Tom Petty M 'He's a Good Boy' Rebel Star Rocks the Redbirds

Total Page:16

File Type:pdf, Size:1020Kb

Tom Petty M 'He's a Good Boy' Rebel Star Rocks the Redbirds 6February 23, 199 10 Tom Petty m 'He's a good boy' Rebel star rocks the Redbirds By Erich W. Zander Staff Writer As the lights brighten and the black valance is lifted we see a stage dotted with objects as eclectic as the crowd. A stuffed polar bear and a large totem pole with brightly painted birds flank the stage. Two very large African drums, a full suit of armor, an alligator, the skulls of two ruminants and a big black trunk find their place in a set straight out of theatre macabre. Plush red velvet curtains and sumptuous patterned fabrics in opulent lengths, draped the edges of the stage and to the rear a large ship's mast loomed and several screens awaited. Tom Petty and the Heart- breakers bounded on stage and launched into "Love is a Long Road," embarking on a musical journey that was to last well over an hour. The Heartbreakers played songs from Full Moon Fever, Petty's first solo album, with as much alacrity as they played the older favorites. The ease with which they played together proved they are one of the more outstanding back-up Photos by Erich W. Zander/The Argus bands today. Master musician Tom Petty's mood lifts spirits up with his More By the fourth song "Freefall- Strange Behavior Tour. The Heartbreakers joined Petty in brav- ing," Petty engaged the crowd ing arctic weather to delight fans with a mix of old and new. in singing along on the choruses, a technique which he delic intro for "Don't Come ing conclusion of the song, the cy of their cause, he invited joining him for the revved-up used to his advantage several Around Here No More," with lighting changed to strobes and them to "make up their own ending. That number was times throughout the night. guitarist Mike Campbell on the armor came to life, chasing minds about it." followed by an audience par- During this song the screens hammer dulcimer, and bassist Petty as he parried about the Petty blended a delightful ticipation on Dylan's "Knock- were awash with color slides of Howie Epstein and Petty on stage. He eluded the armor mix of material from circa 1977 ing on Heaven's Door," which clouds. African drums. long enough to put the hat back "Rebel" and"Refugee," with Petty dedicated to Del Shan- For the next number, drum- As the screens displayed in the trunk, ending the melee his latest hits ending with non. mer Stan Lynch, atop a black vibrant patterns of mixing oils, and the song. "Running Down a Dream." Shannon, who was a guest riser decorated with gold Petty strapped on his guitar Working the audience with As the band left the stage, the musician on "Full Moon the R&B hieroglyphics. sang and ceremoniously opened a finesse, Petty kept things mov- near capacity crowd roared in Fever," committed suicide the classic "Down the Road chest, which emitted an in- ing with his monologues be- approval even louder than the week before the show. Apiece." credible white light. Reaching tween songs. He told the au- music had been. After a short The nineteenth and final Then Benmont Tench, still in slowly in, he pulled out a worn dience how impressed he was span of time, the band returned song was the perennial favorite a boogie-woogie mode, soloed brown hat and donned it. that they were all able to come, to the light of thousands of "American Girl." The band, on the piano only to be joined by During the song the screens and urged them to check out lighters. waving a last time before de- the other Heartbreakers as alternated between mixing oils the people from Greenpeace in Petty played a solo version of parting, smiled with cheshire Petty took a break. That and patterned lights, vibrantly the lobby. Stressing the urgen- "The Waiting," with the band grins. number turned into a psyche- hueo. nitting into the churn- WIN A HAWAIIAN VACATION OR BIG SCREEN TV PLUS RAISE UP TO $1,400 IN JUST 10 DAYS! Objecive: Fundraiser Commitment: Minimal Money: Raise $1,400 Cost: Zero Investment Campus organizations, clubs, f rats, sororities call OCMC at 1 (800) 932-0527/1 (800) 950-8472 ext. 10 ltali7? !?estaurant Support FREE ARGUS FAST Advertisers 'Cause we have the special DELIVER for IWU students. Please Free For Orders Over $5 Every Sunday from 4 to 9, for * PIZZA the low price of $5.95, you 452-4436 can enjoy the following: 2 Gyros + 2 Drinks " PASTA DINNERS -7 oz. Top Sirloin Steak only $4.29 GYRO PACK SANDWICHES -One trip to Salad Bar \, 7' -Toast & Potato SUB CONSCIOUS " "AVANTI'S FAMOUS GONDOLAS" Also: Enjoy $3.50 Pitchers of Beer SANDYWICH SHOPPE Downtown Normal Location Only 407 S. MAIN NORMAL, ILL 10(¢ Potato Skins 204A North Street Normal, Illinois NOW OPEN SUNDAYS Free Popcorn 454-3011 $2.50 Pitchers of Pop Free Delivery at 11:00 a.m. (with order over $5) Open Mon.- Sat. 11:00 a.m. Reservations 1503 E. College Ave. DAILY 3-10 Suggested Normal at College Hills Mall Expires 3/31/90.
Recommended publications
  • And the Band Played on Pdf
    And the band played on pdf Continue Music fans were sad to learn that Tom Petty passed away at the age of 66 on Monday night. The musician became famous for his successful career as a solo artist, but worked with several bands, including The Heartbreakers. Who the Heartbreakers were Tom Petty showed they were more than a band. They were the longest-running group Petty had worked with, playing together since 1976. Since then, Petty has released more than a dozen albums, either in collaboration with The Heartbreakers or prominently. Together, the band is recognizable for some of Petty's favorite hits, including Mary Jane's Last Dance and American Girl. The introduction to American Girl has probably stuck in your head since the first time you heard it, but for some reason, you just never get tired of it. You have Tom Petty and the Heartbreakers to thank for that. Petty also collaborated with the following bands: Mudcrutch (1970-1975), the supergroup The Traveling Willburys (1988-1990). On Petty's solo albums, The Heartbreakers served as studio musicians, and were additionally supported by Petty's collaborator stable. This stable famously included musicians like Jeff Lynne and George Harrison, who were also two of the petty bandmates in Willburys Travel. Petty recorded with Bob Dylan, Stevie Nicks and countless other industry icons, but The Heartbreakers were his constant. According to Petty's official website, the 2017 Heartbreakers included Campbell, Trench, bassist Ron Blair, rhythm guitarist Scott Thurston and percussionist Steve Ferrone. Ferrone joined in 1994 after drummer Stan Lynch left to work on other projects.
    [Show full text]
  • Wildflowers E-Edition
    Crawling Back to You A critical and personal breakdown of Tom Petty’s masterpiece, “Wildflowers” by Nick Tavares Static and Feedback editor Static and Feedback | www.staticandfeedback.com | September, 2012 1 September, 2012 Static and Feedback www.staticandfeedback.com ooking at the spine of the CD, it’s would resume, the music would begin, and clear that the color has mutated a I’d lie with my head on my pillow and my L bit through the years, trapped in hands over my stomach, eyes closed. sunbeams by windows and faded from it’s Sometimes, I’d be more alert and reading brown paper bag origins to a pale bluish the liner notes tucked away in the CD’s grey. The CD case itself is in excellent booklet in an effort to take in as much shape save for a few scratches, spared the information about this seemingly magic art cracks and malfunctioning hinges so many form as possible. other jewel boxes have suffered through The first time I listened to Wildflowers, I drops, moves and general carelessness. All was in high school, in bed, laying out in all, the disc holds up rather well. straight, reading along with the lyrics, More often than not, however, it sits inspecting the credits, the thanks and the on the shelf, tucked below a greatest hits photographs included with this Tom Petty collection and above a later album. Thanks solo record. One hour, two minutes and 41 to technology, the more frequent method seconds later, I felt an overwhelming rush, a of play is the simple mp3, broadcasting out warmth that covered my entire body from of a speaker the size of the head of a head to toe and reached back within my pencil’s eraser mounted above the skull to fill my insides.
    [Show full text]
  • When in Doubt, Play Petty… JAG HAR CITERAT DET FÖRR OCH GÖR DET IGEN: ”When in Doubt, Play Petty”
    Ur arkivet – sommarläsning med Livets Goda.se: When in doubt, play Petty… JAG HAR CITERAT DET FÖRR OCH GÖR DET IGEN: ”When in doubt, play Petty”. Uttrycket, som myntats av en brittisk radio-DJ säger så mycket. Pettys musik representerar ruta ett. Den är inte extrem åt något håll, men det finns en självklarhet, tidlöshet och självkänsla i den som tål att ställas upp bredvid i stort sett vad som helst. Deras musik låter inte så märkvärdig. Den skriker sällan efter uppmärksamhet. Men den passar i sin förledande enkelhet in på så många ställen. I bilen. På favoritpuben. På mingelfesten. I hängmattan. I nattradion. Under storstadspromenader eller på somriga ängar. Och – inte minst – live. För deras musik är som en väl packad väska: ingen övervikt, bara det nödvändigaste. På många sätt är de popmusikens och den traditionella gubbrockens svar på AC/DC, för de har aldrig riktigt tvivlat på sitt eget uttryck. Bara en enda låt med Tom Petty And The Heartbreakers innehåller synthesizer (You Got Lucky). Då är man rätt konsekvent. Utan åthävor har de i 35 år stått för kvalitetskontroll, pålitlighet och genuin kärlek till rocken som musik, attityd och livsstil. Kort sagt: de är äkta vara. Mitt första album med Tom Petty & The Heartbreakers var Damn The Torpedoes. Jag köpte det när det var nytt, 1979, efter att ha hört singlarna på radion. Mitt engagemang i deras musik har sedan dess gått i perioder, som alla långvariga och seriösa relationer. I slutändan har jag alltid återvänt till deras musik med förnyad respekt. Jag har själv haft förmånen att uppleva Tom Petty & The Heartbreakers live fyra gånger.
    [Show full text]
  • University of Idaho Digital Collections
    g>AY nl- r ef- I I c ~ or rw r Ur Vol. No. 60 86, University of Idaho April-30, 1982 ln or elr to ts InSuranCe nixed, Seven elected Candidates contest tally by Debbie Brisboy votes, gathering a total of 501 votes. by DebbierBrisboy "consistently precise returns nd Political Editor Other candidates receiving-votes were pat Political Editor areobtained." d. The letter is 'signed three ly. Mitchell,.487 votes; incumbent John Derr, by 475 votes; and former ASUI lobbyist Kurt A formal request for a candidates who did'not win Approximately 18.6percent of the students Meppen, 454 votes.. recount of ballots from Wed- Senate Positions, John Derr, by nesday s ASUI general el~- Arne Elisha and Pat Mitchell'., UI at the University of Idaho made it very clear According to Leclaire, only one ballot was Wednesday they do not want mandatory invalidated, and it would have had no effect tionhasbeen filed. Artis said the Election student health insurance when an insurance ontheoutcomeofthesenaterace. The letter, presented to Boar'd will be asked to recount of referendum was soundly defeated in the ASUI The seven senator-elects will be inaugurated ASUI President Andy Artis the ballots as soo n as possible. rll general election. at the last senate meeting this year. an The referendum, which needed to a ln all ballo ts 'be counted until continued on page fs pass by the race for three Faculty Council two failed l6, thirds majority, by a whopping positions, the graduate seat was won by Tom ~ ~ ~ ~ t,096 disagree votes to 97 agree votes.
    [Show full text]
  • Gear Stories with Sylvia Massy
    GEAR STORIES WITH SYLVIA MASSY Johnny Cash and the Sta-Level TWO AMERICAN LEGENDS MEET Johnny Cash said to me, “I don’t sing very good, and I’m not that good at playing the guitar either.” Hard to believe these words would have come out of his mouth, but the sweet, humble man honestly thought he wasn’t much of a musician. He would come to the session every day dressed as if he were going to a funeral, and he had a sadness about him. His deep resonant voice would tell those melodic American stories with so much Caption emotion, you’d wish you could just Caption hug him and tell him everything was going to be okay. During the recording of Johnny’s Unchained, we wanted to give the disc a vintage character. While producer Rick Rubin enlisted a star-studded iconic voice. Even when I was sent to Nashville to record Johnny at Jack cast of players to back Johnny up on the record, I relied on the help of Clement’s Cowboy Arms Hotel and Recording Spa, I had a Sta-Level classic broadcast compressors to achieve the album’s unique sound. packed in my suitcase. Rick also wanted simplicity in the way it was recorded and mixed, and The Gates Radio Company out of Quincy, Ill., made the Sta-Level as the engineer and mixer on the project, I learned invaluable lessons as an automatic gain amplifier for broadcast use from the mid-1950s about how to uncomplicate the making of the record. through the mid-’70s.
    [Show full text]
  • The Final Cut Plotting World Domination from Altoona
    NOVEMBER 15, 1999 VOLUME 14 #4 The Final Cut Plotting world domination from Altoona Otherwise,CD/Tape/Culture analysis and commentary with D'Scribe, D'Drummer, Da Boy, D'Sebastiano's Doorman, Da Common Man, D' Big Man, Al, D'Pebble, Da Beer God and other assorted riff raff, D'RATING SYSTEM: 9.1-10.0 Excellent - BUY OR DIE! 4.1-5.0 Incompetent - badly flawed 8.1-9.0 Very good - worth checking out 3.1-4.0 Bad - mostly worthless 7.1-8.0 Good but nothing special 2.1-3.0 Terrible - worthless 6.1-7.0 Competent but flawed 1.1-2.0 Horrible - beyond worthless 5.1-6.0 Barely competent 0.1-1.0 Bottom of the cesspool abomination! I GUESS THIS ISSUE IS A LITTLE BIT LATE… I can’t offer any excuses, except that things at Cut headquarters have been hellaciously busy over the past few months, affording yours truly very little time to sit down and get this tome written up. But do not despair, this rag will continue on, even if only 3 or 4 times a year. But we’ll try to get it out a little more frequently, if our schedules allow us. Hopefully the contents within this issue are worth the long wait. SINCE IT HAS BEEN A LONG TIME BETWEEN ISSUES, I have built up a ton of takes I have to get out of my system, so please bear with me and deal with it… FIRST, MEMO TO THE ALTOONA CLUB SCENE: Stop the DAMN FIGHTING! Just about every ‘Toona live music nightspot has endured at least one slobberknocker in recent months, and it has to end! The post -Halloween Party free-for-all at Pellegrine’s was total BULLS**T!!! Because of idiots fighting, one nightspot is facing a
    [Show full text]
  • Some Notes on Bob Dylan ‘And the Language...’ Part 2 by David Pichaske 60 the Double Entry System and the Roots of Protest by Andrew Davies 64 Deep River
    Publisher: All of the quotations from copyrighted Woodstock Publications works in this publication are strictly for the purpose of legitimate review Publication Date: and criticism only. The views and July 2003 opinions expressed are solely those of each individual contributor. Editor: Andrew Muir Judas! is published quarterly in January, April, July and October. Contributors: The subscription will be annual Alan Davis commencing on 1st April each year. Andrew Davies John Gibbens UK £20.00 Richard Jobes Europe £22.00/€36.00 Martin van Hees John Morrison USA/Canada $42.00 John Perry Rest of World £28.00 David Pichaske Markus Prieur Payment can be accepted by cheque, Manuel Vardavas Postal Order or International Money Paul Williams Order made payable to Woodstock Publications or by visiting our website Design & Layout: at www.judasmagazine.com and using Keith Wootton the online credit card payment service. Staff Photographer: All copies are dispatched in board- Duncan Hume backed envelopes by 1st class mail with overseas being sent by airmail. Subscriptions: Woodstock Publications All correspondence concerning this 8 Laxton Grange publication should be addressed to: Bluntisham Cambridgeshire. PE28 3XU Woodstock Publications United Kingdom 8 Laxton Grange Bluntisham E-mail: Cambridgeshire. [email protected] PE28 3XU United Kingdom WebSite: E-mail: [email protected] www.judasmagazine.com Judas! from Inside A Prune Hello again and I hope you’re all having a happy summer. I find it hard to believe that it is July and Judas! issue 6 time already. Tempus fugit, indeed. Mind you, if Dylan is opening for a band called the Dead who apparently are the Grateful Dead without Jerry Garcia (a baffling concept even for a non-Deadhead like me) then anything is possible.
    [Show full text]
  • Tom Petty Sample Page.Vp
    G DEBUT PEAK WKS O ARTIST L DATE POS CHR D Album Title Label & Number PETTY, Tom, And The Heartbreakers 1980s: #25 / 1990s: #25 / All-Time: #79 Born on 10/20/1950 in Gainesville, Florida. Died of a heart attack on 10/2/2017 (age 66). Rock singer/songwriter/guitarist. Formed The Heartbreakers in Los Angeles, California: Mike Campbell (guitar; born on 2/1/1950), Benmont Tench (keyboards; born on 9/7/1953), Ron Blair (bass; born on 9/16/1948) and Stan Lynch (drums; born on 5/21/1955). Howie Epstein (born on 7/21/1955; died of a drug overdose on 2/23/2003, age 47) replaced Blair in 1982; Blair returned in 2002, replacing Epstein. Steve Ferrone replaced Lynch in 1995. Scott Thurston (of The Motels) joined as tour guitarist in 1991 and eventually became a permanent member of the band. Petty appeared in the movies FM, Made In Heaven and The Postman and also voiced the character of Elroy “Lucky” Kleinschmidt on the animated TV series King Of The Hill. Member of the Traveling Wilburys. Tom Petty & The Heartbreakers were the subject of the 2007 documentary film Runnin’ Down A Dream, directed by Peter Bogdanovich. One of America’s favorite rock bands of the past five decades; they had wrapped up a 40th Anniversary concert tour shortly before Petty’s sudden death. Also see Mudcrutch. AWARDS: R&R Hall of Fame: 2002 Billboard Century: 2005 9/24/77+ 55 42 G 1 Tom Petty & The Heartbreakers................................................................................................................................. Shelter 52006 6/10/78 23 24 G 2 You’re Gonna Get It! ..................................................................................................................................................
    [Show full text]
  • TOM PETTY Album FINDING WILDFLOWERS
    Tägliche BeatlesInfoMail 01.07.21: I want to tell you /// TOM PETTY-Album mit RINGO STARR-Aufnahme /// MANY YEARS AGO -------------------- Im Beatles Museum erhältlich: TOM PETTY-Alternativeaufnahme mit RINGO STARR veröffentlicht CD versenden wir gut verpackt als Brief (mit Deutscher Post); Vinyl versenden wir gut verpackt mit DHL (Info über Sendeverlauf kommt per E-Mail). Abbildungen: Limitierte Doppel-Gold-Vinyl-LP; Doppel-Black LP und CD FINDING WILDFLOWERS (alternate Versions). Freitag 16. April 2021: Limitierte Doppel-Gold-Vinyl-LP FINDING WILDFLOWERS (alternate Versions). 39,95 € Warner Records 093624884941, weltweit. Freitag 25. Juni 2021: Doppel-Black-Vinyl-LP FINDING WILDFLOWERS (alternate Versions). 29,95 € Warner Records 093624885207, weltweit. Freitag 16. April 2021: CD FINDING WILDFLOWERS (alternate Versions). 18,95 € Warner Records 093624884934, weltweit. LP 1: Seite 1: Track 1: A Higher Place. Track 2: Hard On Me. Track 3: Cabin Down Below. Track 4: Crawling Back To You. LP 1: Seite 2: Track 5: Only A Broken Heart. Track 6: Drivin’ Down To Georgia. Track 7: You Wreck Me. Track 8: It’s Good To Be King. LP 2: Seite 1: Track 9: House In The Woods. Track 10: Honey Bee. Track 11: Girl On Lsd. Track 12: Cabin Down Below (Acoustic Version). LP 2: Seite 2: Track 13: TOM PETTY, RINGO STARR und weitere Musiker: Wildflowers. Track 14 - 16: Tom Petty und weitere Musiker: Don’t Fade On Me. Track 15: Wake Up Time. Track 16: You Saw Me Comin’. CD: Track 1: A Higher Place. Track 2: Hard On Me. Track 3: Cabin Down Below. Track 4: Crawling Back To You.
    [Show full text]
  • Still on the Road 1987 Temples in Flames Tour
    STILL ON THE ROAD 1987 TEMPLES IN FLAMES TOUR SEPTEMBER 5 Tel-Aviv, Israel Hayarkon Park 7 Jerusalem, Israel Sultan's Pool 10 Basel, Switzerland St. Jakobshalle 12 Modena, Italy Area Ex Autodromo 13 Turin, Italy Palasport 15 Dortmund, West Germany Westfalenhalle 1 16 Nuremberg, West Germany Frankenhalle 17 East Berlin, East Germany Treptower Festwiese 19 Rotterdam, The Netherlands Sportpaleis Ahoy 20 Hanover, West Germany Messehalle 20 21 Copenhagen, Denmark Valby Hallen 23 Helsinki, Finland Jäähalli 25 Gothenburg, Sweden Scandinavium 26 Stockholm, Sweden Johanneshovs Isstadion 28 Frankfurt, West Germany Festhalle 29 Stuttgart, West Germany Hanns Martin Schleyerhalle 30 Munich, West Germany Olympiahalle OCTOBER 1 Verona, Italy Arena di Verona 3 Rome, Italy Roma Palaeur 4 Milan, Italy Arena Civica di Milano 5 Locarno, Switzerland Piazza Grande 7 Paris, France P.O.P.B. Bercy 8 Brussels, Belgium Vorst Nationaal 10 Birmingham, England International Arena, National Exhibition Center 11 Birmingham, England International Arena, National Exhibition Center 12 Birmingham, England International Arena, National Exhibition Center 14 London, England Wembley Arena 15 London, England Wembley Arena 16 London, England Wembley Arena 17 London, England Wembley Arena Bob Dylan: Still On The Road – 1987 Temples In Flames Tour 8690 Hayarkon Park Tel-Aviv, Israel 5 September 1987 1. Maggie's Farm 2. I'll Be Your Baby Tonight 3. Señor (Tales Of Yankee Power) 4. Highway 61 Revisited 5. I And I 6. Watching The River Flow 7. Simple Twist Of Fate 8. Stuck Inside Of Mobile With The Memphis Blues Again 9. In The Garden 10. Joey (Bob Dylan–Jacques Levy/Bob Dylan) 11.
    [Show full text]
  • PETTY, Tom, and the Heartbreakers 1980S: #25 / 1990S: #25 / All-Time: #79 Born on 10/20/1950 in Gainesville, Florida
    G DEBUT PEAK WKS O ARTIST L DATE POS CHR D Album Title Label & Number PETTY, Tom, And The Heartbreakers 1980s: #25 / 1990s: #25 / All-Time: #79 Born on 10/20/1950 in Gainesville, Florida. Died of a heart attack on 10/2/2017 (age 66). Rock singer/songwriter/guitarist. Formed The Heartbreakers in Los Angeles, California: Mike Campbell (guitar; born on 2/1/1950), Benmont Tench (keyboards; born on 9/7/1953), Ron Blair (bass; born on 9/16/1948) and Stan Lynch (drums; born on 5/21/1955). Howie Epstein (born on 7/21/1955; died of a drug overdose on 2/23/2003, age 47) replaced Blair in 1982; Blair returned in 2002, replacing Epstein. Steve Ferrone replaced Lynch in 1995. Scott Thurston (of The Motels) joined as tour guitarist in 1991 and eventually became a permanent member of the band. Petty appeared in the movies FM, Made In Heaven and The Postman and also voiced the character of Elroy “Lucky” Kleinschmidt on the animated TV series King Of The Hill. Member of the Traveling Wilburys. Tom Petty & The Heartbreakers were the subject of the 2007 documentary film Runnin’ Down A Dream, directed by Peter Bogdanovich. One of America’s favorite rock bands of the past five decades; they had wrapped up a 40th Anniversary concert tour shortly before Petty’s sudden death. Also see Mudcrutch. AWARDS: R&R Hall of Fame: 2002 Billboard Century: 2005 9/24/77+ 55 42 G 1 Tom Petty & The Heartbreakers................................................................................................................................. Shelter 52006 6/10/78 23 24 G 2 You’re Gonna Get It! ..................................................................................................................................................
    [Show full text]
  • Andy Newmark
    VOL.8, NO. 2 CONTENTS Cover Photo by Rick Mattingly FEATURES ANDY NEWMARK Over the past decade, Andy Newmark has worked with such diverse artists as Carly Simon, Sly & The Family Stone, Ron Wood, George Harrison, Steve Winwood, Carole King, Nils Lofgren, Roxy Music, John Lennon, and ABC. Here, he offers insights on a variety of topics, such as playing with feel while working with a click track or drum machine, and he shares his memories of some of the artists he has worked with, including John Lennon and the Double Fantasy sessions. by Rick Mattingly 8 KENNY CLARKE It's sometimes hard to believe that there was a time when the bass drum was the primary instrument used for timekeeping, rather than the ride cymbal. Kenny Clarke was the person who changed all of that, and in this exclusive interview, he tells how and why he developed the concept that revolutionized jazz drumming. oss R by Ed Thigpen 16 MD SPECIAL REPORT: Raymond y Guide To Drumset Tuning b by David Levine 22 Photo STAN LYNCH Although Stan Lynch and Tom Petty were once members of rival bands in Florida, they successfully joined forces in Los Angeles as performers in Tom Petty and the Heartbreakers. Lynch describes his experiences as a member of this popular band, as well as the unique challenges involved in fulfilling the dual function of Jonason drummer and vocalist. Paul by by Robyn Flans 26 Photo CONCEPTS COLUMNS Developing Speed Naturally REVIEWS by Roy Burns 82 EDUCATION PRINTED PAGE 92 ROCK PERSPECTIVES JAZZ DRUMMERS WORKSHOP Flam City NEWS Jazz Coordination Studies by David Garibaldi 90 UPDATE by Scott Robinson 34 by Robyn Flans 108 ROCK CHARTS Andy Newmark—"Woman" EQUIPMENT INDUSTRY HAPPENINGS by James Morton 66 PRODUCT CLOSE-UP PASIC '83 in Knoxville THE JOBBING DRUMMER MPC and Instant Replay by Rick Mattingly.
    [Show full text]