Forces of Yanukovych, Tymoshenko on the Brink of Forming a Coalition
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Ukraine Ukraine at a Glance: 2002-03
COUNTRY REPORT Ukraine Ukraine at a glance: 2002-03 OVERVIEW Efforts by both pro- and anti-presidential forces to gain the upper hand in the parliamentary election due by March 2002 will increasingly dominate the political scene. The president, Leonid Kuchma, and his parliamentary allies are likely to succeed in using their superior administrative and media resources to limit the gains of their opponents. The government will remain in power until the 2002 election and is unlikely to roll back its predecessor’s reform achievements, although electoral politics will preclude further significant reforms. The economy will grow at a more moderate pace in 2002-03, following buoyant growth in 2001. Year-end inflation will rise slightly to 12% in 2002, owing to further price liberalisation and election- related policy loosening, before falling again in 2003. Sustained export growth will ensure current-account surpluses in 2002-03, although these will narrow because of strengthening import demand and continued real currency appreciation. Key changes from last month Political outlook • The former prime minister Viktor Yushchenko looks increasingly likely to try to build an alliance for the 2002 election that is more centre- than reform-based. Economic policy outlook • Multilateral financing has resumed as expected, and should now permit completion of Ukraine’s Paris Club debts. The narrowing of the budget surplus in August underlines the Economist Intelligence Unit’s forecast that the government is likely to end the year with a slight budget deficit. Economic forecast • Preliminary trade data for the start of the third quarter has prompted a slight revision in our trade surplus forecast for this year. -
General Information About Ukraine
General Information about Ukraine Introduction The purpose of this document is to give a general overview of Ukrainian economy and the city of Slavutych to potential investors. The information provided covers a broad range of subjects to help potential investors understand Ukraine’s developing economy and was gathered from a variety of sources, including the U.S. Central Intelligence Agency, World Bank, and International Monetary Fund. Ukraine is rich in culture, history and natural resources. The government of Ukraine is transforming its economic structure to a western market economy and continues solving problems related to this change. More detailed information about Slavutych, the hometown of Chornobyl Nuclear Power Plant workers, is provided. As the date of the Chornobyl NPP closure approaches, the Ukrainian government is taking steps toward economic diversification, including educating and attracting foreign and domestic investors. This guide aims to provide valuable information about investment opportunities, geography, people, government, and the economy of Ukraine and Slavutych. Geography Ukraine sits at a favorable strategic position between Europe and Asia and is the second-largest country in Europe. The contemporary city of Kyiv is Ukraine’s capital and one of the biggest cities in Europe. With a population of almost 3 million, it stands preeminent as the administrative, economic, research, cultural and educational center. The President, Supreme Council (Verhovna Rada), all ministries and government departments are all located in Kyiv. Location Eastern Europe, bordering the Black Sea, between Poland and Russia Time zone GMT +2:00 Area Total 603,700 sq. km (slightly smaller than Texas ) Land 603,700 sq. -
Raising the Barre: the Geographic, Financial, and Economic Trends of Nonprofit Dance Companies
Raising the Barre: The Geographic, Financial, and Economic Trends of Nonprofit Dance Companies A Study by Thomas M. Smith Research Division Report #44 RESEARCH DIVISION REPORT #44 1 COVER PHOTO Hubbard Street Dance Chicago’s production of Jim Vincent’s counter/part. (Photo by Todd Rosenberg) Raising the Barre: The Geographic, Financial, and Economic Trends of Nonprofit Dance Companies A Study by Thomas M. Smith Foreword by Douglas C. Sonntag Edited by Bonnie Nichols Contributions by Janelle Ott and Don Ball Research Division Report #44 This report was produced by the National Endowment for the Arts Research Division Tom Bradshaw, Director Acknowledgements The NEA Research Division would like to thank Kelly Barsdate (National Assembly of State Arts Agencies), Thomas Pollak (National Center on Charitable Statistics), and John Munger (Dance/USA) for their contributions and counsel; and Stephanie Colman (former division assistant with the NEA Dance Department) for her database assistance. August 2003 Library of Congress Cataloging-in-Publication Data Smith, Thomas M., 1969- Raising the barre: the geographic, financial, and economic trends of nonprofit dance companies: a study by Thomas M. Smith; foreword by Douglas C. Sonntag; edited by Bonnie Nichols; contributions by Janelle Ott and Don Ball. p. cm. -- (Research Division report; #44) 1. Dance companies--Economic aspects--United States. 2. Nonprofit organizations--Economic aspects--United States. 3. National Endowment for the Arts. I. Nichols, Bonnie. II. Ott, Janelle. III. Ball, Don, 1964- -
A Turbulent Year for Ukraine Urbulent Was the Way to Describe 2009 for Ukraine, Which Plunged Into Financial Crisis
No. 3 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 17, 2010 5 2009: THE YEAR IN REVIEW A turbulent year for Ukraine urbulent was the way to describe 2009 for Ukraine, which plunged into financial crisis. No other European country suffered as much as TUkraine, whose currency was devalued by more than 60 percent since its peak of 4.95 hrv per $1 in August 2008. In addition, the country’s industrial production fell by 31 percent in 2009. Prime Minister Yulia Tymoshenko con- fronted the challenge of minimizing the crisis fallout, while at the same time campaigning for the 2010 presi- dential elections. Her critics attacked her for pursuing populist policies, such as increasing wages and hiring more government staff, when the state treasury was broke as early as the spring. Ms. Tymoshenko herself admitted that her gov- ernment would not have been able to make all its pay- ments without the help of three tranches of loans, worth approximately $10.6 billion, provided by the International Monetary Fund. Her critics believe that instead of borrowing money, Ms. Tymoshenko should have been introducing radical reforms to the Ukrainian economy, reducing government waste, eliminating out- dated Soviet-era benefits and trimming the bureaucracy. The year began with what is becoming an annual tra- Offi cial Website of Ukraine’s President dition in Ukraine – a natural gas conflict provoked by the government of Russian Federation Prime Minister President Viktor Yushchenko and Prime Minister Yulia Tymoshenko at the heated February 10 meeting of Vladimir Putin. Whereas the New Year’s Day crisis of the National Security and Defense Council. -
Sergei Prokofiev
Sergei Prokofiev Sergei Sergeyevich Prokofiev (/prɵˈkɒfiɛv/; Russian: Сергей Сергеевич Прокофьев, tr. Sergej Sergeevič Prokof'ev; April 27, 1891 [O.S. 15 April];– March 5, 1953) was a Russian composer, pianist and conductor. As the creator of acknowledged masterpieces across numerous musical genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard works as the March from The Love for Three Oranges, the suite Lieutenant Kijé, the ballet Romeo and Juliet – from which "Dance of the Knights" is taken – and Peter and the Wolf. Of the established forms and genres in which he worked, he created – excluding juvenilia – seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, and nine completed piano sonatas. A graduate of the St Petersburg Conservatory, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument, including his first two piano concertos. In 1915 Prokofiev made a decisive break from the standard composer-pianist category with his orchestral Scythian Suite, compiled from music originally composed for a ballet commissioned by Sergei Diaghilev of the Ballets Russes. Diaghilev commissioned three further ballets from Prokofiev – Chout, Le pas d'acier and The Prodigal Son – which at the time of their original production all caused a sensation among both critics and colleagues. Prokofiev's greatest interest, however, was opera, and he composed several works in that genre, including The Gambler and The Fiery Angel. Prokofiev's one operatic success during his lifetime was The Love for Three Oranges, composed for the Chicago Opera and subsequently performed over the following decade in Europe and Russia. -
Hand-Me-Down Cabinet
Hand-me-down cabinet No. 23/224, June 4, 2001 "Today there is no time for experiments in the composition of the government, and of the parliament either" Anatoly Kinakh, UNIAN, May 29, 2001 "We'll live and see, but conclusions must be made" Leonid Kuchma, UNIAN, May 29, 2001 239 is one of the Ukrainian parliament's magic figures. Those who have followed Ukrainian politics for a relatively long time might recall the notorious "Group 239" in the 1st parliament (1990-1004), also known as a group "For a Soviet Sovereign Ukraine". The influential block consisted mainly of high- ranking Communist party apparatchiks and "red directors" that lobbied the election of former chief Ukrainian ideologist Leonid Kravchuk to replace Volodymyr Ivashko in July 1990. Among other possible candidates for the position was Ihor Yukhnovsky, MP, nominated by the democratic People's Council. At that time member of the parliament Anatoly Kinakh, 35, was not a member of the Group 239, but belonged to the oppositional People's Council - which was rather exotic for a politician from Southern Ukraine and an industrialist. On May 29, 2001, 239 votes were cast in favor of approving Kinakh, member of the 3rd parliament and chairman of the Ukrainian Union of Industrialists and Entrepreneurs, in the position of Prime Minister of Ukraine. The new government is the tenth since Ukraine gained its independence in August 1991. Having approved the nomination of Kinakh the Ukrainian parliament, apparently, passed a test for being "democratic", "pro-market" and "society-conscious". Noteworthy, at the height of debates about potential candidates to occupy the top executive position President Leonid Kuchma warned publicly that the voting would "let us see who is who in the parliament, whether those who declare market reforms are really democrats" and that "we will see who really stands on the basis of democracy and market reform and who is just a salesman who speculates on the situation, cares about his own interests and interests of his clan" (UNIAN, May 25, 2001). -
Disrupted Democracy in Ukraine? Protest, Performance and Contention in the Verkhovna Rada
Disrupted Democracy in Ukraine? Protest, Performance and Contention in the Verkhovna Rada SARAH WHITMORE Abstract Protest performances inside parliament articulated claims to uphold democracy that contributed to the maintenance of pluralism in Ukraine during attempted authoritarian consolidation. Simultaneously, such protests were para-institutional instruments in the ongoing power struggle engendered by a patronal system where formal institutions and norms weakly constrain actors. A diverse repertoire of protest, including rostrum-blocking, visual protest, withdrawal, auditory disruption, somatic protest and the spectacle, was used frequently and was adapted in response to changes in the political opportunity structure. Innovations to the repertoire adapted performances from social movements. In recent years, violent altercations and theatrical protests in Ukraine’s parliament involving tens of deputies have attracted attentive publics to a wide range of issues from language use, imprisoned opposition politicians and deputies’ multiple voting violations, but such spectacular performances belie hundreds of routinised deputies’ protests on procedural and policy matters. Both raise important questions about Ukraine’s political system and democratic practice1 more widely. How should we understand such protests, which are conducted by elected representatives that are already privileged in the system of power and have a range of formal legislative tools for protest at their disposal (Spary 2013), but choose instead to disrupt parliamentary proceedings? Why were such modes of behaviour so prevalent in Ukraine? What do the adaptation of distinctive types of protest reveal about the political system? Could such protests actually signify the vibrancy of democratic practice in Ukraine? Conceptualising Parliamentary Disruption The extant literature on the Verkhovna Rada offers limited orientation on such questions. -
Bronislava Nijinska in Revolutionary Russia
An Amazon of the Avant-Garde: Bronislava Nijinska in Revolutionary Russia LYNN GARAFOLA In August 1915 Alexander Kochetovsky, a graduate of Moscow's Bolshoi Ballet and a veteran of Diaghilev's Ballets Russes, arrived in Kiev to take up a position as ballet master and dancer at the Kiev City Theater [Kievskii Gorodskoi Teatr].1 With him was his wife, Bronislava Nijinska, a former Ballets Russes soloist trained at St. Petersburg's Imperial Ballet School and also hired as a dancer, their two-year-old daughter Irina, and Bronislava's mother, Eleanora Bereda, a retired dancer who began her career at Warsaw's Wielki Theater. For Kochetovsky, the Kiev years would be a brief interlude in a career that ended in Houston teaching ballet to the daughters of oil barons. For Nijinska, they marked the start of an international career as one of the twentieth-century's most innovative choreographers. Nijinska spent nearly six years in Kiev. There she gave birth to a second child and was abandoned not once but twice by Kochetovsky. More importantly, it was in Kiev that she became a modernist artist. In the experimental ferment that followed the 1917 Revolution and the short-lived Ukrainian republic, she opened her own studio, which she called the School of Movement. She worked with visual artists at the cutting edge of the era's avant-garde and with theater directors challenging the conventions of the dramatic stage. She created solos and group works and presented her first full evenings of choreography. She taught in studios identified with the artistic left and with Jewish and Ukrainian cultural organizations. -
Download File
ROM RUSSIA WITH LOVE COSTUMES FOR THE BALLETS RUSSES 1909-1933 • national gallery of australia © National Gallery of Austral ia, Ca nberra ACT 2600, 1998. Thi s publi cation accompanies the ex hibition From Russia with Love: All rights reserved. No pa rt of th is publication may be reproduced Costumes for the Ballets Russes 1909- 1933 orga nised by the or transmitted in any form or by any means, electronic or National Gallery of Australia and curated by Roger Leong mechanica l, including photocopy, record ing, or any information and Christine Dixon, National Ga llery of Australia. retr ieva l system, w ithout permiss ion in w riting from the publisher. Art Gallery of Western Australia, Perth Ed ited des igned and produced by the Pub li cations Department 6 Feb ruary- 5 Apri I 1999 of the National Gi:dl ery of Austra lia, Ca nberra. National Gallery of Australia, Canberra Des igned by Kirsty Morriso n 15 May- 1 August 1999 Edited by Susa n Hall Co lour separations by Co lou rboxDigita l Printed by Lamb Printers LENDERS TO THE EXHIBITION CONTRIBUTORS The Australian Ballet, M elbourne Roger Leong is Ass istant Curator, Intern ational Decorative Arts, A.A. Bakhrushin State Centra l Theatre M useum, Moscow Nati onal Gallery of Australi a, Ca nberra. Comi te Andre Masson, Paris Natalia Metelitsa is Deputy D irector, Hea d of Research and Intern ational Relations at the St Pete rsburg State Museum Musee national d'art moderne- Centre de creation industr iell e, ofTheatre and Music, St Petersb urg. -
New Coalition Emerges Amidst Crisis in Ukraine
ïêàëíéë êéÑàÇëü! CHRIST IS BORN! HEPublished byKRA the Ukrainian NationalIN AssociationIAN Inc., a fraternal non-profit associationEEKLY Vol. LXXVIT UNo. 51 THE UKRAINIAN WEEKLY SUNDAY, DECEMBER W 21, 2008 $1/$2 in Ukraine U.S.-Ukraine Business Council New coalition emerges welcomes its 100th member, Microsoft amidst crisis in Ukraine by Zenon Zawada ment, the coalition is highly flawed – it Kyiv Press Bureau was established on a de facto basis, not having legal standing; and it lacks a KYIV – Forged with defectors from 226-vote majority in Parliament and, the president’s camp, a de facto coalition therefore, is dependent on drawing votes government emerged on December 16 to from other factions. offer stability, keep the current Cabinet of “The practical experience of voting has Ministers in place and replace the failed shown the [Party of] Regions and alliance between the Yulia Tymoshenko Communists can offer several votes,” said Bloc and Our Ukraine – People’s Self- Borys Tarasyuk, leader of the People’s Defense. Rukh of Ukraine party and vice-chair of The National Development, Stability the Our Ukraine – People’s Self-Defense and Order Coalition consists of the parliamentary faction. Tymoshenko Bloc, the Volodymyr Lytvyn Following the election of Mr. Lytvyn Bloc, and 37 national deputies from the as Verkhovna Rada chair, the de facto Our Ukraine – People’s Self-Defense bloc coalition was the latest step taken by no longer loyal to the president, including Prime Minister Tymoshenko to establish all 17 deputies from the People’s Self- some measure of political stability amidst Defense party. a Ukrainian financial and economic crisis Oleksiy Synelnychenko “The coalition’s creation is the end of that worsens with each passing day. -
Ebook Free in Classic Style: the Splendor of American Ballet Theatre
Ebook Free In Classic Style: The Splendor Of American Ballet Theatre This oversized, deluxe volume celebrating the exquisite spectacle that embodies the excellence of American Ballet Theatre, recognized by Congress as "America’s national ballet company," presents the unfolding beauty, grace, agility, and sheer force of its most recent productions. Distinguished photographer Nancy Ellison depicts such enduring ballet classics as La Bayadère, Othello, The Sleeping Beauty, Manon, Romeo and Juliet, Swan Lake, and Giselle, and captures the virtuosity of such unforgettable dancers as Angel Corella, Nina Ananiashvili, Alessandra Ferri, Julio Bocca, and Ethan Stiefel. ABT’s artistic director, Kevin McKenzie, has written an illuminating essay about this preeminent company. The combination of dynamic bravura dancing in dreamlike settings will be a sheer delight to ballet lovers everywhere. Hardcover: 240 pages Publisher: Rizzoli; Deluxe ed. edition (April 29, 2008) Language: English ISBN-10: 0847830411 ISBN-13: 978-0847830411 Product Dimensions: 18.3 x 2.7 x 12.2 inches Shipping Weight: 8.5 pounds (View shipping rates and policies) Average Customer Review: 4.9 out of 5 stars 17 customer reviews Best Sellers Rank: #1,314,485 in Books (See Top 100 in Books) #82 in Books > Arts & Photography > Performing Arts > Dance > Ballet #363 in Books > Arts & Photography > Performing Arts > Dance > Classical #1962 in Books > Arts & Photography > Photography & Video > Photojournalism & Essays > Photo Essays "...a sheer delight to ballet lovers everywhere." ~DanzaBallet.com"...worth the grand jete to your nearest bookstore to buy the tome--tutu de suite." ~Sky Magazine Award-winning photographer Nancy Ellison is the author of numerous books, including several on the subject of ballet, among them American Ballet Theatre’s The Ballet Book as well as In Grand Style: The Glory of the Metropolitan Opera. -
Copyright 2010, Michigan Opera Theatre UNDERSTAND N G the W 0 R L D
Copyright 2010, Michigan Opera Theatre UNDERSTAND N G THE W 0 R L D ~~People fly to Detroit from all over the world. My job is to roll out the red carpet for them every time." Esther Wu, Northwest Airlines interpreter "I've been an intelpreter for Northwest AiJiines dedicated employees like Esther Wu, we're bringing for nearly nine years. In that time, I've seen our the world to Detroit. We're doing this by offering ailport become one of the wOlJd's busiest and a daily nonstop service from four Asian destinations: gateway to Asia. It is my great pleasure to help our Beijing, Osaka, Seoul and Tokyo. Plus, only customers feel comfOltable and to assist dJ em widJ Northwest Airlines offers Detroit over 500 daily customs and immigra tion procedures. I'm proud to flights around the world. wOlk for NOlthwest AiJJines. And I'm pleased to Book online at www.nwa.com. call your travel welcome dJ e wOlJd to my home." agent or call Northwest at 1-800-225-2525. Or, visit There are over 11,000 people of Northwest Airlines your City Ticket Office for all of your travel needs. who are proud to call Michigan home. And with ~NORTHWEST OAIRLINES 1-800-225-2525 / www.nwa.com © 1999 Northwest Airlines, Inc. Northwest recycles enough paper products In one year to save over 6.874,000 gallons of water. 0 Copyright 2010, Michigan Opera Theatre Zh. ~... aI/thor of many books and video's all tlfe M .A. concepts alld personal excellence strategy.