally burdened with dense and repetitive academic jargon, revealing its origins as a dissertation. Also, while likely the decision of the publisher and not the author, the absence of a bibliography is inappropriate for a major work of scholarship. These concerns do not detract from Johnson’s overall accomplishment, however. Her work is thoroughly researched, conceptually sophisticated, and offers a fresh rethinking of the history and cultural politics of television. A fine example of the exciting new scholarship emerging in television studies, Heart- land TV is a ground-breaking study and likely to become a future classic.
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Retrofuture Hauntings on the Jetsons
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THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES the 42Nd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES The 42nd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS Live Television Broadcast Airing Exclusively on Pop Sunday, April 26 at 8:00 p.m. EDT/5:00 p.m. PDT Daytime Creative Arts Emmy® Awards Gala on April 24th To be held at the Universal Hilton Individual Achievement in Animation Honorees Announced New York – March 31st, 2015 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 42nd Annual Daytime Emmy® Awards. The awards ceremony will be televised live on Pop at 8:00 p.m. EDT/5:00 p.m. PDT from the Warner Bros. Studios in Burbank, CA. “This year’s Daytime Emmy Awards is shaping up to be one of our most memorable events in our forty-two year history,” said Bob Mauro, President, NATAS. “With a record number of entries this year, some 350 nominees, the glamour of the historic Warner Bros. Studios lot and the live broadcast on the new Pop network, this year promises to have more ‘red carpet’ then at any other time in our storied-past!” “This year’s Daytime Emmy Awards promises a cornucopia of thrills and surprises,” said David Michaels, Senior Vice President, Daytime. “The broadcast on Pop at the iconic Warner Bros. Studios honoring not only the best in daytime television but the incomparable, indefatigable, Betty White, will be an event like nothing we’ve ever done before. Add Alex Trebek and Florence Henderson as our hosts for The Daytime Creative Arts Emmy Awards at the Universal Hilton with Producer/Director Michael Gargiulo as our crafts lifetime achievement honoree and it will be two galas the community will remember for a long time!” In addition to our esteemed nominees, the following six individuals were chosen from over 130 entries by a live, juried panel in Los Angeles and will be awarded 1 the prestigious Emmy Award at our Daytime Creative Arts Emmy Awards on April 24, 2015.
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Buck Henry, Who Helped Create ʻget Smartʼ and Adapt ʻthe Graduate,ʼ Dies at 89 an Unassuming Screenwriter and Actor, Mr
1/11/2020 Buck Henry, Who Helped Create ‘Get Smart’ and Adapt ‘The Graduate,’ Dies at 89 - The New York Times https://nyti.ms/2N7atsQ Buck Henry, Who Helped Create ʻGet Smartʼ and Adapt ʻThe Graduate,ʼ Dies at 89 An unassuming screenwriter and actor, Mr. Henry thought up quirky characters with Mel Brooks and inhabited many more on “Saturday Night Live.” By Bruce Weber Published Jan. 9, 2020 Updated Jan. 10, 2020 Buck Henry, a writer and actor who exerted an often overlooked but potent inﬂuence on television and movie comedy — creating the loopy prime-time spy spoof “Get Smart” with Mel Brooks, writing the script for Mike Nichols’s landmark social satire “The Graduate” and teaming up with John Belushi in the famous samurai sketches on “Saturday Night Live” — died on Wednesday in Los Angeles. He was 89. His wife, Irene Ramp, said his death, at Cedars-Sinai Medical Center, was caused by a heart attack. John Belushi, left, and Mr. Henry in the 1978 “Saturday Night Live” sketch “Samurai Optometrist.” Fred Hermansky/NBCUniversal via Getty Images As a personality and a performer, Mr. Henry had a mild and unassuming aspect that was usually in contrast with the pungently satirical or broadly slapstick material he appeared in — and often wrote. Others in the room always seemed to make more noise. https://www.nytimes.com/2020/01/09/movies/buck-henry-dead.html 1/6 1/11/2020 Buck Henry, Who Helped Create ‘Get Smart’ and Adapt ‘The Graduate,’ Dies at 89 - The New York Times Indeed, for almost 50 years he was a Zelig-like ﬁgure in American comedy, a ubiquitous if underrecognized presence not only in grand successes but also in grand failures.
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Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot.
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Frons Launches Soap Sensation
et al.: SU Variety II SPECIAL 'GOIN' HOLLYWOOD' EDITION II NEWSPAPER Second Class P.O. Entry Supplement to Syracuse University Magazine CURTIS: IN MINIS Role Credits! "War" Series Is All-Time Screen Dream Syracuse- We couldn't pos sibly get 'em all, but in these 8 By RENEE LEVY series "Winds of War," based on to air in late spring and the entire pages find another 40-plus SU Hollywood- The longest. The Herman Wouk 's epic World War II package will air in Europe next year. alumni getting billboards on most demanding. The hardest. The novels, "War and Remembrance" Curtis, exec producer, director the boulevard. In our research, most expensive. That's the story was shot in 757 locations in 10 and co-scribe of the teleplay, spent we discovered a staggering net behind Dan Curtis 'SO's block countries, using more than 44,000 two years filming and a year and a work of Syracusans in the busi buster miniseries " War and Re actors and extras and nearly 800 half editing "War and Remem ness-producers, directors, membrance," which aired the first sets. The production- the longest brance," a project he originally actors, editors, and more! We 18 of its 30 hours in November on in television history--cost an es considered undoable-particular soon realized that all of them ABC-TV. timated $ 105 million to make. The ly because of the naval battles and would not fit, and to those left A sequel to Curtis's 1983 maxi- concluding 12 hours are expected the depiction of the Holocaust.
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“TIME FLIES LIKE an EAGLE, FRUIT FLIES LIKE a BANANA: DOES YOUR SOUL EVER LAUGH?” Rev
“TIME FLIES LIKE AN EAGLE, FRUIT FLIES LIKE A BANANA: DOES YOUR SOUL EVER LAUGH?” Rev. Don Rollins January 13, 2008 INVITE RESPONSES: “WHAT WAS/IS YOUR FAVORITE TV COMEDY?” Fatty Arbuckle; “Roseanne Barr; “Friends”; Lewis and Martin; “Animal House”; Robin Williams; “Car 54”; Margaret Cho; “30 Rock”; “My Girl Friday”; Eddie Murphy He smoked unfiltered Camels, my (adoptive) dad, thus it was through a blue haze that I watched with him his favorite TV shows. There were the westerns: “Big Valley”; “Gunsmoke”; and “Bonanza”. There were the cop shows: “Dragnet”; “Hawaii Five-Oh”; “Cannon”; and “Ironside”. There were the spy shows: “Mission Impossible”; “I Spy”; and “Man From U.N.C.L.E.” There were the science fiction shows: “The Outer Limits”; “The Twilight Zone”; “Alfred Hitchcock Presents”; and “Star Trek”. And there were a handful of variety shows that my father generally tolerated as a passing nod to my (adoptive) mother’s tastes: “The Dean Martin Show”; “The Red Skelton Show”; “The Glen Campbell Goodtime Hour”; and “Hee Haw”. But the shows from the mid-sixties through the early-seventies that I remember best – the ones whose characters remain distinct and whose storylines I still recall – were the comedies: “McHale’s Navy”; “Hogan’s Heroes”; “Get Smart”; “Barney Miller”; and “F Troop”. My dad was generally loyal to these shows save for his weekly bowling night. But if down-home sitcoms had an attendance system, my old man would surely have gotten a gold star when the people who talked more like us came on our television screen: “The Beverly Hillbillies”; “The Andy Griffith Show”; “Petticoat Junction”; and “Green Acres”.
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