Brussels: a Forest of Symbols the Largest Masonic Complex in the World?
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. . by the Lighthouse Beam . . . by the Lighthouse Beam
Worshipful Master Gary Mosmeyer - Editor John "Corky" Daut The November 2012 Issue . By The Lighthouse Beam Right Angles, Horizontals and Perpendiculars From Hiram's Lighthouse Newsletter It appears to me that there has been some confu- sion among Masons about the Lights in a Lodge, as relates to the Three Lesser Lights, The Three Great Lights, and The Three Lights, (of the lodge,) and also about the one light above the altar that is turned on when the Three Great Lights are displayed upon the Altar. I will attempt to shed some light on the questions about these lights as relates to a Lodge Room as well as to some of the other “Threes” we find in Freema- sonry. In Freemasonry, we are encouraged to tell our Brothers what we want, and that is Knowledge, in Freemasonry Light means Knowledge. So when we talk about the three Triads of lights that are in a Lodge the symbolism behind the lights is knowledge. The Three Lesser Lights and the Three Lights have often been confused, thinking that the Third Section of the Lecture of the First Degree stating that a Lodge has Three Lights which are situated in the East West and South refer to the Three Lesser Lights, which they do not. In the Webb-Preston work, which much of the ritual of the Grand Lodges of the United States is based it says; the Lights of the Lodge are three, situated in the East, West, and South. There is none in the North be- cause King Solomon’s Temple was situated so far north of the ecliptic that neither the Sun nor Moon at Me- ridian height could dart their rays into the north part of the building. -
Eye of Provide Eye of Providence Eye of Providence
Eye of Providence The Trinity represented in a Christian version of the Eye of Providence . The Eye of Providence (or the all-seeing eye of God) is a symbol showing an eye often surrounded by rays of light or a glory and usually enclosed by a triangle . It is sometimes interpreted as representing the eye of God watching over humankind (or divine providence ). In the modern era, the most notable depiction o f the eye is the reverse of the Great Seal of the United States , which appears on the United States one-dollar bill . Contents 1 Religious use 2 United States 3 Freemasonry 4 Other uses : 4.1 Coats of arms and seals 4.2 Currency 4.3 Other contexts Religious use Jacopo Pontormo painting year 1525, using the Eye of Providence in a triangle as a symbol of the Christian Trinity . Imagery of an all-seeing eye can be traced back to Egyptian mythology and the Eye of Horus . Buddhist texts like the Mahaparinibbana Sutta also refer to Buddha as the "Eye of the World" (although no imagery is used). It is frequently used to depict the image of God in Caodaism (the doctrines of an Indochinese religion, especially an amalgamation of features from Buddhism, Taoism, Confucianism, and Christianity .) In Medieval and Renaissance European iconography, the Eye (often with the addition of an enclosing triangle) was an explicit image of the C hristian Trinity . Seventeenth-century depictions of the Eye of Providence sometimes show it surrounded by clouds or sunbursts . In United States 1782, the Eye of Providence was adopted as part of the symbolism on the reverse side of the Great Seal of the United States . -
Chronologically Lewis Joel D
Chronologically Lewis Joel D. Heck All notes are done in the present tense of the verb for consistency. Start and end dates of term are those officially listed in the Oxford calendar. An email from Robin Darwall-Smith on 11/26/2008 explains the discrepancies between official term dates and the notes of C. S. Lewis in his diary and letters: “Term officially starts on a Thursday, but then 1st Week (out of 8) starts on the following Sunday (some might say Saturday, but it ought to be Sunday). The week in which the start of term falls is known now as „0th Week‟. I don‟t know how far back that name goes, but I‟d be surprised if it wasn‟t known in Lewis‟s day. The system at the start of term which I knew in the 1980s - and which I guess was there in Lewis‟s time too - was that the undergraduates had to be in residence by the Thursday of 0th Week; the Friday was set aside for start of term Collections (like the ones memorably described in Lewis‟s diary at Univ.!), and for meetings with one‟s tutors. Then after the weekend lectures and tutorials started in earnest on the Monday of 1st Week.” Email from Robin Darwall-Smith on 11/27/2008: “The two starts to the Oxford term actually have names. There‟s the start of term, in midweek, and then the start of „Full Term‟, on the Sunday - and is always Sunday. Lectures and tutorials start up on the following day. -
Renaissance Medals by G· F· Hill and G· Pollard Renaissance Medals from the Samuel H· Kress Collection at the National Gallery of Art
COMPLETE CATALOGUE OF THE SAMUEL H· KRESS COLLECTION RENAISSANCE MEDALS BY G· F· HILL AND G· POLLARD RENAISSANCE MEDALS FROM THE SAMUEL H· KRESS COLLECTION AT THE NATIONAL GALLERY OF ART BASED ON THE CATALOGUE OF RENAISSANCE MEDALS IN THE GUSTAVE DREYFUS COLLECTION BY G·F·HILL REVISED AND ENLARGED BY GRAHAM POLLARD PUBLISHED BY THE PHAIDON PRESS FOR THE SAMUEL H·KRESS FOUNDATION THE REPRODUCTIONS IN THIS VOLUME ARE FROM NBW PHOTOGRAPHS TAKEN BY BULLATY-LOMBO PHOTOGRAPHERS' NBW YORK CITY ALL RIGHTS RESERVED BY PHAIDON PRESS LTD' LONDON SW 7 PRINTED IN GREAT BRITAIN I967 BY ROBERT MACLEIIOSE & CO. LTD A GLASGOW CONTENTS PREFACE page V11 INTRODUCTORY NOTE page IX CATALOGUE page 3 ILLUSTRATIONS page 133 CONCORDANCES page 273 INDEX OF INSCRIPTIONS page 278 GENERAL INDEX page 293 . INDEX OF PERSONS page 300 INDEX OF ARTISTS page 306 PREFACE HE first and only catalogue of the collection of medals formed by Gustave Dreyfus appeared in I93 I. Its author was Sir George Hill, who had studied the collection in depth when it was still T in Dreyfus' hands in the Boulevard Malesherbes in Paris. In a prefatory note, Hill observed that 'keenly as Gustave Dreyfus appreciated all his beautiful things, he had a particularly soft place in his heart for the Italian medals, and ... he would have agreed with the German critic who declared that the medallic art was par excellence the art of the Renaissance, the expression of the quintessence of the spirit of that age.' The preface continues with the tribute: 'His was perhaps the finest collection that has ever been in the hands of a private collector - the "perhaps" might be omitted, but that it is difficult to range the great collections in a true perspective.' Thanks to the Kress Foundation, the Dreyfus collection of medals was not dispersed, like so many other medallic collections, but is preserved intact in the National Gallery of Art in Washington, where it bears out Hill's claim to be regarded as the finest private collection of medals ever to have been formed. -
An Introduction to the History of the Wallace Collection
Reprinted from the American Society of Arms Collectors Bulletin 50:2-21 Additional articles available at http://americansocietyofarmscollectors.org/resources/articles/ An Introduction to the History of the Wallace Collection D.A. Edge, B.A. Although the collection of objets d'art at Hertford House bears the name of Sir Richard Wallace, much of it, of course, was inherited from his father the 4th Marquis of Hertford (1). The 4th Marquis, in fact, can be said to have 'founded' the armoury in the Wallace Collection by purchasing a large quantity of oriental arms in the last decade of his life, from 1860 onwards. These were installed in his chateau at Baga- telle in Paris (2) where he lived until his death in 1870. In these acquisitions, the 4th Marquis was following the prevailing fashion for 'orientalism,' which was linked with the Romantic movement which swept through France (and, indeed, Europe) in the middle and later part of the 19th century. Wealthy and cultured men created oriental rooms or displays in their great houses, hanging the walls with By the very nature of its formation, such an armoury Eastern arms, armour, paintings and tapestries, to conjure would tend not to contain the earlier, plainer and (to our up the spirit and mystery of the East. As well as oriental modern eyes, perhaps) finer pieces. The Wallace Collection arms and armour, therefore, the 4th Marquis collected is fortunate, however, in possessing at least one early blade paintings of Eastern subjects (such as this by Vernet) (3), the quality of which is probably unrivalled anywhere in the and a vast and varied assortment of oriental bric-a-brac, world. -
List of Freemasons from Wikipedia, the Free Encyclopedia Jump To: Navigation , Search
List of Freemasons From Wikipedia, the free encyclopedia Jump to: navigation , search Part of a series on Masonic youth organizations Freemasonry DeMolay • A.J.E.F. • Job's Daughters International Order of the Rainbow for Girls Core articles Views of Masonry Freemasonry • Grand Lodge • Masonic • Lodge • Anti-Masonry • Anti-Masonic Party • Masonic Lodge Officers • Grand Master • Prince Hall Anti-Freemason Exhibition • Freemasonry • Regular Masonic jurisdictions • Opposition to Freemasonry within • Christianity • Continental Freemasonry Suppression of Freemasonry • History Masonic conspiracy theories • History of Freemasonry • Liberté chérie • Papal ban of Freemasonry • Taxil hoax • Masonic manuscripts • People and places Masonic bodies Masonic Temple • James Anderson • Masonic Albert Mackey • Albert Pike • Prince Hall • Masonic bodies • York Rite • Order of Mark Master John the Evangelist • John the Baptist • Masons • Holy Royal Arch • Royal Arch Masonry • William Schaw • Elizabeth Aldworth • List of Cryptic Masonry • Knights Templar • Red Cross of Freemasons • Lodge Mother Kilwinning • Constantine • Freemasons' Hall, London • House of the Temple • Scottish Rite • Knight Kadosh • The Shrine • Royal Solomon's Temple • Detroit Masonic Temple • List of Order of Jesters • Tall Cedars of Lebanon • The Grotto • Masonic buildings Societas Rosicruciana • Grand College of Rites • Other related articles Swedish Rite • Order of St. Thomas of Acon • Royal Great Architect of the Universe • Square and Compasses Order of Scotland • Order of Knight Masons • Research • Pigpen cipher • Lodge • Corks Eye of Providence • Hiram Abiff • Masonic groups for women Sprig of Acacia • Masonic Landmarks • Women and Freemasonry • Order of the Amaranth • Pike's Morals and Dogma • Propaganda Due • Dermott's Order of the Eastern Star • Co-Freemasonry • DeMolay • Ahiman Rezon • A.J.E.F. -
Brussels for Kids Thematickit
brussels for kids thematic kit SPEND QUALITY TIME WITH YOUR FAMILY IN A QUALITY DESTINATION. BRUSSELS’ MUSEUMS AND ATTRACTIONS BOAST A WHOLE HOST OF CHILD-FRIENDLY ACTIVITIES THAT MAKE CULTURE FUN. THE SIGHTS AND SOUNDS OF BRUSSELS ARE ACCESSIBLE TO ALL THANKS TO DISCOVERY TRAILS, STORYTELLING, WORKSHOPS, AND MUCH MORE. THROUGHOUT THE YEAR, THE REGION PUTS ON EVENTS DEVISED ESPECIALLY FOR CHILDREN. BORED IN BRUSSELS? IT’S JUST NOT POSSIBLE! 1. CALENDAR OF EVENTS 03 2. CULTURE 10 3. CINEMA OUTINGS WITH CHILDREN 19 4. EDUCATIONAL FARMS 20 5. PLAYGROUNDS 21 6. BOOKSHOPS 22 7. FAMILY-FRIENDLY RESTAURANTS AND BARS 24 8. PUBLICATIONS 28 9. USEFUL LINKS 29 10. SHOPPING 30 11. CONTACTS 32 WWW.VISITBRUSSELS.BE 1. CALENDAR OF EVENTS THERE IS ALWAYS SOMETHING GOING ON FOR YOU AND YOUR KIDS... JANUARY LA NUIT DU CONTE Brussels’ Nuit du Conte is a series of more than 15 storytelling events on themes ranging from the Oriental to the slightly cheeky, from the traditional to the wacky. Some are told to a musical background and others in sign language... a night that invites you to enter the realm of dreams and to treat yourself to the wonderment of stories, shows and music that will see you alright until next winter. Storytelling events are in French only. www.conteursenbalade.be FEBRUARY ANIMA FESTIVAL A highlight of Belgium’s annual animated film scene since 1982, Anima is an enchanted universe where one colourful discovery follows the next in quick succession. Anima not only organises projections but also exhibitions, concerts and workshops for children. -
Heredom, Volumes 1–26, 1992–2018 Prepared by S
Combined Index Heredom, Volumes 1–26, 1992–2018 Prepared by S. Brent Morris, 33°, G\C\ Numbers 29°. See Kt of St Andrew Sprengseysen (1788) 9:259 1°. See Entered Apprentice Degree 30°. See Kt Kadosh Abi, Abif, Abiff. See Hiram Abif. 2°. See Fellow Craft Degree 31°. See Inspector Inquisitor Abiathar, priest of Israel 25:448, 450, 3°. See Master Mason Degree 32°. See Master of the Royal Secret 456 4°. See Secret Master Degree 33°. See Inspector General, 33° Abiram (Abhiram, Abyram), password, 5°. See Perfect Master Degree (Sacred 43°, Sup Coun. See Forty-third Degree, Elect of Pérignan 2:93 Fire, NMJ) Sup Coun Abiram (Abhiram, Abyram, Akirop), 6°. See Confidential Secretary Degree assassin of Hiram Abif 1:69; (Master of the Brazen Serpent, A 72–74; 2:90, 92, 95n5; 3:38, 43, 45; NMJ) A and G, letters, interlaced 3:29, 33, 36; 4:113, 118; 6:153, 164; 25:492; 26:230, 7°. See Provost and Judge Degree 26:251 232. See also “Masonic Assassina- 8°. See Intendant of the Building Degree “A’ The Airts The Wind Can Blaw, Of,” tion of Akirop” (David and Solomon, NMJ) R. Burns 26:62 assassination of by Joabert 12:58, 60 9°. See Élu of the Nine Degree (Master Aachen Cathedral, Eye of Providence killed in cave under burning bush of the Temple, NMJ) 20:187 3:40 10,000 Famous Freemasons, W. Denslow AAONMS. See Shriners meaning and variations of name (1957) 23:115 Aaron (brother of Moses) 1:79n; 2:95n5; 3:46; 4:119 10°. -
Eighteenth-Century Sculpture and Its Interpretation
Eighteenth-century Sculpture and its Interpretation Malcolm Baker University of Edinburgh PhD (by Research Publications) 2003 Eighteenth-century sculpture and its interpretation Publications by Malcolm Baker submitted for Degree of Ph.D by Research Publications The following publications are submitted for the above degree: 1. Figured in Marble. The Making and Viewing of Eighteenth-century Sculpture, London and Los Angeles, 2000. (65,431 words) 2. Roubiliac and The Eighteenth-century Monument. Sculpture as Theatre, New Haven and London, 1995, 207-273, 382-387. (23,337 words) (The text submitted by the candidate forms part of a collaborative work by David Bindman and Malcolm Baker; the volume is made up of several distinct authorial contributions and the responsibility of each author for different parts is clearly stated in the publication.) 3. They are accompanied by a Critical Review (10, 956 words) (Total word length: 99, 724 words.) Appendix I: Catalogue of Roubiliac's Funerary Monuments, forming Part III of Roubiliac and the Eighteenth-century Monument, 275-359 Appendix II: A list of ten related articles. 1 and 2, along with the Critical Review, were written solely by me. The text included under Appendix I was written almost entirely by me but incorporates some material provided by David Bindman and Tessa Murdoch. The articles listed in Appendix II were written solely by me, except for one article of which I was the principal author, the co-authors being Alastair Laing and Colin Harrison. I also declare that none of the above mentioned writings have been submitted for any other degree or professional qualification. -
Austrian Cartography and Cartographers
The Napoleon Series Maps and Mapmakers of the Napoleonic Wars: Austrian Cartography and Cartographers By: Richard Tennant Joseph Jean François, Count de Ferraris1 (Lunéville, April 20, 1726 – Vienna, April 1, 1814) was an Austrian general and cartographer. Between 1771 and 1778, Ferraris was commissioned by the Empress Maria Theresa of Austria and Emperor Joseph II to create a detailed Carte-de-Cabinet of the Austrian Netherlands. The maps were made on a scale 1:11,520 and formed a collection of 275 hand-coloured and hand-drawn maps 0,90 × 1,50 m each. These were accompanied by twelve volumes of handwritten commentaries relating to topics of economic and military interest (rivers, bridges, forests, possibilities for military camps, etc.) Three originals of the maps remain. One is in the Kriegsarchiv in Vienna, one is in the Rijksarchief in The Hague and the third one remains in the Royal Library of Belgium in Brussels. The maps held in Brussels were the maps destined for Prince Charles Alexander of Lorraine, the Governor of the Austrian Netherlands, and were transferred to Belgium by Austria in 1922 as part of the World War I reparations. In 1777 and 1778, Ferraris issued a reduced version of the Cabinet Maps with a scale of 1:86,400 in 25 maps, issued for commercial sale (‘Carte Marchande’). The Ferraris maps were used to great extent during the military operations of the French Revolutionary Wars and during the Napoleonic Wars. Joseph Dirwaldt (sometimes Dirwald) Very little is recorded about his life other that he was the main cartographer with the famous Austrian cartographer and publishing house of Tranquillo Mollo in the beginning of the 19th century. -
Ferraris,The Legend
Published as: De Coene, K., Ongena, T., Stragier, F., Vervust, S., Bracke, W. & De Maeyer, P. (2012). Ferraris, the legend. The Cartographic Journal , vol. 49 (1), pp. 30-42. FERRARIS , THE LEGEND Karen De Coene, Thérèse Ongena 1, Frederic Stragier, Soetkin Vervust, Wouter Bracke, Philippe De Maeyer Department of Geography, Ghent University, Gent, Belgium Email: [email protected] [email protected] [email protected] (Department of Biology, Ecosystem Management Research Group, University of Antwerp) [email protected] [email protected] (Prints and Maps, Royal Library of Belgium) [email protected] ABSTRACT At the end of the 18th century, a large-scale map of the Austrian Netherlands and the Prince-Bishopric of Liège was manufactured, covering more or less the current territory of Belgium. The work for this Carte de Cabinet was carried out by artillerists under the guidance of count Joseph de Ferraris, who was commissioned for the task by the Habsburg government. At the time that the map was designed, no modern legend was included. This report tries to fill that gap by presenting a legend that was constructed more systematically than any of its predecessors. It is based on the structure of the legend of the Topographic Map of Belgium and the CORINE land cover map , making it an easy-to-use tool for modern researchers. The problems encountered during the development of the legend are described, and the link between the Carte de Cabinet and 18 th -century French cartography as well as with cartographic manuals is also discussed. INTRODUCTION In the last quarter of the eighteenth century, an important chapter in Belgian map making was about to be written. -
Sales Guide 2019 English Version © M
EN Sales Guide 2019 English version © M. Vanhulst The visit.brussels online sales guide is accessible to all, but is first and foremost aimed at professionals from the travel industry, namely tour operators, travel agents, coach companies and group organisers. It provides a complete overview of all activities and attractions in our city. These are then divided into specific themes which best represent Brussels, e.g. Art Nouveau, comics, heritage, etc. Each activity or attraction is explained in a file containing valuable information such as rates, contact details, languages in which the activity or attraction is provided, and much more. These files will allow travel professionals to take immediate action, should they wish to suggest an activity or attraction to their clients. The entire purpose of the sales guide is to advertise the tremendous potential of Brussels and boost creativity with travel professionals in order for them to perk up, enhance or change their offer whilst making them and their clients eager to discover and get a better idea of the city. Equally important, the sales guide limits research and hence lightens the workload considerably. In addition, the visit.brussels online sales guide obviously contains information on upcoming events, accommodation providers, coach parking details, visit.brussels contact information and other relevant data. We trust this unique tool will benefit all travel professionals worldwide and encourage them to choose Brussels as their preferred destination. Rest assured that we will keep on