DOCSLIB.ORG

Künstler-Inventare; Register

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Künstler-Inventare; Register KUNSTLER-INVENTARE Digitized by the Internet Archive in 2011 with funding from University of Toronto http://www.archive.org/details/regknstlerinvenOObred KÜNSTLER-INVENTARE URKUNDEN ZUR GESCHICHTE DER HOLLÄNDISCHEN KUNST ten ten DES XVIte », XVII UND XVIII JAHRHUNDERTS HERAUSGEGEBEN VON Dr. A. BREDIUS UNTER MITWIRKUNG VON Dr. O. HIRSCHMANN REGISTER HAAG MARTINUS NIJHOFF 1922 975685 INHALT SEITE. Alphabetisches Verzeichnis der Inventare i Verzeichnis der Abbildungen 14 Erläuterungen zum gebrauch der Register 16 Abkürzungen 18 Personenregister . .: 19 Ortsregister 145 Druckfehler und Corrigenda 149 Alphabetisches Verzeichnis der Inventare. Seite Aertsz, Dirck. Das Nachlass-Inventar von II 601 Abrahamsz, Joost. Inventar von VI 1801 Agges, Jan. Das Nachlass-Inventar von III 852 Amsterdamer Waisenkammer. Versteigerung der. (Mit Urkunden über die Familie de Kaersgieter) . VI 2050 Anthonissen, Hendrick van d\ Inventar von. (Mit Urkunden über Arnoldus Anthonissen) II 626 Ariensz, Joris. Inventar von IV 1470 Backer, TjerkAdriaensz. Das Nachlass-Inventar von. (Mit Urkunden über Steven van Goor und Willem Strycker) IV 1241 Bakhuysen, Ludolph. Bilder im Besitze von. .1 100 Bay, Adriaen Jansz. Inventar von I 99 Balkeneynde, Maerten Adriaensz. Das Nachlass- inventar von. (Mit Urkunden über Floris van Schoo- ten und Jacob Wynants) V 1604 Barentsz, Dirck. Aus dem Nachlass von II 636 Basse, Jan. Das Nachlass-Inventar von I 127 Beckx, David. Das Nachlass-Inventar von. (Mit Ur- kunden zu Herman und Josua Breckerveld) . , IV 1267 Becx II, Jeronimus. Inventar von. (Mit Urkunden über Jasper, Jeronimus III und Johannes Becx). .VI 2006 Beerstraten, Johannes. Das Nachlass-Inventar von. III 814 Beyeren, Leendert Cornelisz van. Das Nachlass- inventar von I 250 Bellevois, Jacob. Inventar von .V 1648 Beringh, Johan Hendrik. Inventar von I 275 Bernards, Laurens. Das Nachlass-Inventar von. (Mit Urkunden über Abraham Buscare) III 1042 l 2 ALPHABETISCHES VERZEICHNIS Seite Besan, Adriaen Jorisz. Das Nachlass-Inventar von. VI 2255 Besan, Joris Adriaensz. Das Nachlass-Inventar von. VI 2247 Bie, Cornelis de. Das Nachlass-Inventar von . .1 89 Blaauvoet, Jacobus. Inventar von VI 2262 Blom, Jan (Provoost). Inventar und Nachlass-Inven- tar von. (Mit Urkunden über Jan Pieters Blom und Jan Huybertsz Blom.) V 1531 Blommendael, Johannes. Inventar von VI 1894 Bloock, Cornelis van den. Aus dem Nachlass von. III 1098 Bock (Bück), Gerrit de. Bilderversteigerung durch. IV 1446 Bogaert, Adriaen Geurtsz. Das Nachlass-Inventar der Frau von VI 2030 Bois, Hendrick du. Das Nachlass-Inventar von. .VI 2243 Bolgersteyn, Härmen Arentsz. Bilderversteigerung von. (Mit Urkunden über Engel Rooswyck und die Familie van Mander) VI 2157 Borsman, Johannes Harmensz. Das Nachlass-Inven- tar eines Verwandten von. VI 2141 Borsman, Laurens. Das Nachlass-Inventar der Witwe von IV 1345 Bossuit, Francisco de. Das Nachlass-Inventar von. III 1035 Bousdrage, Laurentius. Inventar von I 98 Boursse, Esaias. Das Nachlass-Inventar von Jan Boursse mit Bildern seines Bruders Esaias usw. .1 120 Brandhout, GerbrandtWarnaertsz. Inventar des. III 848 Brandt, Hendrick. Inventar von IV 1347 Bruyn, Nicolaes de. Inventar von V 1599 Bruyn, Pieter Adriaensz de. Inventar von. .VI 2040 Calraet. Das Nachlass-Inventar der Mutter von Ba- rend und Abraham van I 307 Campen, Willem van. Das Nachlass-Inventar von. (Mit Urkunden über Jacob van Campen). .IV 1118 Cappen, Abraham van der. Inventar von. .III 860 Carre, Francois. Inventar von. (Mit Urkunden über Michiel und Pieter Carre) VI 1903 Ketel, Cornelis. Das Nachlass-Inventar von Aeltgen Jans, Witwe von III 936 Ketgen, Jacobus. Das Nachlass-Inventar *von. .VI 2248 1 DER INVENTARE. 3 Seite Kick, Cornelis. Das Nachlass-Inventar von. (Mit Ur- kunden über Symon Kick) III 788 Claesz, Anthony. Das Nachlass-Inventar der Witwe von. (Mit Urkunden über Anthony Claesz II und III.) V 1778 Kleeneknecht, Barent Cornelisz. Das Nachlass-In- ventar von I 348 Kleynhens, Bernardus. Das Nachlass-Inventar von. (Mit Urkunden über Jan Smees) \ .VI 2147 Closterman, Johan Baptist. Bilder aus dem Nach- lass von III 869 Colyn, Chrispiaen. Eine Bilderversteigerung von. (Mit Urkunden über David Colyns, Stephanus Anthony und Tobias Vranck) III 1067 Colyns, Jacob. Das Nachlass-Inventar von. .III 1095 Colonia, Isaack de. Das Nachlass-Inventar von. .V 1655 Coningh, Jacob de. Inventare von IV 1366 Koning, Philips. Die Nachlass-Inventare von Aert Conincx, dem Vater, und Margaretha van Rijn, der Witwe von I 149 Koninck, Salomon. Bilder aus dem Nachlass von. I 170 Cooge, Abraham de. Bilderverkauf durch. (Mit Urkun- den über Adriaen Hansz Muylties) V 1 5 1 Cornelisz (van Haarlem), Cornelis. Der künst- lerische Nachlass von VII 77 Cornelisz, Dirck. Das Nachlass-Inventar von. .IV 1466 Cre, Karel. Die Nachlass-Versteigerung von. .VI 2240 Croon, Johannes. Das Nachlass-Inventar von. III 844 Croos, Pieter van der. Inventar von III 945 Cruse, Thomas. Inventar von IV 1456 Cuylaert, Pieter. Inventar von .III 943 Kuypers, Michiel. Nachlass-Versteigerung von. III 962 Kuysten, Gerard. Bilder im Besitze der Witwe von. III 856 Dalens I, Dirck. Inventar von. (Mit Urkunden über Johannes, Willem, Dirck II und Dirck III Dalens). IV 1400 Dancker, Gillis Gerritsz. Inventar von IV 1134 Danckers, Inventar von Hendrick und Johannes. VI 1974 4 ALPHABETISCHES VERZEICHNIS Seite Dancx, Francois. Inventar von III 963 Dathan, Georg. Inventar von V 1801 Decker, Abraham (de). Bilder Verpfändung durch. (Mit Urkunden über David de Decker) IV 1353 Dedel, Isabella. Das Nachlass-Inventar von. .VI 2025 Deyl, Anthony van. Das Nachlass-Inventar von. VI 2251 Dyck, Alexander van. Die Nachlass-Inventare der Eltern von II 574 Doeck, Cornelis. Das Nachlass-Inventar des Malers und Kunsthändlers I 102 Donisvelt, Olivier Jansz van. Das Nachlass-Inven- tar von III 1102 Doomer, Lambert. Das Nachlass-Inventar von. .1 74 Dorsten, Jacobus van. Inventar von Matthijs van Dor- sten, Bruder von II 713 Douci, Laurens Mauritsz. Inventar der Bildersamm- lung des II 422 Dubbels, Hendrick. Das Nachlass-Inventar der Frau von VI 1879 Dusart, Cornelis. Das Nachlass-Inventar von. .1 27 Ebelen (Evelen), Hans van. Inventar eines Verwand- ten von. V 1490 Eeuwouts, Claes. Bilderverkauf durch. (Mit Urkun- den über Claes und Reynier Eeuwouts) V 1868 Eggers, Bartholomeus. Inventare von II 717 Elsevier, Aernout. Inventar von. (Mit Urkunden über Louys Elsevier) VI 2130 Emont, Adriaen van. Das Nachlass-Inventar von. II 369 Esselens, Jacob. Das Nachlass-Inventar von. .II 549 Essen, Hans van. Inventar von IV 1461 Fangaert, Simon. Das Nachlass-Inventar von. .II 612 Ferdinandus, Cornelis. Inventar von, mit Bildern von .... Ferdinandus VI 2070 Flierden, Francoys van. Inventar von VI 2254 Floor, Laurens. Inventar von IV 1112 Francke, Christiaen August. Das Nachlass-Inventar von IV 1448 Fransen, Jan. Inventar von II 455 DER INVENTARE. 5 Seite Fris, Pieter. Bilderinventar von. (Mit Urkunden über Jan Fris, Tyman Craft, die Malerfamilie Casteleyn, Gysbert und Gilles van Schendel und Cornelis Stan- gerus) VI 1984 Gijsels (de Jonge), Francois. Inventar der Witwe von VI 1918 Gijsels (Vater), Francois. Die Nachlass-Verteilung von VI 1910 Gillisz, Philips. Inventar von IV 1467 Gils, Jan Pietersz van. Bilderverkauf durch. (Mit Urkunden über Pieter Stael) V 1751 Gotingh, Jan van. Das Nachlass-Inventar von. .1 367 Gouda, Adriaen Arentsz. Das Nachlass-Inventar von II 684 Graat, Barend. Bilder aus dem Besitze von. .IV 1319 Gronsvelt, Johannes. Das Nachlass-Inventar von. I 268 Groot, Jan Huybrechtsz de. Das Nachlass-Inventar von VI 2260 Gruyter, Jacob de. Das Nachlass-Inventar von. VI 2259 Haager St. Lukasgilde. Register der „Venduwe van Schilderrjen" von Mitgliedern der II 457 Haensbergen, Johan van. Inventar von. (Mit Urkun- den über Willem Johan van Haensbergen). .VI 2074 Haes, Johannes de. Das Nachlass-Inventar von. III 825 Hals, Mathijs. Das Nachlass-Inventar von. .II 451 Hannuyts, Gillis. Inventar von . .III 871 Harmensz, Claes. Inventar von. II 454 Harmansz, Dirck. Das Nachlass-Inventar von. .1 305 Helst, Bartholomeus van der. Inventare der Witwe von II 398 Helst, Lodewijck van der. Inventare von. .II 398 Hendricksz, Hendrick. Aus dem Nachlass von. III 1101 Hennekijn, Paulus. Inventar von IV 1105 Hennin, Jacob de. Inventar von. (Mit Urkunden über Adriaen de Hennin) III 1010 Heusden, Hendrik van. Das Nachlass-Inventar von. (Mit Urkunden über Adriaen van Heusden). .IV 1139 6 ALPHABETISCHES VERZEICHNIS Seite Hyc (Hick), Matheus Jansz. Inventar und Abrech- nung des Vormundes von VI 2017 Hocxbergen, Frans van. Inventare von II 527 Hoeye, S r Rombout van den, und Juf e Sara de Bary. Verzeichnis von gestochenen Kupferplatten im Be- sitze von II 536 Hoeven, Valerius van der. Bilderversteigerungen von III 1037 Holsteyn, Pieter d. Ä. Das Nachlass-Inventar von. VI 1932 Holsteyn, Pieter d. J. Das Nachlass-Inventar von. VI 1936 Hondecoeter, Melchior de. Das Nachlass-Inventar von. (Mit Urkunden über die andern Maler aus der Familie de Hondecoeter). IV 1210 Hooghschilt, David. Die Nachlass-Versteigerung von. VI 2042 Hoomis, Elisabeth. Das Nachlass-Inventar von . ., Frau von Marcus Cortz. (Mit Urkunden über die Künstlerfamilien Hoomis und van Hillegaert). .V 1802 Hooren, Isaack Jacobsz van. Das Nachlass-Inventar von . .III 767 Hop, Hendrick. Bilderinventar der Witwe von. III 858 Houstraet, Jacobus. Bilderverkauf von IV 1313 Houten, Carel van. Inventare von III 1000 Houwens, Johannes. Die Nachlass-Inventare von und seiner Witwe V 1651 Huys, Francois. Das Nachlass-Inventar von. (Mit Ur- kunden über Balthasar Huys)
Load more

Recommended publications
  • Revisiting the Dutch Motorization
    Following America? : Dutch geographical car diffusion, 1900 to 1980 Citation for published version (APA): Wolf, H. M. (2010). Following America? : Dutch geographical car diffusion, 1900 to 1980. Technische Universiteit Eindhoven. https://doi.org/10.6100/IR658844 DOI: 10.6100/IR658844 Document status and date: Published: 01/01/2010 Document Version: Publisher’s PDF, also known as Version of Record (includes final page, issue and volume numbers) Please check the document version of this publication: • A submitted manuscript is the version of the article upon submission and before peer-review. There can be important differences between the submitted version and the official published version of record. People interested in the research are advised to contact the author for the final version of the publication, or visit the DOI to the publisher's website. • The final author version and the galley proof are versions of the publication after peer review. • The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal.
    [Show full text]
  • "MAN with a BEER KEG" ATTRIBUTED to FRANS HALS TECHNICAL EXAMINATION and SOME ART HISTORICAL COMMENTARIES • by Daniel Fabian
    Centre for Conservation and Technical Studies Fogg Art Museum Harvard University 1'1 Ii I "MAN WITH A BEER KEG" ATTRIBUTED TO FRANS HALS TECHNICAL EXAMINATION AND SOME ART HISTORICAL COMMENTARIES • by Daniel Fabian July 1984 ___~.~J INDEX Abst act 3 In oduction 4 ans Hals, his school and circle 6 Writings of Carel van Mander Technical examination: A. visual examination 11 B ultra-violet 14 C infra-red 15 D IR-reflectography 15 E painting materials 16 F interpretatio of the X-radiograph 25 G remarks 28 Painting technique in the 17th c 29 Painting technique of the "Man with a Beer Keg" 30 General Observations 34 Comparison to other paintings by Hals 36 Cone usions 39 Appendix 40 Acknowl ement 41 Notes and References 42 Bibliog aphy 51 ---~ I ABSTRACT The "Man with a Beer Keg" attributed to Frans Hals came to the Centre for Conservation and Technical Studies for technical examination, pigment analysis and restoration. A series of samples was taken and cross-sections were prepared. The pigments and the binding medium were identified and compared to the materials readily available in 17th century Holland. Black and white, infra-red and ultra-violet photographs as well as X-radiographs were taken and are discussed. The results of this study were compared to 17th c. materials and techniques and to the literature. 3 INTRODUCTION The "Man with a Beer Keg" (oil on canvas 83cm x 66cm), painted around 1630 - 1633) appears in the literature in 1932. [1] It was discovered in London in 1930. It had been in private hands and was, at the time, celebrated as an example of an unsuspected and startling find of an old master.
    [Show full text]
  • Dutch and Flemish Art in Russia
    Dutch & Flemish art in Russia Dutch and Flemish art in Russia CODART & Foundation for Cultural Inventory (Stichting Cultuur Inventarisatie) Amsterdam Editors: LIA GORTER, Foundation for Cultural Inventory GARY SCHWARTZ, CODART BERNARD VERMET, Foundation for Cultural Inventory Editorial organization: MARIJCKE VAN DONGEN-MATHLENER, Foundation for Cultural Inventory WIETSKE DONKERSLOOT, CODART English-language editing: JENNIFER KILIAN KATHY KIST This publication proceeds from the CODART TWEE congress in Amsterdam, 14-16 March 1999, organized by CODART, the international council for curators of Dutch and Flemish art, in cooperation with the Foundation for Cultural Inventory (Stichting Cultuur Inventarisatie). The contents of this volume are available for quotation for appropriate purposes, with acknowledgment of author and source. © 2005 CODART & Foundation for Cultural Inventory Contents 7 Introduction EGBERT HAVERKAMP-BEGEMANN 10 Late 19th-century private collections in Moscow and their fate between 1918 and 1924 MARINA SENENKO 42 Prince Paul Viazemsky and his Gothic Hall XENIA EGOROVA 56 Dutch and Flemish old master drawings in the Hermitage: a brief history of the collection ALEXEI LARIONOV 82 The perception of Rembrandt and his work in Russia IRINA SOKOLOVA 112 Dutch and Flemish paintings in Russian provincial museums: history and highlights VADIM SADKOV 120 Russian collections of Dutch and Flemish art in art history in the west RUDI EKKART 128 Epilogue 129 Bibliography of Russian collection catalogues of Dutch and Flemish art MARIJCKE VAN DONGEN-MATHLENER & BERNARD VERMET Introduction EGBERT HAVERKAMP-BEGEMANN CODART brings together museum curators from different institutions with different experiences and different interests. The organisation aims to foster discussions and an exchange of information and ideas, so that professional colleagues have an opportunity to learn from each other, an opportunity they often lack.
    [Show full text]
  • Portraits As Objects Within Seventeenth-Century Dutch Vanitas Still Life
    University of Amsterdam Graduate school of Humanities – Faculty of Humanities Arts and Culture – Dutch Art (Masters) Author: Rukshana Edwards Supervisor: Dr. E.E. P. Kolfin Second reader: Dr. A.A. Witte Language: English Date: December 1, 2015 Portraits as Objects within Seventeenth-Century Dutch Vanitas Still Life Abstract This paper is mainly concerned with the seventeenth-century Dutch vanitas still life with special attention given to its later years in 1650 – 1700. In the early period, there was significant innovation: It shaped the characteristic Dutch art of the Golden Age. The research focuses on the sub-genre of the vanitas still life, particularly the type which includes as part of its composition a human face, a physiognomic likeness by way of a print, painted portrait, painted tronie, or a sculpture. This thesis attempts to utilize this artistic tradition as a vehicle to delve into the aspects of realism and iconography in Dutch seventeenth-century art. To provide context the introduction deals with the Dutch Republic and the conditions that made this art feasible. A brief historiography of still life and vanitas still life follows. The research then delves into the still life paintings with a portrait, print or sculpture, with examples from twelve artists, and attempts to understand the relationships that exist between the objects rendered. The trends within this subject matter revolve around a master artist, other times around a city such as Haarlem, Leiden or country, England. The research looks closely at specific paintings of different artists, with a thematic focus of artist portraits, historical figures, painted tronies, and sculpture within the vanitas still life sub-genre.
    [Show full text]
  • A Cultural History of Tarot
    A Cultural History of Tarot ii A CULTURAL HISTORY OF TAROT Helen Farley is Lecturer in Studies in Religion and Esotericism at the University of Queensland. She is editor of the international journal Khthónios: A Journal for the Study of Religion and has written widely on a variety of topics and subjects, including ritual, divination, esotericism and magic. CONTENTS iii A Cultural History of Tarot From Entertainment to Esotericism HELEN FARLEY Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © Helen Farley, 2009 The right of Helen Farley to be identified as the author of this work has been asserted by the author in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN 978 1 84885 053 8 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Printed and bound in Great Britain by CPI Antony Rowe, Chippenham from camera-ready copy edited and supplied by the author CONTENTS v Contents
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Hapi - 1.jeden zo štyroch synov egyptského boha Hóra, ochranca kanop, prevteľujúci sa do posvätného zvieraťa - býka; Hapi bol aj služobníkom a pozemským vtelením boha Ptaha; neskoršie spájaný aj s kultom Usíreva (pozri Osirapis); zobrazovaný ako býk so slnečným kotúčom medzi rohami, s orlími krídlami na šiji a plášťom cez chrbát (pozri monštrá); symbol plodnosti; tiež boh severu a boh vetra severného; pozri bohovia plodnosti; egyptskí bohovia 2.v gréčtine Apis 3.meno pre egypt. boha Nílu; pozri Hopej 4.v stredoveku častý heraldický motív (hlava) http://cs.wikipedia.org/wiki/Hapi_(syn_Hora) http://cs.wikipedia.org/wiki/Hapi_(b%C5%AFh_z%C3%A1plav) happening - angl. – „udalosť, náhodná príhoda“; jedna z foriem akčného umenia po 2.svetovej vojne, zdôrazňujúca samotný tvorivý proces, založený na kolektívnosti a improvizácii s cieľom vtiahnuť diváka do deja a šokovať ho absurditou (tým sa líši napr. od performance, ktorá má formu divadelného predstavenia bez tvorivej účasti diváka); medzná forma tvorby, ktorá nesmeruje ku klasickému typu trvácneho výtvarného diela, ale má povahu akcie (umelé vytváranie udalostí, logicky nespojených a situovaných do životnej reality (akcia síce pripravená, ale nevyskúšaná, realizovaná laikmi); termín prvý raz použitý A.Kaprowom koncom 50.rokov v New Yorku pri akcii nazvanej 16 happeningov v šiestich dieloch, ktorá bola považovaná za predobraz zásad ďalších akcií; v 60.rokoch rozvinutý v USA a západnej Európe; napriek tomu happening nie je celkom novým prvkom tvorby, poznal ho aj stredovek; v happeningu možné nájsť prvky futurizmu, dadaizmu, surrealizmu, pop-artu (pozri Archizoom Associanti), inšpiráciu divadlom, hudbou, literatúrou, tancom; čiastočne sociálne a politicky kritický, ale aj s rysmi nihilizmu, anarchizmu a antiumenia; pozri procedurálne umenie, gestická maľba, event art, multimediálne umenie, Burning Man schéma: abstraktný expresionizmus (po 2.sv.vojne): akčné umenie/performance akčná maľba/action paiting dripping dip paiting happening tachizmus a art informel J.
    [Show full text]
  • Radicalreformationlookinside.Pdf
    Habent sua fata libelli Volume XV of Sixteenth Century Essays & Studies Charles G. Nauert, Jr., General Editor Composed by Paula Presley, NMSU, Kirksville, Missouri Cover Design by Teresa Wheeler, NMSU Designer Printed by Edwards Brothers, Ann Arbor, Michigan Text is set in Bembo II 10/12 Volume XV Sixteenth Century Essays & Studies Copyright© 1992 by Truman State University Press (previously Sixteenth Century Journal Publishers, Inc.), Kirksville, Missouri USA. All rights reserved. This book has been brought to publication with the generous support of Truman State University (previously Northeast Missouri State University). First edition ©1962, Westminster Press, Philadelphia. Second edition, titled La Reforma Radical, ©1983, Fondo de Cultura Económica, Mexico. Permission is gratefully acknowledged by Westminster Press to reprint the Introduction to the first edition and to Fondo de Cultura Económica to reprint the Introducción to the Spanish edition. Cover image: Permission for use of the Siege of Münster by Erhard Schoen granted by Abaris Books. Library of Congress Cataloging-in-Publication Data Williams, George Huntston, 1914–2000 The radical Reformation / by George Huntston Williams. – 3rd ed., rev. and expanded. p. cm. – (Sixteenth century essays & studies ; v. 15). Includes bibliographical references and index. ISBN 978-0-94354-983-5 (alk. paper; Pbk) — ISBN 978-1-61248-041-1 (ebook) 1. Reformation. 2. Anabaptists. 1. Title. II Series. BR307 W5 270.6-dc20 92-6071 CIP No part of this work may be reproduced or transmitted in any format by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system, without permission in writing from the publisher.
    [Show full text]
  • Ground Layers in European Painting 1550–1750
    Ground Layers in European Painting 1550–1750 CATS Proceedings, V, 2019 Edited by Anne Haack Christensen, Angela Jager and Joyce H. Townsend GROUND LAYERS IN EUROPEAN PAINTING 1550–1750 GROUND LAYERS IN EUROPEAN PAINTING 1550–1750 CATS Proceedings, V, 2019 Edited by Anne Haack Christensen, Angela Jager and Joyce H. Townsend Archetype Publications www.archetype.co.uk in association with First published 2020 by Archetype Publications Ltd in association with CATS, Copenhagen Archetype Publications Ltd c/o International Academic Projects 1 Birdcage Walk London SW1H 9JJ www.archetype.co.uk © 2020 CATS, Copenhagen The Centre for Art Technological Studies and Conservation (CATS) was made possible by a substantial donation by the Villum Foundation and the Velux Foundation, and is a collabora- tive research venture between the National Gallery of Denmark (SMK), the National Museum of Denmark (NMD) and the School of Conservation (SoC) at the Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation. ISBN: 978-1-909492-79-0 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Every effort has been made to trace copyright holders and to obtain their permission for the use of copyright material. The publisher would be pleased to rectify any omissions in future reprints. Front cover illustration: Luca Giordano, The Flight into Egypt, c.1700, oil on canvas, 61.5 × 48.9 cm, The Metropolitan Museum of Art, New York City, inv.
    [Show full text]
  • Künstler-Inventare; Urkunden Zur Geschichte Der Holländischen
    " Ji-TSf I K. y =to B^ —».K.^ «_..'- PO ; 1»- t 5. *- ^^ .1 ''"•. ,V -.»V- ^'it » , ,s, %.- • t I J ,' ;' i " •.V ' r"/!^ f 'Tl • .»-, * :i i-S. »^*f-^-ss-s;»- ts*v-- =^^' •'C' .v'f- :jt:JS''.^r^ .*"" ^ "T. i-MXPH VA" KÜNSTLER-INVENTARE KÜNSTLER-INVENTARE URKUNDEN ZUR GESCHICHTE DER HOLLÄNDISCHEN KUNST DES XVpen, xVIIten UND XVIIPen JAHRHUNDERTS HERAUSGEGEBEN VON Dr. A. BREDIUS UNTER MITWIRKUNG VON Dr. O. HIRSCHMANN SECHSTER TEIL MIT 6 ABBILDUNGEN UND 90 FACSIMILES HAAG MARTINUS NIJHOFF 1919 97S678 Inhalt. Seite Vorwort xi Inventar der Witwe von Johannes van Oudenrogge. (Mit Urkunden über Adriaen Jansz van Witvelt). 1873 Das Nachlass-Inventar der Frau von Hendrick Dubbels 1879 Das ISTaclilass-Inventar der Witwe von Symon Was- •. senaer . 1887 Inventar von Joost Abrahamsz 1891 Inventar von Johannes Blommendael 1894: Das Nachlass-Inventar von Claes Claesz Wou . 1898 Inventar von Francois Carre. (Mit Urkunden über Michiel und Pieter Carre) 1903 Die IsTachlass-Verteilung von Francois Grijsels (Vater). 1910 Inventar der Witwe von Francois Grijsels (de Jonge). 1918 Das Nachlass-Inventar von Adriaen van Linschoten. 192-1 Das Nachlass-Inventar von Pieter Holstein d. A. 1932 Das Nachlass-Inventar von Pieter Holstein d. J. 1936 Inventare der Eltern und Abrechnung der Vormünder von Isaack Jouderville. (Mit Urkunden über Rem- brandt, Frederick de Moucheron, Abraham de Ryp und Pieter van Meldert) 1940 Inventar von Hendrick und Johannes Danckers . 197'1 Inventar von Bastiaen Starenberch 1977 ßilderinventar von Pieter Fris. (Mit Urkunden über Jan Fris, Tyman Graft, die Malerfamilie Casteleyn, Grysbert und Grillis van Schendel und Cornelis Stangerus) 198-1 — VIII — Seite Inventar von Jeronimus Becx II.
    [Show full text]
  • Künstler-Inventare; Urkunden Zur Geschichte Der Holländischen
    Digitized by the Internet Archive in 20l10 witii funding from University of Toronto littp://www.arcliive.org/details/l<nstlerinventaOObred KUNSTLER-INVENTARE 1 KÜNSTLER-INVENTARE URKUNDEN ZUR GicsciiiCHTi-: di:r 1 U L L Ä X D I S C 1 1 ]•: X K U X S T DES X\V^'\ XVm<^» UXD XYIIP«^» J AH RIIUN UKRTS IIliRAUSGEGKBKN VON Dr. A. BREDIUS UNTER MIT\MRKUN(J VUX Dk. O. UIRSCIIMANN VIERTER TEIL MIT 7 AUBILDüNGEN UND 93 EACSIMILES I1AA(; M A R T I X U S X IJ II O F F 1917 11 975677 Inhalt. Seite Vorwort xi Inventar von Paulus Hennekijn 1105 Inventar von Laurens Floor 1112 Das Xaclilass-Inventar von Willem van Campen. (Mit Urkunden über Jacob van Campen) 1118 Inventar von Vermeij 1133 Inventar von Gillis Gerritsz Dancker 1134 Inventar von Hendrick de Jonge 1135 Bilder im Besitze von Lambert Hendricksz van der Straten. (]\Iit Urkunden über Jacob Verhagen) . 11313 Das Nachlass-Inventar von Hendrik van Hcusden. (I\Iit Urkunden über Adriaen van Heusden) . 1139 Das Xachlass-Inventar von Lucas Luce 1142 Das Xaclilass-Inventar von Louis van den Queborn. (Mit Urkunden über Daniel und Crispiaen van den Queborn , Pieter do Putter und Abraham van Be^^eren) lloO Bilder verkaufe von Cornelis van der Voort und das X'achlass-Inventar von Pieter van der Voort. 1173 Das Xaclilass-Inventar von Justus van Huysuin . 1185 Das Xachlass-Inventar von Jan van Huysum. (]\Iit Urkunden über Michiel van Huysum) 1197 Das Xachlass-Inventar von Juriaen Pool 1203 Das X^achlass-Inventar von Melchior de Hondecoeter. (Mit Urkunden über die andern Maler aus der Familie de Hondecoeter) 1210 ^ — VllI — Seite Das Nachlass-Inventar von Tjerk Adriaensz Backer.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Holanďan bludný - Bludný Holanďan holandská architektúra - http://nl.wikipedia.org/wiki/Categorie:Architectuur_in_Nederland http://en.wikipedia.org/wiki/Category:Dutch_architecture holandská bieloba - bieloba holandská/bieloba kremžská holandská história - http://nl.wikipedia.org/wiki/Categorie:Geschiedenis_van_Nederland holandská história podľa obdobia - http://en.wikipedia.org/wiki/Category:History_of_the_Netherlands_by_period http://nl.wikipedia.org/wiki/Categorie:Geschiedenis_van_Nederland_naar_periode holandská renesancia - (1500-1584); http://en.wikipedia.org/wiki/Category:Dutch_Renaissance holandská škola (maľby) - maliari v Holandsku od ranej renesancie do baroka; to zahŕňa rané obdobie holandského maliarstva (pozri holandskí maliari raní, flámski primitívi), ktoré spadá do obdobia 1400-1500, a holandskú renesanciu (1500-1584), čo boli umelci činní v severných nížinách, a neskôr do holandskej školy bol zaraďovaný aj holandský zlatý vek maľby (pozri holandskí maliari zlatého veku), čo bola maľba v zjednotených provinciách; mnoho maliarov, sochárov a architektov zo 17.st. je nazývaných „holandskí majstri“, zatiaľ čo skorší umelci sú všeobecne označovaní ako súčasť „holandskej“ tradície; Hieronymus Bosch a Geertgena tot Sint Jans sú dobre známe príklady holandských maliarov 15. a 16.st.; Rembrandt van Rijn, Frans Hals, Johannes Vermeer, Jacob van Ruisdael a Jan Steen zastupujú holandské umenie 17.st.; individuálne diela, ktorých umelca nemožno zistiť, sú označované alebo
    [Show full text]
  • SRBR-2016-Program-Book-FINAL.Pdf
    ! '&"'(!'%&) " ! Conference center floor plans can be found in the inside of the back cover. # ! # 15th Biennial Meeting Conference Program SRBR Thanks the Sponsors of this Meeting! Private Donation from the Estate of Ronald J. Konopka SRBR would like to acknowledge the generosity of the following companies whose unrestricted educational grants have contributed to the overall quality of this meeting: Contents Sponsors . 2 President’s Welcome . 6 Committees . 7 Exhibitors . 11 General Information . 12 Meeting Components . 13 Meeting at a Glance . 17 Trainee Professional Development Day . 21 Junior Faculty Workshop . 28 SRBR 2016 Program Details . 30 Poster Titles . 55 Index of Authors . 71 Index of Keywords . 84 Participants . 94 Notes . 110 Innisbrook Resort Information . 118 Conference Center Floor Plans . 119 SOCIETY FOR RESEARCH ON BIOLOGICAL RHYTHMS 5 President’s Welcome to SRBR 2016 It is my pleasure to welcome you back to warm, sunny Florida for the 2016 Biennial SRBR Conference! The Society for Research on Biological Rhythms was established 30 years ago, assembled by a group of visionaries whose commitment to research, education, and scientific exchange laid the foundation for SRBR to become a leading voice in propelling the biological rhythms field into the forefront of life science and medicine . To further this remarkable progress, SRBR 2016 promises to be an exceptional forum for hearing the latest cutting-edge research, reengaging with colleagues from years past, and exchanging ideas that will shape the future of the field with a talented and diverse group of chronobiologists from around the globe . Between scientific sessions be sure to take advantage of the hiking trails, golf courses, swimming pools, tennis courts, gym equipment and other amenities at Innisbrook Resort, as well as nearby beaches and beautiful Tampa Bay .
    [Show full text]