The Images of Jiangnan in Zhao Mengfu's (1254-1322) Poetry/ Li E University of Massachusetts Amherst
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Controls on Modern Erosion and the Development of the Pearl River Drainage in the Late Paleogene
Marine Geology xxx (xxxx) xxx–xxx Contents lists available at ScienceDirect Marine Geology journal homepage: www.elsevier.com/locate/margo Invited research article Controls on modern erosion and the development of the Pearl River drainage in the late Paleogene ⁎ Chang Liua, Peter D. Clifta,b, , Andrew Carterc, Philipp Böningd, Zhaochu Hue, Zhen Sunf, Katharina Pahnked a Department of Geology and Geophysics, Louisiana State University, Baton Rouge 70803, USA b School of Geography Science, Nanjing Normal University, Nanjing 210023, China c Department of Earth and Planetary Sciences, Birkbeck College, University of London, London WC1E 7HX, UK d Max Planck Research Group for Marine Isotope Geochemistry, Institute of Chemistry and Biology of the Marine Environment (ICBM), University of Oldenburg, 26129, Germany e State Key Laboratory of Geological Processes and Mineral Resources, China University of Geosciences, Wuhan 430074, China f Key Laboratory of Marginal Sea Geology, South China Sea Institute of Oceanology, Chinese Academy of Sciences, 164 Xingangxi Road, Guangzhou 510301, China ARTICLE INFO ABSTRACT Keywords: The Pearl River and its tributaries drains large areas of southern China and has been the primary source of Zircon sediment to the northern continental margin of the South China Sea since its opening. In this study we use a Nd isotope combination of bulk sediment geochemistry, Nd and Sr isotope geochemistry, and single grain zircon U-Pb Erosion dating to understand the source of sediment in the modern drainage. We also performed zircon U-Pb dating on Provenance Eocene sedimentary rocks sampled by International Ocean Discovery Program (IODP) Expedition 349 in order to Pearl River constrain the source of sediment to the rift before the Oligocene. -
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Advances in Social Science, Education and Humanities Research, volume 341 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019) Exploring the Influence of Western Modern Composition on Image Oil Painting After "The Fine of 1985" Shisheng Lyu Haiying Liu College of Art and Design College of Art and Design Wuhan Textile University Wuhan Textile University Wuhan, China 430073 Wuhan, China 430073 Abstract—This paper starts with the modern composition in modern composition. They have various painting genres of the West. Through the development of Chinese imagery oil and expressions, enriching the art form of oil painting. painting in China and its influence on Chinese art, this paper explores the influence and development of the post-modern Since the 1980s, with the gradual acceleration of reform composition on China's image oil painting after "The Fine of and opening up, Chinese art has withstood the invasion of 1985". Firstly, it analyzes the historical and cultural foreign cultures and experienced the innovation of cultural background and characteristics of Western modern and artistic thoughts. Image oil paintings have turned their composition. Secondly, it focuses on the development of attention to the exploration of the sense of form of art modern composition in China, and elaborates on the artistic ontology and have made valuable explorations in painting expressions of Chinese image oil painters influenced by form and language of expression, which is largely influenced modern composition. Finally, it considers the main reason why by the form and language of Western modern composition. Chinese image oil painting is influenced by modern Some contemporary oil painters have deeply studied the composition. -
Orthography of Early Chinese Writing: Evidence from Newly Excavated Manuscripts
IMRE GALAMBOS ORTHOGRAPHY OF EARLY CHINESE WRITING: EVIDENCE FROM NEWLY EXCAVATED MANUSCRIPTS BUDAPEST MONOGRAPHS IN EAST ASIAN STUDIES SERIES EDITOR: IMRE HAMAR IMRE GALAMBOS ORTHOGRAPHY OF EARLY CHINESE WRITING: EVIDENCE FROM NEWLY EXCAVATED MANUSCRIPTS DEPARTMENT OF EAST ASIAN STUDIES, EÖTVÖS LORÁND UNIVERSITY BUDAPEST 2006 The present volume was published with the support of the Chiang Ching-kuo Foundation. © Imre Galambos, 2006 ISBN 963 463 811 2 ISSN 1787-7482 Responsible for the edition: Imre Hamar Megjelent a Balassi Kiadó gondozásában (???) A nyomdai munkálatokat (???)a Dabas-Jegyzet Kft. végezte Felelős vezető Marosi Györgyné ügyvezető igazgató CONTENTS Acknowledgements ................................................................................................. vii Introduction ............................................................................................................ 1 CHAPTER ONE FORMER UNDERSTANDINGS ..................................................................................... 11 1.1 Traditional views ........................................................................................... 12 1.1.1 Ganlu Zishu ........................................................................................ 13 1.1.2 Hanjian .............................................................................................. 15 1.2 Modern views ................................................................................................ 20 1.2.1 Noel Barnard ..................................................................................... -
Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
Enhanced Magnetic Properties of Fesial Soft Magnetic Composites Prepared by Utilizing PSA As Resin Insulating Layer
polymers Article Enhanced Magnetic Properties of FeSiAl Soft Magnetic Composites Prepared by Utilizing PSA as Resin Insulating Layer Hao Lu 1,2, Yaqiang Dong 2,3,* , Xincai Liu 1,*, Zhonghao Liu 1,2, Yue Wu 2, Haijie Zhang 2, Aina He 2,3, Jiawei Li 2,3 and Xinmin Wang 2 1 Faculty of Materials Science and Chemical Engineering, Ningbo University, Ningbo 315211, China; [email protected] (H.L.); [email protected] (Z.L.) 2 Zhejiang Province Key Laboratory of Magnetic Materials and Application Technology, CAS Key Laboratory of Magnetic Materials and Devices, Ningbo Institute of Materials Technology & Engineering, Chinese Academy of Sciences, Ningbo 315201, China; [email protected] (Y.W.); [email protected] (H.Z.); [email protected] (A.H.); [email protected] (J.L.); [email protected] (X.W.) 3 University of Chinese Academy of Sciences, Beijing 100049, China * Correspondence: [email protected] (Y.D.); [email protected] (X.L.) Abstract: Thermosetting organic resins are widely applied as insulating coatings for soft magnetic powder cores (SMPCs) because of their high electrical resistivity. However, their poor thermal stability and thermal decomposition lead to a decrease in electrical resistivity, thus limiting the annealing temperature of SMPCs. The large amount of internal stress generated by soft magnetic composites during pressing must be mitigated at high temperatures; therefore, it is especially important to find organic resins with excellent thermal stabilities. In this study, we prepared SMPCs using poly-silicon- Citation: Lu, H.; Dong, Y.; Liu, X.; Liu, Z.; Wu, Y.; Zhang, H.; He, A.; Li, containing arylacetylene resin, an organic resin resistant to high temperatures, as an insulating layer. -
EDUCATION in CHINA a Snapshot This Work Is Published Under the Responsibility of the Secretary-General of the OECD
EDUCATION IN CHINA A Snapshot This work is published under the responsibility of the Secretary-General of the OECD. The opinions expressed and arguments employed herein do not necessarily reflect the official views of OECD member countries. This document and any map included herein are without prejudice to the status of or sovereignty over any territory, to the delimitation of international frontiers and boundaries and to the name of any territory, city or area. Photo credits: Cover: © EQRoy / Shutterstock.com; © iStock.com/iPandastudio; © astudio / Shutterstock.com Inside: © iStock.com/iPandastudio; © li jianbing / Shutterstock.com; © tangxn / Shutterstock.com; © chuyuss / Shutterstock.com; © astudio / Shutterstock.com; © Frame China / Shutterstock.com © OECD 2016 You can copy, download or print OECD content for your own use, and you can include excerpts from OECD publications, databases and multimedia products in your own documents, presentations, blogs, websites and teaching materials, provided that suitable acknowledgement of OECD as source and copyright owner is given. All requests for public or commercial use and translation rights should be submitted to [email protected]. Requests for permission to photocopy portions of this material for public or commercial use shall be addressed directly to the Copyright Clearance Center (CCC) at [email protected] or the Centre français d’exploitation du droit de copie (CFC) at [email protected]. Education in China A SNAPSHOT Foreword In 2015, three economies in China participated in the OECD Programme for International Student Assessment, or PISA, for the first time: Beijing, a municipality, Jiangsu, a province on the eastern coast of the country, and Guangdong, a southern coastal province. -
Ming-Qing Women's Song Lyrics to the Tune Man Jiang Hong
engendering heroism: ming-qing women’s song 1 ENGENDERING HEROISM: MING-QING WOMEN’S SONG LYRICS TO THE TUNE MAN JIANG HONG* by LI XIAORONG (McGill University) Abstract The heroic lyric had long been a masculine symbolic space linked with the male so- cial world of career and achievement. However, the participation of a critical mass of Ming-Qing women lyricists, whose gendered consciousness played a role in their tex- tual production, complicated the issue. This paper examines how women crossed gen- der boundaries to appropriate masculine poetics, particularly within the dimension of the heroic lyric to the tune Man jiang hong, to voice their reflections on larger historical circumstances as well as women’s gender roles in their society. The song lyric (ci 詞), along with shi 詩 poetry, was one of the dominant genres in which late imperial Chinese women writers were active.1 The two conceptual categories in the aesthetics and poetics of the song lyric—“masculine” (haofang 豪放) and “feminine” (wanyue 婉約)—may have primarily referred to the textual performance of male authors in the tradition. However, the participation of a critical mass of Ming- Qing women lyricists, whose gendered consciousness played a role in * This paper was originally presented in the Annual Meeting of the Association for Asian Studies, New York, March 27-30, 2003. I am deeply grateful to my supervisor Grace S. Fong for her guidance and encouragement in the course of writing this pa- per. I would like to also express my sincere thanks to Professors Robin Yates, Robert Hegel, Daniel Bryant, Beata Grant, and Harriet Zurndorfer and to two anonymous readers for their valuable comments and suggestions that led me to think further on some critical issues in this paper. -
旅游减贫案例2020(2021-04-06)
1 2020 世界旅游联盟旅游减贫案例 WTA Best Practice in Poverty Alleviation Through Tourism 2020 Contents 目录 广西河池市巴马瑶族自治县:充分发挥生态优势,打造特色旅游扶贫 Bama Yao Autonomous County, Hechi City, Guangxi Zhuang Autonomous Region: Give Full Play to Ecological Dominance and Create Featured Tour for Poverty Alleviation / 002 世界银行约旦遗产投资项目:促进城市与文化遗产旅游的协同发展 World Bank Heritage Investment Project in Jordan: Promote Coordinated Development of Urban and Cultural Heritage Tourism / 017 山东临沂市兰陵县压油沟村:“企业 + 政府 + 合作社 + 农户”的组合模式 Yayougou Village, Lanling County, Linyi City, Shandong Province: A Combination Mode of “Enterprise + Government + Cooperative + Peasant Household” / 030 江西井冈山市茅坪镇神山村:多项扶贫措施相辅相成,让山区变成景区 Shenshan Village, Maoping Town, Jinggangshan City, Jiangxi Province: Complementary Help-the-poor Measures Turn the Mountainous Area into a Scenic Spot / 038 中山大学: 旅游脱贫的“阿者科计划” Sun Yat-sen University: Tourism-based Poverty Alleviation Project “Azheke Plan” / 046 爱彼迎:用“爱彼迎学院模式”助推南非减贫 Airbnb: Promote Poverty Reduction in South Africa with the “Airbnb Academy Model” / 056 “三区三州”旅游大环线宣传推广联盟:用大 IP 开创地区文化旅游扶贫的新模式 Promotion Alliance for “A Priority in the National Poverty Alleviation Strategy” Circular Tour: Utilize Important IP to Create a New Model of Poverty Alleviation through Cultural Tourism / 064 山西晋中市左权县:全域旅游走活“扶贫一盘棋” Zuoquan County, Jinzhong City, Shanxi Province: Alleviating Poverty through All-for-one Tourism / 072 中国旅行社协会铁道旅游分会:利用专列优势,实现“精准扶贫” Railway Tourism Branch of China Association of Travel Services: Realizing “Targeted Poverty Alleviation” Utilizing the Advantage -
Seazen Group Limited 新城發展控股有限公司
Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. SEAZEN GROUP LIMITED 新城發展控股有限公司 (Incorporated in the Cayman Islands with limited liability) (Stock Code: 1030) ANNUAL RESULTS ANNOUNCEMENT FOR THE YEAR ENDED 31 DECEMBER 2020 ANNUAL RESULTS HIGHLIGHTS – Contracted sales were approximately RMB250,963 million; – Rental and management fee income from Wuyue Plazas was approximately RMB5,309 million; – Revenue was approximately RMB146,119 million, representing a year-on-year growth of approximately 68.2%; – Net profit attributable to equity holders of the Company was approximately RMB10,178 million, representing a year-on-year increase of 30.3%; – Core earnings* attributable to equity holders of the Company was approximately RMB8,564 million, representing a year-on-year increase of 25.9%; – The net debt-to-equity ratio was 50.7% ; the cash** to short-term debt ratio was 2.03 times; – The contracted amount of pre-sold but not recognized properties was approximately RMB377,995 million, subject to further recognition; – The total gross floor area (“GFA”) of the land bank was approximately 143 million sq.m.; and – The Board recommended a payment of final dividends of RMB41 cents per share. * Core earnings equal to net profit less after-tax fair value gains or losses on investment properties and financial assets, and unrealized foreign exchange gains or losses relating to borrowings and financial assets and after-tax gains or losses on disposal of subsidiaries. -
The Discovery of Chinese Logic Modern Chinese Philosophy
The Discovery of Chinese Logic Modern Chinese Philosophy Edited by John Makeham, Australian National University VOLUME 1 The titles published in this series are listed at brill.nl/mcp. The Discovery of Chinese Logic By Joachim Kurtz LEIDEN • BOSTON 2011 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Kurtz, Joachim. The discovery of Chinese logic / by Joachim Kurtz. p. cm. — (Modern Chinese philosophy, ISSN 1875-9386 ; v. 1) Includes bibliographical references and index. ISBN 978-90-04-17338-5 (hardback : alk. paper) 1. Logic—China—History. I. Title. II. Series. BC39.5.C47K87 2011 160.951—dc23 2011018902 ISSN 1875-9386 ISBN 978 90 04 17338 5 Copyright 2011 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. CONTENTS List of Illustrations ...................................................................... vii List of Tables ............................................................................. -
China Wakes up to Its Water Crisis More Than 70 Per Cent of China's Rivers and Lakes Are Polluted and Almost Half May Contain
News / World China wakes up to its water crisis More than 70 per cent of China’s rivers and lakes are polluted and almost half may contain water that is unfit for human consumption or contact. AFP / GETTY IMAGES More than 70 per cent of China’s rivers and lakes are polluted, government reports have said. Here, a Chinese worker cleans up a stream polluted after an oil pipeline to a Beijing factory burst in 2012. By: Raveena Aulakh Environment, Published on Mon May 12 2014 One day in late February last year, Ma Jun’s home phone started ringing and didn’t stop. The director of the Institute of Public and Environmental Affairs in Beijing had yet to have breakfast, so he ignored it. When he finally answered, the news was momentous. The Chinese government had admitted for the first time that decades of reckless pollution had spawned a string of “cancer villages.” These are communities near chemical, pharmaceutical or power plants with unusually high death rates. Environmentalists, NGOs and academics had long argued that contaminated water, which villagers rely on for drinking, cooking and washing, was the prime suspect. The cancer villages — there are an estimated 450 across China — were identified in the late ’90s but the government had never acknowledged them. Until now. The belated recognition appeared in the environment ministry’s five-year plan for tackling pollution. Ma, a well-known environmental activist, couldn’t believe it. The document said: “In recent years, toxic and hazardous chemical pollution has caused many environmental disasters, cutting off drinking water supplies, and even leading to severe health and social problems such as ‘cancer villages.’” This, says Ma, was the government’s first step in solving the “big problem” of water pollution. -
漢基控股有限公司* (Incorporated in Bermuda with Limited Liability) (Stock Code: 412) R13.51A (Warrant Code: 1248)
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