Building Gender Into the Elizabethan Prodigy House
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Michelle Smith Eversheds LLP Bridgewater
Michelle Smith Our Ref: APP/R1010/A/14/2212093 Eversheds LLP Bridgewater Place Water Lane LEEDS LS11 5DR 12 March 2015 Dear Madam TOWN AND COUNTRY PLANNING ACT 1990 (SECTION 78) APPEAL BY ROSELAND COMMUNITY WINDFARM LLP: LAND EAST OF ROTHERHAM ROAD, BOLSOVER, DERBYSHIRE APPLICATION REF: 12/00159/FULEA 1. I am directed by the Secretary of State to say that consideration has been given to the report of the Inspector, Paul K Jackson BArch (Hons) RIBA, who held a public local inquiry which opened on 4 November 2014 into your client’s appeal against the decision of Bolsover District Council (the Council) to refuse planning permission for a windfarm comprising 6 wind turbines, control building, anemometer mast and associated access tracks on a site approximately 2.5km south of Bolsover between the villages of Palterton and Shirebrook, in accordance with application reference 12/00159/FULEA, dated 25 April 2012. 2. On 20 June 2014 the appeal was recovered for the Secretary of State's determination, in pursuance of section 79 of and paragraph 3 of Schedule 6 to the Town and Country Planning Act 1990, because it involves a renewable energy development. Inspector’s recommendation and summary of the decision 3. The Inspector recommended that the appeal be dismissed and planning permission refused. For the reasons given below, the Secretary of State agrees with the Inspector’s conclusions except where indicated otherwise, and agrees with his recommendation. A copy of the Inspector’s report (IR) is enclosed. All references to paragraph numbers, unless otherwise stated, are to that report. -
Great Chalfield, Wiltshire: Archaeology and History (Notes for Visitors, Prepared by the Royal Archaeological Institute, 2017)
Great Chalfield, Wiltshire: archaeology and history (notes for visitors, prepared by the Royal Archaeological Institute, 2017) Great Chalfield manor belonged to a branch of the Percy family in the Middle Ages. One of them probably had the moat dug and the internal stone wall, of which a part survives, built, possibly in the thirteenth century. Its bastions have the remains of arrow-slits, unless those are later romanticizing features. The site would have been defensible, though without a strong tower could hardly have been regarded as a castle; the Percy house was a courtyard, with a tower attached to one range, but its diameter is too small for that to have been much more than a staircase turret. The house went through various owners and other vicissitudes, but was rescued by a Wiltshire business-man, who employed W. H. Brakspear as architect (see Paul Jack’s contribution, below). It is now owned by the National Trust (plan reproduced with permission of NT Images). Security rather than impregnability is likely to have been the intention of Thomas Tropenell, the builder of most of the surviving house. He was a local man and a lawyer who acquired the estate seemingly on a lease, and subsequently and after much litigation by purchase, during the late 1420s/60s (Driver 2000). In the house is the large and impressive cartulary that documents these struggles, which are typical of the inter- and intra-family feuding that characterized the fifteenth century, even below the level of royal battles and hollow crowns. Tropenell was adviser to Lord Hungerford, the dominant local baron; he was not therefore going to build anything that looked like a castle to challenge nearby Farleigh. -
6. the Tudors and Jacobethan England
6. The Tudors and Jacobethan England History Literature Click here for a Tudor timeline. The royal website includes a history of the Tudor Monarchs [and those prior and post this period]. Art This site will guide you to short articles on the Kings and Queens of the Tudor Music Dynasty. Another general guide to Tudor times can be found here. Architecture Click here for a fuller account of Elizabeth. One of the principle events of the reign of Elizabeth was the defeat of the Spanish Armada (here's the BBC Armada site). Elizabeth's famous (and short) speech before the battle can be found here. England's power grew mightily in this period, which is reflected in the lives and achievements of contemporary 'heroes' such as Sir Francis Drake, fearless fighter against the Spanish who circumnavigated the globe, and Sir Walter Raleigh (nowadays pronounced Rawley), one of those who established the first British colonies across the Atlantic (and who spelt his name in over 40 different ways...). Raleigh is generally 'credited' with the commercial introduction of tobacco into England .about 1778, and possibly of the potato. On a lighter note, information on Elizabethan costume is available here (including such items as farthingales and bumrolls). Literature Drama and the theatre The Elizabethan age is the golden age of English drama, for which the establishment of permanent theatres is not least responsible. As performances left the inn-yards and noble houses for permanent sites in London, the demand for drama increased enormously. While some of the smaller theatres were indoors, it is the purpose-built round/square/polygonal buildings such as The Theatre (the first, built in 1576), the Curtain (late 1570s?), the Rose (1587), the Swan (1595), the Fortune (1600) and of course the Globe (1599) that are most characteristic of the period. -
The Construction of Northumberland House and the Patronage of Its Original Builder, Lord Henry Howard, 1603–14
The Antiquaries Journal, 90, 2010,pp1 of 60 r The Society of Antiquaries of London, 2010 doi:10.1017⁄s0003581510000016 THE CONSTRUCTION OF NORTHUMBERLAND HOUSE AND THE PATRONAGE OF ITS ORIGINAL BUILDER, LORD HENRY HOWARD, 1603–14 Manolo Guerci Manolo Guerci, Kent School of Architecture, University of Kent, Marlowe Building, Canterbury CT27NR, UK. E-mail: [email protected] This paper affords a complete analysis of the construction of the original Northampton (later Northumberland) House in the Strand (demolished in 1874), which has never been fully investigated. It begins with an examination of the little-known architectural patronage of its builder, Lord Henry Howard, 1st Earl of Northampton from 1603, one of the most interesting figures of the early Stuart era. With reference to the building of the contemporary Salisbury House by Sir Robert Cecil, 1st Earl of Salisbury, the only other Strand palace to be built in the early seventeenth century, textual and visual evidence are closely investigated. A rediscovered eleva- tional drawing of the original front of Northampton House is also discussed. By associating it with other sources, such as the first inventory of the house (transcribed in the Appendix), the inside and outside of Northampton House as Henry Howard left it in 1614 are re-configured for the first time. Northumberland House was the greatest representative of the old aristocratic mansions on the Strand – the almost uninterrupted series of waterfront palaces and large gardens that stretched from Westminster to the City of London, the political and economic centres of the country, respectively. Northumberland House was also the only one to have survived into the age of photography. -
5 Grade Packet 11 ELA and Math Answer Keys
5th Grade Packet 11 ELA and Math Answer Keys The Boy With Buttery Hands - Comprehension Questions Answer Key 1. What does Johnny put on his hands and feet? A. socks B. tape C. butter D. chocolate 2. What motivates Johnny's decision to put butter on his feet? A. He is bored. B. He is hungry. C. He is angry. D. He is lonely. 3. Johnny thinks that putting butter on his feet will let him slide quickly down the hallway. What evidence from the passage best supports this conclusion? A. "He was about to give up and return to the sofa when he spied the butter-sitting out in a butter dish beside the breadbox." B. "He stared down the long hallway, spit on his hands, rubbed them together, and grabbed hold of the doorframe." C. "He leaned back and then yanked himself forward, hoping to launch himself down the hall like an Olympic ski-jumper." D. "He stood up and walked slowly to the hallway taking care to put his feet straight down, lest he slip and fall on his face." 4. How does Johnny most likely feel about putting butter on his feet by the end of the story? A. He enjoys it. B. He is nervous about it. C. He is confused about it. D. He regrets it. ReadWorks.org · © 2020 ReadWorks®, Inc. All rights reserved. The Boy With Buttery Hands - Comprehension Questions Answer Key 5. What is this story mostly about? A. Johnny puts butter on his feet with bad results. B. Johnny puts butter on his feet and slides down the hallway. -
Bulletin 386 August 2005
R e g i s t e r e d C h a r i t y N o : 2 7 2 0 9 8 I S S N 0 5 8 5 - 9 9 8 0 SURREY ARCHAEOLOGICAL SOCIETY CASTLE ARCH, GUILDFORD GU1 3SX Tel/ Fax: 01483 532454 E-mail: [email protected] Website: www.surreyarchaeoiogy.org.uk Bulletin 386 August 2005 T H E B I G B L E T C H I N G L E Y S T R I P EXCAVATIONS AT NORTH PARK, BLETCHINGLEY: First Field Report As I write, five weeks of fieidwork fiave been compieted at Surrey County Arcfiaeologicai Unit's big project at Bietchingiey, and by the time you read this in mid August, we wiii have become fuiiy engaged in controlled excavations with a smali team of SCAU staff and contract archaeologicai fieldworkers, a roiling roster of trainee excavators and as many volunteers as we have been able to muster. Us dirt archaeologists will also be complemented by a team of environmental and other earth science specialists from Archaeoscape, part of Royal Holloway College, in a pioneering endeavour of inter-disciplinary investigation into the head-water hollow of 1.1h that represents 'the site'. Its Mesolithic archaeology will be the focus of our activities, but we will not be ignoring the subsequent deveiopment of this smaii scrap of Surrey landscape that raised such high expectations from preliminary evaluations. The area under investigation iies on the southern edge of the narrow east-west Gault vaie that runs 2km north of Bietchingiey village; and, perhaps even more significantly, immediately west of a slight spur in the surface morphology of the Folkestone Beds sands from whence streams flow west and east. -
Appendix E Heritage Visitor Numbers
HS2 Consultation Response Derbyshire County Council Appendix E Heritage Visitor Numbers 1.1 There are a number of highly significant heritage assets that form a tourism cluster in the north east of Derbyshire. Hardwick Hall, Bolsover, Bolsover Castle and Sutton Scarsdale Hall contribute to this cluster. The full potential of these assets as part of a tourism cluster has probably yet to be fully realised. 1.2 Details of the current and projected visitor numbers for Bolsover Castle and Hardwick Hall have been provided by English Heritage and the National Trust respectively. Bolsover Castle, English Heritage. 1.3 The key facts in relation to Bolsover Castle are as follows: 1.4 “Visitor numbers for the year 2012-13 were just under 68,000. This years projected figures for the period 2013-2014 are at over 75,000 and we are currently ahead of this target. In terms of income generated, this is forecast at around £630,000 in 2013-14 period. Separate to this, income generated from hospitality (including weddings) was worth around £80,000 in the last financial year.” 1.5 “English Heritage is currently undertaking significant investment into the site as part of a £1million project due for completion by Spring 2014. This includes: • repair works to the Little Castle - reinstatement of the French doors to the balconies and the addition of furnishings, as well as providing fancy dress items and props for young visitors; • repair works to the exterior of the Castle; • repair works to the high-level wall walk surrounding the Fountain Gardens which is to be re-instated and open for visitors for the first time in almost 400 years.” 1.6 “In addition, new exhibitions and interpretation is being developed” as well as “the addition of a children's play park in the grounds.” 1.7 “Through this significant investment, we hope to further increase visitor numbers to the property, thereby boosting the local tourism economy and providing a lasting contribution to the Castle's future. -
Wollaton Hall I Jego Twórca Wollaton Hall and Its Creator
NAUKA SCIENCE Bartłomiej Gloger* Wollaton Hall i jego twórca Wollaton Hall and its creator Słowa kluczowe: Wollaton Hall, Robert Smythson, Key words: Wollaton Hall, Robert Smythson, Sir Francis Willoughby, angielski renesans, Sir Francis Willoughby, English Renaissance, architektura elżbietańska, Nottingham Elizabethan architecture, Nottingham LOKALIZACJA ZESPOŁU LOCATION PAŁACOWEGO OF THE PALACE Wollaton Hall leży na rozległej posesji otoczonej Wollaton Hall lies on a vast estate surrounded by niską zabudową mieszkaniową, która obecnie znajduje dwellings in a now suburban area 5 km west from the się w podmiejskiej strefi e miasta położonej 5 km na centre of Nottingham. The historic park was once con- zachód od centrum Nottingham. Zabytkowy park był nected to ancient village of Wollaton, sited at the foot niegdyś połączony z historyczną osadą Wollaton Village of a knoll on its north-west border. It is believed that leżącą na jego północno-zachodnim obrzeżu, u stóp at the end of 15th or early 16th century this area could dominującego wzgórza. Przypuszcza się, że pierwotnie have served as a common ground for the village. The teren ten, pod koniec XV w. lub na początku XVI w., historic sources, however rather unreliable, suggest that mógł służyć jako obszar wspólnoty gruntowej (common between 1492 and 1510 Sir Henry Willoughby fenced off grounds) należący do tej osady. Nieudokumentowane these grounds and attached them to his residence, most źródła sugerują, iż pomiędzy 1492 i 1510 r. Sir Hen- probably set nearby St. Leonard church. The park at that ry Willoughby przyłączył te tereny do siedziby rodu time could have been used to stock deer and to organise zlokalizowanej najprawdopodobniej w pobliżu kościoła hunting events. -
Wren and the English Baroque
What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today. -
Jewish Country Houses: a Resource Pack
jch.history.ox.ac.uk @JCHJewishHouses Jewish Country Houses A Resource Pack for UK Heritage Professionals ‘Jewish Country Houses: Objects, Networks, People’ is a research project led by the University of Oxford and funded by the Arts and Humanities Research Council Resources Contents Jewish Country Houses in the UK 2 - 6 Jewish Country Houses in Europe 7 - 8 Timeline – Anglo-Jewish history in context 9 - 17 Antisemitism, Jews, and Heritage: an essay by 18 - 27 David Feldman Putting it into action: Waldegrave and Stern at 28 - 30 Strawberry Hill Suggested Reading 31 - 35 Front cover: South Front, Waddesdon Manor Photo Studio 8 © National Trust, Waddesdon Manor 2 Jewish Country Houses in the UK Project partners and National Trust properties Hughenden Manor (Benjamin Disraeli) Ightham Mote (Frieda Cohen) Lindisfarne Castle (Edward de Stein) Monks House (Leonard Woolf) Nymans (above left) (Ludwig Messels, Messels family) Strawberry Hill House (Lady Waldegrave, Stern family) Upton House (left) (Lord and Lady Bearstead) Waddesdon Manor (Ferdinand de Rothschild, Rothschild family) 3 The ‘best of the rest’ Jewish Country Houses (UK) Bletchley Park (Herbert Samuel Leon MP, code-breaking) Sir Samuel Leon MP was a liberal politician and a committed Rationalist – a typically Jewish combination, more common in continental Europe. He is buried at Willesden Jewish Cemetery, and members of the Leon family continued to marry into families like the Raphaels and Montefiores over several generations. https://bletchleypark.org.uk/ https://en.wikipedia.org/wiki/Herbert_Leon East Cliff Lodge and the Montefiore Synagogue and Mausoleum, Ramsgate (Sir Moses and Lady Judith Montefiore, international Jewish leaders) Montefiore was a stockbroker and financier who made his fortune during the Napoleonic wars and their aftermath, facilitated by his friendship with his brother-in-law Nathan Rothschild. -
Inside Hamstone House in Surrey, an English Country House with a Watch- Inspired Design
MENU Introducing Times Radio Tap ‘Menu’ and then ‘Times Radio’ to listen to the latest well-informed debate, expert analysis and breaking news MOVE Inside Hamstone House in Surrey, an English country house with a watch- inspired design The iconic art deco architectural property in St George’s Hill is on sale for £16 million. By Hugh Graham Hamstone House was built in 1937 by Peter Lind NICK AYLIFFE Hugh Graham Sunday August 23 2020, 2.00am, The Sunday Times Share Save t St George’s Hill in Surrey, Britain’s first gated country estate, the old houses are dropping like A ninepins. Launched in 1911 on 964 acres, the original Arts and Crafts-style houses were described by / Pevsner as “delightful”. The half-timbered mansions and cottages, designed by master builder Walter Tarrant, evoke an Iinmtraogdeu ocfi nag b Tyigmoense Ra Brdiitoain: leaded windows, solid oak Twaopo ‘Mdwenour’k a,n sde trhveann ‘tTsi’m beesl Rlsa, dwioa’ ltko- ilinst pena ntot rtihees ,l aDteesltf tw teillle-isn faonrmded dAegbaaste, ,e eaxcphe rste at noanly saist alenads bt raenak aincgr en eawms ong pine woods, rhododendrons and high laurel hedges. Originally aimed at captains of industry who wanted a mini- country estate within commuting distance of London, they were later discovered by celebrities — residents have included John Lennon, Cli Richard and Tom Jones. But as foreign buyers arrived in the 1980s, many original houses were replaced by new-build McMansions beloved of Russian oligarchs. Of the 420 houses on the estate, an estimated 30 per cent to 50 per cent of the originals remain, according to a spokesperson for Elmbridge council. -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/1200 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. 20 'that whyche ys nedefoulle and nesesary': The Nature and Purpose of the Original Furnishings and Decoration of Hardwick Hall, Derbyshire Two Volumes (Volume One) Gillian White A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the History of Art University of Warwick, Centre for the Study of the Renaissance March 2005 CONTENTS Volume One List of Tables and Illustrations page i Acknowledgements Declaration vii Abstract Chapter One: Introduction 1 Bess of Hardwick and Hardwick Hall 4 Existing Studies of Hardwick and the Scope for New Work 15 Chapter Two: The Social Architecture of Hardwick Hall 29 The Layout of Hardwick New Hall 31 The Layout of Hardwick Old Hall 34 The Social Organisation of Space at Hardwick 46 Chapter Three: The Furnishings of Hardwick Hall as Physical Objects 65 The 1601 Inventory and the Will of Bess of Hardwick 66 Wall-Hangings 80 Carpets 99 Beds 112 Furniture 136 Pictures 157 Conclusion 180 Chapter Four: The Furnishings and Decoration of Hardwick Hall as Iconographical Objects 182 The Assertion of Identity