Frans Hals the Great Masters in Painting and Sculpture
Total Page:16
File Type:pdf, Size:1020Kb
UNiV Rsmr M CALIP04«NIA 1 SAN DIEGO Digitized by tine Internet Archive in 2007 with funding from • IVIicrosoft Corporation http://www.archive.org/details/franshalsOOdaviiala The Great Masters in Painting and Sculpture Edited byG. C.Williamson FRANS HALS THE GREAT MASTERS IN PAINTING AND SCULPTURE. The following Volumes have been issued^ price 51. net each, BERNARDINO LUINI. By George C. Williamson, Litt.D. VELASQUEZ. By R. A. M. Stevenson. ANDREA DEL SARTO. By H. Guinness. LUCA SIGNORELLL By Maud Cruttwell. RAPHAEL. By H. Strachey. CARLO CRIVELLL By G. McNeil Rushforth, M.A. CORREGGIO. By Selwyn^Brinton, M.A. DONATELLO. By Hope Rea. PERUGINO. By George C. Williamson, Litt.D. SODOMA. By the Contessa Lorenzo Priuli-Bon. LUCA DELLA ROBBIA. By the Marchesa Burlamacchi. GIORGIONE. By Herbert Cook, M.A. MEMLINC. By W. H. James Wbale. PIERO DELLA FRANCESCA. By W. G. Waters, M.A. PINTORICCHIO. By Evelyn March Phillipps. FRANCIA. By George C. Williamson, Litt.D. BRUNELLESCHL By Leader Scott. REMBRANDT. By Malcolm Bell. MANTEGNA. By Maud Cruttwell. GIOTTO. By F Mason Perkins. WILKIE. By Lord Ronald Sutherland Gowf.r, F.S.A. GERARD DOU. By W. Martin, Ph.D. W.ATTEAU. By Edgcumbk Staley, B.A. BOTTICELLI. By A. Streeter. TINTORETTO. By J. B. Stoughton Holborn, M.A. MICHAEL ANGELO. By Lord Ronald Sutherland Gower, F.SA. GAUDENZIO FERRARI. By Ethel Halsev. LEONARDO DA VINCI. By Edward McCurdy, M.A. FRANS HALS. By Gerald S. Davies, M.A. In Preparation. EL GRECO. By Manuel B. Cossio, Litt.D., Ph.D. PAOLO VERONESE. By Roger E. Fry. RUBENS. By Hope Rea. Otlurs tofollow. LONDON: GEORGE BELL AND SONS. _;.^frj>jj iW^^^ 1 \ 4 1 ^ :»t ... ^ • 1 L {^^^ A li^ 5?--^ • Jr j| ^""•^H ' mW i i '^i 4 V6 •/^^'--'^ ' ^^PP^^^^'i ' 'nE ^4tn/.^filn4A4 .pM^yftr ""(ZirV/.j^v (^/^rf,„„ FRANS HALS BY GERALD S. DAVIES, M.A. OF CHARTERHOUSE LONDON GEORGE BELL AND SONS 1904 CHISWICK PRESS: CHARLES WHITTINGHAM AND CO. TOOKS COURT, CHANCERY LANE, LONDON. PREFACE IN offering to my readers a reduced edition of my larger work on Frans Hals, I can only repeat the thanks which I there expressed to the many kind helpers at home and abroad who had assisted me in its preparation. Since the appearance of that work I have received communications from many quarters which have enabled me to add, to alter, to omit. To those who have given me these opportunities I return my most cordial thanks, and not least to my critics, whose kind- ness I wish to acknowledge, and whose criticisms have drawn my attention to some inaccuracies, chiefly in the list of works by this artist, which I have been thus enabled to correct. The ever-increasing esteem with which the work of Frans Hals is now regarded has of late years, and even since the publication of my larger work, naturally led to the unearthing of a few genuine examples of the master which had passed unnoticed. It has at the same time led, as naturally, to the attaching of the name of the master to a few works which are hardly worthy of his authorship. Lastly, it has led to that third form of adula- tion to which all great artists have to submit, namely the manufacture of spurious works bearing the master's name. Several of these have of late years left the shores of Europe to seek their fortunes in the far west. Gerald S. Davies. Charterhouse, 1904. CONTENTS CHAPTER PAGE List of Illustrations ix Approximate Dates of the Chief Pictures . xi Approximate Dates of Frans Hals' Life . xv Bibliography of Frans Hals xvii L Frans Hals the Man i n. The Artist Life of Frans Hals 9 in. The Boyhood at Antwerp 15 IV. At Haarlem 21 V. The Doelen Pictures—General Considera- tions 26 VI. The First Doelen Group (St. Joris), 1616 . 29 VII. The Middle Doelen Groups, 1627 39 VIII. The St. Adriaen's Group of 1633 and the St. George's Group of 1639: the Regentessen Group of 1641 47 IX. The LAST TWO "Regenten" Pictures, 1664 . 58 X. Other Portraits : The First Period .... 66 XI. Character Portraits of all Periods: The Jester (of Amsterdam)—The Gipsy (of the Louvre)—The Sandlooper (of Antwerp)— Various Topers—Singing Boys, Hille Bobbe, ETC 89 XII. Maria Voogt, 1639, in the Rijks Museum, Am- sterdam, with a Note on the Bridgewater Portrait 96 XIII. The Later Portraits 103 XIV. Upgatherings 109 XV. Conclusion 114 List of Works by Frans Hals, arranged accord- ing to the Galleries in which they are hung . 121 Index 142 vii LIST OF ILLUSTRATIONS TO FACK PAGE The Laughing Cavalier . Hertford House. Frontispiece Portrait of Hals (so-called) . Earl Spencer's Collection i Pieter Van der Morsch, 1616 Collection of Lord Northbrook 8 Willem van Heythuysen . Liechtenstein Gallery, Vienna 12 Admiral de Ruyter (so-called) . Earl Spencer's Collection 14 Banquet of St. Joris' Shooting Guild, 1616 . Haarlem 33 Meeting of St. Joris' Shooting Guild, 1627 . Haarlem 42-3 Officers of St. Adriaen's Shooting Guild, 1633 . Haarlevi 46-7 Officers of St. Joris' Shooting Guild, 1639 . Haarlem 50-1 Regenten of the Oudemannenhuis (Old Men's Almshouse), 1664 Haai'lem 58-9 Regentessen of the Oudevrouwenhuis (Old Women's Alms- house), 1664 Haarlem 62 A Dutch Nobleman, 1620 Cassel 70 Jacob Pietersz Olycan, 1625 The Hague 74 Aletta Hanemans, 1625 The Hague 75 Portrait of the Painter Devonshire House 80 Nicolaes Beresteyn 1629 Louvre 82 Madame Beresteyn 1629 Louvre 84 Nurse and Child, 1630 Berlin 86 Cornelia Voogt (or Van der Meer), 1631 . Haarlem 88 La Bohemienne, 1630 Louvre 90 Hille Bobbe (properly Alle Bobbe), 1650 .... Berlin 94 Maria Voogt (or Van der Meer), 1639. Amsterdatn 96 Portrait of a Man Rotterdam 100 Portrait of a Woman (La Femme au Cant) .... Louvre 102 Rend Descartes, before 1650 Louvre 104 Tyman Oosdorp, 1656 Berlin 106 Young Man in a Flap Hat, i66o ....... Cassel 108 ix X LIST OF ILLUSTRATIONS TO FACE PAGE Chalk Drawing of a Lady Collection of Lord Ronald Sutherland Gower no Single Figure, The Standard Bearer, From the extreme left of the shooting company of Captain Reael {La Compagnie Maigre), 1637 Amsterdam 118 Man in a Ruff, 1633 National Gallery 122 A Woman in a Ruff National Gallery 124 A Lady in a Cap and Ruff Devonshire House 126 Pieter Tiarck .... Collection 0/ Sir Cuthbert Quitter 128 Portrait of a Lady Berlin 130 Man in a Lace Collar Dresden 132 Feyntje Van Steenkiste Amsterdam 136 APPROXIMATE CHRONOLOGICAL LIST OF THE MOST IMPORTANT PICTURES BY FRANS HALS To avoid confusion the dates are accepted as given or suggested in the Official Catalogues of the respective Galleries. The pictures marked with a are reproduced in this volume. -f- Paris (M. Wameck) . 1613. Dr. Peter Schriverius (Pie- ter Schrijver, poet and his- torian). fHaarlem 1616. St. Joris' Doelen (twelve figures). tLondon (Ld. Northbrook) 1616. Pieter Van der Morsch ( The Herring Seller). America (copy at Berlin) 1616. The Jolly Trio. tCassel 1620. Portrait OF A Nobleman. Cassel 1620. Wife of the above. fLondon (Duke of Devon- shire) 1622. Portrait of the Painter in a hat and ruff. Frankfort (Stadel Gall.) . 1624. Portrait of a Youth. Amsterdam (Rijks) . 1624. Frans Hals and Lysbeth Reyniers. +London (Wallace Coll.) . 1624. Portrait of an Officer (T^^ Latighing Cavalier) (frontis- piece of this volume), f Hague (Mauritshuis) . 1625. Jacob Pietersz Olycan. of the •f Hague (Mauritshuis) 1625. Aletta Hanemans, wife above. Berlin 1625. A Singing Boy (with light blue feather). xi xii APPROXIMATE CHRONOLOGICAL LIST Berlin 1625. A Nobleman (with pointed beard). Cassel 1625. Two Singing Boys. fHaarlem 1627. St. Joris' Doelen (eleven figures). fHaarlem 1627. St. Adriaen's Doelen (twelve figures). Amsterdam 1627. A Merry Drinker. Brussels (Arenberg) . 1627. Two Singing Boys. Berlin 1627. A Young Man in a violet cloak. Berlin 1627. Joannes Acronius. Berlin 1627. Young Man in a broad- brimmed hat. Berlin 1627. Young Woman in a black dress and lace collar. fParis (Louvre) .... 1629. Nicolas Van Beresteyn. t Paris (Louvre) .... 1629. Madame Van Beresteyn. Paris (Louvre) .... 1630. Van Beresteyn Family Group. France (Gustav de Roth- schild) 1630. The Lute Player ( The Fool). tCopy at Amsterdam. t Paris (Louvre) .... 1630. La Boh^mienne. Berlin 1630. A Jolly Toper. ' fBerlin . 1630. Nurse and Child. Haarlem 1631. Albert Nierop (?) or Albert Van der Meer. fHaarlem 1631. CorneliaVan der MEER(Cor- nelia Voogt), wife of the above. fHaarlem 1633. St. Adriaen's Doelen (four- teen figures, with tCol. Jan Claasz Loo). tLondon (National Gall.) 1633. Portrait of a Man in a ruff. Brussels 1635. WiLLEM Van Heythuysen (small portrait, seated). Gotha 1635. Young Man in broad hat. Gotha 1635. Young Man (wrongly called a portrait of the painter). Edinburgh 1635. Portrait of a Man. APPROXIMATE CHRONOLOGICAL LIST xiii Edinburgh 1635. Portrait of a Woman. St. Petersburg .... 1635. Portrait of a Naval Officer. London (Buckingham Palace ^ . 1636. Portrait of a Man. fAmsterdam 1637. The Shooting Company of Captain Reael {La Com- pagnie Maigre). (fSingle figure on left.) Finished by Pieter Codde. Frankfort (Stadel) . 1638. Portrait of a Man. Frankfort (Stadel) . 1638. Wife of the above. f Haarlem 1639. St. Joris' Doelen (nineteen , figures with Colonel Jan Loo). tAmsterdam 1639. Portrait of Maria Voogt or Van der Meer. London (Bridgewater Gallery) 1640. Portrait of an Old Lady (in the style of Rembrandt). Antwerp Gallery . 1640. A Fisher Boy; the landscape painted probably by Ruysdael. Haarlem 1641. The Managers (Regenten) OF St. Elizabeth's Hos- pital (five figures). Brussels 1645. Portrait of Professor Jan Hornebeek. f Paris (Louvre) before 1650. Reni^ Descartes. tParis (Louvre) . 1650. A Portrait of a Middle- aged Woman. fBerlin 1650. Hille Bobbe (Alle Bobbe).