Robert Adam's First Marylebone House
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The Lansdowne Athlete
The Lansdowne Athlete THE LANSDOWNE ATHLETE 1st century B.C. to 1st century A.D. Made of Pentelic marble, 25.6 cm.(10 in.) high The striking, just under life-sized, head of a young man, with idealised features, is turned slightly to the left. His head is crowned with closely curled luxurious hair, he has a slightly parted mouth with full lips and dimpled corners, with a rounded cleft chin below and perfect straight nose above. The facial features are finely sculpted, with a hint of musculature, cheek bone, and delicate neck folds. The naturalistically modelled head encapsulates both power, innocence and boldness, displaying the skill and virtuosity of the unknown sculptor to incredible effect. Indeed the workmanship can be likened to the great Greek sculptor, Lysippus, whose many bronze masterpieces exhibited the same finesse Marble head of an athlete, Museo Archeologico and dexterity; characteristics often admired and emulated by others. Nazionale, Palestrina, Inv. no 568 The identification as an athlete can be made by the distinctive facial features of the youth, including the closely cropped hair, challenging gaze and thick muscular neck. Parallels with other known pieces include; the Head of an Athlete, Museo Archeologico Nazionale, Palestrina, Inv. no 568 (cf. illustrations), as well as reflecting such iconic works as the bronze Antikythera Youth, National Museum Athens, Inv. no 13396. Pentelic marble Pentelic marble is from a quarry complex on the slopes of Mount Pentelicus, some 16 km. north of Athens. The stone is characterised by its fine grain and pure colour; the white tinged with a golden hue. -
Bute House the Offi Cial Residence of the First Minister of Scotland
Bute House The offi cial residence of the First Minister of Scotland Bute House 20pp brochure 02.indd 1 17/07/2017 08:53 Welcome to Bute House ince I became First Minister, I have welcomed thousands of people to Bute House. As the official residence of the First Minister of Scotland, it is here that I host official guests from this country and overseas on behalf of the nation. Bute House is also the meeting place of the Scottish Cabinet and the venue for official functions including meetings, receptions, lunches and dinners. Within these walls, I get to bring together people from all walks of life through meetings with business leaders, public service employees and the voluntary sector, and receptions to celebrate all aspects of Scottish society and success. Every Christmas, I even get to welcome youngsters from around the country for an annual children’s party. All year round Bute House performs a dual role of both residence and place of work for the First Minister. All four of my predecessors lived here too, and their portraits line the wall of the staircase leading to the Cabinet Room. Before the Scottish Parliament was reconvened in 1999, Bute House was home to eight different Secretaries of State for Scotland from 1970 onwards. Many of the key conversations and decisions in recent Scottish political history have taken place within these walls. Even without its modern role, however, Bute House would be of significant historic interest. It was built in the late 18th century, and is at the heart of one of the great masterpieces of Georgian architecture – the north side of Robert Adam’s Charlotte Square. -
Differentiated and Compatible
Search the Sit FEBRUARY 2009 » FEATURE ShareThis Differentiated and Compatible The Secretary’s Standards revisited. By Steven W. Semes Curiously, historic preservation has once again become a hot topic as architects, preservationists, public officials and citizen activists debate the criteria used to evaluate proposed additions to historic structures or infill buildings in historic districts. This comes in response to growing public opposition to recent decisions by some preservation authorities to approve starkly contrasting Modernist additions to historic buildings or dissonant new structures in traditional settings. The debate has been particularly lively in New York City and Charleston, SC, where preservation commissions have approved a series of contrasting Modernist structures in historic settings. However, it has also aroused students, faculty and alumni at the University of Virginia, where the debate has spilled onto the pages of the student newspaper and the internet. In the historic center of Rome, Richard Meier’s Ara Pacis Museum stirred such intense opposition that upon being elected, the new mayor of Rome called for a referendum to decide whether to remove the new building! If the purpose of historic preservation is to safeguard historic buildings and neighborhoods, how does one justify such recent interventions as Norman Foster’s glass tower on top of the landmark Hearst Building or Renzo Piano’s additions to the Morgan Library, to take but a couple of New York City examples? Weren’t the preservation laws passed decades ago precisely to prevent these kinds of intrusions on historic fabric? The debate has arisen now because we are seeing the logical consequences of policies developed decades ago when the architectural culture was quite different. -
Purchase of a Cast Silver Bowl by Malcolm Appleby with Enamelling by Jane Short
Committee on the Jean F Watson Bequest 10am, Friday 30 November 2018 Purchase of a cast silver bowl by Malcolm Appleby with enamelling by Jane Short Item number Report number Executive/routine Wards Council Commitments 46 Executive Summary Committee is asked to approve the purchase of a cast silver bowl ‘Hurricane 12’ by Malcolm Appleby with enamelling by Jane Short. Report Purchase of a cast silver bowl by Malcolm Appleby with enamelling by Jane Short 1. Recommendations 1.1 It is recommended that the Committee approves the purchase of a silver and enamel bowl by Malcolm Appleby and Jane Short. 2. Background 2.1 The Museum of Edinburgh has a fine collection of 18th and 19th century silver, made in Edinburgh and Canongate which is recognised as of National Significance by Museums Galleries Scotland on behalf of the Scottish Government, but there are few pieces from the late 20th century and present day. Acquisitions of new work by contemporary silversmiths are an important part of ensuring that the collection continues to display work made in Edinburgh and its environs as part of a wider remit to collect contemporary applied art made in the city and East of Scotland and to ensure our collections remain relevant to future generations. 3 Main report 3.1 The following item by Malcolm Appleby is presented to the Committee for consideration: Malcolm Appleby Bowl Hurricane Force 12, 2016 H70mm x W120mm x D100mm Enamel and sterling silver Cast from engraving by Malcolm Appleby with enamelling by Jane Short Signed and dated on base Malcolm Appleby 04.11.15 £9,441 (including 10% Museum discount) Committee on the Jean F Watson Bequest - 30 November 2018 Page 2 3.2 Malcolm Appleby was born in 1946. -
British Neoclassicism COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B British Neoclassicism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice authenticity reductionism NEOCLASSICISM sublimity neoclassicism ROMANTIC CLASSICISM innovation/radicalism ARCHAEOLOGYARCHAEOLOGY ARCHAEOLOGICAL PUBLICATIONS Robert Wood, Ruins of Palmyra,1753 Robert Wood, Ruins of Balbec,1757 J D Leroy, Les Ruines des plus Beaux Monuments de la Grèce, 1758 James Stuart & Nicholas Revett, Antiquities of Athens, I, 1762 James Stuart & Nicholas Revett, Antiquities of Athens, II, 1790 Robert Adam, Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia, 1764 Richard Chandler, Ionian Antiquities, I, 1769 Richard Chandler, Ionian Antiquities, II, 1797 Temple of Apollo, Stourhead, by Henry Flitcroft, 1765 the ‘Temple of Venus’ at Baalbek, c AD 273 George Mott & S S Aall, Follies and Pleasure Pavilions (London 1989), p 102; Robert Wood, The Ruins of Balbec, otherwise Heliopolis in Coelosyria (London 1757) THETHE SUBLIMESUBLIME 'The artist moved by the grandeur of giant statue of Ancient Ruins', by Henry Fuseli, 1778-9 Constantine, c 313 Toman, Neoclassicism, p 11 MUAS 12,600 Castel Sant' Angelo, Rome, -
The Quarterly OFFICIAL PUBLICATION GF the ST
The Quarterly OFFICIAL PUBLICATION GF THE ST. LAWRENCE COUNTY HISTORICAL ASSOCIATION Adnzinistration BNilding, St. Ln zureszce Stu t e Hospital October 1966 Page Two The Quarterly Offidal Publication of The St. Lawrence County Historical Am ASSOCIATION OFFICERS OCTOBER 1966 VOL. I1 NO. 4 President MILES GREENE Massena CONTENTS First Vice President WILLIAM BRUCE VAN BUREN Ogdensburg Second Vice President CECIL GRAHAM Page Canton DOWN TO POINT AIRY ConesPonding Secretary By Elizabeth Baxter MRS. MILES GREENE 3 Massena LOGGING AT STAMMERVILLE Financial Secretary By Mrs. Ray Dunlop 5 MRS. W. B. FLEETHAM DePeyster EDITORIAL Treasurer By Mary Biondi 6 DAVID CLELAND A GHOST TOWN Canton By Carrlton B. Olds 7 Editor, The Quarterly MARY H. BIONDI KNOW YOUR HISTORIAN Canton 7 Committee Chairmen RAYMONDVILLE BRICK HOTEL Program MRS. DORIS PLANTY By Maude Wing 8 Ogdensburg FIRST ANNUAL ART CONTEST Historic Sites 10 LAWRENCE G. BOVARD Ogdensburg GLASSBLOWER WHO BLEW TOWN Richville Building By .Maxine Rutherf ord MRS. JOSEPH WRANESH VIGNETTE (Hectored by a Crow) Nominations By Katie Perry CARLTON D. OLDS Waddington SUNSETS AT MORRISTOWN Yorker Cribs By Jean Frame MRS. JOSEPH WRANESH Richvllle AUTUMN'S HANDMAIDEN Promotion MRS. EDWARD BIONDI THE ALBANY ROAD Ogdensburg County Fair CLARENCE POOR GROWING OLD Rensselaer Falls By VanDyke Brown Special Gifts I ,000 ISLAND DRESSING MRS. EDWARD BIONDI THE QUARTERLY is published in January, April, J'uly and October CRACKER BARREL each year by the St. Lawrence Coun- ty Historical Association, Editorial Office, Box 43, Canton, advertising and publication off ice 40-42 Clinton Street, Gouverntur, N.Y. EXTRA COPIES may be ohtained from Mrs. -
Asset Management Plan for the Properties in the Care of Scottish Ministers 2018 Contents
ASSET MANAGEMENT PLAN FOR THE PROPERTIES IN THE CARE OF SCOTTISH MINISTERS 2018 CONTENTS Introduction ..................................................3 5.0 Meeting conservation challenges ... 25 1.0 Cultural Heritage Asset 6.0 Ensuring high standards and Management – challenges, continuity of care ..................................... 26 opportunities and influences ................... 4 1.1 Objectives of the AMP ������������������������������������� 5 7.0 Standards and assurance .................27 1.2 Adding value through asset 7.1 Compliance .........................................................27 management ........................................................ 7 7.2 Compliance management 1.3 Scotland’s changing climate ......................... 9 roles and responsibilities for physical assets ............................................27 2.0 The Properties in Care ...................... 10 7.3 Visitor safety management ..........................27 7.4 Conservation principles and standards ...28 2.1 Asset Schedule ................................................. 10 7.5 Project management and regulatory 2.2 The basis of state care ................................... 10 consents ............................................................. 30 2.3 Overview of the properties in care ..................11 7.6 External peer review ...................................... 30 2.4 Statements of cultural significance .............11 2.5 Acquisitions and disposal ..............................12 8.0 Delivering our climate change objectives -
Robert Adam 2017 Laureate
Robert Adam 2017 Laureate Contents Press Release ……………………………………………………………… 2 Images …………………………………………………………………….. 4 Driehaus Prize ……………………………………………………………. 13 Ceremony Choregic Monument Past Laureates Henry Hope Reed Award …………………………………………………. 14 Medal Past Recipients Jury ……………………………………………………………………….. 15 Press Release Robert Adam named 15th Richard H. Driehaus Prize Laureate James S. Ackerman posthumously presented the Henry Hope Reed Award Robert Adam, an architect known for his scholarship as well as his practice, has been named the recipient of the 2017 Richard H. Driehaus Prize at the University of Notre Dame. Adam, the 15th Driehaus Prize laureate, will be awarded the $200,000 prize and a bronze miniature of the Choregic Monument of Lysikrates during a ceremony on March 25 (Saturday) in Chicago. In conjunction with the Driehaus Prize, the $50,000 Henry Hope Reed Award, given annually to an individual working outside the practice of architecture who has supported the cultivation of the traditional city, its architecture and art, will be presented posthumously to architectural historian James S. Ackerman. Additionally, on the occasion of the 15th anniversary of the Driehaus Prize, the jury has elected to honor the Congress for the New Urbanism (CNU) with a special award for contributions to the public realm. “Throughout his career, Robert Adam has engaged the critical issues of our time, challenging contemporary attitudes toward architecture and urban design. He has written extensively on the tensions between globalism and regionalism as we shape our built environment,” said Michael Lykoudis, Driehaus Prize jury chair and Francis and Kathleen Rooney Dean of Notre Dame’s School of Architecture. “Sustainability is at the foundation of his work, achieved through urbanism and architecture that is respectful of local climate, culture and building customs.” Adam received his architectural education at Westminster University and was a Rome Scholar in 1972–73. -
Adamcollection Welcome
AdamCollection Welcome We are a specialist boutique British manufacturer of solid brass door and window products, including the original iconic Princess and Constable Collections, along with custom accessories for electrical applications and bathrooms. With a unique range of Collections dating back to architectural periods in the early 16th Century we offer a uniquely extensive range of Period, Heritage and Contemporary Door Furniture made from the purest Brass all hand worked, polished and finished on site... in England. We work with professional and private clients worldwide to create elegant door and window furniture products for royal palaces, super yachts, stately homes and high specification private residences. Here and on our website you can learn more about us, the work we do and how we can help you add those finishing touches of elegancee Our Timeline of Architectural Styles Welcome to our Collections architectural timeline! We are in a privileged position to be able to showcase to you our range of period, heritage, classic and contemporary Collections including the original iconic Princess and Constable Collections. All of our Collections make reference to a particular historical architectural style, helping you choose the right finishing touches to your home. Within our Collections you will find a number of product types so that you can add that luxury touch, not only to your doors! Louis XIV Louis XV Louis XVI Adam Constable Executive Style: Baroque & Rococo Style: Neoclassical Style: Victorian Style: Modern 1590-1725 1750-1880 1835-1901 1918-2000 Style: Ancient Greek Style: Georgian Style: Regency Style: Art Nouveau Style: Contemporary 1200BC-100AD 1720-1840 1810-1835 1890-1910 1980-now Coming Soon Meandros Burlington Governor Princess Liberty Bamboo 2 Adam Collection Style: Neoclassical A Brief History Robert Adam, born in Early Georgian Scotland in 1728, was a Scottish neoclassical architect, interior designer and furniture designer. -
Following the Sacred Steps of St. Cuthbert
Folowing te Sacred Stps of St. Cutbert wit Fater Bruce H. Bonner Dats: April 24 – May 5, 2018 10 OVERNIGHT STAYS YOUR TOUR INCLUDES Overnight Flight Round-trip airfare & bus transfers Edinburgh 3 nights 10 nights in handpicked 3-4 star, centrally located hotels Durham 2 nights Buffet breakfast daily, 4 three-course dinners Oxford 2 nights Expert Tour Director London 3 nights Private deluxe motorcoach DAY 1: 4/24/2018 TRAVEL DAY Board your overnight flight to Edinburgh today. DAY 2: 4/25/2018 ARRIVAL IN EDINBURGH Welcome to Scotland! Transfer to your hotel and get settled in before meeting your group at tonight’s welcome dinner. Included meals: dinner Overnight in Edinburgh DAY 3: 4/26/2018 SIGHTSEEING TOUR OF EDINBURGH Get to know Edinburgh in all its medieval beauty on a tour led by a local expert. • View the elegant Georgian-style New Town and the Royal Mile, two UNESCO World Heritage sites • See the King George statue and Bute House, the official residence of the Scottish Prime Minister • Pass the Sir Walter Scott monument • Enter Edinburgh Castle to view the Scottish crown jewels and Stone of Scone Enjoy a free afternoon in Edinburgh to explore the city further on your own. Included Entrance Fees: Edinburgh Castle Included meals: breakfast Overnight in Edinburgh DAY 4: 4/27/2018 STIRLING CASTLE AND WILLIAM WALLACE MONUMENT Visit Stirling, a town steeped in the history of the Wars of Scottish Independence. For generations, Sterling Castle held off British advances and served as a rallying point for rebellious Scots. It was within Stirling Castle that the infant Mary Stewart was crowned Mary, Queen of Scots. -
The Building
THE BUILDING British Land has worked with world-renowned architectural practice Squire & Partners to create 7 Clarges Street – a building that blends the traditions of Mayfair with contemporary design. Spread over six floors, the structure is crafted in Portland stone and characterised by a modern yet refined feel. Main entrance, Clarges Street THE LOCATION 7 Clarges Street sits in the very heart of Mayfair. Its position not only provides enviable connectivity to London’s transport hubs and beyond, but is also at the centre of a community of respected businesses, world-class galleries and museums. Aerial view of Mayfair and Green Park THE LIFESTYLE Mayfair has a distinct charm and character all of its own and is a special place to enjoy an excellent range of amenities. Surrounded by renowned retailers, cultural institutions and restaurants, 7 Clarges Street is also just a short stroll from the natural beauty of Green Park. Scott’s, Mayfair AN ESTEEMED ADDRESS Mayfair is one of the most prestigious business locales in the world. 7 Clarges Street is perfectly positioned among an influential community of some of the world’s leading businesses, ranging from boutique asset management firms to global corporate headquarters. MONTAGU SQUARE BRYANSTON SQUARE MARYLEBONE TOTTENHAM COURT ROAD Local Occupiers CAVENDISH SQUARE MANCHESTERSQUARE OXFORD CIRCUS SOHO SQUARE 1 6 14 1 Curzon Street 50 Berkeley Street 1 Stanhope Gate WIGMORE STREET EDGWARE ROAD Rathbones AllianceBernstein Barclays Bank OXFORD STREET Kedge Capital Advent Capital WARDOUR STREET -
The Development of the Lansdowne Gallery
Press release – October 2016 Lansdowne Legacy: the development of the Lansdowne Gallery an exhibition charting the history of the Lansdowne Sculpture Gallery at Sir John Soane’s Museum 20 October – 12 November 2016 Office of Robert Adam, Lansdowne House principal façade, 1765. SM Adam volume 39/50. The Sir John Soane’s Museum presents an exhibition of drawings charting the fascinating legacy and history of the Lansdowne Sculpture Gallery, one of the lost treasures of Regency time. Curated by Dr Elizabeth Angelicoussis, one of the leading experts on the Lansdowne Gallery, this exhibition will offer an unprecedented opportunity to discover the complex history of this significant collection through an array of original artworks. 1 William Petty-Fitzmaurice, 1st Marquess of Lansdowne, amassed a fabulous collection of classical sculpture between the mid-1760s and the late 1790s. It was intended that these works should be displayed in a sculpture gallery specially designed in the north - west annex of Lansdowne House in Berkeley Square, in London, which had been built to designs by Robert Adam. Lord Lansdowne could not settle on a design for this important room and commissioned alternative schemes by six different architects. The Gallery was originally designed as a library by Adam; however Lord Lansdowne also wanted a sculpture gallery and debated between these two functions for years. Finally he opted for a design by George Dance the younger, which offered a compromise between the two. Lord Lansdowne did not live to see his marbles collection in situ and ultimately it was his second son, the 3rd Marquess, who commissioned the final scheme to designs by Robert Smirke in the early 19th century.