DOCSLIB.ORG

Jazz Journalists 2007 Awards Favor the Modernists by Fradley Garner Jersey Jazz International Editor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jazz Journalists 2007 Awards Favor the Modernists by Fradley Garner Jersey Jazz International Editor Volume 35 • Issue 08 September 2007 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Jazz Journalists 2007 Awards Favor the Modernists By Fradley Garner Jersey Jazz International Editor Winning Views: 2007 JJA Jazz Awards honorees Anat Cohen (left, photo by Mitchell Seidel) and Roberta Gambarini (right, photo by Bruce C. Moore) have both performed at recent Jazzfests, Ms. Gambarini in 2006 and Ms. Cohen this past June when she appeared with Sherrie Maricle’s Five Play. Dan Morgenstern on Polls, page 20 NEW YORK: All in the same year, ist and composer won in four the year in balloting among Denardo on drums, and Ornette Coleman, who became categories, including musician more than 400 members of the Coleman playing alto saxo- the second jazz musician to win of the year, from the Jazz professional writers group. phone, trumpet and violin, was the Pulitzer Prize for music (JJ, Journalists Association. His Coleman’s unconventional chosen the year’s best small June, p. 28), took top honors in Sound Grammar, the first totally quartet Sound Grammar, with ensemble. This was the 77-year- Jazz Awards 2007. The aging improvised live recording to win two bassists — one plucking, old musician’s first new record- avant-garde multi-instrumental- a Pulitzer, was voted album of the other bowing — his son ing in a decade. He also continued on page 26 NJJS 35thJoin Anniversary the party! Dinner Dance SUNDAY, SEPTEMBER 30 • WITH SPECIAL GUESTS see p 3 Big Band in the Sky . 10 CDs: Compact Views . 36 CTS Images. 8 in this issue: NJJS Jazz Leadership Awards . 16 CDs: Other Views . 38 State Theatre . 11 NEW JERSEY JAZZ SOCIETY “Jazz News” E-mail service . 18 Book: Piano Girl . 40 Salt Creek Grille . 13 Pres Sez/NJJS Calendar & Bulletin Board. 2 Dan’s Den . 20 EVENTS North Carolina Jazz Festival . 15 The Mail Bag. 4 Buddy Schutz Memorabilia to IJS . 21 JazzFeast in Princeton . 43 Trumpets . 17 Jazz Trivia . 4 Musings . 22 NJJS Member Meetings . 43 Seton Hall University . 19 Editor’s Pick/Deadlines/NJJS info. 6 Benny Carter Centennial . 24 Institute of Jazz Studies/Jazz from Archives . 43 Lana’s Fine Dining . 23 Notes from the Music Committee . 8 Crow’s Nest . 42 ’Round Jersey: Bridgewater, Morris, Ocean . 44 Sutton Rocky Mountain Jazz Party . 33 In the Mainstream . 41 Somewhere There’s Music . 46 Arbors Records . 31 REVIEWS Jazzdagen Tours . 35 About NJJS/Membership Info . 41 The Name Dropper . 47 R. Braff Tribute/J. Caruso/S. Partridge & C. Martin. 28 PA Jazz Society. 39 New Members . 42 Crossroads Jam . 30 ADVERTISERS Hull/Clemente at Bickford . 40 ARTICLES Monterey 50th Anniversary . 32 Cornerstone . 5 Laura Hull . 48 Classic Stine . 9 Big Band Academy Reunion . 34 Shanghai Jazz . 7 Weichert Realtors. 48 New JerseyJazzSociety Wish List NJJS Calendar NJJS seeks a volunteer Membership Sunday August 19 2007 Administrator. Need minimal Lyndhurst dance field trip computer skills and the ability to see p 2 work with a basic address book. Add new members, renewals to Saturday September 8 2007 Prez Sez database, send reminders...Please Bridgewater see ad p 37 & p 44 contact [email protected] if you can Friday September 14 2007 By Andrea Tyson President, NJJS take over this vital function. Whippany dance field trip see p 2 Saturday September 15 2007 hew — Jazzfest was quite a blast! As you saw I want to elaborate just a little on the Buffet JazzFeast Win the fab pictures and commentary in the Dinner/Big Band Dance Party — we’re trying to Princeton see pp 8 & 39 July/August issue of Jersey Jazz, the event was present our history in a way it’ll get the message Sunday September 16 2007 terrific. Aside from great weather, the performers across that we’re not just 35 years old — we’re a Lyndhurst dance field trip see p 2 at Jazzfest this year knocked our socks off. Denise fresh and vibrant organization with new ideas, too. Just look through this column and the whole Friday September 21 2007 Thimes was SRO. I could name all the groups but Princeton dance field trip you know who was there and suffice it to say that magazine — we’re going strong and happy to be see p 2 we all enjoyed ourselves. Our Music Committee doing it! Please join us for a fun afternoon — Sunday September 23 2007 once again did a splendid job in putting it all you’ll be seeing some out-of-towners sure to MONTHLY MEMBER MEETING together. Check out our website, www.njjs.org. surprise you, Charter Members and past- Trumpets/Montclair Presidents and Board Members. And come dance see p 8 & ad p 43 The fun part of being president was talking to with us to a wonderful big band. We’ll be honoring Friday September 28 2007 everybody — I walked around and schmoozed Rufus Reid, Roseanna Vitro and George Kanzler, State Theatre/New Brunswick and enjoyed the weekend. Drew U was new for us too. The Pines Manor is centrally located with see ad p 11 and turned out to be a superb venue from their ample parking. So, come on out and support our Saturday September 29 2007 Black Box to their beautiful, acoustically-perfect State Theatre/New Brunswick efforts to bring you a terrific experience. See our see ad p 11 concert hall. The Drew personnel were efficient ad on the next page. Sunday September 30 2007 and courteous and we look forward to a long ■ We’re trying to offer as many events as we can State Theatre/New Brunswick relationship. We’re planning for next year already and I’m always thinking of new and exciting see ad p 11 and hope you’ll save the date: June 7 – 8, 2008. partnerships to foster with other groups and Sunday September 30 2007 ■ venues. Let me know if you have any ideas. We’re NJJS 35th Anniversary The American Federation of Jazz Societies has Dinner Dance been re-invigorated and Joanne Day volunteered open to suggestions. Let me know what/who you’d The Pines Manor, Edison to be our rep, going to their annual meeting in like to see at some of our events: [email protected]. see ad p 3 We can’t survive without your support and Costa Mesa, CA in early August. She’ll share with attendance, so if you have ideas and bands you’d Sunday October 21 2007 us ideas she picks up there. In the discussion stages MONTHLY MEMBER MEETING like to see at our events, you have to tell us. Trumpets/Montclair right now is that their next annual meeting may be see p 8 & ad p 43 held at our 2008 Jazzfest! We’ll see. ■ One recent evening, I went over to Johnny’s on the Green, in Short Hills, to hear Madame Pat Sunday November 18 2007 ■ This month is very busy — from JazzFeast in MONTHLY MEMBER MEETING Tandy. She was fine, as she always is, but what a Trumpets/Montclair Princeton on the 15th to our 35th Anniversary nice place for me to hang — good food and sight- see p 8 & ad p 43 Buffet Dinner/Big Band Dance Party at The Pines lines, very friendly wait staff, and Johnny Marrone Saturday January 19 2008 Manor/Edison on the 30th, and in between, is a gracious host. Consider it for an evening of Bridgewater see ad p 37 & p 44 enjoying our Trumpets/Montclair Member jazz. www.johnnysonthegreen.com and tell them Meeting on the 23rd. Andi sent you! continued on page 27 JazzDance Monthly Member Meetings NJJS members. Plus free tix contest at 9/23 Member Meeting. See page 27 for complete details. Join NJJS members and friends who’ve tried our Our series of entertaining meetings continues at dance field trips! NO PARTNER NEEDED. ALL AGES Trumpets on 9/23*, 10/21, 11/18. Members attend Musicians: WELCOME. NO EXPERIENCE. Upcoming: Fridays 9/14 free. See page 8 for details. (*Win free State Theatre Join NJJS, Get Linked! and 10/12 in Whippany; Fridays 9/21 and 10/19 in tix; contest info page 27.) Calling all musicians…already NJJS members? Princeton; Sundays 9/16 and 10/21 in Lyndhurst. Contact Steve Albin ([email protected]); say you’d Get on E-mail for details or let us know how to fax State Theatre Pizzarelli/ like a LINK on the NJJS site. Not a member? Just join you. Contact Linda at [email protected] or Molaskey Discount + Giveaway at our regular $40 member rate and connect with 201-306-2769. $3 discount plus $8 transaction charge waived for your worldwide audience at www.njjs.org. 2 September 2007 New JerseyJazzSociety Dinner35thAnniversary Dance Sunday, September 30, 2007 3 – 7 :30 PM at the Pines Manor dinner buffet and dancing to theIncludes Reeds, Rhythm & All That Brass Big Band with Dr. Lou Iozzi, Musical Director Jazz Leadership Awards presented to special guests Roseanna Vitro, George Kanzler, Rufus Reid. 35 years of memorabilia, newsletters, more! 2085 Route 27 • Edison, NJ • 732-287-2222 www.pinesmanor.com Handicapped Accessible Facility $65 per person • $125 per couple • cash bar Not a member? Not a problem! Non-members: Join NJJS, order tickets to the dinner dance, and receive a $5 discount on your first year’s dues — normally $40. Pay only $35 when you pay by check, or the discount will be applied when you pay using a credit card. Discount applies to new members only. Advance reservations suggested. For more information: NJJS Hotline : 1-800-303-NJJS (6557) or visit our Web site : www.njjs.org FOUR WAYS TO ORDER TICKETS • Mail a check and SASE to NJJS, 274 Jackson Pines Rd., Jackson, NJ 08527 • Buy online at www.njjs.org using a major credit card or Paypal • Call 1-800-303-NJJS • Fax your address, phone number, and credit card info to 215-483-7045 We accept Visa/MC/Amex/Discover.
Load more

Recommended publications
  • Manteca”--Dizzy Gillespie Big Band with Chano Pozo (1947) Added to the National Registry: 2004 Essay by Raul Fernandez (Guest Post)*
    “Manteca”--Dizzy Gillespie Big Band with Chano Pozo (1947) Added to the National Registry: 2004 Essay by Raul Fernandez (guest post)* Chano Pozo and Dizzy Gillespie The jazz standard “Manteca” was the product of a collaboration between Charles Birks “Dizzy” Gillespie and Cuban musician, composer and dancer Luciano (Chano) Pozo González. “Manteca” signified one of the beginning steps on the road from Afro-Cuban rhythms to Latin jazz. In the years leading up to 1940, Cuban rhythms and melodies migrated to the United States, while, simultaneously, the sounds of American jazz traveled across the Caribbean. Musicians and audiences acquainted themselves with each other’s musical idioms as they played and danced to rhumba, conga and big-band swing. Anthropologist, dancer and choreographer Katherine Dunham was instrumental in bringing several Cuban drummers who performed in authentic style with her dance troupe in New York in the mid-1940s. All this laid the groundwork for the fusion of jazz and Afro-Cuban music that was to occur in New York City in the 1940s, which brought in a completely new musical form to enthusiastic audiences of all kinds. This coming fusion was “in the air.” A brash young group of artists looking to push jazz in fresh directions began to experiment with a radical new approach. Often playing at speeds beyond the skills of most performers, the new sound, “bebop,” became the proving ground for young New York jazz musicians. One of them, “Dizzy” Gillespie, was destined to become a major force in the development of Afro-Cuban or Latin jazz. Gillespie was interested in the complex rhythms played by Cuban orchestras in New York, in particular the hot dance mixture of jazz with Afro-Cuban sounds presented in the early 1940s by Mario Bauzá and Machito’s Afrocubans Orchestra which included singer Graciela’s balmy ballads.
    [Show full text]
  • The Connection Between Jazz and Drug Abuse: a Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’S, 50’S, and 60’S
    University of Denver Digital Commons @ DU Musicology and Ethnomusicology: Student Scholarship Musicology and Ethnomusicology 11-2019 The Connection Between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s Aaron Olson University of Denver, [email protected] Follow this and additional works at: https://digitalcommons.du.edu/musicology_student Part of the Musicology Commons Recommended Citation Olson, Aaron, "The Connection Between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s" (2019). Musicology and Ethnomusicology: Student Scholarship. 52. https://digitalcommons.du.edu/musicology_student/52 This work is licensed under a Creative Commons Attribution 4.0 License. This Bibliography is brought to you for free and open access by the Musicology and Ethnomusicology at Digital Commons @ DU. It has been accepted for inclusion in Musicology and Ethnomusicology: Student Scholarship by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. The Connection Between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s This bibliography is available at Digital Commons @ DU: https://digitalcommons.du.edu/musicology_student/52 The Connection between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s. An Annotated Bibliography By: Aaron Olson November, 2019 From the 1940s to the 1960s drug abuse in the jazz community was almost at epidemic proportions.
    [Show full text]
  • Shall We Stomp?
    Volume 36 • Issue 2 February 2008 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Shall We Stomp? The NJJS proudly presents the 39th Annual Pee Wee Russell Memorial Stomp ew Jersey’s longest Nrunning traditional jazz party roars into town once again on Sunday, March 2 when the 2008 Pee Wee Russell Memorial Stomp is pre- sented in the Grand Ballroom of the Birchwood Manor in Whippany, NJ — and you are cordially invited. Slated to take the ballroom stage for five hours of nearly non-stop jazz are the Smith Street Society Jazz Band, trumpeter Jon Erik-Kellso and his band, vocalist Barbara Rosene and group and George Gee’s Jump, Jivin’ Wailers PEABODY AT PEE WEE: Midori Asakura and Chad Fasca hot footing on the dance floor at the 2007 Stomp. Photo by Cheri Rogowsky. Story continued on page 26. 2008 Pee Wee Russell Memorial Stomp MARCH 2, 2008 Birchwood Manor, Whippany TICKETS NOW AVAILABLE see ad page 3, pages 8, 26, 27 ARTICLES Lorraine Foster/New at IJS . 34 Morris, Ocean . 48 William Paterson University . 19 in this issue: Classic Stine. 9 Zan Stewart’s Top 10. 35 Institute of Jazz Studies/ Lana’s Fine Dining . 21 NEW JERSEY JAZZ SOCIETY Jazz from Archives. 49 Jazzdagen Tours. 23 Big Band in the Sky . 10 Yours for a Song . 36 Pres Sez/NJJS Calendar Somewhere There’s Music . 50 Community Theatre. 25 & Bulletin Board. 2 Jazz U: College Jazz Scene . 18 REVIEWS The Name Dropper . 51 Watchung Arts Center. 31 Jazzfest at Sea.
    [Show full text]
  • The Evolution of Ornette Coleman's Music And
    DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style.
    [Show full text]
  • 60Th Monterey Jazz Festival
    July / August 2017 Issue 373 now in our 43rd year jazz &blues report 60th Monterey Jazz Festival July • August 2017 • Issue 373 jazz 60th Monterey Jazz Festival &blues report Editor & Founder Bill Wahl September 15-17 Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Peanuts, Wanda Simpson, Mark Smith, Duane Verh, Emily Wahl and Ron Weinstock. RIP JBR Writers Tom Alabiso, John Hunt, Chris Colombi, Mark A. Cole, Hal Hill Check out our constantly updated website. All of our issues from our first PDFs in September 2003 and on are posted, as well as many special issues with festival reviews, Blues Cruise and Gift Guides. Now you can search for CD Re- views by artists, titles, record labels, keyword or JBR Writers. 15 years of reviews are up from our archives and we will be adding more, especially John Clayton, Jeff Hamilton, Gerald Clayton - 2017 Artists In Residence from our early years back to 1974. Headliners Include Herbie Hancock, Chick Corea, Common, Leslie Comments...billwahl@ jazz-blues.com Odom, Jr., Dee Dee Bridgewater, Angelique Kidjo, Kenny Barron Web www.jazz-blues.com Trio, Chris Thile & Brad Mehldau, Jimmy Heath, Joe Lovano, Copyright © 2017 Jazz & Blues Report Branford Marsalis, Joshua Redman, and Many Others MJF Celebrates Centennials of Thelonious Monk, Ella Fitzgerald and No portion of this publication may be re- Dizzy Gillespie, with Additional Tributes to Salsa, and Sonny Rollins produced without written permission from the publisher. All rights Reserved. Monterey, CA - Three-day Arena and Grounds Ticket Packages for the Founded in Buffalo New York in March of 60th Annual Monterey Jazz Festival, September 15–17 are on sale now.
    [Show full text]
  • Program Features Don Byron's Spin for Violin and Piano Commissioned by the Mckim Fund in the Library of Congress
    Concert on LOCation The Elizabeth Sprague Coolidge Foundation The McKim Fund in the Library of Congress "" .f~~°<\f /f"^ TI—IT A TT^v rir^'irnr "ir i I O M QUARTET URI CAINE TRIO Saturday, April 24, 2010 Saturday, May 8, 2010 Saturday, May 22, 2010 8 o'clock in the evening Atlas Performing Arts Center 1333 H Street, NE In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts, and festivals; to purchase music manuscripts; and to support musical scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. The McKiM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson, to support the commissioning and performance of chamber music for violin and piano. The audiovisual recording equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 [email protected]. Due to the Library's security procedures, patrons are strongly urged to arrive thirty min- utes before the start of the concert. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the chamber music con- certs.
    [Show full text]
  • A Little More Than a Year After Suffering a Stroke and Undergoing Physical Therapy at Kessler Institute Buddy Terry Blows His Sax Like He Never Missed a Beat
    Volume 39 • Issue 10 November 2011 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Saxman Buddy Terry made his first appearance with Swingadelic in more than a year at The Priory in Newark on September 30. Enjoying his return are Audrey Welber and Jeff Hackworth. Photo by Tony Mottola. Back in the Band A little more than a year after suffering a stroke and undergoing physical therapy at Kessler Institute Buddy Terry blows his sax like he never missed a beat. Story and photos on page 30. New JerseyJazzSociety in this issue: NEW JERSEY JAZZ SOCIETY Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Pee Wee Dance Lessons. 3 Jazz Trivia . 4 Editor’s Pick/Deadlines/NJJS Info . 6 Prez Sez September Jazz Social . 51 CD Winner . 52 By Laura Hull President, NJJS Crow’s Nest . 54 New/Renewed Members . 55 hanks to Ricky Riccardi for joining us at the ■ We invite you to mark your calendar for “The Change of Address/Support NJJS/Volunteer/JOIN NJJS . 55 TOctober Jazz Social. We enjoyed hearing Stomp” — the Pee Wee Russell Memorial Stomp about his work with the Louis Armstrong House that is — taking place Sunday, March 4, 2012 at STORIES Buddy Terry and Swingadelic . cover Museum and the effort put into his book — the Birchwood Manor in Whippany. Our Big Band in the Sky. 8 What a Wonderful World. These are the kinds of confirmed groups include The George Gee Swing Dan’s Den . 10 Orchestra, Emily Asher’s Garden Party, and Luna Stage Jazz.
    [Show full text]
  • Hong Kong Budding Poets (English) Award 2014/15 Anthology
    2014/15 Hong Kong Budding Poets (English) Award Poets(English) Budding Award Kong 2014/15 Hong 2014/15 Hong Kong Budding Poets (English) Award Anthology Anthology 2014/2015 Hong Kong Budding Poets (English) Award Anthology Organised by Commissioned to Department of English, City University of Hong Kong Preface “What a strange thing! / to be alive / beneath cherry blossoms.” So wrote the Japanese poet Kobayashi Issa, nearly three hundred years ago. He knew all about life. He lost his mother when he was three; he was sent to the city; he was robbed of his inheritance; his house burnt down; and in the space of a few years he lost three children and his wife. He wrote in another poem that everything he had loved ‘pricked like a bramble.’ The world does this. It confronts. It challenges. It hurts. It is sometimes blesses us, too. But how to respond? Issa came to the same conclusion as many other great artists over the centuries: through art. Art is what defines us as humans. There is no other species that indulges in self-expression in the same way we do. We paint, we act, we write, we sing. Of all these art forms there is none as clean and precise and exacting as poetry. It is distilled language and feeling. It is a painting in works, a snapshot of a moment, or a chronicle covering years. When I write there are two moments when the process is 2014/15 Hong Kong Budding Poets (English) Award at its most joyful: the beginning and the end.
    [Show full text]
  • Black Sabbath the Complete Guide
    Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.
    [Show full text]
  • David Taylor - Poems
    Poetry Series David Taylor - poems - Publication Date: 2007 Publisher: Poemhunter.com - The World's Poetry Archive David Taylor(3rd January 1956) Born, Baby, Child, Adolescent, Student, Employee, Husband, Self Employed, Father, Father, Father, Divorcee, Husband, Father...and throughout all that I'm me! www.PoemHunter.com - The World's Poetry Archive 1 *alone* what should be an invigorating freshness a chill inside (shaking heart beats) traffic on the road silent rising clanking passing (silent again) phone rings silence, recorded voice speaks a real person with taped speech (a recorded message would be better?) selling cheap energy i think i will buy some flowers (petals coloured fragrance) arrange them in a wreath celebrate my death reports of (my) death greatly exaggerated until the silence speaks with the voice of great souls (departed) come in they say (here is the place) to be; alone in eternity. David Taylor www.PoemHunter.com - The World's Poetry Archive 2 *dance Ohh bliss what do you say, do you have a voice today? Where may I find your joy, which I remember as a boy? Ahh bliss where are you now, hidden under frown of brow? Where may I find your sound, which surely must be all around? Hmm bliss what is it that I miss, as I go on with that and this? Where may I find your smile, in each and every hour and mile? Yes I can feel it now, the harmony of the sky and clouds, the moon's revolving round, earth's harvest after plough. It is a dance eternal found the sweetest movement in all sound; and never will be missed, as by that bliss this life is kissed.
    [Show full text]
  • December 7, 2017
    VOL. 54 NO. 41 25 cents DECEMBER 7, 2017 Inside: Local, state, and federal law enforcement continue partnership with community - Page 2 Community Interest: Pages 2 - 3 Spartanburg Department of Public Safety receives grant to hire two new officers - Page 3 Legals: 4 - 7 CHANGE SERVICE REQUESTED PRSRT STANDARD U. S. POSTAGE PAID SPARTANBURG, SC PERMIT NO. 252 Community news from Spartanburg and the surrounding upstate area Visit us online at www.spartanweeklyonline.com Experience Black Sabbath Staying in control RROOUUNNDD of the holidays AA From the American as you never have before Counseling Association TOWNTOWN Dr. Nolan Stolz has turned a Listener’s-Companion series Yes, you made it through nearly lifelong enjoyment of produced by publisher Row- Thanksgiving and only feel the music of heavy metal pio- man & Littlefield. During his slightly guilty about that neers Black Sabbath into fod- research and writing, Stolz third helping of dessert. But der for a book that was was able to interview several hang on, the real tempta- Wellford woman pleads guilty released Nov. 8. Black Sabbath members, tions of the holiday season to forging prescriptions Stolz, an assistant professor of including drummers Malcom are still in front of you. Columbia - United States Attorney Beth Drake stated music and coordinator of Cope and Bobby Rondinelli, Of course, the odds are last week that Felicia L. Prysock, age 41, of Wellford, commercial music at the bassist Laurence Cottle, key- pretty good you'll survive pled guilty to Aggravated Identity Theft and Obtaining a University of South Carolina board player Jezz Woodroffe, the holiday season (unless Controlled Substance by Fraud.
    [Show full text]
  • The Avant-Garde 15
    CURRENT A HEAD ■ 407 ORNETTE COLEMAN lonely woman CECIL TAYLOR bulbs CECIL TAYLOR willisau concert, part 3 ALBERT AYLER ghosts DAVID MURRAY el matador THE AVANT-GARDE 15 Forward March T e word “avant-garde” originated in the French military to denote the advanced guard: troops sent ahead of the regular army to scout unknown territory. In English, the word was adapted to describe innovative composers, writers, painters, and other artists whose work was so pioneering that it was believed to be in the vanguard of contemporary thinking. Avant-gardism represented a movement to liberate artists from the restraints of tradition, and it often went hand-in-hand with progressive social thinking. T ose who championed avant-garde art tended to applaud social change. T ose who criticized it for rejecting prevailing standards couched their dismay in warnings against moral laxity or political anarchy. In the end, however, all art, traditional or avant-garde, must stand on its merit, inde- pendent of historic infl uences. T e art that outrages one generation often becomes the tradition and homework assignments of the next: the paintings of Paul Cézanne and Pablo Picasso, music of Gustav Mahler and Claude Debussy, and writings of Marcel Proust and James Joyce were all initially considered avant-garde. Two especially promi- nent twentieth-century avant-garde movements gathered steam in the decades follow- ing the world wars, and jazz was vital to both. Sonny Rollins combined the harmonic progressions of bop with the freedom of the avant-garde and sustained an international following. He appeared with percussionist Victor See Yuen and trombonist Clifton © HERMAN LEONARD PHOTOGRAPHY LLC/CTS IMAGES.COM Anderson at a stadium in Louisiana, 1995.
    [Show full text]