The Sassaphron Messenger a Spacetime Adventure
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In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Influence Evaluation of PM10 Produced by the Burning of Biomass in Peru on AOD, Using the WRF-Chem
Atmósfera 33(1), 71-86 (2020) doi: 10.20937/ATM.52711 Influence evaluation of PM10 produced by the burning of biomass in Peru on AOD, using the WRF-Chem Héctor NAVARRO-BARBOZA1,2,3*, Aldo MOYA-ÁLVAREZ2, Ana LUNA1 and Octavio FASHÉ-RAYMUNDO3 1 Universidad del Pacífico, Av. Salaverry 2020, Jesús María, Lima 11, Perú. 2 Instituto Geofísico del Perú, Lima, Perú. 3 Facultad de Ciencias Físicas, Unidad de Posgrado, Universidad Nacional Mayor de San Marcos, Calle Germán Amezaga 375, Lima, Perú. * Corresponding author; e-mail: [email protected] Received: April 22, 2019; accepted: October 9, 2019 RESUMEN En este estudio se evalúa la influencia de partículas PM10 en el espesor óptico de aerosoles en los Andes centrales del Perú, además de analizar y establecer los patrones de circulación en la región desde julio hasta octubre de 2017. Se considera este periodo en particular porque los mayores eventos de quema de biomasa se registran generalmente durante esos meses. Se utilizó el modelo regional de transporte meteorológico-químico WRF-Chem (versión 3.7) con el Inventario de Incendios del NCAR (FINN) y los datos de espesor óptico de aerosoles (EOA) de la Red de Monitoreo de Redes Robóticas de Aerosoles (AERONET), que cuenta con un fotómetro solar CIMEL ubicado en el observatorio de Huancayo, la ciudad más importante del altiplano central del Perú. La simulación empleó un único dominio con un tamaño de cuadrícula de 18 km y 32 niveles verticales. Los resultados mostraron un incremento en las concentraciones de PM10 con un aumento en el número de brotes de incendio y en el EOA durante julio, agosto y septiembre. -
A Symposium for John Perry Barlow
DUKE LAW & TECHNOLOGY REVIEW Volume 18, Special Symposium Issue August 2019 Special Editor: James Boyle THE PAST AND FUTURE OF THE INTERNET: A Symposium for John Perry Barlow Duke University School of Law Duke Law and Technology Review Fall 2019–Spring 2020 Editor-in-Chief YOOJEONG JAYE HAN Managing Editor ROBERT HARTSMITH Chief Executive Editors MICHELLE JACKSON ELENA ‘ELLIE’ SCIALABBA Senior Research Editors JENNA MAZZELLA DALTON POWELL Special Projects Editor JOSEPH CAPUTO Technical Editor JEROME HUGHES Content Editors JOHN BALLETTA ROSHAN PATEL JACOB TAKA WALL ANN DU JASON WASSERMAN Staff Editors ARKADIY ‘DAVID’ ALOYTS ANDREW LINDSAY MOHAMED SATTI JONATHAN B. BASS LINDSAY MARTIN ANTHONY SEVERIN KEVIN CERGOL CHARLES MATULA LUCA TOMASI MICHAEL CHEN DANIEL MUNOZ EMILY TRIBULSKI YUNA CHOI TREVOR NICHOLS CHARLIE TRUSLOW TIM DILL ANDRES PACIUC JOHN W. TURANCHIK PERRY FELDMAN GERARDO PARRAGA MADELEINE WAMSLEY DENISE GO NEHAL PATEL SIQI WANG ZACHARY GRIFFIN MARQUIS J. PULLEN TITUS R. WILLIS CHARLES ‘CHASE’ HAMILTON ANDREA RODRIGUEZ BOUTROS ZIXUAN XIAO DAVID KIM ZAYNAB SALEM CARRIE YANG MAX KING SHAREEF M. SALFITY TOM YU SAMUEL LEWIS TIANYE ZHANG Journals Advisor Faculty Advisor Journals Coordinator JENNIFER BEHRENS JAMES BOYLE KRISTI KUMPOST TABLE OF CONTENTS Authors’ Biographies ................................................................................ i. John Perry Barlow Photograph ............................................................... vi. The Past and Future of the Internet: A Symposium for John Perry Barlow James Boyle -
True-Mirror-Microfic
Literature programs at The Kitchen are made possible with generous support from the Axe-Houghton Foundation and with public funds from The National Endowment for the Arts, the New York City Department of Cultural Affairs and the New York State Council on the Arts, a state agency. THE KITCHEN, New York City. Tuesday November 25 They now close and discard them, then walk via the 2008, 7pm. TRUE MIRROR to the TWIN LECTERNS. From somewhere, a note from a MUTED TRUMPET. INT. A black box, oriented to the south. Raking seats face a level stage on the floor. Various props (aP AIR OF When she has finished reading, s C puts the letter back LECTERNS, a CHROME DRUM KIT, a TRUE MIRROR, in its envelope and picks up the NEW YORK TIMES. etc.) are scattered about the space. A constantly rising As 2 sPOTlIGhTs project towards the back wall, D & canon (the SHEPHARD’S TONE) is barely audible s begin to simultaneouslyBOTH recite the first actual press BOTH above the general murmur of small talk as an audience release, voices panned HARD RIGHT & LEFT. assembles itself. While reading the program provided on each seat a similar thought crosses the mind of each member of the audience: THE FIRST RULE IS ALWAYS PRODUCTION NEVER DOCUMENTATION. ThE sECOND RUlE Is THERE IS NO FIRST RULE. A music video, ABC AUTO INDUSTRY from the OMD LP DAZZLE SHIPS (1983) plays on a projection screen in D : FOR IMMEDIate S : FOR IMMEDIate the center of the stage area. RELEASE, 4TH MARCH RELEASE, 4TH MARCH 2008 … 2008 … MICHAEL PORTNOY, wearing mirror shades, walks to the RIGhT lECTERN. -
Linguistic Economy Applied to Programming Language Identifiers
Journal of Software Engineering and Applications, 2021, 14, 1-10 https://www.scirp.org/journal/jsea ISSN Online: 1945-3124 ISSN Print: 1945-3116 Linguistic Economy Applied to Programming Language Identifiers Michael A. Dorin1,2*, Sergio Montenegro2 1University of St. Thomas, St. Paul, USA 2Universität Würzburg, Würzburg, Germany How to cite this paper: Dorin, M.A. and Abstract Montenegro, S. (2021) Linguistic Economy Applied to Programming Language Iden- Though many different readability metrics have been created, there still is no tifiers. Journal of Software Engineering and universal agreement defining readability of software source code. The lack of Applications, 14, 1-10. a clear agreement of source code readability has ramifications in many areas https://doi.org/10.4236/jsea.2021.141001 of the software development life-cycle, not least of which being software Received: October 16, 2020 maintainability. We propose a measurement based on Linguistic Economy to Accepted: January 9, 2021 bridge the gap between mathematical and behavioral aspects. Linguistic Published: January 12, 2021 Economy describes efficiencies of speech and is generally applied to natural Copyright © 2021 by author(s) and languages. In our study, we create a large corpus of words that are likely to be Scientific Research Publishing Inc. found in a programmer’s vocabulary, and a corpus of existing identifiers This work is licensed under the Creative found in a collection of open-source projects. We perform a usage analysis to Commons Attribution International License (CC BY 4.0). create a database from both of these corpora. Linguistic Economy suggests http://creativecommons.org/licenses/by/4.0/ that words requiring less effort to speak are used more often than words re- Open Access quiring more effort. -
Grayscale Emily Bowers Eastern Illinois University This Research Is a Product of the Graduate Program in English at Eastern Illinois University
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2014 Grayscale Emily Bowers Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Bowers, Emily, "Grayscale" (2014). Masters Theses. 1266. https://thekeep.eiu.edu/theses/1266 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. Grayscale (TITLE) BY Emily Bowers THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Masters of Art IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS 2014 YEAR I HEREBY RECOMMEND THAT THIS THESIS BE ACCEPTED AS FULFILLING RT OF THE GRADUATE DEGREE CITED ABOVE 4-2.::0-LJ. DATE THESIS COMMITTEE MEMBER THESIS COMMITTEE MEMBER DATE THESIS COMMITTEE MEMBER DATE THESIS COMMITTEE MEMBER DATE 1 Acknowledgements I would like to acknowledge my thesis director, Dr. Roxane Gay, and my committee members, Dr. Daiva Markelis and Dr. Olga Abella, for their help on this project. Without your guidance, this project would not have been successful. Thank you all. 2 Table of Contents Grayscale Critical Essay ................... ... ................................. ..... ....................................3 Prologue ..................................................................................................... -
Clas of 2026 Woul Lik T Dedicat Thi Volum T Mr . Kath Curt
�� Clas� of 2026 woul� lik� t� dedicat� thi� volum� t� Mr�. Kath� Curt� W� than� Mr�. Curt� for helpin� u� t� paus� an� reflec� o� our strength�, joy�, an� struggle� aer suc� � demandin� year. W� hav� ha� t� adap� t� man� challenge� durin� thi� pandemi�, bu� reconnectin� wit� our value� an� eachother help� t� keep u� grounde� an� ope� t� findin� new meaning�. I� Gratitud�, Mr�. Daniell� Pec� an� M�. Perron�’� Sevent� Grad� Clas� Jun� 2021 1 I Believe in the Power of Music By: Carly Suessenbach I believe in the power of music. Music can help people in so many ways like when you are sad you can listen to happy music, if you can't sleep you can turn on calming music that doesn't have any lyrics, or you can put on sad music if you just want to let out a cry. Music can also motivate you or inspire you to do something. Music helps me by calming me down when I'm stressed, makes me happy when I am sad or angry, or sometimes I just listen to sad music because I just feel like it. Music also helps me fall asleep faster. When I listen to music I feel like I'm in a whole different world and in that world all my worries, problems and stress goes away and I feel happy. Music is important to me because a lot of songs have really deep meanings to them. Music inspires me to make my own music or learn to play the piano or guitar. -
Copyrightx: Lecture Transcripts Ii
LECTURE TRANSCRIPTS Based on the Lectures of Prof. William W. Fisher III, Harvard Law School Compiled by Marc Pelteret, student of CopyrightX: UCT 2017 Version 1.2 (7 February 2018) PREFACE There are many ways to learn, and which way is best is up to the individual to decide. Personally, I find it quicker and easier to read rather than listen to lectures. Because of this, I decided to extract the transcriptions of Prof. Fisher’s excellent lectures from the YouTube videos. Only later I did I discover that the FLAX project (http://flax.nzdl.org) had already done this. What the project lacks, however, is the visual references, and so I decided to continue with my effort to create a comprehensive set of transcripts, complete with as much referenced material as possible. This text includes most images, diagrams, graphs and textual material referenced in the video lectures. Some material was left out because while it is interesting to see, it is not critical to understanding the subject and would only have extended the length of the text. Many of the diagrams and graphs were re-drawn, initially just to make a few of them clearer, but later to ensure they have a consistent look. In a few cases I added extra detail. Most of the text is a direct transcription of Prof. Fisher’s videos. Some editing was necessary to refer to figures and tables, rather than the screen. Additional editing was done to correct mistakes in the transcriptions, remove repetition (particularly in the introduction of each lecture), and to improve the readability of the text. -
INNERSPACE Original Screenplay by Chip Proser May 20, 1984 First
INNERSPACE Original Screenplay by Chip Proser May 20, 1984 First Draft A STRANGE LANDSCAPE. Like the surface of some alien planet. CELESTIAL FORMS spin in the distance. DROP DOWN over a topography of rolling hills. ALVIN 5 - THE POD A titanium alloy sphere; the strongest form to withstand great pressures. A streamlined mantle houses propellers, batteries, articulated arms - one containing a carbon-dioxide laser. Maneuvering thrusters protrude next to antennae. WEIRD SUBMARINE FORMS glow in artificial light. We float over undulating undersea hills. Tendrils of beautiful growths wave in the currents. AL (VO) ...one small schlep for mankind... INT. - ALVIN 5 THE MAN INSIDE is Al Viola, 35, ex-Marine, ex-astronaut. He holds a doctorate in Medieval Languages from the Sorbonne. He is worldly, highly trained. Right now he's elated as well. AL ...but it means money in the bank to me. A VOICE cuts in - The Mission Control Officer - COLIN COLIN - VO Could you to stop counting your profits long enough for a systems check... AL This is a small breakthrough. I've a right to make a statement. A LAB SOMEWHERE Technicians cluster around VIDEO SCREENS showing feeds from LVIN'S MULTIPLE CAMERAS. One shot from the housing faces forward. Another is of Al at the controls. Exotic equipment surrounds him. A CLOCK is prominent. It reads: ELAPSED MISSION TIME - 1 hour, 14 minutes. A third camera fixed to a long extension arm, articulates 360% and shoots back to show the POD. COLIN What a pain in the...Where did we get this prima donna?...(into mike) Then do try to keep it dignified. -
When I Get Home Rachael Button Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2011 When I Get Home Rachael Button Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the English Language and Literature Commons, and the Rhetoric and Composition Commons Recommended Citation Button, Rachael, "When I Get Home" (2011). Graduate Theses and Dissertations. 12147. https://lib.dr.iastate.edu/etd/12147 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. When I get home by Rachael Button A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS Major: Creative Writing and Environment Program of Study Committee: Dean Bakopoulos Steve Pett Linda Shenk April Eisman Iowa State University Ames, Iowa 2011 ii TABLE OF CONTENTS PART I: Looking at Dinosaurs 2 A Brief Natural History 10 Crossings 15 Conservation 21 Unsent 28 PART II: Occasions for Writing 31 Why I Run 45 The Birwood Wall 53 Part III: When I Get Home 69 I. The Traveling Disease 69 II. The Art of Memory 73 III. Smoke 79 IV. Loss 96 V. How to Get Home 108 1 Part I: To be rooted is perhaps the most important and least recognized need of the human soul. ~Simone Weil Why have I always been glad to leave? ~J. -
Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication
DOCUMENT RESUME ED 415 544 CS 509 669 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (80th, Chicago, Illinois, July 30-August 2, 1997): Qualitative Studies. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE 1997-07-00 NOTE 476p.; For other sections of these Proceedings, see CS 509 657-676. PUB TYPE Collected Works - Proceedings (021)-- Reports - Research (143) EDRS PRICE MF01/PC20 Plus Postage. DESCRIPTORS Advertising; College Students; Driving While Intoxicated; Ethics; Higher Education; *Journalism Education; *Mass Media Role; Media Research; *Newspapers; Organizational Communication; Public Relations; Qualitative Research; Research Methodology; Social Environment; *Television; *Violence; World War II IDENTIFIERS Assisted Suicide; Gulf War; *Media Coverage; Public Service Advertising ABSTRACT The Qualitative Studies section of the Proceedings contains the following 16 papers: "Public Journalism and the Search for Democratic Ideals" (Theodore L. Glasser and Stephanie Craft); "Scratching the Surface: 'The New York Times' Coverage of the Mothers of Plaza de Mayo, 1977-1997" (Carolina Acosta-Alzuru); "Context and the Developed World: Newspaper Coverage of Crisis in Scotland and Belgium" (Christian Christensen); "Newsrooms under Siege: Crime Coverage, Public Policy and the Louisiana Pizza Kitchen Murders" (Christopher P. Campbell); "Decontextualization of Hirohito: Historical Memory Loss in Docudrama 'Hiroshima'" (Koji Fuse); "Al-Amiriya, February 13, 1991--Broadcasting Standards of Violence in a Time of War" (Geri Alumit); "A Show about Nothing?: Social Manners, 'Seinfeld' and the Dense Web of American Civility" (David P. Pierson); "Spokesperson as Agenda Builder: Framing the Susan Smith Investigation" (Lynn M. Zoch and Erin A. Galloway); "Rethinking the Unintended Consequences: The Pursuit of Individualism in American Primetime Television Advertising" (Joyce M. -
Sstimes Mar19 WEB
face to face Southsiders answer the question, "Do you prefer to read an electronic book (ebook or digital book on a Kindle, Nook, iPad or tablet) or a paper-based book (hardback or paperback)? Why?" Page 6 BEECH GROVE • CENTER GROVE • GREENWOOD • SOUTHPORT • FRANKLIN & PERRY TOWNSHIPS FREE • Week of March 19-25, 2015 Serving the Southside Since 1928 ss-times.com Get the Dot ➢ Sporting Expressions Beech Grove’s Ashleigh Davids earns her 17th varsity letter. rolling… Page 3 Franklin MARCH HOOPLA 2015 BIG COLLEGE BASKETBALL Township PAGES 15-20 fifth grader Brayden Gogis programs his first game app, Dot Worlds, now sold on the Apple App ➢ The Jokes (Not) on Jeff Greenwood VFW to host Southside come- Store dian Jeff McDonald as part of a fundraiser page 7 for the VFW and USO. Page 4 Spring into Rosegate and take advantage of our great move-in specials! Pick up a FREE GIFT when you “Where caring people tour a Garden Home by April 30th. make the difference!” ASCSeniorCare.com 2 Week of March 19-25, 2015 • ss-times.com COMMUNITY The Southside Times Photo by Nicole Davis Stephen B. Morris Indianapolis firefighter says he feels fortunate for comradery, challenges and opportunities in his work Compiled by Nicole Davis ing me about police work. I didn’t really want BEHIND the BADGE to do police work but he began telling me about firefighters and EMTs and other people Stephen B. Morris has served on the In- he was meeting. It was the perfect marriage dianapolis Fire Department for eight years.