South Carolina, Thursday, January 7, 1875

Total Page:16

File Type:pdf, Size:1020Kb

South Carolina, Thursday, January 7, 1875 11^^^^^^^^^«^^^^^1^^^^^^^^ J?a,2>ez; X>evotecl to tie Interests oi the Ii3depö4cloi>tI People. ! i-:-.-¦-¦-..¦-.-1..--~.:__._;_,_¦ ¦ ¦¦ ¦»_ VOLUME III. ORANGEBURG,' SOUTH CAROLINA, THURSDAY, JANUARY 1875. NUMBER 48. m~~mmmm.~mmm 7, .«..¦._...^......p.i mm..mm hi r. m.M -_,_ i"r » . X V*¦ '»Ä X1+V A SCiSNK FOIL. A. STUDY. invito us to this to ball, but you must Peppor wont away with a Bad face, ¦i l'ostago Stamps. sanio. Olhern AND BY. JEAN INOIXnv. a got two, three, four, SAYINGS DOINGS. writo declination." "which haunted Mrs. Mollen for many a bo -- Whlto llio enow over over flvo, and on up to $0,000. Al¬ lay roof, wold. Charlotte burst into tears/ond(for tho day, nnd'Lbttio returned to tho dress¬ Every Uaited States postage.stamp in ; Snails in Paris, which Whlto hung tho moon In tho frosty sky; first timo since their uf3o i« made heroin New The though a salary of a few dollars'is aro.^.b^axed And huddled sheep, that crouched In tho fold, wedding-day, Mr. making operations. York. not in itself of tho will makethem go still more slowly. ou Mollen stalked out of the room oonlrdet was hold tho American importance, holding Wore tho white raiment djropped from high ; without The lilao moire was made and by Bonk of such an A new as tho White But a llltlo antique offico generally is. For in¬ potato,JtoojvTi window, rusticitnd old,' a good-bye kiss. fitted a Note Company from July 1, 1863, until culti¬ Gleaned cheerily red ou tho wanderers nigh. 'superbly. Sister Helen, who had stance, in a little tho Queen (rjeirie 'blanüfic), is being That afternoon camo up a hurried tho some day in 1873, That was for village postmaster in rioh husband, lent tho point laoo flounces is almost always tho owner of the gro¬ vated Franco". In good soil from A pal ritor passed on his way, that night; noto from tho office, as follows: and scarf three; terms of four years oaob. The 'twelve' to are " and Mrs. Parkorson's man¬ cery and the whilo wait¬ n^t^a'aoreB formed, many What a sccuo for a study I" tho painter Bald ; DAiuiiNa Tjotxie :; Please Continental Bank Note at store, villagers, " Fairly gleams that ruby light, send, by servant brought around the satin casket Company ing for tho mail, find it convenient to of which attain "pr rexceed twonty-two it from the bearer, my valiie, with a few that time offering to do it for one-half Ioiclon fringo overhead; of of diamonds early in. the afternoon ; lay in a stock of/provisions, so that tho pounds. Tho flavor is said to bo very rOh, moon, thon art ghostly t Oh! world thou art changes linen and other necessaries,. tho amount required the other com¬ for an absence of or ten on and Lottie Mollen went to Mrs. Bene¬ by poslofiico draws custom. the fine. Planted ^ February or March, it whlto! eight days dict's pany, tho contract was awarded to thorn. Besides, I'll look In tho window all warm and rod." business för the' firm. Inclosed you ball, in the same oarriago with hor postmaster is usually considered a man becomes ripp.in will find a dollarbill for the sister The oilice of the Continental is at the Juiy^ ' fifty paint¬ and sister's husband. of much importance in a small town. I ,TnE the Vendorao Bo ho looked.hut whatovor his eyes might seo er.a debt whiqh to have been cornor of Greenwich and I ; scaffolding.around ought "I/or onoe, I am equal to any mil¬ Liberty know a who is the column is . The monu¬ Ilia pencil told me, hlB lips wcro dumb, attended to before. Tnko a receipt. streets, but as it was desirable to have storekeeper postmas¬ being removed. X might guess, but who would listen to mo I lionaire's wife on the avonuo," ter of a in tho southern of ment has beon'' reconstructed in Be careful of yourself Mhilo I am gone.. thought tho made in a village part every And tho days of tho painter bavo told then? sum, I wish I havo to LSttio, with a thrill of triumph at her postage stamps perfectly New und who twelve particular the''statue. This has Would could runup say action, the fifth of the Jersey, gets only except you know) you must wait till your eoul 1b but1 time1 'presses. If yon aro lonely, heart. fire-proof building, itory dollars a year for time position. But he been ordered. It has been determined free, get ono of your sisters to come and Her entrance made a sensation. She Equitable Life Insurance building, on wouldn't it for three that to in Kornau stay _ times And you two meet in tho world to come. » V. <v T «... _# T> ., /J-.. J /I.,!.- resign put up Napoleon costume, with you. Affectionately, was quite aware of that as she swept *¦ %ns*uu*. u* x>iuuunaj auu vüuui which was the Hero 1b the amount ©very. year. modol adopted by Napo¬ study tho painter wrought; Oiiahenob. through tho brilliantly lighted rooms; street, was rented for that purpose. It is tho of leon III. A utile way off that window glows, Lottie had been! all tho office hero is for tho use of only postmasters largo And the of tho children's feet aro crying and it was no small wonder, for oho was as Tho Mr. prints brought, but now her towns or oities who rcceivo as much as Hauriet MoEwbn Kuibatj. calls such to tho athwart tho morning, eyes glittered, beautiful as a Daniel M. Boyd, tho " Up doorway, buowb, vision, with her goldon government agent, four thousand dollars. Mr. J. J j. as this A Kiss Aud tho moon beams fell liko au A now camo into her face as. James, longufigo i" afterthought, brightness hair, deep blue oyes and and Mr. Charles F. Steol, tho agent tbo will Aud silvers their pathway who now repose. she hurried hither and queenly hoight, the postmaster of this oity, gets a salary Only rosW hoar; thither, putting while the lilao moiro antique and dia¬ andt'jsuporintondent appointed by the .Doar, ,- her And after t lie The facts of six thousand dollars, the largest Only tHo roads will hoo! Cold shows tho world and tho sky round about, up husband's.things. monds set hor off rarely. company. given in rogard to but This Aud warm breaks that had sho looked given, roally small, considering the once.Jjiet'tbia! ruddy light between; messenger gono, down Mr. Bently Benedict lovelod his oyo- tho making of the stamps were obtained amount of Ab, tbo rosoB^ L win, Of tho pabitor's thought I need uot doubt, at the dollar bill in her hand. largo responsibility and work Thoy onvy mo! For liko his his lifo has been fifty glass at hor, as sho passed on, aftor the by your correspondent from Mr. Henry long Bludy ; or which it involves..New York Letter. Ah, llnio his lot was to walk "Eight ten days," she repeated to. usual to her Bowed, Mr, assistant. Two iu a halt-blown long without, " presentation host and hos¬ Boyd's U.crc spray; From tho ouo light apart in a wintry scone. herself, I'll go to the after elevators run to tho of Say, ball, all/, tess. poBij0ngor top A Terrible Alpine Accident. Tina elia-U;o;i lovo'a anadem bo' But I whero tho whlto flakes with Helen and her husband. I'll take that is tho wife of confi¬ tho building, and on leaving them, tho wreath hop.', frcezo no :'^ßo your Tho Journal de Qonovo of a recent A'roeo-Btnvüg morr, this monoy and buy the moire antique. dential clork, eh, Joe ?" said he to his only entranoo to tho postage stamp Por thy brow, and bonoalh I hope- ivhero wiutcr is over aud Grant will wait on me for date contains the following account of A~roso for mo! gone, .the other brother. "A silk gown for a royal rooms is by moans of a door which is X'*or tho cold of tho night that wont beforo I am and as a catastropho on Mont St. Bernard John Paui» 'bii materialization: IIo almost how ho mado hlB thirty-five, Bure; for the laoo that oouldn't have constantly kept locked and guarded by forgets moan; princess/point "A few dava it was rumored in Mother of Moses! * It does sometimes Aud almost forgets how they closed tho door, painter, just as likely as not he's in no cost less than ono hundred dollars a a janitor, who always sits inBido to an- ago Sion that a accident had seem to so far not Aud doomed him to work In tho world. alone. hurry for his monoy, and if ho is, I'll and diamonds that blazo liko Bwcr the bell which is just outside. On frightful hap¬ mb that people, from yard, at a few kilometres from tho in when it writo to Unclo Jesse to lend mo fifty- cömots ! I don't that the right hand side aro tho ofiloo and pened knowing onough to* go, nuns, » oxaotly fancy Groat St. This unfor¬ evon to under a LOTHE BALL IMiESS. dollars. I was always Unclo Jcsso' fa- a and to tho at Bernard. rumor, don't know enough got sort of confidential clerk mysolf I Le! printing room, away left, to bo well founded.
Recommended publications
  • Hong Kong Budding Poets (English) Award 2014/15 Anthology
    2014/15 Hong Kong Budding Poets (English) Award Poets(English) Budding Award Kong 2014/15 Hong 2014/15 Hong Kong Budding Poets (English) Award Anthology Anthology 2014/2015 Hong Kong Budding Poets (English) Award Anthology Organised by Commissioned to Department of English, City University of Hong Kong Preface “What a strange thing! / to be alive / beneath cherry blossoms.” So wrote the Japanese poet Kobayashi Issa, nearly three hundred years ago. He knew all about life. He lost his mother when he was three; he was sent to the city; he was robbed of his inheritance; his house burnt down; and in the space of a few years he lost three children and his wife. He wrote in another poem that everything he had loved ‘pricked like a bramble.’ The world does this. It confronts. It challenges. It hurts. It is sometimes blesses us, too. But how to respond? Issa came to the same conclusion as many other great artists over the centuries: through art. Art is what defines us as humans. There is no other species that indulges in self-expression in the same way we do. We paint, we act, we write, we sing. Of all these art forms there is none as clean and precise and exacting as poetry. It is distilled language and feeling. It is a painting in works, a snapshot of a moment, or a chronicle covering years. When I write there are two moments when the process is 2014/15 Hong Kong Budding Poets (English) Award at its most joyful: the beginning and the end.
    [Show full text]
  • David Taylor - Poems
    Poetry Series David Taylor - poems - Publication Date: 2007 Publisher: Poemhunter.com - The World's Poetry Archive David Taylor(3rd January 1956) Born, Baby, Child, Adolescent, Student, Employee, Husband, Self Employed, Father, Father, Father, Divorcee, Husband, Father...and throughout all that I'm me! www.PoemHunter.com - The World's Poetry Archive 1 *alone* what should be an invigorating freshness a chill inside (shaking heart beats) traffic on the road silent rising clanking passing (silent again) phone rings silence, recorded voice speaks a real person with taped speech (a recorded message would be better?) selling cheap energy i think i will buy some flowers (petals coloured fragrance) arrange them in a wreath celebrate my death reports of (my) death greatly exaggerated until the silence speaks with the voice of great souls (departed) come in they say (here is the place) to be; alone in eternity. David Taylor www.PoemHunter.com - The World's Poetry Archive 2 *dance Ohh bliss what do you say, do you have a voice today? Where may I find your joy, which I remember as a boy? Ahh bliss where are you now, hidden under frown of brow? Where may I find your sound, which surely must be all around? Hmm bliss what is it that I miss, as I go on with that and this? Where may I find your smile, in each and every hour and mile? Yes I can feel it now, the harmony of the sky and clouds, the moon's revolving round, earth's harvest after plough. It is a dance eternal found the sweetest movement in all sound; and never will be missed, as by that bliss this life is kissed.
    [Show full text]
  • “The Wright Touch” Dance Band
    Swing, Jump, High Society and Show Songs A Foggy Day ( In Old London Town ) Just In Time (Sinatra) * Ain't Misbehavin' Just One Of Those Things All of Me Kiss To Build a Dream On (Louis Armstrong) All of You (Cole Porter) Lady Be Good All or Nothing At All (Sinatra) * Lady Is a Tramp (Sinatra) * Anything Goes La Vien Rose (Louis Armstrong)) As Time Goes By Let the Good Times Roll Autumn Leaves Let’s Call The Whole Thing Off Begin the Beguine Like Someone In Love Believe It Or Not Lil Darlin’ Best of Times Lili Marlene Beyond The Sea L-O-V-E Birth of the Blues Love And Marriage Call Me Love for Sale Change Partners Luck Be A Lady (Sinatra) * Chattanooga Choo Choo Mack The Knife Cheek to Cheek (Sinatra) * Make Someone Happy Chicago Makin’ Whoopee Choo-Choo Cha Boogie Moonglow Come Fly With Me (Sinatra) * More I See You Dancing in the Dark My Kind of Girl (Siantra) * Dancing on the Ceiling New York, New York (Sinatra) * Deep Purple Nice Work if You Can Get It Don't Blame Me Night and Day Embraceable You Oh, Lady be Good Foggy Day Once in a While Forty Second Street On A Clear Day Girl Talk On The Street Where You Live Glory of Love On The Sunny Side of the Street Got It Bad Once In Love With Amy Heart (Damn Yankees) One (Chorus Line) Hey There (You With The Stars In Your Eyes) Orange Colored Sky (Nat King Cole) I Concentrate on You Our Love is Here to Stay I Could Write a Book Puttin' on the Ritz I Get a Kick Out of You Red Roses For A Blue Lady I Remember You S’Wonderful I’m Beginning To See The Light Second Time Around I’m Putting All My
    [Show full text]
  • Conjunto Instrumental Ii Curso: 2018/2019 Especialidad: Interpretación - Jazz Y Música Moderna Materia: Música De Conjunto
    DOC-ENS17-002 ENSEÑANZAS ARTÍSTICAS, TÍTULO SUPERIOR DE MÚSICA PLAN DOCENTE ASIGNATURA: CONJUNTO INSTRUMENTAL II CURSO: 2018/2019 ESPECIALIDAD: INTERPRETACIÓN - JAZZ Y MÚSICA MODERNA MATERIA: MÚSICA DE CONJUNTO DATOS DE LA ASIGNATURA Tipo de asignatura: Obligatoria Periodo: Anual Créditos ECTS de la asignatura: 6.0 créditos Valor total en horas: 180H Horas presenciales: 45H Horas para trabajos dirigidos (no presenciales): 65H Horas para el aprendizaje autónomo: 70H Profesorado: Para ver el equipo docente de la asignatura para Jazz y Música Moderna haz clic aquí PRERREQUISITOS Y ORIENTACIONES PREVIAS PARA CURSAR LA ASIGNATURA Es necesario haber aprobado Conjunto Instrumental I. COMPETENCIAS QUE SE DESARROLLAN EN LA ASIGNATURA - Desarrollar la práctica laboral una ética profesional basada en la apreciación y sensibilidad estética, y la diversidad. - Mostrar aptitudes para la lectura, improvisación, creación y recreación musical. - Producir e interpretar correctamente la notación gráfica de textos musicales. - Reconocer materiales musicales gracias al desarrollo de la capacidad auditiva y aplicar esta capacidad a su práctica profesional. - Conocer los recursos tecnológicos propios del campo de actividad y sus aplicaciones a la música preparando al alumno para asimilar las novedades que se producen en él. - Aplicar los métodos de trabajo más apropiados para superar los retos que se le presenten al alumno en el terreno del estudio personal y la práctica musical colectiva. - Conocer las características propias del instrumento principal en relación a su construcción y acústica, evolución histórica e influencias mutuas con otras disciplinas. - Argumentar y expresar verbalmente los puntos de vista propios sobre conceptos musicales diversos. - Acreditar un conocimiento suficiente del hecho musical y de su relación con la evolución de los valores estéticos, artísticos y culturales.
    [Show full text]
  • Quintessence 2020 What’S in a Game?
    Quintessence 2020 What’s in a Game? (COVER) Annalise Schuck, ’22 From childhood, gamesINTRODUCTION have been how we learn about the world around us. When we play chess, we practice thinking ahead and strategizing; we’re forced to look at the board through our opponent’s eyes as well as our own. In playing pretend, we envision futures for ourselves as doctors, princesses, firefighters, and parents. The uninhibited imagination of youth can take us to Disney World, the Eiffel Tower, or Middle Earth without ever leaving the safety of our backyards. And when we play cards, we find that sometimes no amount of clever logic or creative thinking can change the hand we’ve been dealt. Games emblemize life: the fun and the tedious, the individual and the cooperative, the triumphs and the defeats. For our 2020 edition of Quintessence, we ask the question “What’s in a game?” in celebration of all that games have taught us and continue to teach us. Thinking logically is not always as simple as adding A and B; more often than not, we have to think outside the box to come to the right solution. Riddles teach us not only to think in unexpected ways, but that sometimes there can be more than one satisfying answer to a question. A sharp mind is perhaps the most powerful tool one can have—so don’t underestimate the strength of a tough riddle! The lure of chance is always present throughout life, especially when a decision is just out of control. There is no greater usage of this than in a game.
    [Show full text]
  • Bill Evans Quintet Interplay Mp3, Flac, Wma
    Bill Evans Quintet Interplay mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Interplay Country: Japan Released: 2014 MP3 version RAR size: 1991 mb FLAC version RAR size: 1635 mb WMA version RAR size: 1519 mb Rating: 4.7 Votes: 598 Other Formats: ADX MP3 VOX MP1 DTS ASF AU Tracklist Hide Credits You And The Night And The Music 1 7:02 Written-By – Arthur Schwartz, Howard Dietz When You Wish Upon A Star 2 5:42 Written-By – Leigh Harline, Ned Washington I`ll Never Smile Again (Take 7) 3 6:30 Written-By – Ruth Lowe Interplay 4 8:10 Written-By – Bill Evans You Go To My Head 5 5:01 Written-By – Haven Gillespie, Fred Coots* Wrap Your Troubles In Dreams 6 6:21 Written-By – Billy Moll, Harry Barris, Ted Koehler I`ll Never Smile Again (Take 6) 7 6:36 Written-By – Ruth Lowe Companies, etc. Recorded At – Nola Recording Studios Record Company – Universal Classics & Jazz Phonographic Copyright (p) – Concord Music Group, Inc. Copyright (c) – Concord Music Group, Inc. Marketed By – Universal Music LLC Distributed By – Universal Music LLC Credits Bass – Percy Heath Drums – "Philly" Joe Jones Guitar – Jim Hall Piano – Bill Evans Producer – Orrin Keepnews Recorded By – Tom Nola* Trumpet – Freddie Hubbard Notes Recorded July 16 & 17, 1962 at Nola Penthouse Studios, New York. Original LP Catalog Number; RS 9445 Track 7 is a bonus track; Not part of original LP. Barcode and Other Identifiers Barcode: 4 988005 855268 Other versions Category Artist Title (Format) Label Category Country Year Interplay (LP, Album, Riverside RM 445 Bill Evans RM 445
    [Show full text]
  • Pop / Rock Misto
    CATALOGO LP prezzo POP / ROCK MISTO 2967 BRITISH EUROPEAN LP 3LP 100-TH WINDOW - MASSIVE ATTACK EUR 120,00 209 CASTLE BRITISH EUROPEAN 2LPLP ACKER BILK:THE COLLECTION EUR 23,30 35 BRITISH EUROPEAN LP AGNES BERNELLE - FATHER'S LYING DEAD ON THE IRONINGEUR BOARD 15,50 8283 ARISTA AIR SUPPLY - JUST AS I AM EUR 19,50 9564 ARISTA (Audiophile LP) ALLMAN BROTHERS BAND - BROTHERS ON THE ROAD EUR 19,50 505 FLYING FISH USA AZTEC TWO-STEP/SEE IT WAS LIKE THIS...AN ACOUSTIC RETROSPEC.EUR 14,50 163 CASTLE BRITISH EUROPEAN 2LPLP BARBARA DICKSON EUR 23,30 8620 ART BILL HALEY - GREATEST HITS EUR 15,50 15 BRITISH EUROPEAN LP - Heavy VinylBILL WELLS TRIO - ALSO IN WHITE EUR 22,50 4 AUDIOPHARM 3 LP BRAZILECTRO 3 - Artisti Vari - Jazz-Samba and Electronic Music: EURBossa & Latin 34,00 - composta da uno dei più popolari DJ nel mondo - Paco De La Cruz 5 AUDIOPHARM 3 LP BRAZILECTRO 4 - Artisti Vari - Jazz-Samba and Electronic Music: EURBossa & Latin 34,00 - - composta da uno dei più popolari DJ nel mondo - Paco De La Cruz 18 CASTLE BRITISH EUROPEAN LP CHICAGO: CHICAGO 8 \ STREET PLAYER EUR 23,30 8619 ART CLIFF RICHARD - GREATEST HITS EUR 15,50 71302 GOLD CASTLE COLLINS JUDY /TRUST YOUR HEART EUR 13,90 166 CASTLE BRITISH EUROPEAN 2LPLP ELKIE BROOKS EUR 23,30 74213 BRITISH EUROPEAN LP 2 LP FRANK ZAPPA - SAMPLER - YOU CAN'T DO THAT ON STAGE ANYMOREEUR 18,50 229 CASTLE BRITISH EUROPEAN 2LPLP GARY NUMAN - THE COLLECTION EUR 23,30 129 CASTLE BRITISH EUROPEAN 2LPLP JUDY GARLAND - THE COLLECTION - LIVE! EUR 23,30 130 CASTLE BRITISH EUROPEAN 2LPLP MANTOVANI AND HIS ORCHESTRA - THE COLLECTION EUR 23,30 4402 CARTHAGE REC.
    [Show full text]
  • Jazz Journalists 2007 Awards Favor the Modernists by Fradley Garner Jersey Jazz International Editor
    Volume 35 • Issue 08 September 2007 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Jazz Journalists 2007 Awards Favor the Modernists By Fradley Garner Jersey Jazz International Editor Winning Views: 2007 JJA Jazz Awards honorees Anat Cohen (left, photo by Mitchell Seidel) and Roberta Gambarini (right, photo by Bruce C. Moore) have both performed at recent Jazzfests, Ms. Gambarini in 2006 and Ms. Cohen this past June when she appeared with Sherrie Maricle’s Five Play. Dan Morgenstern on Polls, page 20 NEW YORK: All in the same year, ist and composer won in four the year in balloting among Denardo on drums, and Ornette Coleman, who became categories, including musician more than 400 members of the Coleman playing alto saxo- the second jazz musician to win of the year, from the Jazz professional writers group. phone, trumpet and violin, was the Pulitzer Prize for music (JJ, Journalists Association. His Coleman’s unconventional chosen the year’s best small June, p. 28), took top honors in Sound Grammar, the first totally quartet Sound Grammar, with ensemble. This was the 77-year- Jazz Awards 2007. The aging improvised live recording to win two bassists — one plucking, old musician’s first new record- avant-garde multi-instrumental- a Pulitzer, was voted album of the other bowing — his son ing in a decade. He also continued on page 26 NJJS 35thJoin Anniversary the party! Dinner Dance SUNDAY, SEPTEMBER 30 • WITH SPECIAL GUESTS see p 3 Big Band in the Sky . 10 CDs: Compact Views . 36 CTS Images.
    [Show full text]
  • Előadó Album Címe Hanghordozó Kiadó Release Oszlop1 Oszlop2
    Előadó Album címe Hanghordozó Kiadó Release Oszlop1 Oszlop2 Oszlop3Oszlop4 Oszlop5 A CAMP A CAMP CD STOCK 2001.08.16 A FINE FRENZY BOMB IN A BIRDCAGE CD VIRGI 2009.08.27 A FINE FRENZY PINES CD VIRGI 2012.10.11 A FLOCK OF SEAGULLS BEST OF -12TR- CD JIVE 2005.12.05 A FLOCK OF SEAGULLS PLAYLIST-VERY BEST OF CD EPIC 1990.06.30 A TEENS GREATEST HITS CD STOCK 2004.05.20 A TRIBE CALLED QUEST LOW END THEORY CD JIVE 2003.08.28 A TRIBE CALLED QUEST MIDNIGHT MARAUDERS CD JIVE 2003.08.28 A TRIBE CALLED QUEST PEOPLE'S INSTINCTIVE TRAV CD JIVE 2003.08.28 A.F.I. SING THE SORROW CD UNIV 2003.04.22 A.F.I. DECEMBER UNDERGROUND CD IN.SC 2006.06.01 AALIYAH AGE AIN'T NOTHIN' BUT A N CD JIVE 2005.12.05 AALIYAH AALIYAH CD UNIV 2007.10.04 AALIYAH ONE IN A MILLION CD UNIV 2007.10.04 AALIYAH I CARE 4 U CD UNIV 2007.11.29 AARSETH, EIVIND ELECTRONIQUE NOIRE CD VERVE 1998.05.11 AARSETH, EIVIND CONNECTED CD JAZZL 2004.06.03 ABBA 18 HITS CD UNIV 2005.08.25 ABBA RING RING + 3 CD POLYG 2001.06.21 ABBA WATERLOO + 3 CD POLYG 2001.06.21 ABBA ABBA + 2 CD POLYG 2001.06.21 ABBA ARRIVAL + 2 CD POLYG 2001.06.21 ABBA ALBUM + 1 CD POLYG 2001.06.21 ABBA VOULEZ-VOUS + 3 CD POLYG 2001.06.21 ABBA SUPERTROUPER + 3 CD POLYG 2001.06.21 ABBA VISITORS + 5 CD POLYG 2001.06.21 ABBA NAME OF THE GAME CD SPECT 2002.10.07 ABBA CLASSIC:MASTERS.
    [Show full text]
  • Brian White Jazz Group
    BRIAN WHITE JAZZ GROUP - SAMPLE PLAYLIST A Bientot Blues Fo Wood Crazy Rhythm Falling In Love With Love A Felicidade Blues For Alice Crisis Fantasy In D A Foggy Day Blues For Sj Cute Friday Night At The Cadillac Club A Night In Tunisia Blues In The Closet Dance Of The Infidels Firm Roots A Nightingale Sang In Berkley Blues March Dancing In The Dark Square Flossie Lou Blues Minor Darn That Dream A Time For Love Foolish Heart Blues Walk, The Days Of Wine And Roses Afro Blues Fools Rush In Body And Soul Dear Old Stockholm After You’ve Gone Footprints Bolivia Dearly Beloved Afternoon In Paris For Miles And Miles Boplicity Desert Moonlight Airegin Four Brothers Boston Bernie Dexterity Algo Bueno Freddie Freeloader Freight Bouncing With Bud Different Places Together Train All Blues Breakfast Wine Dizzy Atmosphere Funk In The Deep Freeze All Or Nothing At All Breeze And I, The Django Funkallero All The Things You Are Broadway Do Nothing Till You Hear From Genet Alone Together Me But Beautiful Georgia On My Mind Angel Eyes Do You Know What It Means To But Not For Me Miss New Orleans Gerkin For Perkin Anthropology Buzzy Dolphin, The Gerriology Apple Jump Bye Bye Blackbird Donna Lee Gertrude’s Bounce April Mist Cant We Be Friends Don’t Blame Me Giant Steps Au Privage Cantaloupe Island Don’t Get Around Much Girl Form Ipanema Autumn In New York Anymore Cape Verdean Blues, The God Bless This Child Autumn Leaves Doodlin Caravan Good Bait Azule Serape Doxy Carn Galva Groovesville B.j.
    [Show full text]
  • Gravey Train & Joe Jack Talcum
    Gravey Train & Joe Jack Talcum Gravey Train & Joe Jack Talcum The Accompanying Zine of Lyrics for the Gravey Train & Joe Jack Talcum Split Cassette released by This & That Tapes in May 2019 Joe Jack Talcum Joe Jack Talcum is a pseudonym of Joe Genaro, a songwriter and musician from the Philadelphia area. Joe has been recording goofy, offbeat and sometimes serious songs on analog cassette for the past 40 years. He co-founded the band The Dead Milkmen in the early 80s and continues to perform and record with them as their guitarist and sometimes vocalist. He also plays keyboards in the instrumental rock band, I Think Like Midnight. Joe has self-released several home-recorded cassette albums over the years under the monikers Jack Talcum, Jasper Thread, Butterfly Joe Fairweather, among others. Joe also plays occasional solo acoustic shows as Joe Jack Talcum which he started doing in 2004. Joe Jack Talcum “Over the Moon” Tracklist 1. All Fall Down 2. Anxiety 3. Angelo 4. Moon Beams Dance from Your Eyes into Mine 5. Thunder Moon 6. Over the Moon 7. Strawberry Moon 8. Orbiting the Moon All instruments by Joe Jack Talcum EXCEPT drums (“Anxiety”, “Angelo”, “Thunder Moon”) and brushes (“Moon Beams Dance From Your Eyes Into Mine”) by Marshall Fischer All tracks were recorded on a Tascam MF-P01 Portastudio 4-track cassette recorder. All songs by Joe Jack Talcum ALL FALL DOWN We all fall down we all fall down (x2) Domino falls running into walls time to stop and pause cannot obey laws We all fall down..
    [Show full text]
  • Jazz Eighth-Notes As Expressive Microrhythm
    VOL. 50, NO. 1 ETHNOMUSICOLOGY WINTER 2006 Slicing the Beat: Jazz Eighth-Notes as Expressive Microrhythm FERNANDO BENADON / American University ntil recently, jazz theorists have directed most of their analytical efforts to U unscrambling aspects of pitch rather than time, mimicking the analysis of “art” music. The perceptual limitations involved in extracting and char- acterizing essential rhythmic nuances, as well as the limitations of standard music notation to convey these, have tended to deter rigorous study of the microrhythmic features of jazz performance. In pitch-oriented studies, tempo- ral aspects have generally been neglected in favor of scalar- and harmonic-re- lated topics (e.g., Cogswell 1994; Hermann 2004; Johnson-Laird 2002; Kenny 1999; Larson 2002; Steedman 1984; Toiviainen 1995; Tymoczko 1997). A few other studies have addressed the interaction between the pitch and time domains, although issues of microrhythm are left largely unexplored (e.g., Berliner 1994; Haywood 1994; Järvinen 1995). An important (and pioneering) exception is that of Pressing (1987), who recorded himself performing two free jazz improvisations and used a computer to extract timing, dynamics, and “legatoness” information. He found that some of the microrhythmic mechanisms sometimes interacted with melody and phrase structure. Microrhythms in jazz have begun to receive increasing attention from jazz scholars over the last decade, partly as a result of the widespread avail- ability of inexpensive and easy to use sound-editing software, and partly as a result of a collective need to catch up with an already advanced pitch-based analytical tradition. However, just as most research on jazz theory has shown a unilateral preference for pitch-related topics, the growing body of work devoted to microrhythm in jazz risks neglecting the interaction between the pitch and time domains.
    [Show full text]