ISI99 Daily Bulletin 6-7
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1 KING of CHILDREN Betty Jean Liffton (Biography of Janusz Korczak)
KING OF CHILDREN Betty Jean Liffton (Biography of Janusz Korczak) Who was Janusz Korczak? “The lives of great men are like legends-difficult but beautiful.” Janusz Korczak once wrote, and it was true of his. Yet most Americans have never heard of Korczak, Polish-Jewish children’s writer and educator who is as well known in Europe as Anne Frank. Like her, he died in the Holocaust and left behind a diary; unlike her, he had a chance to escape that fate-a chance he chose not to take. His legend began on August 6, 1942; during the early stages of the Nazi liquidation of the Warsaw Ghetto-though his dedication to destitute children was legendary long before the war. When the Germans ordered his famous orphanage evacuated, Korczak was forced to gather together the two hundred children in his care. He led them with quiet dignity on that final march through the ghetto streets to the train that would take them to “resettlement in the East ” -the Nazi euphemism for the death camp Treblinka. He was to die as Henryk Goldszmit, the name he was born with, but it was by his pseudonym that he would be remembered. It was Janusz Korczak who introduced progressive orphanages designed as just communities into Poland, founded the first national children’s newspaper, trained teachers in what we now call moral education, and worked in juvenile courts defending children’s rights. His books How to Love a Child and The Child’s Right to Respect gave parents and teachers new insights into child psychology. -
The Perspectival Inventions of Alvar Aalto
The Perspectival Inventions of Alvar Aalto RANDALL OTT University of Arkansas [Author's note: A considerably expanded and fully illus- rotation is based upon an incorrect assumption about these trated version of this paper will appear in SightBite, The planes' rectangularity. Waterloo Journal of Architecture.] The many perspectival inventions of Aalto reward careful study. Through them his buildings become illusionistic Aalto's architectural compositions never fail to engage our spaces, full of mock shapes and depths that alter unexpect- vision while we approach. No matter how sculptural the edly as we experience them. His distortions create spatial forms of his buildings might seem at first glance, they tensions energized only by a moving observer at the site, thus inevitably surpass themselves in dynamism and visual trans- entwining the viewer's motion and the architecture. These formation when we begin to move about them. Aalto's tensions dramatize our approach, contrasting first impres- success in manipulating complex, dynamic forms no doubt sions with subsequent experiences. Most importantly, they rests on many interrelated aspects of his work. Still, we create a virtual site which itself comes into tension with the should single out for special attention the way he was able to actual site. let his shapes unfold and gesture directly toward us as we walk the site, thus becoming expressive in the most interac- PRECURSORS tive and literal of ways.' The exterior facade of Aalto's Finlandia Hall in Helsinki Aalto, of course, was not the first to build illusory perspec- displays this highly interactive quality. As we move toward tives. -
Lithuania's Constitution of 1992 with Amendments Through 2019
PDF generated: 26 Aug 2021, 16:37 constituteproject.org Lithuania's Constitution of 1992 with Amendments through 2019 This complete constitution has been generated from excerpts of texts from the repository of the Comparative Constitutions Project, and distributed on constituteproject.org. constituteproject.org PDF generated: 26 Aug 2021, 16:37 Table of contents Preamble . 3 CHAPTER I: THE STATE OF LITHUANIA . 3 CHAPTER II: THE HUMAN BEING AND THE STATE . 5 CHAPTER III: SOCIETY AND THE STATE . 9 CHAPTER IV: NATIONAL ECONOMY AND LABOUR . 11 CHAPTER V: THE SEIMAS . 12 CHAPTER VI: THE PRESIDENT OF THE REPUBLIC . 18 CHAPTER VII: THE GOVERNMENT OF THE REPUBLIC OF LITHUANIA . 23 CHAPTER VIII: THE CONSTITUTIONAL COURT . 26 CHAPTER IX: THE COURTS . 28 CHAPTER X: LOCAL SELF-GOVERNMENT AND GOVERNANCE . 31 CHAPTER XI: FINANCES AND THE STATE BUDGET . 32 CHAPTER XII: STATE CONTROL . 33 CHAPTER XIII: FOREIGN POLICY AND NATIONAL DEFENCE . 34 CHAPTER XIV: ALTERATION OF THE CONSTITUTION . 36 FINAL PROVISIONS . 37 CONSTITUENT PARTS OF THE CONSTITUTION OF THE REPUBLIC OF LITHUANIA . 38 1. CONSTITUTIONAL LAW OF THE REPUBLIC OF LITHUANIA ON THE STATE OF LITHUANIA . 38 2. CONSTITUTIONAL ACT OF THE REPUBLIC OF LITHUANIA ON THE NONALIGNMENT OF THE REPUBLIC OF LITHUANIA TO POST-SOVIET EASTERN UNIONS . 38 3. LAW OF THE REPUBLIC OF LITHUANIA ON THE PROCEDURE FOR ENTRY INTO FORCE OF THE CONSTITUTION OF THE REPUBLIC OF LITHUANIA . 39 4. CONSTITUTIONAL ACT OF THE REPUBLIC OF LITHUANIA ON MEMBERSHIP OF THE REPUBLIC OF LITHUANIA IN THE EUROPEAN UNION . 41 Lithuania -
FLIGHT SIMULATOR (2020) Révision 4 Microsoft (2020) AIDE-MEMOIRE 19/06/2021
FLIGHT SIMULATOR (2020) révision 4 Microsoft (2020) AIDE-MEMOIRE 19/06/2021 FLIGHT SIMULATOR (2020) Microsoft (2020) document par Asthalis [email protected] asthalis.free.fr SOMMAIRE 1. A PROPOS DE CE DOCUMENT................................................................................................................................................................................ 2 En bref.................................................................................................................................................................................................................. 2 Versions du jeu et mises à jour............................................................................................................................................................................. 2 Vocabulaire........................................................................................................................................................................................................... 2 Conditions d'utilisation.......................................................................................................................................................................................... 2 2. APPAREILS................................................................................................................................................................................................................ 3 3. AERODROMES DETAILLES.................................................................................................................................................................................... -
CV Johanna Lecklin English
JOHANNA LECKLIN www.johannalecklin.com [email protected] EDUCATION 2018 PhD, Academy of Fine Arts, Helsinki, Finland, disputation in November 2008 MA, Art History, Helsinki University, Finland 2003 MFA, Fine Art Media, Academy of Fine Arts, Helsinki, Finland 1999 BFA, Painting Department, Academy of Fine Arts, Helsinki, Finland 1998-99 Slade School of Fine Art, Fine Art Media, UCL, Erasmus exchange, London, UK SELECTED SOLO EXHIBITIONS 2018 Galleria Heino, Helsinki 2017 Mediabox, Forum Box, Helsinki, Finland 2014-15 The Cage, Rappu Space, Pori Art Museum, Pori, Finland 2013 The Cage, Gallery Forum Box, Helsinki, Finland 2012 Language Is the Key to Everything, Haninge Art Hall, Haninge, Sweden 2012 Your Songs Transport Me to A Place I’ve Never Been, Galleri Sinne, Helsinki, Finland 2011 Story Café, Suomesta Gallery, Berlin, Germany 2009 Hitwoman, Heino Gallery, Helsinki, Finland 2007 Tomorrow, Photographic Gallery Hippolyte, Helsinki, Finland Story Café, Linnagallerii, part of the Young Artists’ Biennale, Tallinn, Estonia The Boxer and the Ballerina, Helsinki Kunsthalle, Studio, Helsinki, Finland 2006 Story Café, Galleria Huuto Uudenmaankatu, Helsinki, Finland 2005 There Is A Lot of Joy, Too, Gallery Heino, Helsinki, Finland 2004 A Few Nightmares, Kluuvi Gallery, Helsinki Art Museum, Helsinki, Finland 2003 Portraits of Everyday Life, Photographic Gallery Hippolyte, Helsinki, Finland 2002 Safe and Exciting, Cable Gallery, Helsinki, Finland 2001 A Sensible Use Of Time, Kluuvi Gallery, Helsinki Art Museum, Helsinki, Finland SELECTED GROUP EXHIBITIONS 2017 FOKUS Festival, Nikolaj Kunsthal, Copenhagen, Denmark 2017 Self-portrait in Time, Helsinki Kunsthalle, Finland 2017 Visible Country, Arktikum, Rovaniemi, Finland 2016 Eternal Mirror, group exhibition, Gallery Ama, Helsinki, Finland 2016 UN/SAFE, Kuntsi Museum of Modern Art, Vaasa, Finland 2015-16 Face to Face. -
International Evaluation of the Finnish National Gallery
International evaluation of the Finnish National Gallery Publications of the Ministry on Education and Culture, Finland 2011:18 International evaluation of the Finnish National Gallery Publications of the Ministry on Education and Culture, Finland 2011:18 Opetus- ja kulttuuriministeriö • Kulttuuri-, liikunta- ja nuorisopolitiikan osasto • 2011 Ministry of Education and Culture• Department for Cultural, Sport and Youth Policy • 2011 Ministry of Education and Culture Department for Cultural, Sport and Youth Policy Meritullinkatu 10, Helsinki P.O. Box 29, FIN-00023 Government Finland www.minedu.fi/minedu/publications/index.html Layout: Timo Jaakola ISBN 978-952-263--045-2 (PDF) ISSN-L 1799-0327 ISSN 1799-0335 (Online) Reports of the Ministry of Education and Culture 2011:18 Kuvailulehti Julkaisija Julkaisun päivämäärä Opetus- ja kulttuuriministeriö 15.4.2011 Tekijät (toimielimestä: toimielimen nimi, puheenjohtaja, sihteeri) Julkaisun laji Opetus- ja kulttuuriministeriön Kansainvälinen arviointipaneeli: projektipäällikkö Sune Nordgren työryhmämuistioita ja selvityksiä (pj.) Dr. Prof. Günther Schauerte, johtaja Lene Floris, ja Toimeksiantaja Opetus- ja kulttuuriministeriö oikeustieteen tohtori Timo Viherkenttä. Sihteeri: erikoissuunnittelija Teijamari Jyrkkiö Toimielimen asettamispvm Dnro 23.6.2010 66/040/2010 Julkaisun nimi (myös ruotsinkielinen) International evaluation of the Finnish National Gallery Julkaisun osat Muistio ja liitteet Tiivistelmä Opetus- ja kulttuuriministeriö päätti arvioida Valtion taidemuseon toiminnan vuonna 2010. Valtion taidemuseo on ollut valtion virasto vuodesta 1990 lähtien ja sen muodostavat Ateneumin taidemuseo, Nykytaiteen museo Kiasma, Sinebrychoffin taidemuseo ja Kuvataiteen keskusarkisto. Tulosohjattavan laitoksen tukitoimintoja hoitavat konservointilaitos, koko maan taidemuseoalan kehittämisyksikkö sekä hallinto- ja palveluyksikkö. Organisaatiorakenne on pysynyt suurinpiirtein samanlaisena sen koko olemassaolon ajan. Taidemuseon vuosittainen toimintamääräraha valtion budjetissa on n. 19 miljoonaa euroa ja henkilötyövuosia on n. -
Nordic Music Today
18 17 – 23 OCTOBER 2013 WHERE TO GO HELSINKI TIMES COMPILED BY ANNA-MAIJA LAPPI Until Sun 10 November Nathalie Djurberg & Hans Berg A blend of fantasy and nightmare created by the Swedish contempo- TIINA MIELONEN rary artist duo. Kunsthalle Helsinki Nervanderinkatu 3 Open: Nordic Music Today Tue, Thu, Fri 11:00-18:00 Nordic Music Days, one of the longest continuously running music festivals Wed 11:00-20:00 in the world, is celebrating its 125th birthday this year with a broad pro- Sat, Sun 11:00-17:00 Tickets €0/9/12 gramme of contemporary Nordic music. First held in 1888, the festival aims www.taidehalli.fi to promote the work of contemporary Nordic composers and offer the audi- ences a chance to experience new, vibrant music from the Nordic countries. Until Sun 17 November The theme this year is ‘Parallel Societies’. The theme will be highlight- Timo Heino Installations and collages by one of ed throughout the festival programme that falls into three different cat- the most uncompromising Finnish egories: orchestral and choral concerts, chamber-music concerts and club contemporary artists. evenings featuring electronic and electro-acoustic music. The main con- Helsinki Art Museum Tennis Palace cert venues will be the various halls of the Helsinki Music Centre, the Sibel- Salomonkatu 15 ius Academy Concert Hall, Temppeliaukio Church and the Korjaamo Culture Open: Tue-Sun 11:00-19:00 Factory. Tickets €0/8/10 The festival programme, including performances from choral music to electronic improvisation, has been compiled by a trio of artistic directors: Until Sun 15 December conductor Nils Schweckendiek, guitarist Petri Kumela and composer Sami Surreal Illusionism - Photographic Klemola. -
FULLTEXT01.Pdf
Turku Museum of History Heidi Jokinen Studio 12 Supervisor: Per Fransson Program The program is divided into a two-floor-building. The entrances of the museum are on the 1st floor. The Exhibitions begin from the entrance floor with the Major International Exhibition space which is for changing exhibitions. The exhibition is in the 1930’s warehouse building, it is an open space lined with columns which makes it easy to be transformed for different kinds of exhibitions. The Main Exhibition space for the history of Turku and Finland is on two levels on the 2nd floor. The exhibition is entered through the 1st floor Major Exhibition with a staircase leading up to the 2nd floor. The space is open with just a couple of dividing walls and columns making it flexible for changes in exhibition. For instance, the Virtual Reality Experience rooms are set between the columns on the second floor for a different kind of museum experience – Turku Goes 1812 where the visitor can experience parts of the city as it was 15 years prior to the Great fire of Turku. The Museum also houses a Museum shop, a Restaurant with seating for 150 people, and an Auditorium with 180 seats on the 1st floor. Existing Buildings The existing buildings on site are used as part of the exhibition spaces as well as a part of the restaurant dining area, museum storage area and as rentable collaboration spaces for the museum and the local businesses. Landscape The site should engage the visitor in history directly upon arrival – a stone paved pathway lined with concrete information walls leads the visitor toward the entrance. -
Westminsterresearch
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Socially inherited memory, gender and the public sphere in Poland. Anna Reading School of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 1996. This is a scanned reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] SOCIALLY INHERITED MEMORY, GENDER AND THE PUBLIC SPHERE IN POLAND Anna Reading A thesis submitted in partial fulfilment for the degree of Doctor of Philosophy July 1996 University of Westminster, London, UK **I have a memory, which is the memory of mother's memory' UNIVERSITY OF WESTMINSTER HARROW IRS CENTRE ABSTRACT More recent theories of the 'revolutions' of 1989 in the societies of Eastern and Central Europe now suggest that the underlying dynamic was continuity rather than disjuncture in terms of social and political relations. Yet such theories fail to explain the nature of and the reasons for this continuity in terms of gender relations in the public sphere. -
Christmas and New Year.2019
OPENING HOURS Mon Tue Wed Thurs Tue Wed Mon CHRISTMAS & NEW YEAR 2019 23.12. 24.12. 25.12. 26.12. 31.12. 1.1. 6.1. ART MUSEUMS Amos Rex - - - 11-17 - - 11-18 Ateneum Art Museum - - - 10-17 10-17 - - Didrichsen Art Museum - - - 11-18 11-18 11-18 - Free entry 26.-29.12. Gallen-Kallela museum - - 11-17 11-17 11-16 11-17 11-17 HAM – Helsinki Art Museum (Tennispalace) - - - 11-19 11-17 - - Kunsthalle Helsinki - - - 11-17 - - - Kiasma, Contemporary Art Museum - - - 10-17 10-17 - - WeeGee building + EMMA – Espoo museum of - - - 11-17 - - - modern art Sinebrychoff Art Museum - - - 10-17 10-17 10-17 - HISTORICAL MUSEUMS Helsinki City Museums: -Helsinki City Museum - - - - 11-15 - - -Hakasalmi Villa - - - - 11-15 - - -Tram Museum - - - - 11-15 - - -Burgher’s House - - - - - - 11-17 Mannerheim museum - - - - - - - National Museum of Finland - - - 11-18 11-18 - - Urho Kekkonen Museum, Tamminiemi - - - - - - - CABLE FACTORY Hotel and Restaurant Museum - - - - - - - Theatre Museum - - - - - - - Finnish Museum of Photography - - - - - - - OTHER MUSEUMS Alvar Aalto Studio (Riihitie 20), only open for guided tours - - - 11.30 11.30 11.30 - House (Tiilimäki 20), only open for guided tours - - - 13 13 13, 14, 15 13, 14, 15 Design Museum - - - - 11-15 - - Lab & Design Museum Arabia - - - - - - - Iittala & Arabia Design Centre Store 10-20 10-13 - - 10-18 - 10-16 Helsinki University Museum - - - - - - - Closed 23.12.2019-6.1.2020 Natural History Museum - - - - - - - Helsinki Observatory - - - - - - - Päivälehti-press museum 11-17 - - - 11-17 - 11-17 Seurasaari Open Air Museum opens - - - - - - 15.5.2019 Museum of Finnish Architecture - - - - 11-16 - - Sports Museum of Finland opens in - - - - - - 2020 Museum of Technology - - - - - - - Helsinki Tourist Information, Helsinki Marketing 12/2019 Helsinki Marketing is not responsible for any changes OPENING HOURS Mon Tue Wed Thurs Tue Wed Mon CHRISTMAS & NEW YEAR 2019 23.12. -
Palestine and Poland; a Personal Perspective
1 Nationalism in Comparison: Palestine and Poland; A Personal Perspective Gregory P. Rabb Professor of Political Science Jamestown Community College INTRODUCTION Defining and understanding nationalism in general can be difficult when done without referencing a particular nation or people. This paper is an attempt to understand nationalism in a comparative perspective as recommended by Benedict Anderson in his work entitled “Imagined Communities: Reflections on the Origin and Spread of Nationalism” (2016). Mr. Anderson also recommends understanding nationalism by focusing on the western hemisphere (or so called “new world”) rather than analyzing nationalism in the context of the so-called “old world” from a Euro-centric perspective. I am no Benedict Anderson, but I hope I met his recommendation by understanding nationalism from a personal perspective which I will explain shortly. NATIONALISM When introducing these concepts to my students I talk about the nation-state as the way in which we have organized the world since the Treaty of Westphalia-a Euro-centric perspective. The state is the government, however that is organized, and the nation is the people who are held together by any one or more of the following characteristics: common language, religion, history, ethnicity, and/or national identity including a commitment to a certain set of values (e.g. the emphasis on individual rights and the Constitution as our civil religion as seen in the US) and symbols (e.g. the monarchy and currency in the UK and the flag in the US). We then discuss the “stresses” from above, below, and beside (without) which may be heralding the end of the so-called nation-state era. -
PROGRAMME Contents
Third European IRPA Congress NSFS Radiation protection – science, safety and security 14 – 18 June 2010 Helsinki, Finland www.irpa2010europe.com PROGRAMME Contents Welcome to European IRPA 2010 . 3 Organisation and committees . 4 Contributing organisations . 5 General information . 6 Finlandia Hall . .8 Programme outline . 1. 0 Monday, 14 June . .12 Tuesday, 15 June . .1 . 4 –27) and Eero Venhola (p. 28), Finnish Tourist Board’s Image Bank (p. 12 top), TVO (p. 12 below), Hotel Hilton Kalastajatorppa (p. 25 top and p. 41 right) and p. 25 top (p. Hilton Kalastajatorppa Hotel TVO 12 below), (p. 12 top), Image Bank (p. Board’s Tourist 28), Finnish (p. Venhola –27) and Eero Wednesday, 16 June . 16 Thursday, 17 June . 20 Friday, 18 June . 26 5), Katri Pyynönen (p. 8 and backdrops on pp. 12 on pp. 8 and backdrops 5), Katri Pyynönen (p. – Poster sessions and presentations . 2. 8 Social programme . 4. 0 Technical exhibition . 42 Graphic design and layout: Nina Sulonen STUK – Radiation and Nuclear Safety Authority Photos: City of Helsinki Picture Bank / Matti Tirri (cover and p. 19 top), Comma Image Oy (p.13 top), p. 15 Paul Williams (p. 40 left), Mika Lappalainen (p. 40 right), Pertti Nisonen (p. 41 left), Finlandia Hall Image Bank / Matti Tirri (pp. 4 (pp. Tirri Hall Image Bank / Matti 41 left), Finlandia Nisonen Pertti 40 left), 40 right), (p. Mika (p. Lappalainen (p. Williams 15 Paul p. top), Image Oy Comma (p.13 19 top), and p. (cover Tirri CityPhotos: of Helsinki Bank / Matti Picture 2 Welcome to European IRPA 2010 Dear colleagues from all over Europe and beyond The Nordic Society for Radiation Protection (NSFS) has the honour to host the regional European IRPA Congress in Helsinki on 14 – 18 June 2010.