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Advances in Social Science, Education and Humanities Research, volume 341 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019) Exploring the Influence of Western Modern Composition on Image Oil Painting After "The Fine of 1985" Shisheng Lyu Haiying Liu College of Art and Design College of Art and Design Wuhan Textile University Wuhan Textile University Wuhan, China 430073 Wuhan, China 430073 Abstract—This paper starts with the modern composition in modern composition. They have various painting genres of the West. Through the development of Chinese imagery oil and expressions, enriching the art form of oil painting. painting in China and its influence on Chinese art, this paper explores the influence and development of the post-modern Since the 1980s, with the gradual acceleration of reform composition on China's image oil painting after "The Fine of and opening up, Chinese art has withstood the invasion of 1985". Firstly, it analyzes the historical and cultural foreign cultures and experienced the innovation of cultural background and characteristics of Western modern and artistic thoughts. Image oil paintings have turned their composition. Secondly, it focuses on the development of attention to the exploration of the sense of form of art modern composition in China, and elaborates on the artistic ontology and have made valuable explorations in painting expressions of Chinese image oil painters influenced by form and language of expression, which is largely influenced modern composition. Finally, it considers the main reason why by the form and language of Western modern composition. Chinese image oil painting is influenced by modern Some contemporary oil painters have deeply studied the composition. The artists in image oil painting emphasize the West constructive art, and put the concepts of point and line creation of artistic charm and artistic conception, the pursuit to plane and expressions of form beauty into their creations, of a space between similarity and non-likeness, the charm and strive to make breakthrough and development in the between figurative and abstract, but also the absorption of form and language of imagery oil painting, which have made foreign culture, for example, to absorb the formal sense of China's imagery oil painting not only present the inner spirit constructivism in foreign culture, boldly create artist work of Chinese nationality but also give it the modern meaning of based on the unique national aesthetic taste and aesthetic passion, and create an art form inclusive to China, so as to the era. enrich the diversified development of Chinese art, and inject new blood into the healthy development of Chinese II. THE MODERN COMPOSITION OF THE WEST contemporary art. The term "composition" in the modern composition of the West originates from the composition of Russian Keywords—image oil painting; western modern composition; point and line to plane; beauty in form; reflection constructivism and Bauhaus in the early 20th century. Its predecessor was cubism and abstraction. The difference is that cubism is not completely separated from objects in I. INTRODUCTION reality, and it just abstracts the object in reality. However, Along with the continuous deepening of opening up, the modern composition of the West has changed the cultural exchanges between China and the West have existing aesthetics taste, abandoned the existing realistic become more frequent, which has made important influence elements, and chose to express content through geometric on Chinese oil painting. Chinese artists use Western modern forms, lines, and colors, and pursued the form beauty of the composition as a form of expression to show China's picture rather than the content beauty. The pursuit of nationality and local cultural spirit. During the period when Western modern composition is different from the actual Russian touring school spread to China in the early 19th depiction of the specific image of the existing cognitive century to "The Fine of 1985", the expression of the image domain, and focuses on revealing the organic connection oil painting did not have much room for innovation, while between the elements in the picture, with the aim of applying the Western modern composition was exceptional, and its the most basic point and line to plane elements in the influence enriches the expression of image oil painting. What composition combined with the rules of form beauty to worth attention is that the imagery of oil painting is a special extract and create unique works of art. term for Chinese artists to express China's localization spirit Nowadays, the image creation pattern of modern China is and nationalization connotation for the medium of oil diversified, especially in its formal methods. It is this painting. Contemporary Chinese artists have a positive and Western modern art concept that extends and broadens the far-reaching influence on the exploration of the form beauty Copyright © 2019, the Authors. Published by Atlantis Press. This is an open access article under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/). 255 Advances in Social Science, Education and Humanities Research, volume 341 creative ideas and expressions of imagery oil paintings and Chinese and Western art, and to express the humanities only enriches the expression of imagery oil paintings. belonging to China. In the early 1980s, the rapid development of the economy III. THE INHERITANCE AND INNOVATION OF IMAGERY and the frequent cultural exchanges between countries make OIL PAINTING ON THE MODERN COMPOSITION OF THE WEST situation of Chinese cultural world unprecedentedly active. Like fish getting into water, artists were trying their best to A. The Development of Western Modern Composition in try various art forms. However, after adoring and learning China the excellent paintings of various countries, some artists After "The Fine of 1985", the massive invasion of foreign began to wake up. They started to pay attention to and culture is both an opportunity and a challenge for Chinese emphasize the existence of Chinese traditional culture. Oil contemporary art. The design curriculum of Chinese painting, as a foreign variety, People can't ignore the cultural university education is based on three major components, soil of our nation while learning the oil painting. Since making the Western modern composition deeply rooted in Chinese people are deeply influenced by the thoughts of China. In the early twentieth century, books about modern Laozi, Zhuangzi, and the philosophy of Confucius and composition were introduced to China, but because the Mencius, painting and culture cannot be separated. Just as mainstream art in China at that time was to learn Russian foreigners cannot show the original taste and flavor of touring school, and then the red and bright styles of the later China's Peking Opera when studying it, Chinese people can 1950s and 1960s, making Western modern composition fail never convey its national spirits and ideas if they just copy to make huge impact in the Chinese oil painting industry. It the existing excellent oil paintings in foreign countries. Then was not until the reform and opening up that China entered a the soul of such oil paintings is a pale thing that cannot touch new era in which artists were liberated from the extreme pain the heart of the masses. It's doomed that our oil paintings of cultural despotism, and artists who were depressed began cannot be identical to European oil paintings. Therefore, it's to look for a spiritual outlet for self-emotional expression. In indispensable to integrate our own culture and essence to the various artistic expressions, Chinese imagery oil painting foreign oil paintings while learning the excellent paintings of artists chose the point and line to plane and form beauty law the West. In fact, when Chinese oil paintings were first in the modern composition to express the works with learned from the West, there were already a group of painters Chinese nationality and localization spirit. who made their efforts to create oil paintings with Chinese style and characteristics, which make those artists getting B. Chinese Imagery Oil Painting Before "The Fine of more attention than others. There are many contemporary 1985" Chinese image oil painters, such as Guan Liang, Chang Yu, Xue Song, Wu Guanzhong, etc. Despite their differences in The time when oil paintings were introduced into China painting styles, painting symbols and subjects, they all create was only a hundred years ago, but it changed the expressions unique works with Chinese meaning. used in traditional Chinese paintings. Like a pair of scissors, it breaks the protective barrier of traditional Chinese painting All of these painters have mastered the profound and enriches the language form of paintings of the first half foundations of traditional Chinese art and are immersed in of the 20th century. The oil painting was first introduced to the excellent works of foreign countries. They have in-depth China by Western missionaries. In the early 20th century, study of both, so they are all very good at creating, and they China sent students overseas to study the oil painting art of have done a good job of combing the two. However, China's the West. In the 1950s and 1960s, China highly praised and traditional culture is profound. These artists have different copied the painting art of the former Soviet Union. China's priorities when they grasp it. Therefore, although their works image oil paintings have become mature till the emergence have Chinese cultural features, the screen effects are of "The Fine of 1985" after the reform and opening up when different. In the process of exploring Chinese oil paintings, the art world faced changes in concepts and painting forms. the national language should also be explored. Image oil painting carries the wish of Chinese artists to explore the nationality and localization of oil painting.
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