Bulletin 386 August 2005
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Wren and the English Baroque
What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today. -
Jewish Country Houses: a Resource Pack
jch.history.ox.ac.uk @JCHJewishHouses Jewish Country Houses A Resource Pack for UK Heritage Professionals ‘Jewish Country Houses: Objects, Networks, People’ is a research project led by the University of Oxford and funded by the Arts and Humanities Research Council Resources Contents Jewish Country Houses in the UK 2 - 6 Jewish Country Houses in Europe 7 - 8 Timeline – Anglo-Jewish history in context 9 - 17 Antisemitism, Jews, and Heritage: an essay by 18 - 27 David Feldman Putting it into action: Waldegrave and Stern at 28 - 30 Strawberry Hill Suggested Reading 31 - 35 Front cover: South Front, Waddesdon Manor Photo Studio 8 © National Trust, Waddesdon Manor 2 Jewish Country Houses in the UK Project partners and National Trust properties Hughenden Manor (Benjamin Disraeli) Ightham Mote (Frieda Cohen) Lindisfarne Castle (Edward de Stein) Monks House (Leonard Woolf) Nymans (above left) (Ludwig Messels, Messels family) Strawberry Hill House (Lady Waldegrave, Stern family) Upton House (left) (Lord and Lady Bearstead) Waddesdon Manor (Ferdinand de Rothschild, Rothschild family) 3 The ‘best of the rest’ Jewish Country Houses (UK) Bletchley Park (Herbert Samuel Leon MP, code-breaking) Sir Samuel Leon MP was a liberal politician and a committed Rationalist – a typically Jewish combination, more common in continental Europe. He is buried at Willesden Jewish Cemetery, and members of the Leon family continued to marry into families like the Raphaels and Montefiores over several generations. https://bletchleypark.org.uk/ https://en.wikipedia.org/wiki/Herbert_Leon East Cliff Lodge and the Montefiore Synagogue and Mausoleum, Ramsgate (Sir Moses and Lady Judith Montefiore, international Jewish leaders) Montefiore was a stockbroker and financier who made his fortune during the Napoleonic wars and their aftermath, facilitated by his friendship with his brother-in-law Nathan Rothschild. -
Inside Hamstone House in Surrey, an English Country House with a Watch- Inspired Design
MENU Introducing Times Radio Tap ‘Menu’ and then ‘Times Radio’ to listen to the latest well-informed debate, expert analysis and breaking news MOVE Inside Hamstone House in Surrey, an English country house with a watch- inspired design The iconic art deco architectural property in St George’s Hill is on sale for £16 million. By Hugh Graham Hamstone House was built in 1937 by Peter Lind NICK AYLIFFE Hugh Graham Sunday August 23 2020, 2.00am, The Sunday Times Share Save t St George’s Hill in Surrey, Britain’s first gated country estate, the old houses are dropping like A ninepins. Launched in 1911 on 964 acres, the original Arts and Crafts-style houses were described by / Pevsner as “delightful”. The half-timbered mansions and cottages, designed by master builder Walter Tarrant, evoke an Iinmtraogdeu ocfi nag b Tyigmoense Ra Brdiitoain: leaded windows, solid oak Twaopo ‘Mdwenour’k a,n sde trhveann ‘tTsi’m beesl Rlsa, dwioa’ ltko- ilinst pena ntot rtihees ,l aDteesltf tw teillle-isn faonrmded dAegbaaste, ,e eaxcphe rste at noanly saist alenads bt raenak aincgr en eawms ong pine woods, rhododendrons and high laurel hedges. Originally aimed at captains of industry who wanted a mini- country estate within commuting distance of London, they were later discovered by celebrities — residents have included John Lennon, Cli Richard and Tom Jones. But as foreign buyers arrived in the 1980s, many original houses were replaced by new-build McMansions beloved of Russian oligarchs. Of the 420 houses on the estate, an estimated 30 per cent to 50 per cent of the originals remain, according to a spokesperson for Elmbridge council. -
London and South East
London and South East nationaltrust.org.uk/groups 69 Previous page: Polesden Lacey, Surrey Pictured, this page: Ham House and Garden, Surrey; Basildon Park, Berkshire; kitchen circa 1905 at Polesden Lacey Opposite page: Chartwell, Kent; Petworth House and Park, West Sussex; Osterley Park and House, London From London living at New for 2017 Perfect for groups Top three tours Ham House on the banks Knole Polesden Lacey The Petworth experience of the River Thames Much has changed at Knole with One of the National Trust’s jewels Petworth House see page 108 to sweeping classical the opening of the new Brewhouse in the South East, Polesden Lacey has landscapes at Stowe, Café and shop, a restored formal gardens and an Edwardian rose Gatehouse Tower and the new garden. Formerly a walled kitchen elegant decay at Knole Conservation Studio. Some garden, its soft pastel-coloured roses The Churchills at Chartwell Nymans and Churchill at restored show rooms will reopen; are a particular highlight, and at their Chartwell see page 80 Chartwell – this region several others will be closed as the best in June. There are changing, themed restoration work continues. exhibits in the house throughout the year. offers year-round interest Your way from glorious gardens Polesden Lacey Nearby places to add to your visit are Basildon Park see page 75 to special walks. An intriguing story unfolds about Hatchlands Park and Box Hill. the life of Mrs Greville – her royal connections, her jet-set lifestyle and the lives of her servants who kept the Itinerary ideas house running like clockwork. -
Autumn 2009 NUMBER EIGHTEEN Norfolk Historic Buildings Group Non-Members: £1.00
HBG ewsletter NAutumn 2009 NUMBER EIGHTEEN Norfolk Historic Buildings Group Non-Members: £1.00 www.nhbg.org.uk NHBG preparing to invade Barningham Hall approaching by the west facade. The early seventeenth century house has unusual double dormers. The oriel window protruding from the south face was an introduction by the Reptons in the early nineteenth century. Contents Chair ..................................................................................................................2 Vernacular Architecture Group .............................................14 Tacolneston Project: NHBG Journal No 4 ........................................2 Tacolneston Project ....................................................................15 Pastures New: Tydd St Giles and Wisbech .....................................3 Norfolk Rural Schools Survey.................................................16 Fifteenth-century piety in the Glaven valley .................................4 New NHBG Website. www.NHBG.org.uk ........................16 Possible Columbarium at St Nicholas, Blakeney...........................5 A Digest of Buildings Visited Since March 2009 ............17 The Beccles Day Saturday ......................................................................6 Annual General Meeting ...........................................................17 Leman House, Beccles ..............................................................................7 Gressenhall History Day May2009.......................................18 Castle Acre: Castle and -
HA7503: the Country House and Its Landscapes (Via Distance Learning) Weekly Reading List | Readinglists@Leicester
09/24/21 HA7503: The Country House and its Landscapes (via Distance Learning) Weekly Reading List | readinglists@leicester HA7503: The Country House and its View Online Landscapes (via Distance Learning) Weekly Reading List [1] Adams, W.H. 1979. The French garden, 1500-1800. Scolar Press. [2] Alfrey, N. et al. 2004. Art of the garden: the garden in British art, 1800 to the present day. Tate Publishing. [3] Alfrey, N. 2004. ‘On Colour Theory’, Chapter of Art of the Garden. Art of the garden: the garden in British art, 1800 to the present day. Tate Publishing. 31–31. [4] Allen, B.S. 1937. Chapter ‘The Challenge of the Rococo’. Tides in English Taste (1619-1800). Volume 2. Harvard University Press. [5] Allen, B.S. 1937. Tides in English Taste (1619-1800). Volume 1. Harvard University Press. [6] Allen, B.S. 1937. Tides in English Taste (1619-1800). Volume 1. Harvard University Press. 1/65 09/24/21 HA7503: The Country House and its Landscapes (via Distance Learning) Weekly Reading List | readinglists@leicester [7] Andrews, M. 1999. ‘Land into Landscape’, Chapter 1. Landscape and Western Art. Oxford University Press. 1–22. [8] ‘An Overview of Research and Recording Practice’ - Parks & Gardens UK: http://www.parksandgardens.org/research-and-record/236-research-and-recording-practice /378-overview. [9] Anthony, J. 1996. ‘Protection for Historic Parks and Gardens’. Garden History. 24, 1 (1996), 3–7. [10] Aslet, C. 1982. The last country houses. Yale University Press. [11] Aslet, C. 1982. The last country houses. Yale University Press. [12] Bagot, A. 1975. ‘Monsieur Beaumont and Col. -
Domestic 3: Suburban and Country Houses Listing Selection Guide Summary
Domestic 3: Suburban and Country Houses Listing Selection Guide Summary Historic England’s twenty listing selection guides help to define which historic buildings are likely to meet the relevant tests for national designation and be included on the National Heritage List for England. Listing has been in place since 1947 and operates under the Planning (Listed Buildings and Conservation Areas) Act 1990. If a building is felt to meet the necessary standards, it is added to the List. This decision is taken by the Government’s Department for Digital, Culture, Media and Sport (DCMS). These selection guides were originally produced by English Heritage in 2011: slightly revised versions are now being published by its successor body, Historic England. The DCMS‘ Principles of Selection for Listing Buildings set out the over-arching criteria of special architectural or historic interest required for listing and the guides provide more detail of relevant considerations for determining such interest for particular building types. See https://www.gov.uk/government/publications/principles-of- selection-for-listing-buildings. Each guide falls into two halves. The first defines the types of structures included in it, before going on to give a brisk overview of their characteristics and how these developed through time, with notice of the main architects and representative examples of buildings. The second half of the guide sets out the particular tests in terms of its architectural or historic interest a building has to meet if it is to be listed. A select bibliography gives suggestions for further reading. This guide, one of four on different types of Domestic Buildings, covers suburban and country houses. -
Southwold Conservation Area Appraisal
Southwold Conservation Area Written by Paul Edwards, Historic Environment Specialist , and the Waveney District Council Design & Character Appraisal Conservation Team March 2008 Fig 2 Church of St Edmund Fig 3 The Lighthouse This copy has been produced specifically for Plan- ning & Building Control purposes only. No further copies may be made. Reproduced from the Ord- nance Survey map with the permission of the Con- troller of Her Majesty’s Stationery Office. Crown Copyright reserved. License No. 100042052 Waveney District Council. Fig 1 Location Plan Fig 4 Gun Hill Contents Page 3 Introduction Page 3 Planning Policy Framework Page 3 Summary of Special Interest Page 5 Assessment of Special Interest Page 5 Location and Context Page 5 Landscape Setting Page 7 Historic Development & Archaeology Page 13 Character & Spaces Fig 5 Beach Huts on the Promenade Page 15 Key Views & Vistas Page 15 Character Analysis Page 16 Marine Villas Character Area Page 22 Old Town Character Area Page 36 Seaside Suburban Character Area Page 42 Seaside Corporation Character Area Page 50 Sea Front Character Area Page 54 Community Involvement Page 54 Local Generic Guidance Page 55 Appendices Page 67 Management Plan Fig 6 The Pier 2 Southwold Conservation Area A linear area of the north bank of the mouth Character Appraisal of the River Blyth, and Walberswick Quay, south of the River Blyth has been Introduction designated as the Southwold Harbour Conservation Area and is the subject of a The historic environment is all around us in separate appraisal. the form of buildings, landscapes, archaeology and historic areas; it is a Designation as a conservation area is not precious and irreplaceable asset. -
What Part Did Decorative Plasterwork Play in the Transformation of the Great House Before 1660?
What part did decorative plasterwork play in the transformation of the Great House before 1660? Annika McQueen June 2018 Decorative plasterwork has become one element that characterises the image of the Great House in England. Wide-ranging social and economic change accompanied the end of the medieval period and the arrival of the Tudor dynasty in 1485. The domestic stability England enjoyed during the Elizabethan period was cemented by the end of hostilities with Spain when James I ascended the throne1. As a result, substantial change occurred in the form, function and internal decorative design of the Great House. As will be exemplified in this essay, plasterwork continued to be important as a decorative material in the Caroline period and reflected changing fashions in architectural and artistic design. In this essay I will argue that this change was more of an evolution than a transformation, as it occurred slowly over a long period of time. In 1501 Henry VII granted a charter to the Worshipful Company of Plasterers of London, giving the trade formal recognition and attesting to its rising popularity as a material.2 As Beard has pointed out, Plaster and Stucco are distinct entities; the best plaster being derived from burning gypsum and the more usual kind of English plasterwork being comprised of slaked lime, sand and a binding agent such as hair.3 Stucco is derived from the addition of marble dust to slaked lime, rather than sand or hair.4 Gapper comments that the term ‘pargetting’ was used in the sixteenth century to mean internal as well as external plastering; alongside the term ‘plaster’.5 For the purposes of this essay, ‘plasterwork’ will be taken to include both plaster and stucco work and will focus on the role internal decorative plasterwork played in the evolution of the Great House. -
The Country House Between the Wars
The Country House Between the Wars A one-day conference at Lamport Hall 10.00-4.30, 15 June 2018 Programme 10.00 Coffee and registration 10.30 Adrian Tinniswood (University of Buckingham) “The Old Order is Doomed? New Perspectives on the Country House Between the Wars” 11.00 Dr Oliver Cox (University of Oxford) “Christopher Hussey, Dorothy Stroud and Capability Brown: Writing Country House Histories Between the Wars” 11.45 Professor Jane Stevenson (University of Oxford) “Inter-War Baroque and the English Country House” 12.30 Panel discussion 1.00 Lunch 2.00 Simon Murray (The National Trust) “The Rescue of the Country House: the Role of the National Trust and its Country Houses Scheme” 2.45 Dr Alan Powers (London School of Architecture) “Caves of Ice: Dining Rooms and Bathrooms in Inter-War Houses” 3.30 Panel discussion 4.00 Tea and depart Adrian Tinniswood: “The Old Order is Doomed? New Perspectives on the Country House Between the Wars” The old order was doomed, complained the Duke of Marlborough in 1919, and the English country house along with it. What would replace it, he asked? “Are these historic houses, the abiding memorials of events which live in the hearts of Englishmen, to be converted into museums, bare relics of a dead past?” Adrian Tinniswood argues that on the contrary, a new order brought new money, new manners and new life to the country house between the wars. Adrian Tinniswood is the author of fifteen books on social and architectural history, including The Long Weekend: Life in the English Country House Between the Wars, and His Invention So Fertile: A Life of Christopher Wren. -
V62ABU Archaeology of Buildings | University of Nottingham
09/28/21 V62ABU Archaeology of Buildings | University of Nottingham V62ABU Archaeology of Buildings View Online 3D Laser Scanning for Heritage | English Heritage. (n.d.). http://www.english-heritage.org.uk/publications/3d-laser-scanning-heritage2/ Addyman, P. V., & Morris, R. (1976). The archaeological study of churches: Vol. Research report / Council for British Archaeology. Council for British Archaeology. Airs, M. (1995). The Tudor & Jacobean country house: a building history. Sutton Pub. Airs, M., & Barnwell, P. S. (2011). The medieval great house: Vol. Rewley House studies in the historic environment. Shaun Tyas. Alcock, N. W. (1973). Medieval Houses in Devon and Their Modernization. Medieval Archaeology, 17, 100–125. http://archaeologydataservice.ac.uk/archiveDS/archiveDownload?t=arch-769-1/disseminati on/pdf/vol17/17_100_125.pdf Alcock, N. W. (2001). Old title deeds: a guide for local and family historians (2nd ed). Phillimore. Alcock, N. W., & Addyman, P. V. (1981). Cruck construction: an introduction and catalogue: Vol. CBA research report. Council for British Archaeology. Alcock, N. W., & British Records Association. (2003). Documenting the history of houses: Vol. Archives and the user. British Records Association. Alcock, N. W., & Council for British Archaeology. (1996). Recording timber-framed buildings: an illustrated glossary: Vol. Practical handbooks in archaeology ([Rev ed.]). Council for British Archaeology. Baillie, M. G. L. (1995). A slice through time: dendrochronology and precision dating. Batsford. Barley, M. W. (1961). The English farmhouse and cottage. Routledge & K. Paul. Barley, M. W. (1979). The double-pile house. The Archaeological Journal, 136, 253–264. Barley, M. W. (1986). Houses and history. Faber. Barnwell, P. S., Adams, A. -
Building Gender Into the Elizabethan Prodigy House
SUNY College of Environmental Science and Forestry Digital Commons @ ESF Landscape Architecture Faculty Scholarship Landscape Architecture 2007 Building Gender Into the Elizabethan Prodigy House Sara L. French SUNY College of Environmental Science and Forestry Follow this and additional works at: https://digitalcommons.esf.edu/la_fac Part of the Architectural History and Criticism Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation French, Sara L., "Building Gender Into the Elizabethan Prodigy House" (2007). Landscape Architecture Faculty Scholarship. 1. https://digitalcommons.esf.edu/la_fac/1 This Article is brought to you for free and open access by the Landscape Architecture at Digital Commons @ ESF. It has been accepted for inclusion in Landscape Architecture Faculty Scholarship by an authorized administrator of Digital Commons @ ESF. For more information, please contact [email protected], [email protected]. 1 Building Gender Into the Elizabethan Prodigy House Social and political structures in Early Modern England controlled the understanding of both class and gender in addition to the construction and use of domestic and public space. The spatial divisions of the Early Modern country house—its political, social and cultural imperatives—were maintained and upheld by gender divisions. The category of “woman” supported an ideology that separated men and women as well as separate classes within the domestic environment. This separation and the spatial ideology of class and gender also provided one woman the tools to break down the divisions between men and women, to reinforce class status, and to alter one of the most profoundly masculine spaces within the Early Modern domestic environment—the great hall.