Still on the Road 1987 Temples in Flames Tour
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Tartu Arena Tasuvusanalüüs
Tartu Arena tasuvusanalüüs Tellija: Tartu Linnavalitsuse Linnavarade osakond Koostaja: HeiVäl OÜ Tartu 2016 Copyright HeiVäl Consulting 2016 1 © HeiVäl Consulting Tartu Arena tasuvusanalüüs Uuring: Tartu linna planeeritava Arena linnahalli tasuvusanalüüs Uuringu autorid: Kaido Väljaots Geete Vabamäe Maiu Muru Uuringu teostaja: HeiVäl OÜ / HeiVäl Consulting ™ Kollane 8/10-7, 10147 Tallinn Lai 30, 51005 Tartu www.heival.ee [email protected] +372 627 6190 Uuringu tellija: Tartu Linnavalitsus, Linnavarade osakond Uuringuprojekt koostati perioodil aprill – juuli 2016. 2 © HeiVäl Consulting Tartu Arena tasuvusanalüüs Sisukord Kokkuvõte .............................................................................................................................................. 4 1 Uuringu valim .................................................................................................................................. 7 1.1 Tartu linn .......................................................................................................................................... 7 1.2 Euroopa .......................................................................................................................................... 11 2 Spordi- ja kultuuriürituste turuanalüüs ........................................................................................... 13 2.1 Konverentsiürituste ja messide turuanalüüs Tartus ....................................................................... 13 2.2 Kultuuriürituste turuanalüüs Tartus ............................................................................................... -
And the Band Played on Pdf
And the band played on pdf Continue Music fans were sad to learn that Tom Petty passed away at the age of 66 on Monday night. The musician became famous for his successful career as a solo artist, but worked with several bands, including The Heartbreakers. Who the Heartbreakers were Tom Petty showed they were more than a band. They were the longest-running group Petty had worked with, playing together since 1976. Since then, Petty has released more than a dozen albums, either in collaboration with The Heartbreakers or prominently. Together, the band is recognizable for some of Petty's favorite hits, including Mary Jane's Last Dance and American Girl. The introduction to American Girl has probably stuck in your head since the first time you heard it, but for some reason, you just never get tired of it. You have Tom Petty and the Heartbreakers to thank for that. Petty also collaborated with the following bands: Mudcrutch (1970-1975), the supergroup The Traveling Willburys (1988-1990). On Petty's solo albums, The Heartbreakers served as studio musicians, and were additionally supported by Petty's collaborator stable. This stable famously included musicians like Jeff Lynne and George Harrison, who were also two of the petty bandmates in Willburys Travel. Petty recorded with Bob Dylan, Stevie Nicks and countless other industry icons, but The Heartbreakers were his constant. According to Petty's official website, the 2017 Heartbreakers included Campbell, Trench, bassist Ron Blair, rhythm guitarist Scott Thurston and percussionist Steve Ferrone. Ferrone joined in 1994 after drummer Stan Lynch left to work on other projects. -
Mudcrutch Släpper Live-EP
2008-11-11 08:00 CET Mudcrutch släpper live-EP Mudcrutch, det legendariska Floridabandet som består av Tom Petty, Tom Leadon, Randall Marsh, Mike Campbell och Benmont Tench kommer att släppa en liveEP 19 november. Extended Play Live kommer att släppas digitalt, på CD samt på en 180g High Performance vinyl. Bandet genomförde en kort men mycket populär turné bestående av små, intima klubbspelningar i Kalifornien i april, där man bland annat sålde ut sex kvällar på Troubadour i Los Angeles. Extended Play Live innehåller fyra låtar som spelades in under den turnén - bland dessa en dramatisk femtonminuters version av bandets mästerverk Crystal River, inspelad live på Troubadour. Alla fyra låtar kan just nu höras via streaming på www.mudcrutchmusic.com. Mudcrutchs självbetitlade debutalbum släpptes 25 april i år och gick i USA rakt in på Billboardlistans åttondeplats. Albumet rosades av kritiker över hela världen, och bland andra beskrev Rolling Stone plattan som "instant classic". Under tidigt 70-tal var medlemmarna i Mudcrutch hjältar i sin egen hemstad, Gainesville, FL och verkade ämnade för stordåd. En radda festivaler som hölls i deras högkvarter, Mudcrutch Farm, drog fans från hela norra Florida och så långväga ifrån som South Georgia. Tyvärr förbjöd de lokala myndigheterna festivalerna men, som den musikaliska succé de var, historierna om festivalerna är många och cirkulerar fortfarande lokalt. Mudcrutch flyttade sedermera till Kalifornien för att bygga vidare på den karriär de grundat hemmavid och släppte en singel på Shelter Records - Depot Street b/w Wild Eyes. Men bandet fick aldrig stå på de stora, inhemska scenerna eller spela in någon fullängdare. -
SANTIANO Live 2018 in Kooperation Mit Der ICS Festival Service Gmbh
Im Auge des Sturms SANTIANO Live 2018 in Kooperation mit der ICS Festival Service GmbH Aktuell spielt SANTIANO ihre restlos ausverkaufte Sommer „live und Open Air“ Tournee 2017. Seit Monaten sind schon keine Tickets für dieses Live Erlebnis mehr erhältlich. Wie es sich gehört, folgt nun auf die Ruhe der Unplugged-Tournee im Frühjahr, wieder der große Sturm. 2018 hisst die Band wieder die großen Segel und macht Halt in den großen Arenen Deutschlands. Mit dabei, ihr neues Album „Im Auge des Sturms“ (VÖ 13.10.17, Electrola). Wenn sie auf die Bühne gehen, dann kreischen die Möwen, dann peitscht der Wind, dann bäumt sich das Schiff im Sturm auf. Egal ob in Flensburg am Meer oder in München, weit weg vom Salzwasser - SANTIANO live ist eine Naturgewalt. Deutschlands erfolgreichste Band steht seit ihrer Gründung für Mannschaftsgeist und den Glauben an höhere Ziele. Auf dem vierten Studio Album loten SANTIANO die Grenzen ihrer Welt aus: Seite an Seite mit den großen Entdeckern und Abenteurern der Geschichte stoßen die Männer aus dem Norden dabei ohne Scheu bis in die Tiefen der Meere vor. Wenn SANTIANO auf Tour ist, dann machen sie keine halben Sachen, das kann jeder in ihrem „Logbuch“ nachlesen, das die Band schon seit 2013 für ihre Fans führt. Dort zeigt sich oft genug per Videobotschaft, was vor und hinter der Bühne auf einem Konzert von SANTIANO passiert. Dass sich am Spaß der Mannschaft rein gar nichts geändert hat, dass sie noch immer scherzen, improvisieren, mit dem Publikum auf Tuchfühlung gehen und unterwegs manche Panne verfluchen. Nur die Häfen, welche die Santiano anläuft, haben sich über die Jahre geändert. -
Edge8-Web.Pdf
stevie nicks’ jimmy pAXSON, UP CLOSE WITH DANNY SERAPHINE & STUDIO MASTER JR ROBINSON MAGAZINE The Official PublicaTiOn Of Drum WOrkshOP • 8.0 ABE LABORIEL JR. INTHROUGH THE OUTDOOR HOW HE LANDED ALL THE INSIDE GIGS PLUS DW ARTISTS HIT EUROPE, Q&A WITH THE DRUMMERS OF NASHVILLE, DW’s laTEST GEAR AND MORE! NOWHEARTHIS EDGE 8.0 16 Introducing the DW Collector’s Series Super Solid, a completely new look at solid shell drums. Why is Super Solid so dramatically different? The answer is a groundbreaking Molecular Compression Process that produces the most dense solid maple shell ever created. And this is truly a one-piece shell, no glued reinforcement hoops or plies. We endured years of research and development and expense to do only one thing, bring you our best sounding solid shell drum ever. 12 24 06 22 IN EVERY ISSUE 06 Time Machine: JR Robinson 10 Up Close: Danny Seraphine ARTIST FEATURES 11 Road Tips with Drum Tech - Robbo 22 Road Stories: DW Artists hit Europe 12 Drummers of Nashville 24 Artist Feature: Jimmy Paxson Featuring Billy Mason, Travis McNabb and Cactus Moser 26 DW Drum Clinic with Denny Seiwell 16 Abe Laboriel Jr 28 New Artists A Legacy Endured. Family, Schooling & the beginning of a legend. PRODUCT NEWS 02 Exo-X Project 04 PDP Update ©2009 Drum Workshop, Inc. All Rights Reserved. ©2009 Drum Workshop, 08 8000 Series Pedals & Hardware 14 SSC Technology 20 3Drumsticks EDGE Magazine is a publication of Drum Workshop, Inc. ©2009 Drum Workshop, Inc. All Rights Reserved. #PRCAEDGE-V8.0 For promotional use only. -
Toto's Shannon Forrest
WORTH WIN A TAMA/MEINL PACKAGE MORE THAN $6,000 THE WORLD’S #1 DRUM MAGAZINE 25 GR E AT ’80s DRUM TRACKS Toto’s Shannon ForrestThe Quest For Excellence NEW GEAR REVIEWED! BOSPHORUS • ROLAND • TURKISH OCTOBER 2016 + PLUS + STEVEN WOLF • CHARLES HAYNES • NAVENE KOPERWEIS WILL KENNEDY • BUN E. CARLOS • TERENCE HIGGINS PURE PURPLEHEARTTM 12 Modern Drummer June 2014 CALIFORNIA CUSTOM SHOP Purpleheart Snare Ad - 6-2016 (MD).indd 1 7/22/16 2:33 PM ILL SURPRISE YOU & ILITY W THE F SAT UN VER WIL HE L IN T SP IR E Y OU 18" AA SICK HATS New Big & Ugly Big & Ugly is all about sonic Thin and very dry overall, 18" AA Sick Hats are 18" AA Sick Hats versatility, tonal complexity − surprisingly controllable. 28 holes allow them 14" XSR Monarch Hats and huge fun. Learn more. to breathe in ways other Hats simply cannot. 18" XSR Monarch With virtually no airlock, you’ll hear everything. 20" XSR Monarch 14" AA Apollo Hats Want more body, less air in your face, and 16" AA Apollo Hats the ability to play patterns without the holes 18" AA Apollo getting in your way? Just flip ‘em over! 20" AA Apollo SABIAN.COM/BIGUGLY Advertisement: New Big & Ugly Ad · Publication: Modern Drummer · Trim Size: 7.875" x 10.75" · Date: 2015 Contact: Luis Cardoso · Tel: (506) 272.1238 · Fax: (506) 272.1265 · Email: [email protected] SABIAN Ltd., 219 Main St., Meductic, NB, CANADA, E6H 2L5 YOUR BEST PERFORMANCE STARTS AT THE CORE At the core of every great performance is Carl Palmer's confidence—Confidence in your ability, your SIGNATURE 20" DUO RIDE preparation & your equipment. -
Figures Are for Tickets Sold Worldwide As Reported to POLLSTAR for Shows Played Between 1/1/13 and 6/30/13 26 JULY 22, 2013 | *
1 1,129,914 The O2 - London London, UNITED KINGDOM 51 127,994 Valley View Casino Center San Diego, CA 2 698,766 Manchester Arena Manchester, UNITED KINGDOM 52 124,704 Consol Energy Center Pittsburgh, PA 3 657,423 Barclays Center Brooklyn, NY 53 121,768 CenturyLink Center Omaha Omaha, NE 4 491,848 Palais Omnisports de Paris-Bercy Paris, FRANCE 54 120,556 Grenslandhallen - Ethias Arena Hasselt, BELGIUM 5 470,034 Lanxess Arena Cologne, GERMANY 55 119,565 Intrust Bank Arena Wichita, KS 6 349,588 Sportpaleis Antwerpen Merksem, BELGIUM 56 119,357 Palacio De Los Deportes Mexico City, MEXICO 7 333,033 Wells Fargo Center Philadelphia, PA 57 117,537 Chesapeake Energy Arena Oklahoma City, OK 8 330,267 LG Arena Birmingham, UNITED KINGDOM 58 117,240 Thomas & Mack Center Las Vegas, NV 9 323,481 The O2 - Dublin Dublin, IRELAND 59 114,208 Allstate Arena Rosemont, IL 10 314,493 Hallenstadion Zurich Zurich, SWITZERLAND 60 112,630 Target Center Minneapolis, MN 11 308,699 Arena Ciudad De Mexico Mexico City, MEXICO 61 111,395 Time Warner Cable Arena Charlotte, NC 12 303,186 O2 World Hamburg Hamburg, GERMANY 62 108,529 The NIA Birmingham, UNITED KINGDOM 13 286,990 Philips Arena Atlanta, GA 63 102,899 United Center Chicago, IL 14 282,664 Ziggo Dome Amsterdam, NETHERLANDS 64 100,819 Cotai Arena At Venetian Macao Macau, CHINA 15 273,196 Air Canada Centre Toronto, CANADA 65 98,079 Lotto Arena Merksem, BELGIUM 16 270,258 Metro Radio Arena Newcastle upon Tyne, UK 66 96,967 Van Andel Arena Grand Rapids, MI 17 259,476 O2 World Berlin, GERMANY 67 96,525 TD Garden Boston, -
Harry Styles Live on Tour Expands World Tour Dates
HARRY STYLES LIVE ON TOUR EXPANDS WORLD TOUR DATES TO 2018 LOS ANGELES (June 8, 2017) – Due to overwhelming demand, Harry Styles has added 56 new show dates in 2018 to his sold-out world tour. The freshly added dates will begin in MarCh 2018 in Basel, Switzerland and will Conclude in Los Angeles, CA in July. The new dates will be supported by KaCey Musgraves (U.S. and Canada), Warpaint (Asia) and Leon Bridges (South AmeriCa and MexiCo), with speCial guests for Europe and Australia to be announCed soon. The first leg of Harry Styles Live On Tour, whiCh sold out in reCord time, will kiCk off in September 2017 visiting intimate venues around the world and featuring support from MUNA. All tiCkets go on sale on Friday, June 16 via local ticket agents, visit www.hstyles.Co.uk for loCal on sale timings. To ensure fans get tiCkets in their hands direCtly, Fan Registration for the North AmeriCan tour dates is available now here through TiCketmaster’s Verified Fan program, and for Europe here; supplies are limited. Additional fan measures will be made for the International shows on a local level. Harry Styles’ self-titled debut album was released May 12th and soared to the top of the charts around the world. In the U.S. it topped the Billboard 200 album Chart with over 230,000 equivalent album units sold and 193,000 traditional albums sold, making history as the biggest debut sales week for a U.K. male artist’s first full-length album sinCe Nielsen Music began traCking sales in 1991. -
Wavelength (September 1986)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 9-1986 Wavelength (September 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (September 1986) 71 https://scholarworks.uno.edu/wavelength/62 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NS SIC MAGA u........s......... ..AID lteniiH .... ., • ' lw•~.MI-- "I'm not sure, but I'm almost positive, that all music came from New Orleans." -Ernie K-Doe, 1979 Features The Party ... .... .. .. ... 21 The Faith . .... .. ....... 23 The Saints . .... .... .. 24 Departments September News ... ... .. 4 Latin ... ... .. ..... .. 8 Chomp Report ...... .. .. 10 Caribbean . .. .. ......... 12 Rock ........ ... ........ 14 Comedy ... ... .... .. ... 16 U.S. Indies .. .. ... .. ... 18 September Listings ... ... 29 Classifieds ..... ..... 33 Last Page . .. .. .... .... 34 Cover Art by Bunny MaHhews A1mlbzrot NetWCSfk Pubaidwr ~ N.. un~.,~n S ~·ou F:ditor. Cnnn~ /..c;rn.ih Atk 1 n~ Assonat• FAI1lor. (it.:n..: S4.at.&mU/It) Art Dindor. Thom~... Oul.an Ad,mL-Jn •. Fht.ah.:th hlf1l.J•~ - 1>1.:.tn.a N.M.l~'-' COft· tributon, Sl(\\.' Armf,ru,tcr. St (M.."tlfl!C Hry.&n. 0..-t> C.n.Jh4:llll, R1d. Culcnun. Carul Gn1ad) . (iu'U GUl'uuo('. Lynn H.arty. P.-t Jully. J.mlC' l.k:n, Bunny M .anhc~'· M. 11.k Oltvter. H.1mmnnd ~·,teL IAlm: Sll'l"t:l. -
28 the Exeter Bulletin FALL 2010 FA10 Crossroads 10 11 10.Qxp:Layout 1 10/11/10 12:17 PM Page 29 Down a Dream How One Exonian Became a Heartbreaker by Ketch Secor ’96
FA10_crossroads_10_6_10.qxp:Layout 1 10/6/10 11:10 AM Page 28 Runnin’D 28 The Exeter Bulletin FALL 2010 FA10_crossroads_10_11_10.qxp:Layout 1 10/11/10 12:17 PM Page 29 Down a Dream How one Exonian became a Heartbreaker By Ketch Secor ’96 n Indio,CA,in the dark of night, with strobe lights flashing and four stages of live (Left) Ketch Secor music blasting, I trip over a pile of club kids with their glow sticks ablaze while I ’96 on the road with search for Benmont Tench ’71. I am hoping to meet him here, in the wee hours BenmontTench ’71, of Coachella, the hip, annual California Desert music festival where my band, keyboardist forTom Old Crow Medicine Show, performed an afternoon set, but I lost track of Ben- Petty &The Heart- montI earlier in the day.Now I am supposed to find him by a sign that says “AmExVIP,” breakers. (Above) but all I see are plumes of smoke rising from the sweaty throngs of spent music lovers. I The author is lead check my phone again for messages. Nothing. singer of Old Crow Up past the food vendors and the ATMs, the press area and the free cigarette kiosk, I Medicine Show, a think I see what I’m looking for:a plain,white tarpaulin tent with a placard out front that band based in reads “AmEx VIP Charging Station.”The tent radiates a purplish glow. I pull back the Nashville,TN. flap, startling Benmont, who smoothes the pleats of his fine tailored coat and reaches out to greet me. -
Wildflowers E-Edition
Crawling Back to You A critical and personal breakdown of Tom Petty’s masterpiece, “Wildflowers” by Nick Tavares Static and Feedback editor Static and Feedback | www.staticandfeedback.com | September, 2012 1 September, 2012 Static and Feedback www.staticandfeedback.com ooking at the spine of the CD, it’s would resume, the music would begin, and clear that the color has mutated a I’d lie with my head on my pillow and my L bit through the years, trapped in hands over my stomach, eyes closed. sunbeams by windows and faded from it’s Sometimes, I’d be more alert and reading brown paper bag origins to a pale bluish the liner notes tucked away in the CD’s grey. The CD case itself is in excellent booklet in an effort to take in as much shape save for a few scratches, spared the information about this seemingly magic art cracks and malfunctioning hinges so many form as possible. other jewel boxes have suffered through The first time I listened to Wildflowers, I drops, moves and general carelessness. All was in high school, in bed, laying out in all, the disc holds up rather well. straight, reading along with the lyrics, More often than not, however, it sits inspecting the credits, the thanks and the on the shelf, tucked below a greatest hits photographs included with this Tom Petty collection and above a later album. Thanks solo record. One hour, two minutes and 41 to technology, the more frequent method seconds later, I felt an overwhelming rush, a of play is the simple mp3, broadcasting out warmth that covered my entire body from of a speaker the size of the head of a head to toe and reached back within my pencil’s eraser mounted above the skull to fill my insides. -
The Beatles and the Crisis of Self-Identity
Sosland Journal 77 THE BEATLES AND THE CRISIS OF SELF-IDENTITY Jared Gutzmer “Ringo- a lovely performer. George- a mystical unre- alized talent. But John and Paul, Saints John and Paul, were, and made, and aureoled and beatifi ed and eternalized the concept that shall always be known, remembered and deeply loved as The Beatles” -Leonard Bernstein The Beatles are one of the most popular bands of all time. This is an undisputed fact no matter the location. They were so popular that in America, they had to stop touring due to the screaming fans which caused the band not to be able to hear themselves. Never before was there a group that was so incredibly popular in history. This popularity and other fac- tors led the members of the Beatles to change as individuals and as a group as they matured musically and mentally. Their identity shifted from a group identity to a self-identity. From the Beatles fi rst album, Please Please Me, to their last, Let It Be, the shift in their identity can be seen through their music and the appearances that led to individualism and eventually their downfall. 78 Sosland Journal The Music “It would not seem quite so likely that the accompany- ing fever known as Beatlemania will also be success- fully exported. On this side of the Atlantic it is dazed stuff.” -Jack Gould, New York Times television critic The Beatles music and lyrics changed drastically from their fi rst to last album due to adapting to a changing soci- ety, musical maturity, and their increased popularity.