Revisiting the Dutch Motorization

Total Page:16

File Type:pdf, Size:1020Kb

Revisiting the Dutch Motorization Following America? : Dutch geographical car diffusion, 1900 to 1980 Citation for published version (APA): Wolf, H. M. (2010). Following America? : Dutch geographical car diffusion, 1900 to 1980. Technische Universiteit Eindhoven. https://doi.org/10.6100/IR658844 DOI: 10.6100/IR658844 Document status and date: Published: 01/01/2010 Document Version: Publisher’s PDF, also known as Version of Record (includes final page, issue and volume numbers) Please check the document version of this publication: • A submitted manuscript is the version of the article upon submission and before peer-review. There can be important differences between the submitted version and the official published version of record. People interested in the research are advised to contact the author for the final version of the publication, or visit the DOI to the publisher's website. • The final author version and the galley proof are versions of the publication after peer review. • The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. If the publication is distributed under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license above, please follow below link for the End User Agreement: www.tue.nl/taverne Take down policy If you believe that this document breaches copyright please contact us at: [email protected] providing details and we will investigate your claim. Download date: 09. Oct. 2021 Following America? Dutch geographical car diffusion, 1900 to 1980 PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Technische Universiteit Eindhoven, op gezag van de rector magnificus, prof.dr.ir. C.J. van Duijn, voor een commissie aangewezen door het College voor Promoties in het openbaar te verdedigen op donderdag 4 maart 2010 om 16.00 uur door Hanna Manuela Wolf geboren te Haifa, Israël Dit proefschrift is goedgekeurd door de promotor: prof.dr. B. Verspagen Copromotor: dr.ing. G.P.A. Mom Der erscheint mir als der Grösste, der zu keiner Fahne schwört, und, weil er vom Teil sich löste, nun der ganzen Welt gehört. (Rainer Maria Rilke) Table of Contents 1 Introduction ............................................................................................................ 1 1.1 The background .............................................................................................. 2 1.2 The US and the Netherlands in social car history ........................................... 6 1.2.1 The Netherlands as a motorization latecomer ......................................... 6 1.2.2 Lag and abnormality in Dutch geographical car diffusion ...................... 8 1.3 Methods and structure of this book ............................................................... 14 2 Is the Netherlands a motorization latecomer? An international comparison drawn from the analysis of three transport modes .................................................................. 16 2.1 Introduction ................................................................................................... 16 2.2 On methodology ........................................................................................... 18 2.2.1 The research design ............................................................................... 18 2.2.2 The choice of the fitted equation ........................................................... 20 2.2.3 The longitudinal characteristics and the fitting procedure .................... 25 2.2.4 The cluster analysis ............................................................................... 31 2.3 Late, fast and left-tailed. What the Netherlands distinguishes from the US in the long-run .............................................................................................................. 33 2.4 Conclusion .................................................................................................... 38 3 Is there a unique Dutch path of geographical car diffusion? A long-run analysis of geographical dynamics on the level of municipalities................................................. 39 3.1 Introduction ................................................................................................... 39 3.2 The American geographical diffusion path, from 1900 to 1969–A synopsis drawn from G. K. Jarvis ........................................................................................... 41 3.3 The Dutch geographical diffusion path, from 1900 to 1980 ......................... 47 3.3.1 The convergence of regional heterogeneity of adoption levels ............. 48 3.3.2 The degree of geographical concentration............................................. 53 3.3.3 The diffusion cores and lagging regions................................................ 58 3.3.3.1 Period one: Early diffusion ............................................................ 62 3.3.3.2 Period two: The first wave of diffusion and convergence ............. 69 3.3.3.3 Period three: Retardation ................................................................ 74 3.3.3.4 Period four: The second wave of diffusion and convergence ........ 77 3.4 Conclusion .................................................................................................... 81 4 How can one interpret the Dutch geographical diffusion path? On theory and historical background .................................................................................................. 83 4.1 Introduction ................................................................................................... 83 4.2 Overview of three theoretical perspectives ................................................... 83 4.2.1 The contagious diffusion model ............................................................ 84 4.2.2 Microeconomic demand theory ............................................................. 87 4.2.3 Social diffusion and functional fields .................................................... 93 4.3 Embedding the theory in the Dutch historical context.................................. 95 4.3.1 The US, Jarvis' regression results and the issue of isolation ................. 96 4.3.2 The Netherlands ................................................................................... 102 4.3.2.1 The historical background ............................................................ 102 4.3.2.2 "Distance to markets" and "necessity" in the Netherlands ........... 108 4.3.2.3 Contagious diffusion .................................................................... 114 4.4 Conclusion .................................................................................................. 114 5 Is there a common logic in the geographical car diffusion of the US and the Netherlands? A spatial regression analysis for the Netherlands ................................ 116 5.1 Introduction ................................................................................................. 116 5.2 On methodology ......................................................................................... 117 5.2.1 The measurement choices .................................................................... 117 5.2.2 Choices for spatial multiple regression models ................................... 126 5.2.3 Further technical choices ..................................................................... 129 5.3 The diffusion logic in the Netherlands in view of the American example . 131 5.3.1 The speed of adjustment to the conditions .......................................... 131 5.3.2 The first wave of diffusion and convergence ...................................... 133 5.3.3 The second wave of diffusion and convergence .................................. 142 5.4 Conclusion .................................................................................................. 148 6 Conclusion .......................................................................................................... 151 6.1 Summary of the findings of this book ........................................................ 151 6.2 The Netherlands: Car diffusion in a small and dense catching-up country 152 6.3 Limitations of this study ............................................................................. 154 7 Appendix ............................................................................................................ 156 7.1 Appendix I Some background information on the Netherlands ................. 156 7.2 Appendix II A quantitative overview of the American geographical car diffusion dynamics as presented by Jarvis ............................................................. 158 7.3 Appendix III Rail-bound transport in the Netherlands ............................... 163 List of sources ............................................................................................................ 166 Chapters 1 and 2 ...................................................................................................
Recommended publications
  • "MAN with a BEER KEG" ATTRIBUTED to FRANS HALS TECHNICAL EXAMINATION and SOME ART HISTORICAL COMMENTARIES • by Daniel Fabian
    Centre for Conservation and Technical Studies Fogg Art Museum Harvard University 1'1 Ii I "MAN WITH A BEER KEG" ATTRIBUTED TO FRANS HALS TECHNICAL EXAMINATION AND SOME ART HISTORICAL COMMENTARIES • by Daniel Fabian July 1984 ___~.~J INDEX Abst act 3 In oduction 4 ans Hals, his school and circle 6 Writings of Carel van Mander Technical examination: A. visual examination 11 B ultra-violet 14 C infra-red 15 D IR-reflectography 15 E painting materials 16 F interpretatio of the X-radiograph 25 G remarks 28 Painting technique in the 17th c 29 Painting technique of the "Man with a Beer Keg" 30 General Observations 34 Comparison to other paintings by Hals 36 Cone usions 39 Appendix 40 Acknowl ement 41 Notes and References 42 Bibliog aphy 51 ---~ I ABSTRACT The "Man with a Beer Keg" attributed to Frans Hals came to the Centre for Conservation and Technical Studies for technical examination, pigment analysis and restoration. A series of samples was taken and cross-sections were prepared. The pigments and the binding medium were identified and compared to the materials readily available in 17th century Holland. Black and white, infra-red and ultra-violet photographs as well as X-radiographs were taken and are discussed. The results of this study were compared to 17th c. materials and techniques and to the literature. 3 INTRODUCTION The "Man with a Beer Keg" (oil on canvas 83cm x 66cm), painted around 1630 - 1633) appears in the literature in 1932. [1] It was discovered in London in 1930. It had been in private hands and was, at the time, celebrated as an example of an unsuspected and startling find of an old master.
    [Show full text]
  • Dutch and Flemish Art in Russia
    Dutch & Flemish art in Russia Dutch and Flemish art in Russia CODART & Foundation for Cultural Inventory (Stichting Cultuur Inventarisatie) Amsterdam Editors: LIA GORTER, Foundation for Cultural Inventory GARY SCHWARTZ, CODART BERNARD VERMET, Foundation for Cultural Inventory Editorial organization: MARIJCKE VAN DONGEN-MATHLENER, Foundation for Cultural Inventory WIETSKE DONKERSLOOT, CODART English-language editing: JENNIFER KILIAN KATHY KIST This publication proceeds from the CODART TWEE congress in Amsterdam, 14-16 March 1999, organized by CODART, the international council for curators of Dutch and Flemish art, in cooperation with the Foundation for Cultural Inventory (Stichting Cultuur Inventarisatie). The contents of this volume are available for quotation for appropriate purposes, with acknowledgment of author and source. © 2005 CODART & Foundation for Cultural Inventory Contents 7 Introduction EGBERT HAVERKAMP-BEGEMANN 10 Late 19th-century private collections in Moscow and their fate between 1918 and 1924 MARINA SENENKO 42 Prince Paul Viazemsky and his Gothic Hall XENIA EGOROVA 56 Dutch and Flemish old master drawings in the Hermitage: a brief history of the collection ALEXEI LARIONOV 82 The perception of Rembrandt and his work in Russia IRINA SOKOLOVA 112 Dutch and Flemish paintings in Russian provincial museums: history and highlights VADIM SADKOV 120 Russian collections of Dutch and Flemish art in art history in the west RUDI EKKART 128 Epilogue 129 Bibliography of Russian collection catalogues of Dutch and Flemish art MARIJCKE VAN DONGEN-MATHLENER & BERNARD VERMET Introduction EGBERT HAVERKAMP-BEGEMANN CODART brings together museum curators from different institutions with different experiences and different interests. The organisation aims to foster discussions and an exchange of information and ideas, so that professional colleagues have an opportunity to learn from each other, an opportunity they often lack.
    [Show full text]
  • Portraits As Objects Within Seventeenth-Century Dutch Vanitas Still Life
    University of Amsterdam Graduate school of Humanities – Faculty of Humanities Arts and Culture – Dutch Art (Masters) Author: Rukshana Edwards Supervisor: Dr. E.E. P. Kolfin Second reader: Dr. A.A. Witte Language: English Date: December 1, 2015 Portraits as Objects within Seventeenth-Century Dutch Vanitas Still Life Abstract This paper is mainly concerned with the seventeenth-century Dutch vanitas still life with special attention given to its later years in 1650 – 1700. In the early period, there was significant innovation: It shaped the characteristic Dutch art of the Golden Age. The research focuses on the sub-genre of the vanitas still life, particularly the type which includes as part of its composition a human face, a physiognomic likeness by way of a print, painted portrait, painted tronie, or a sculpture. This thesis attempts to utilize this artistic tradition as a vehicle to delve into the aspects of realism and iconography in Dutch seventeenth-century art. To provide context the introduction deals with the Dutch Republic and the conditions that made this art feasible. A brief historiography of still life and vanitas still life follows. The research then delves into the still life paintings with a portrait, print or sculpture, with examples from twelve artists, and attempts to understand the relationships that exist between the objects rendered. The trends within this subject matter revolve around a master artist, other times around a city such as Haarlem, Leiden or country, England. The research looks closely at specific paintings of different artists, with a thematic focus of artist portraits, historical figures, painted tronies, and sculpture within the vanitas still life sub-genre.
    [Show full text]
  • A Cultural History of Tarot
    A Cultural History of Tarot ii A CULTURAL HISTORY OF TAROT Helen Farley is Lecturer in Studies in Religion and Esotericism at the University of Queensland. She is editor of the international journal Khthónios: A Journal for the Study of Religion and has written widely on a variety of topics and subjects, including ritual, divination, esotericism and magic. CONTENTS iii A Cultural History of Tarot From Entertainment to Esotericism HELEN FARLEY Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © Helen Farley, 2009 The right of Helen Farley to be identified as the author of this work has been asserted by the author in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN 978 1 84885 053 8 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Printed and bound in Great Britain by CPI Antony Rowe, Chippenham from camera-ready copy edited and supplied by the author CONTENTS v Contents
    [Show full text]
  • Künstler-Inventare; Register
    KUNSTLER-INVENTARE Digitized by the Internet Archive in 2011 with funding from University of Toronto http://www.archive.org/details/regknstlerinvenOObred KÜNSTLER-INVENTARE URKUNDEN ZUR GESCHICHTE DER HOLLÄNDISCHEN KUNST ten ten DES XVIte », XVII UND XVIII JAHRHUNDERTS HERAUSGEGEBEN VON Dr. A. BREDIUS UNTER MITWIRKUNG VON Dr. O. HIRSCHMANN REGISTER HAAG MARTINUS NIJHOFF 1922 975685 INHALT SEITE. Alphabetisches Verzeichnis der Inventare i Verzeichnis der Abbildungen 14 Erläuterungen zum gebrauch der Register 16 Abkürzungen 18 Personenregister . .: 19 Ortsregister 145 Druckfehler und Corrigenda 149 Alphabetisches Verzeichnis der Inventare. Seite Aertsz, Dirck. Das Nachlass-Inventar von II 601 Abrahamsz, Joost. Inventar von VI 1801 Agges, Jan. Das Nachlass-Inventar von III 852 Amsterdamer Waisenkammer. Versteigerung der. (Mit Urkunden über die Familie de Kaersgieter) . VI 2050 Anthonissen, Hendrick van d\ Inventar von. (Mit Urkunden über Arnoldus Anthonissen) II 626 Ariensz, Joris. Inventar von IV 1470 Backer, TjerkAdriaensz. Das Nachlass-Inventar von. (Mit Urkunden über Steven van Goor und Willem Strycker) IV 1241 Bakhuysen, Ludolph. Bilder im Besitze von. .1 100 Bay, Adriaen Jansz. Inventar von I 99 Balkeneynde, Maerten Adriaensz. Das Nachlass- inventar von. (Mit Urkunden über Floris van Schoo- ten und Jacob Wynants) V 1604 Barentsz, Dirck. Aus dem Nachlass von II 636 Basse, Jan. Das Nachlass-Inventar von I 127 Beckx, David. Das Nachlass-Inventar von. (Mit Ur- kunden zu Herman und Josua Breckerveld) . , IV 1267 Becx II, Jeronimus. Inventar von. (Mit Urkunden über Jasper, Jeronimus III und Johannes Becx). .VI 2006 Beerstraten, Johannes. Das Nachlass-Inventar von. III 814 Beyeren, Leendert Cornelisz van. Das Nachlass- inventar von I 250 Bellevois, Jacob. Inventar von .V 1648 Beringh, Johan Hendrik.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Hapi - 1.jeden zo štyroch synov egyptského boha Hóra, ochranca kanop, prevteľujúci sa do posvätného zvieraťa - býka; Hapi bol aj služobníkom a pozemským vtelením boha Ptaha; neskoršie spájaný aj s kultom Usíreva (pozri Osirapis); zobrazovaný ako býk so slnečným kotúčom medzi rohami, s orlími krídlami na šiji a plášťom cez chrbát (pozri monštrá); symbol plodnosti; tiež boh severu a boh vetra severného; pozri bohovia plodnosti; egyptskí bohovia 2.v gréčtine Apis 3.meno pre egypt. boha Nílu; pozri Hopej 4.v stredoveku častý heraldický motív (hlava) http://cs.wikipedia.org/wiki/Hapi_(syn_Hora) http://cs.wikipedia.org/wiki/Hapi_(b%C5%AFh_z%C3%A1plav) happening - angl. – „udalosť, náhodná príhoda“; jedna z foriem akčného umenia po 2.svetovej vojne, zdôrazňujúca samotný tvorivý proces, založený na kolektívnosti a improvizácii s cieľom vtiahnuť diváka do deja a šokovať ho absurditou (tým sa líši napr. od performance, ktorá má formu divadelného predstavenia bez tvorivej účasti diváka); medzná forma tvorby, ktorá nesmeruje ku klasickému typu trvácneho výtvarného diela, ale má povahu akcie (umelé vytváranie udalostí, logicky nespojených a situovaných do životnej reality (akcia síce pripravená, ale nevyskúšaná, realizovaná laikmi); termín prvý raz použitý A.Kaprowom koncom 50.rokov v New Yorku pri akcii nazvanej 16 happeningov v šiestich dieloch, ktorá bola považovaná za predobraz zásad ďalších akcií; v 60.rokoch rozvinutý v USA a západnej Európe; napriek tomu happening nie je celkom novým prvkom tvorby, poznal ho aj stredovek; v happeningu možné nájsť prvky futurizmu, dadaizmu, surrealizmu, pop-artu (pozri Archizoom Associanti), inšpiráciu divadlom, hudbou, literatúrou, tancom; čiastočne sociálne a politicky kritický, ale aj s rysmi nihilizmu, anarchizmu a antiumenia; pozri procedurálne umenie, gestická maľba, event art, multimediálne umenie, Burning Man schéma: abstraktný expresionizmus (po 2.sv.vojne): akčné umenie/performance akčná maľba/action paiting dripping dip paiting happening tachizmus a art informel J.
    [Show full text]
  • Radicalreformationlookinside.Pdf
    Habent sua fata libelli Volume XV of Sixteenth Century Essays & Studies Charles G. Nauert, Jr., General Editor Composed by Paula Presley, NMSU, Kirksville, Missouri Cover Design by Teresa Wheeler, NMSU Designer Printed by Edwards Brothers, Ann Arbor, Michigan Text is set in Bembo II 10/12 Volume XV Sixteenth Century Essays & Studies Copyright© 1992 by Truman State University Press (previously Sixteenth Century Journal Publishers, Inc.), Kirksville, Missouri USA. All rights reserved. This book has been brought to publication with the generous support of Truman State University (previously Northeast Missouri State University). First edition ©1962, Westminster Press, Philadelphia. Second edition, titled La Reforma Radical, ©1983, Fondo de Cultura Económica, Mexico. Permission is gratefully acknowledged by Westminster Press to reprint the Introduction to the first edition and to Fondo de Cultura Económica to reprint the Introducción to the Spanish edition. Cover image: Permission for use of the Siege of Münster by Erhard Schoen granted by Abaris Books. Library of Congress Cataloging-in-Publication Data Williams, George Huntston, 1914–2000 The radical Reformation / by George Huntston Williams. – 3rd ed., rev. and expanded. p. cm. – (Sixteenth century essays & studies ; v. 15). Includes bibliographical references and index. ISBN 978-0-94354-983-5 (alk. paper; Pbk) — ISBN 978-1-61248-041-1 (ebook) 1. Reformation. 2. Anabaptists. 1. Title. II Series. BR307 W5 270.6-dc20 92-6071 CIP No part of this work may be reproduced or transmitted in any format by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system, without permission in writing from the publisher.
    [Show full text]
  • Ground Layers in European Painting 1550–1750
    Ground Layers in European Painting 1550–1750 CATS Proceedings, V, 2019 Edited by Anne Haack Christensen, Angela Jager and Joyce H. Townsend GROUND LAYERS IN EUROPEAN PAINTING 1550–1750 GROUND LAYERS IN EUROPEAN PAINTING 1550–1750 CATS Proceedings, V, 2019 Edited by Anne Haack Christensen, Angela Jager and Joyce H. Townsend Archetype Publications www.archetype.co.uk in association with First published 2020 by Archetype Publications Ltd in association with CATS, Copenhagen Archetype Publications Ltd c/o International Academic Projects 1 Birdcage Walk London SW1H 9JJ www.archetype.co.uk © 2020 CATS, Copenhagen The Centre for Art Technological Studies and Conservation (CATS) was made possible by a substantial donation by the Villum Foundation and the Velux Foundation, and is a collabora- tive research venture between the National Gallery of Denmark (SMK), the National Museum of Denmark (NMD) and the School of Conservation (SoC) at the Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation. ISBN: 978-1-909492-79-0 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Every effort has been made to trace copyright holders and to obtain their permission for the use of copyright material. The publisher would be pleased to rectify any omissions in future reprints. Front cover illustration: Luca Giordano, The Flight into Egypt, c.1700, oil on canvas, 61.5 × 48.9 cm, The Metropolitan Museum of Art, New York City, inv.
    [Show full text]
  • Künstler-Inventare; Urkunden Zur Geschichte Der Holländischen
    " Ji-TSf I K. y =to B^ —».K.^ «_..'- PO ; 1»- t 5. *- ^^ .1 ''"•. ,V -.»V- ^'it » , ,s, %.- • t I J ,' ;' i " •.V ' r"/!^ f 'Tl • .»-, * :i i-S. »^*f-^-ss-s;»- ts*v-- =^^' •'C' .v'f- :jt:JS''.^r^ .*"" ^ "T. i-MXPH VA" KÜNSTLER-INVENTARE KÜNSTLER-INVENTARE URKUNDEN ZUR GESCHICHTE DER HOLLÄNDISCHEN KUNST DES XVpen, xVIIten UND XVIIPen JAHRHUNDERTS HERAUSGEGEBEN VON Dr. A. BREDIUS UNTER MITWIRKUNG VON Dr. O. HIRSCHMANN SECHSTER TEIL MIT 6 ABBILDUNGEN UND 90 FACSIMILES HAAG MARTINUS NIJHOFF 1919 97S678 Inhalt. Seite Vorwort xi Inventar der Witwe von Johannes van Oudenrogge. (Mit Urkunden über Adriaen Jansz van Witvelt). 1873 Das Nachlass-Inventar der Frau von Hendrick Dubbels 1879 Das ISTaclilass-Inventar der Witwe von Symon Was- •. senaer . 1887 Inventar von Joost Abrahamsz 1891 Inventar von Johannes Blommendael 1894: Das Nachlass-Inventar von Claes Claesz Wou . 1898 Inventar von Francois Carre. (Mit Urkunden über Michiel und Pieter Carre) 1903 Die IsTachlass-Verteilung von Francois Grijsels (Vater). 1910 Inventar der Witwe von Francois Grijsels (de Jonge). 1918 Das Nachlass-Inventar von Adriaen van Linschoten. 192-1 Das Nachlass-Inventar von Pieter Holstein d. A. 1932 Das Nachlass-Inventar von Pieter Holstein d. J. 1936 Inventare der Eltern und Abrechnung der Vormünder von Isaack Jouderville. (Mit Urkunden über Rem- brandt, Frederick de Moucheron, Abraham de Ryp und Pieter van Meldert) 1940 Inventar von Hendrick und Johannes Danckers . 197'1 Inventar von Bastiaen Starenberch 1977 ßilderinventar von Pieter Fris. (Mit Urkunden über Jan Fris, Tyman Graft, die Malerfamilie Casteleyn, Grysbert und Grillis van Schendel und Cornelis Stangerus) 198-1 — VIII — Seite Inventar von Jeronimus Becx II.
    [Show full text]
  • Künstler-Inventare; Urkunden Zur Geschichte Der Holländischen
    Digitized by the Internet Archive in 20l10 witii funding from University of Toronto littp://www.arcliive.org/details/l<nstlerinventaOObred KUNSTLER-INVENTARE 1 KÜNSTLER-INVENTARE URKUNDEN ZUR GicsciiiCHTi-: di:r 1 U L L Ä X D I S C 1 1 ]•: X K U X S T DES X\V^'\ XVm<^» UXD XYIIP«^» J AH RIIUN UKRTS IIliRAUSGEGKBKN VON Dr. A. BREDIUS UNTER MIT\MRKUN(J VUX Dk. O. UIRSCIIMANN VIERTER TEIL MIT 7 AUBILDüNGEN UND 93 EACSIMILES I1AA(; M A R T I X U S X IJ II O F F 1917 11 975677 Inhalt. Seite Vorwort xi Inventar von Paulus Hennekijn 1105 Inventar von Laurens Floor 1112 Das Xaclilass-Inventar von Willem van Campen. (Mit Urkunden über Jacob van Campen) 1118 Inventar von Vermeij 1133 Inventar von Gillis Gerritsz Dancker 1134 Inventar von Hendrick de Jonge 1135 Bilder im Besitze von Lambert Hendricksz van der Straten. (]\Iit Urkunden über Jacob Verhagen) . 11313 Das Nachlass-Inventar von Hendrik van Hcusden. (I\Iit Urkunden über Adriaen van Heusden) . 1139 Das Xachlass-Inventar von Lucas Luce 1142 Das Xaclilass-Inventar von Louis van den Queborn. (Mit Urkunden über Daniel und Crispiaen van den Queborn , Pieter do Putter und Abraham van Be^^eren) lloO Bilder verkaufe von Cornelis van der Voort und das X'achlass-Inventar von Pieter van der Voort. 1173 Das Xaclilass-Inventar von Justus van Huysuin . 1185 Das Xachlass-Inventar von Jan van Huysum. (]\Iit Urkunden über Michiel van Huysum) 1197 Das Xachlass-Inventar von Juriaen Pool 1203 Das X^achlass-Inventar von Melchior de Hondecoeter. (Mit Urkunden über die andern Maler aus der Familie de Hondecoeter) 1210 ^ — VllI — Seite Das Nachlass-Inventar von Tjerk Adriaensz Backer.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Holanďan bludný - Bludný Holanďan holandská architektúra - http://nl.wikipedia.org/wiki/Categorie:Architectuur_in_Nederland http://en.wikipedia.org/wiki/Category:Dutch_architecture holandská bieloba - bieloba holandská/bieloba kremžská holandská história - http://nl.wikipedia.org/wiki/Categorie:Geschiedenis_van_Nederland holandská história podľa obdobia - http://en.wikipedia.org/wiki/Category:History_of_the_Netherlands_by_period http://nl.wikipedia.org/wiki/Categorie:Geschiedenis_van_Nederland_naar_periode holandská renesancia - (1500-1584); http://en.wikipedia.org/wiki/Category:Dutch_Renaissance holandská škola (maľby) - maliari v Holandsku od ranej renesancie do baroka; to zahŕňa rané obdobie holandského maliarstva (pozri holandskí maliari raní, flámski primitívi), ktoré spadá do obdobia 1400-1500, a holandskú renesanciu (1500-1584), čo boli umelci činní v severných nížinách, a neskôr do holandskej školy bol zaraďovaný aj holandský zlatý vek maľby (pozri holandskí maliari zlatého veku), čo bola maľba v zjednotených provinciách; mnoho maliarov, sochárov a architektov zo 17.st. je nazývaných „holandskí majstri“, zatiaľ čo skorší umelci sú všeobecne označovaní ako súčasť „holandskej“ tradície; Hieronymus Bosch a Geertgena tot Sint Jans sú dobre známe príklady holandských maliarov 15. a 16.st.; Rembrandt van Rijn, Frans Hals, Johannes Vermeer, Jacob van Ruisdael a Jan Steen zastupujú holandské umenie 17.st.; individuálne diela, ktorých umelca nemožno zistiť, sú označované alebo
    [Show full text]
  • SRBR-2016-Program-Book-FINAL.Pdf
    ! '&"'(!'%&) " ! Conference center floor plans can be found in the inside of the back cover. # ! # 15th Biennial Meeting Conference Program SRBR Thanks the Sponsors of this Meeting! Private Donation from the Estate of Ronald J. Konopka SRBR would like to acknowledge the generosity of the following companies whose unrestricted educational grants have contributed to the overall quality of this meeting: Contents Sponsors . 2 President’s Welcome . 6 Committees . 7 Exhibitors . 11 General Information . 12 Meeting Components . 13 Meeting at a Glance . 17 Trainee Professional Development Day . 21 Junior Faculty Workshop . 28 SRBR 2016 Program Details . 30 Poster Titles . 55 Index of Authors . 71 Index of Keywords . 84 Participants . 94 Notes . 110 Innisbrook Resort Information . 118 Conference Center Floor Plans . 119 SOCIETY FOR RESEARCH ON BIOLOGICAL RHYTHMS 5 President’s Welcome to SRBR 2016 It is my pleasure to welcome you back to warm, sunny Florida for the 2016 Biennial SRBR Conference! The Society for Research on Biological Rhythms was established 30 years ago, assembled by a group of visionaries whose commitment to research, education, and scientific exchange laid the foundation for SRBR to become a leading voice in propelling the biological rhythms field into the forefront of life science and medicine . To further this remarkable progress, SRBR 2016 promises to be an exceptional forum for hearing the latest cutting-edge research, reengaging with colleagues from years past, and exchanging ideas that will shape the future of the field with a talented and diverse group of chronobiologists from around the globe . Between scientific sessions be sure to take advantage of the hiking trails, golf courses, swimming pools, tennis courts, gym equipment and other amenities at Innisbrook Resort, as well as nearby beaches and beautiful Tampa Bay .
    [Show full text]