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GLASS LANTERNS P R O D U C T S
+91-9837006913 Glass World https://www.indiamart.com/gargenterprises-firozabad/ We are one of the widely acclaimed companies engaged in the manufacture and export of intricately designed glass and metal products in INDIA. Our exclusive product catalogue, which includes Glass Christmas Decoration, Glass Candle Holders, ... About Us We are one of the widely acclaimed companies engaged in the manufacture and export of intricately designed glass and metal products in INDIA. Our exclusive product catalogue, which includes Glass Christmas Decoration, Glass Candle Holders, Glass, Glass Vase, Glass Votive Holders, Glass Cake Covers, Glass Decanters/Perfume Bottles, Glass Lamps, Glass Lantern & various Glass/Metal Decorative Artwares, hosts a magnificent variety in accordance to the latest trends and styles at best competitive and affordable prices. The product range we offer are amazing and beautifully created keeping with the minutes detailing. While creating products our designers take care that quality is taken care and not ignored. Our assortment of products are stunning and dazzling. We are well known decorative glassware exporters. We are currently supplying to more that 20 countries worldwide. For more information, please visit https://www.indiamart.com/gargenterprises-firozabad/aboutus.html GLASS LANTERNS P r o d u c t s & S e r v i c e s LAN- 2364 Glass Lanterns LAN-1543 Glass Lanterns LAN-1519 Glass Lanterns LAN -01 Glass Lanterns CHRISTMAS DECORATION P r o d u c t s & S e r v i c e s CH-01 Christmas Decoration CH-02 Christmas Decoration -
SL NO Short Text Unit Quantity 1 CAPX-I/18-20 TPT RSA
SL NO Short Text Unit Quantity 1 CAPX-I/18-20 TPT RSA SU 1 2 MAHARASHTRA - MONOLITH-FRONTLIT SU 1 3 Operation & maintenance of PMCC Oct'18 SU 7 4 PIPELINE REPAIR WORK SU 1 5 002_12.07.18_Air gauge & Compressor SU 5 6 01_HOARDING BOARDS @ Lakshmi KSK SU 1 7 10 KL TANK EA 234 8 100 MMD X 6 M L COMP. HOSE B/E 4IN FLA( SU 46 9 118235- T-M--HANUMAPPA-FILLING-STATION EA 5794 10 14.2 KG STP DONE SU 31 11 185721 PCM PETROLEU - 17 M HMS - Inland SU 1 12 2 hoardings and Poles Tirupati FS Biswa SU 20 13 20 Desktop PC SU 11 14 20 kl tank installtion SU 1 15 20 kl tank Reaplacement at kargil f/s SU 1 16 24Hrs-Security w&wAlliedServices-24Hrs SU 229 17 272761 KUMAR AGENCIES-Backlit Section SU 6 18 425 KG FACILITY AT JAIPUR BP SU 16 19 A Site for 2nd Year-178460 SRI M.K.R. A SU 2 20 A SITE KSK_AGARKHED_4816483 (Non PM) EA 705 21 AC - 3 phase, Variable Frequency Drive TO 252.5 22 ADDITIVE 5014 SU 1 23 Addl vehicle for training SU 17 24 ADDL DU INSTLN AT JK MAKAKVI _KHANAPUR SU 2 25 Adjoining road-Civil works SU 4 26 ADO-CAT-B SET 95 27 alarm annunciator panel for Hi & HiHi l SU 8 28 Anand Petroleum SU 1 29 Ankleshwar Taluka-CP Upgradation SU 513 30 ausgram station SU 196 31 Automation of ABINAV FUEL CENTER SU 14 32 Automation of Aman Fuel Thole road SU 9 33 Automation of new ROs SU 2 34 Automation of new ROs(navodya f.s ) SU 4 35 Automation of new ROs-Delhi DO SU 1 36 AUTOMATION UPS WORK AT JAIN PETROLEUM SU 1 37 AUTOMATION UPS WORK AT SANWALIA PATIDAR SU 9 38 Automation works at shahid prakash pati SU 33 39 B Site for 1st Year-307696 MARUDHAN AGE SU -
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OCCASION This publication has been made available to the public on the occasion of the 50th anniversary of the United Nations Industrial Development Organisation. DISCLAIMER This document has been produced without formal United Nations editing. The designations employed and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. Designations such as “developed”, “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. Mention of firm names or commercial products does not constitute an endorsement by UNIDO. FAIR USE POLICY Any part of this publication may be quoted and referenced for educational and research purposes without additional permission from UNIDO. However, those who make use of quoting and referencing this publication are requested to follow the Fair Use Policy of giving due credit to UNIDO. CONTACT Please contact [email protected] for further information concerning UNIDO publications. For more information about UNIDO, please visit us at www.unido.org UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna International Centre, P.O. Box -
Ghana's Glass Beadmaking Arts in Transcultural Dialogues
Ghana’s Glass Beadmaking Arts in Transcultural Dialogues Suzanne Gott PHOTOS BY THE AUTHOR EXCEPT WHERE OTHERWISE NOTED hanaian powder-glass beads first captured spread of West African strip-weaving technologies. my attention in 1990, when closely examin- With the beginnings of European maritime trade in the late ing a strand of Asante waist beads purchased fifteenth century, an increasing volume of glass beads and glass in Kumasi’s Central Market. Looking at the goods were shipped to trade centers along present-day Ghana’s complex designs of different colored glasses, Gold Coast,1 stimulating the growth of local beadworking and I was struck with the realization that each powder-glass beadmaking industries. The flourishing coastal bead had been skillfully and painstakingly crafted. This seem- trade achieved a more direct engagement between European Gingly humble and largely unexamined art merited closer study merchants and trading communities than had been possible and greater understanding (Fig. 1). I worked with Christa Clarke, with the trans-Saharan trade, and enhanced European abilities Senior Curator for the Arts of Global Africa at the Newark to ascertain and respond to local West African consumer pref- Museum, to develop the 2008–2010 exhibition “Glass Beads of erences. This interactive trade environment also facilitated the Ghana” at the Newark Museum to introduce the general public impact of the demands of Gold Coast consumers on European to this largely overlooked art (Fig. 2). The following study pro- product design and production, a two-way dynamic similar to vides a more in-depth examination of Ghanaian glass beadmak- the trade in African-print textiles (Nielsen 1979; Steiner 1985). -
Quarterly Journal of the All India Glass Manufacturers' Federation
Vol. 6 | No. 1 | April - June 2018 Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual Special Feature • Drawing Competition - Adopt a Glass Bottle • Soda Ash for Glass Manufacturing • Opportunities and Challenges posed by the Environment for the Glass Industry in India • The Glass Industry Waking up to its Needs • Hot Sealing of Aluminium Films on Glass Containers • Safety Considerations of Architectural Glass • Float Glass Process and Applications – Revisited: Part I • Life Cycle Analysis (LCA) of Container Glass in India – 2017 • Cold End Project between the Ganges and Yamuna Rivers • Indian Pharmaceutical Plants serve the World • Float Glass Process Technology – Revisited: Part II • Raising our Glasses to the Glass Industry Upcoming Events - Aug 17 (Details on page # 22) • Interactive Session on Industry- related Risk and Opportunities • Ist AIGMF Glass Awards • Annual General & Executive Committee Meetings 1st Prize (winning entry) of Drawing Competition on ‘Adopt a Glass Bottle’ held on World Environment Day - June 5, 2018 812 NEW DELHI HOUSE, 27 BARAKHAMBHA ROAD, NEW DELHI-110001, INDIA Telephone: + 91 11 23316507 Fax: + 91 11 23350357 E-Mail: [email protected] Website: www.aigmf.com 812 NEW DELHI HOUSE, 27 BARAKHAMBHA ROAD, NEW DELHI-110001, INDIA Telephone: + 91 11 23316507 Fax: + 91 11 23350357 E-Mail: [email protected] Website: www.aigmf.com GLASS MELTING GLASS FORMING We provide integrated oxyfuel technology using We provide low cost, compact and modular cost effective on-site oxygen generators based hydrogen generators using SMR technology on VSA technology and suitable combustion capable of producing ultra high purity system to maximise performance, enhance (99.999%) gas required for glass manufactur- productivity and decrease emissions in glass ing process. -
S.O.R 2020(1)
mÙkj izns'k yksd fuekZ.k foHkkx INDEX Sl. Chapter Description Page No. No. 1 - INDEX 1 2 - OFFICE ORDER 2 3 - IMPORTANT INSTRUCTIONS 3-6 4 - EXTRA CONDITIONS FOR LABOUR WORK ONLY 7 5 1 MATERIALS 8-16 6 2 LABOUR 17-18 7 3 CARTAGE 19-22 8 4 EARTH WORK 23 9 5 CONCRETE WORK 24-25 10 6 BRICK WORK 26 11 7 DAMP PROOF COARSE 27 12 8 ANTI TERMITE TREATMENT 28 13 9 DOORS & WINDOWS 29-33 14 10 MILD STEEL & IRON WORK 34-36 15 11 ROOF WORK 37-40 16 12 CEILING AND LINING 41-45 17 13 PLASTER & POINTING 46-48 18 14 FLOORING 49-52 19 15 PAINTING & DISTEMPERING 53-56 20 16 WHITE WASHING & COLOUR WASHING 57 21 17 DEMOLITION & DISMANTLING 58-59 22 18 MARBLE WORK IN WALL LINING ETC. 60 23 19 MISCELLANEOUS 61-62 24 20 ROAD WORK 63-66 25 21 WATER SUPPLY MATERIALS 67-69 26 22 SANITARY MATERIALS 70-71 27 23 WATER SUPPLY WORKS 72-80 28 24 SANITARY FITTINGS 81-84 29 25 DRAINAGE 85-87 30 26 ANNUAL REPAIRS 88 31 27 TRAFFIC SIGN 89-90 32 - CONSUMPTION OF BUILDING MATERIALS 91-92 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 CHAPTER-1 MATERIAL Schedule PWD Rate in MATERIALS Unit Item No. Spec. No. Rs. 1- BRICK (a) Class 150 1.1.1 1000 Nos 5800.00 (b) Class 100 1.1.2 1000 Nos 5600.00 (c ) Straight over brunt Class-275 1.1.4 1000 Nos 5400.00 (d) Tiles, Bull Nose Drip Course Brick 1.1.4 1000 Nos 5700.00 2- BRICK BALLAST (a) Overburnt brick ballast 40mm gauge 1.2 Cum 1200.00 (b) Class-150 brick ballast 25mm gauge 1.2 Cum 1300.00 (c ) Brick Bats of O.B.B./Class150 1.2 Cum 900.00 Fly ash Brick (Specification/Strengh should not be less than bricks 2(A) 1000 Nos 6100.00 150) (Size-230mmx110mmx75mm) Autoclaved Aerated Concrete (AAC) Block conforming to IS-2185- 2(B) 2005(part-III) including loading, cartage upto site, unloading, cum 3000.00 stacking including all levies and octroi, royalities if any 3(A) STONE BALLAST (From Khera Thakur Quarry) 45-90 mm guage stone ballast. -
Bullseye Glass Catalog
CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations. -
ORNAMENT 30.3.2007 30.3 TOC 2.FIN 3/18/07 12:39 PM Page 2
30.3 COVERs 3/18/07 2:03 PM Page 1 992-994_30.3_ADS 3/18/07 1:16 PM Page 992 01-011_30.3_ADS 3/16/07 5:18 PM Page 1 JACQUES CARCANAGUES, INC. LEEKAN DESIGNS 21 Greene Street New York, NY 10013 BEADS AND ASIAN FOLKART Jewelry, Textiles, Clothing and Baskets Furniture, Religious and Domestic Artifacts from more than twenty countries. WHOLESALE Retail Gallery 11:30 AM-7:00 PM every day & RETAIL (212) 925-8110 (212) 925-8112 fax Wholesale Showroom by appointment only 93 MERCER STREET, NEW YORK, NY 10012 (212) 431-3116 (212) 274-8780 fax 212.226.7226 fax: 212.226.3419 [email protected] E-mail: [email protected] WHOLESALE CATALOG $5 & TAX I.D. Warehouse 1761 Walnut Street El Cerrito, CA 94530 Office 510.965.9956 Pema & Thupten Fax 510.965.9937 By appointment only Cell 510.812.4241 Call 510.812.4241 [email protected] www.tibetanbeads.com 1 ORNAMENT 30.3.2007 30.3 TOC 2.FIN 3/18/07 12:39 PM Page 2 volumecontents 30 no. 3 Ornament features 34 2007 smithsonian craft show by Carl Little 38 candiss cole. Reaching for the Exceptional by Leslie Clark 42 yazzie johnson and gail bird. Aesthetic Companions by Diana Pardue 48 Biba Schutz 48 biba schutz. Haunting Beauties by Robin Updike Candiss Cole 38 52 mariska karasz. Modern Threads by Ashley Callahan 56 tutankhamun’s beadwork by Jolanda Bos-Seldenthuis 60 carol sauvion’s craft in america by Carolyn L.E. Benesh 64 kristina logan. Master Class in Glass Beadmaking by Jill DeDominicis Cover: BUTTERFLY PINS by Yazzie Johnson and Gail Bir d, from top to bottom: Morenci tur quoise and tufa-cast eighteen karat gold, 7.0 centimeters wide, 2005; Morenci turquoise, lapis, azurite and fourteen karat gold, 5.1 centimeters wide, 1987; Morenci turquoise and tufa-cast eighteen karat gold, 5.7 centimeters wide, 2005; Tyrone turquoise, coral and tufa- cast eighteen karat gold, 7.6 centimeters wide, 2006; Laguna agates and silver, 7.6 centimeters wide, 1986. -
Download the 2018 / 2019 Print Catalog
MOUNTAIN GLASS 2018/19 PRODUCT GUIDE MountainGlass.com 866.LAMPWORK 828.225.5599 [email protected] Order by 2:30 pm EST for guaranteed same day order shipment Artists: Shawn Henderson @hendyglass & Zariel Shore @zshoreglass • Photo: @lukewaynemedia Asheville, NC • Open Monday – Friday • 10 am to 6 pm EST At Mountain Glass we believe in conservation & preservation of our natural resources. Here is what we are doing about it. In cooperation with American Forests we will have a tree planted for every order of over $100. Over 45,000 trees planted to date! MOUNTAIN GLASS OPERATES ON 100% GREEN POWER With help from NC GreenPower Mountain Glass is now annually supporting 88,800 kWh of cleaner, renewable energy. The amount of coal consumed annually to produce this equivalent amount of energy is 71,928 lbs. (UPDATED 1/8/16) As calculated by NC Greenpower The generation of this amount of renewable energy will annually offset: • 12,000 pounds of carbon dioxide (CO2) • 37 pounds of sulfur dioxide (SO2) • 15 pounds of nitrogen oxides (NOx) The annual reduction of CO2 emissions is environmentally equivalent to: • 17,010 miles not driven OR • 413 days not driven OR • 923 trees planted By partnering with TerraPass all of our outgoing truck shipments are carbon neutral. Our glass case size shipping boxes are made with 33% recycled content! NC GREENPOWER is a statewide effort to improve the environment by using “green power,” Our office paper contains 30% recycled content electricity generated from renewable resources such as solar, wind, biomass and water. The and we recycle all paper, paperboard packaging, cardboard, glass & aluminum here in our building! non-profit NC GreenPower organization is the result of collaboration among electric utilities, environmentalists, state regulators and energy generators. -
New Glass Review 10.Pdf
'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate. -
8.1 Scientific Papers, Proceedings
8.1 Scientific papers, proceedings 1. ALEPH Collaboration., L3 Collaboration., OPAL Collaboration., LEP Working Gropu TPP., Baksay G., Nagy S., Raics P., Szill´asiZ., Tarj´anP., Veszpr´emiV., Zilizi Gy., Dienes B., Horv´athD., Tr´ocs´anyi Z., Ujv´ariB., et al.: Comparison of deep-inelastic electron- photon scattering data with the HERWIG and PHOJET Monte Carlo Models. European Physical Journal C 23 (2002)201. 2. Abbiendi G., Dienes B., Horv´athD., Tr´ocs´anyi Z., Ujv´ariB., et al.: Search for single p leptoquark and squark production in electron-photon scattering at see = 189 GeV at LEP. European Physical Journal C 23 (2002)1. 3. Abbiendi G., Dienes B., Horv´athD., Tr´ocs´anyi Z., Ujv´ariB., et al.: Search for Yukawa Pro- duction of a light neutral Higgs Boson at LEP. European Physical Journal C 23 (2002)397. 4. Abbiendi G., Dienes B., Horv´athD., Tr´ocs´anyi Z., et al.: Investigation of the decay of orbitally-excited B mesons and first measurement of the branching ration BR(B*J!B* Pi(X)). European Physical Journal C 23 (2002)437. 5. Abbiendi G., Dienes B., Horv´athD., Tr´ocs´anyi Z., Ujv´ariB., et al.: Particle multiplicity of unbiased gluon jets from e+e¡ three-jet events. European Physical Journal C 23 (2002)597. 6. Abbiendi G., Dienes B., Horv´athD., Tr´ocs´anyi Z., Ujv´ariB., et al.: Measurement of Z/γ* production in compton scattering of quasi-real photons. European Physical Journal C 24 (2002)1. 7. Abbiendi G., Dienes B., Horv´athD., Tr´ocs´anyi Z., Ujv´ariB., et al.: Search for doubly charged Higgs bosons with the OPAL detector at LEP. -
Amber Pellegrini 206-856-9505
Eighteen omen Wof Glass 2004 Amber Pellegrini www.pellegriniglass.com 206-856-9505 26 Deborah Carlson deborahcarlson.com shootingstarglassstudio.com It’s very strange to write an article about yourself, but really, who can broadened my horizon not only in the glass industry, but also in all of better tell your tale then you? So here goes… the different and exciting ways glass is being produced. By working with fellow glass artists throughout the country and notable glass art My love for glass is rooted in my youth. I grew up with beach glass instructors, I became aware that working with other artists and shar- and church windows and have always felt very much at home when ing ideas and techniques increases your own art ability. Learning and completely surrounded by it. Trying to control glass has taught me a communication is everything. The trick is not to walk away from a lot about life. I compare working with glass to raising children; no class or a conference and create projects that mirror those of the matter how much planning and preparation you do for a piece, it instructor or the fellow artists. Instead, take those techniques that you will do what it wants to do; what it was born to do. The more you can absorb, and incorporate them into your own art. Make it your try to fight it, the more it will rebel and become a mess. The best way own interpretation of that particular technique. to control is just to sit back and enjoy the journey because, almost all the time, the outcome turns out to be better than the first vision.