Heredom, Volumes 1–26, 1992–2018 Prepared by S
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Gould's History of Freemasonry
GOULD'S HISTORY OF FREEMASONRY THROUGHOUT THE WORLD VOLUME III From a photograph by Underwood and Underwood . King Gustav of Sweden . From the painting by Bernhard Osterman . .o .o.o.o.o .o .o .o .o .o .o .o .o .o.o 0 0 0 Eas 0 xxo~ m~N o En o SNOS S,2i3[~I8I2iDS S3ZU 0 ,XHJ o ~y<~~ v o +5 0 0 0 a 0 0 0 0 III 3I~1Ifl 0 ZOn o Eys, 0 0 v v v 4 o~ 0 a ////~I1\`\ •O E 7S, 0 6 0 0 0 0 0 0 0 Ey; 0 v Gl"HOm 9H~L .Lf10HO110UH,L o E-r, v0 0 0 v 0 v IN A 0 s vw a 4 N 0 0 0 40 v E-1 0 A S vs 0 I( I H S~QZ~109 a $ u eee.e.e.e.eee .e.e.ae.a.e.e.e.e.e.e .ese.e.e.e.e.eeeeee <~ .eee0 .e.e.e.eee.e.e.e.e.oee.e .e. v Z/~~Z/~~S?/~~SZ/~~SZ/n~SZ/ti~5?/~~SZh~SZ/~15Z/~~S?h\SZ/,~5?h~S~/n~S?/\5?/~\SZ/n~S?h~S~/n~SZ/n~SZln~?!~~ W` ,~` W~ W~ W~ W` W` W` W` ~W w.! W~ W` i~W rW W` W~ W` wy y uy J1 COPYRIGHT, 1936, BY CHARLES SCRIBNER ' S SONS PRINTED IN THE UNITED STATES OP AMERICA ww •o •o •o ww •oww•o•ow•wo•o w•o •aoww •o•o •o•o•o•o•o •wo •o •owwwww•ow•o www•o• 0 I ° GOULD'S HISTORY OF FREEMASONRY THROUGHOUT THE WORLD REVISED BY DUDLEY WRIGHT EDITOR OF THE MASONIC NEWS THIS EDITION IN SIX VOLUMES EMBRACES NOT ONLY AN Q Q INVESTIGATION OF RECORDS OF THE ORGANIZATIONS OF THE FRATERNITY IN ENGLAND, SCOTLAND, IRELAND, THE BRITISH COLONIES, EUROPE, ASIA, AFRICA AND SOUTH AMERICA, BUT INCLUDES ADDITIONAL MATERIAL ESPE- CIALLY PREPARED ON EUROPE, ASIA, AND AFRICA, ALSO o b CONTRIBUTIONS BY DISTINGUISHED MEMBERS OF THE FRATERNITY COVERING EACH OF THE o FORTY-EIGHT STATES, DISTRICT OF COLUMBIA AND THE POSSESSIONS OF THE b o UNITED STATES 4 4 THE PROVINCES OF CANADA AND THE 4 COUNTRIES OF LATIN AMERICA b UNDER THE SUPERVISION OF 0 MELVIN M. -
. . by the Lighthouse Beam . . . by the Lighthouse Beam
Worshipful Master Gary Mosmeyer - Editor John "Corky" Daut The November 2012 Issue . By The Lighthouse Beam Right Angles, Horizontals and Perpendiculars From Hiram's Lighthouse Newsletter It appears to me that there has been some confu- sion among Masons about the Lights in a Lodge, as relates to the Three Lesser Lights, The Three Great Lights, and The Three Lights, (of the lodge,) and also about the one light above the altar that is turned on when the Three Great Lights are displayed upon the Altar. I will attempt to shed some light on the questions about these lights as relates to a Lodge Room as well as to some of the other “Threes” we find in Freema- sonry. In Freemasonry, we are encouraged to tell our Brothers what we want, and that is Knowledge, in Freemasonry Light means Knowledge. So when we talk about the three Triads of lights that are in a Lodge the symbolism behind the lights is knowledge. The Three Lesser Lights and the Three Lights have often been confused, thinking that the Third Section of the Lecture of the First Degree stating that a Lodge has Three Lights which are situated in the East West and South refer to the Three Lesser Lights, which they do not. In the Webb-Preston work, which much of the ritual of the Grand Lodges of the United States is based it says; the Lights of the Lodge are three, situated in the East, West, and South. There is none in the North be- cause King Solomon’s Temple was situated so far north of the ecliptic that neither the Sun nor Moon at Me- ridian height could dart their rays into the north part of the building. -
LIST of PAPERS in ARS QUATUOR CORONATORUM Website: Author 1 – 1886-8 on Some Old Scottish Masonic Customs R.F
LIST OF PAPERS IN ARS QUATUOR CORONATORUM website: www.quatuorcoronati.com Author 1 – 1886-8 On Some Old Scottish Masonic Customs R.F. Gould The Steinmetz Theory Critically Examined G.W. Speth On an Early Version of the Hiramic Legend Hayter Lewis Freemasonry and Hermeticism A.F.A. Woodford On the Orientation of Temples Warren Connecting Links between Ancient and Modern Freemasonry W.J. Hughan The Religion of Freemasonry Illuminated by the Kabbalah W.W. Westcott The Quatuor Coronati – Arundel MS A.F.A. Woodford English Freemasonry before the Era of Grand Lodges (1717) R.F. Gould The Apostle St Paul, a Mason Tendler The Threefold Division of Temples Simpson Indian Relics Spainhour Unrecognised Lodges & Degrees of Freemasonry before & after 1717 J. Yarker Shall I be a Mason? Tempels Effigy of a Reputed GM of Freemasons in Winchester Cathedral Jacobs Legends of the Compagnonnage – Part I W.H. Rylands Two New Versions of the Old Charges (Wilson, Phillipps, Stanley) G.W. Speth Scottish Freemasonry before the Era of Grand Lodges G.W. Speth The Roman Legend of the Quattro Incoronati Russell Forbes Classification of the Old Charges of the British Masons Begemann Masters’ Lodges Lane The Quatuor Coronati Abroad G.W. Speth Scottish Freemasonry in the Present Era Macbean Relations between Grand Lodges of England & Sweden in Last Century Kupferschmidt 2 – 1889 The Worship of Death Simpson Legends of the Compagnonnage – Part II W.H. Rylands The Foundation of Modern Freemasonry G.W. Speth Freemasonry in Rotterdam 120 Years Ago Vaillant The Origin of Freemasonry Cramer The Grand Lodge at York Whytehead Free and Freemason Schnitger Hogarth’s Picture Night W.H. -
The Legend of Hiram Abiff
The Legend Of Hiram Abiff by Jerry Marsengill Hiram Abiff, the widow's son, is the principal cheek and hand to back, and cried out: 'Help, O, character in the second section of the Master father,' as if they had said; 'O, Father of Heaven, Mason's degree. He has become the central help us now for our earthly father cannot.'" So figure in most rites and in most countries. Yet they laid down the dead body again and not compared to much of the Masonic ritual and knowing what to do, one, said: 'Here is yet Masonic tradition, Hiram is a newcomer. marrow in the bone;' and the second said: 'But a dry bone,' and the third said; 'It stinketh.' So Regardless of Dr. Mackey, who was quite they agreed to give it a name as is known to proficient in formulating and interpreting Freemasonry to this day." landmarks, the legend of Hiram is not a landmark of the craft. Mackey states that The first record we have of the Hiramic legend landmark 2 is the division of symbolic Masonry being introduced into Masonry occurs in 1730 into three degrees and that landmark 3 is the when Prichard published Masonry Dissected. Legend of the third degree. He refers to Hiram as Grand Master Hiram. Prichard also tells both the story of Noah and Unfortunately we know the date when the third the story of Hiram in this expose. The Hiramic degree was first conferred. It was in 1726 in legend, wherever it came from, and we have no London in the Society for Music and way of knowing was still changing until the year Architecture. -
THE LOST KEYS of FREEMASONRY Or the Secret of Hiram Abiff by MANLY P
The Lost Keys of Freemasonry – by Manly P. Hall THE LOST KEYS OF FREEMASONRY or The Secret of Hiram Abiff by MANLY P. HALL Table of Contents PUBLISHER'S FOREWORD FOREWORD INTRODUCTION PROLOGUE IN THE FIELDS OF CHAOS TEMPLE BUILDERS CHAPTER I THE ETERNAL QUEST THOUGHTLESSNESS CHAPTER II THE CANDIDATE CHAPTER III THE ENTERED APPRENTICE CHAPTER IV THE FELLOW CRAFT CHAPTER V THE MASTER MASON TRANSMUTATION THE PRESENCE OF THE MASTER CHAPTER VI THE QUALIFICATIONS OF A TRUE MASON MASONS, AWAKE! EPILOGUE THE PRIEST OF RA ADDENDA THE ROBE OF BLUE AND GOLD FRIENDSHIP THE EMERALD TABLET OF HERMES (TABULA SMARAGDINA) FINISH OF THE TABULA SMARAGDINA MOTIVE Page 1 of 40 The Lost Keys of Freemasonry – by Manly P. Hall PUBLISHER'S FOREWORD The steady demand and increasing popularity of this volume, of which eighteen thousand copies have been printed since it first appeared a few years ago, have brought the present revised and rearranged edition into being. The text can be read with profit by both new and old Mason, for within its pages lies an interpretation of Masonic symbolism which supplements the monitorial instruction usually given in the lodges. The leading Masonic scholars of all times have agreed that the symbols of the Fraternity are susceptible of the most profound interpretation and thus reveal to the truly initiated certain secrets concerning the spiritual realities of life. Freemasonry is therefore more than a mere social organization a few centuries old, and can be regarded as a perpetuation of the philosophical mysteries and initiations of the ancients. This is in keeping with the inner tradition of the Craft, a heritage from pre-Revival days. -
Old Tiler Talks
Old Tiler Talks Carl H. Claudy 1925 Originally published in 1925 By The Masonic Service Association Of the United States of America Converted to text by Bro. Carl Johnson Converted to PDF & eBook by Bro. Ron Blaisdell, PM January 28, 2001 AL 6001 FOREWORD (1949) "The Old Tiler first appeared in print in August, 1921 when the first of four hundred and fourteen "Old Tiler Talks" were printed in the Fellowship Forum, a fraternal newspaper published in Washington, D.C. In 1925 the publisher asked the author to select a few of the best of the talks and thirty-one were accordingly made into a little volume, copyrighted that year. The book, which sold for a dollar, ran into two editions of five thousand copies each. By the time they were all sold the Fellowship Forum ran head on into the depression and disappeared and with it the Old Tiler. His homely philosophy, sharp tongue and common sense, however, had made a place for him in the hearts of readers; demand for the book has never ceased, although it has lessened in the twenty-four years since the Old Tiler first spoke from between the covers. At long last the Old Tiler sits again before the door of his lodge, there to repeat the tales which made him liked so long ago, and, from the wealth of material of his hundreds of homilies, make thirty-nine new talks to the book, a total of seventy in all. These have been roughly classified under seven headings. To offer in defense of his fanciful classification the author has no other alibi than the weak statement that the Old Tiler is himself fancy! The portrait of the Old Tiler on the jacket is the loving work of Brother Frank A. -
Eye of Provide Eye of Providence Eye of Providence
Eye of Providence The Trinity represented in a Christian version of the Eye of Providence . The Eye of Providence (or the all-seeing eye of God) is a symbol showing an eye often surrounded by rays of light or a glory and usually enclosed by a triangle . It is sometimes interpreted as representing the eye of God watching over humankind (or divine providence ). In the modern era, the most notable depiction o f the eye is the reverse of the Great Seal of the United States , which appears on the United States one-dollar bill . Contents 1 Religious use 2 United States 3 Freemasonry 4 Other uses : 4.1 Coats of arms and seals 4.2 Currency 4.3 Other contexts Religious use Jacopo Pontormo painting year 1525, using the Eye of Providence in a triangle as a symbol of the Christian Trinity . Imagery of an all-seeing eye can be traced back to Egyptian mythology and the Eye of Horus . Buddhist texts like the Mahaparinibbana Sutta also refer to Buddha as the "Eye of the World" (although no imagery is used). It is frequently used to depict the image of God in Caodaism (the doctrines of an Indochinese religion, especially an amalgamation of features from Buddhism, Taoism, Confucianism, and Christianity .) In Medieval and Renaissance European iconography, the Eye (often with the addition of an enclosing triangle) was an explicit image of the C hristian Trinity . Seventeenth-century depictions of the Eye of Providence sometimes show it surrounded by clouds or sunbursts . In United States 1782, the Eye of Providence was adopted as part of the symbolism on the reverse side of the Great Seal of the United States . -
San Francisco Public Library Historic Photograph Collection Subject Guide
San Francisco Historical Photograph Collection San Francisco History Center Subject Collection Guide S.F.P.L. HISTORIC PHOTOGRAPH COLLECTION SUBJECT GUIDE A Adult Guidance Center AERIAL VIEWS. 1920’s 1930’s 1940’s-1980’s; 1994-1955 Agricultural Department Building A.I.D.S. Vigil. United Nations Plaza (See: Parks. United Nations Plaza) AIRCRAFT. Air Ferries Airmail Atlas Sky Merchant Coast Guard Commercial (Over S.F.) Dirigibles Early Endurance Flight. 1930 Flying Clippers Flying Clippers. Diagrams and Drawings Flying Clippers. Pan American Helicopters Light Military Military (Over S.F.) National Air Tour Over S.F. Western Air Express Airlines Building Airlines Terminal AIRLINES. Air West American British Overseas Airways California Central Canadian Pacific Century Flying A. Flying Tiger Japan Air Lines AIRLINES. Northwest Orient Pan American Qantas 1 San Francisco Historical Photograph Collection San Francisco History Center Subject Collection Guide Slick Southwest Trans World United Western AIRPORT. Administration Building. First Second. Exteriors Second. Interiors Aerial Views. Pre-1937 (See: Airport. Mills Field) Aerial Views. N.D. & 1937-1970 Air Shows Baggage Cargo Ceremonies, Dedications Coast Guard Construction Commission Control Tower Drawings, Models, Plans Fill Project Fire Fighting Equipment Fires Heliport Hovercraft International Room Lights Maintenance Millionth Passenger Mills Field Misc. Moving Sidewalk Parking Garage Passengers Peace Statue Porters Post Office Proposed Proposition No. 1 Radar Ramps Shuttlebus 2 San Francisco Historical Photograph Collection San Francisco History Center Subject Collection Guide Steamers Strikes Taxis Telephones Television Filming AIRPORT. Terminal Building (For First & Second See: Airport. Administration Building) Terminal Building. Central. Construction Dedications, Groundbreaking Drawings, Models, Plans Exteriors Interiors Terminal Building. North Terminal Building. -
The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): an Exploration Into the Masonic and Occult Imagination of the Late Enlightenment
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2003 The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Terrance Gerard Galvin University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Architecture Commons, European History Commons, Social and Behavioral Sciences Commons, and the Theory and Criticism Commons Recommended Citation Galvin, Terrance Gerard, "The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment" (2003). Publicly Accessible Penn Dissertations. 996. https://repository.upenn.edu/edissertations/996 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/996 For more information, please contact [email protected]. The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Abstract In examining select works of English architects Joseph Michael Gandy and Sir John Soane, this dissertation is intended to bring to light several important parallels between architectural theory and freemasonry during the late Enlightenment. Both architects developed architectural theories regarding the universal origins of architecture in an attempt to establish order as well as transcend the emerging historicism of the early nineteenth century. There are strong parallels between Soane's use of architectural narrative and his discussion of architectural 'model' in relation to Gandy's understanding of 'trans-historical' architecture. The primary textual sources discussed in this thesis include Soane's Lectures on Architecture, delivered at the Royal Academy from 1809 to 1836, and Gandy's unpublished treatise entitled the Art, Philosophy, and Science of Architecture, circa 1826. -
The Poetry of Freemasonry
QJorncU Iniucrattg ffiibtarg FROM THE BENNO LOEWY LIBRARY COLLECTED BY BENNO LOEWY 18S4-1919 BEQUEATHED TO CORNELL UNIVERSITY Cornell University Li HS431.M87 P7 The poetry of freenjasoM:,, 3 1924 030 294 486 ^ olin,anx Owts ¥}< <\ Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924030294486 F/^ -h'f/ni^'^ The Poetry of Freemasonry. ROBERT MORRIS, LL.D. MASONIC POET-LAUREATE. ^:'PW *#%/ ^^^j i^^ 'Ad (Ty^yi^'s THE Poetry of Freemasonry. ROBERT MORRIS, LL.D. WRITER AND LECTURER ON FREEMASONRY FOR FORTY YEARS, AND BY UNIVERSAL CONSENT MASONIC POET-LAUREATE. yamque opus exegi, quod non jfovis ira nee ignis. Nee foterit ferrum, nee edax obolere vetustas. — OviD. STANDARD EDITION. CHICAGO: PUBLISHED FOR THE AUTHOR. KNIGHT & LEONARD, PRINTERS. 1884. •^^il IfJI 'kit- J4S Copyright, By Robert Morris, LL.D. 1884. « i i I 'i\ . ii J — — TO SIR ROBERT MACOY, OF NEW YORK, PAST GRAND SECRETARY, PAST DEPUTY GRAND MASTER, AND, BY CONTINUOUS ELECTION FOR THIRTY-FOUR YEARS, GRAND RECORDER OF THE GRAND COMMANDERY OF NEW YORK, IN TESTIMONY OF A LONG, FAITHFUL AND UNINTERRUPTED FRIENDSHIP, THIS FINAL EDITION OF MORRIS' ODES AND POEMS IS COURTEOUSLY DEDICATED. To that far land, far beyond storm and cloud, To that bright land, where sun doth never set, To that life land which has nor tomb nor shroud, And Brothers meet again who oft have met, Joyful we go ! why should we not be glad ? Joys that had lost their joy await us there. -
Un Travail D'emmanuel Victor. Contenu
Emmanuel VICTOR LA FRANC-MAÇONNERIE, RELIGION LUCIFÉRIENNE, EST INCOMPATIBLE AVEC LA RELIGION CATHOLIQUE 1 – Comment connaître Dieu ? 2 – Qui est Dieu 3 – Les anges. Satan 4 – La création de l’homme. La chute 5 – Le don de la Loi 6 – Les dix commandements 7 – Jésus-Christ Fils de Dieu 8 – Baptisés, illuminés 1 SOMMAIRE INTRODUCTION Ch. I – COMMENT CONNAÎTRE DIEU ?...................................................p.10 1 – L’homme désire connaître Dieu 1.1 - L’homme a le désir de Dieu 1.2 – Les voies d’accès à la connaissance de Dieu 1.3. - La connaissance de Dieu selon l’Église 2 – Dieu vient à la rencontre de l’homme 2.1 – La Révélation de Dieu 2.2 - Les étapes de la Révélation de Dieu 2.3 - Le Christ Jésus " Médiateur et Plénitude de toute la Révélation " (DV 2) 3 – La transmission de la Révélation de Dieu par l’Église 3.1 – La Tradition apostolique 3.2 - L’interprétation de l’héritage de la foi 4 – La Sainte Écriture 4.1 – Dieu se révèle dans la Sainte Écriture 4.2 – L’interprétation authentique de la Sainte Écriture 4.3 – L’Ancien et le Nouveau Testaments 5 – L’Église doit porter la Parole de Dieu à tous les hommes 5.1 – L’Église a été voulue par Dieu 5.2 – L’Église a vocation de rassembler tous les hommes pour les unir à Dieu 5.3 – L’Église est catholique, c’est-à-dire universelle 5.4 – L’Église et les autres religions Conclusion Ch. II – QUI EST DIEU ?.....................................................................................p.38 1 - Dieu Trinité est l’Unique Dieu 1-1 - La première grande révélation de Dieu à son peuple fut celle de son Unicité. -
Le Système-Monde Maçonnique À La Veille De La Première Guerre Mondiale: Une Analyse Archéologique »
« Le système-monde maçonnique à la veille de la Première Guerre mondiale: une analyse archéologique » Dévrig Mollès REHMLAC ISSN 1659-4223 13 Vol. 6, Nº 2, Diciembre 2014 - Abril 2015 © Dévrig Mollès et REHMLAC. Équipe REHMLAC Conseil scientifique : Miguel Guzmán-Stein (Universidad de Costa Rica, Costa Rica) José Antonio Ferrer Benimeli (Universidad de Zaragoza, España) Margaret Jacob (University of California Los Angeles, United States) Eduardo Torres Cuevas (Universidad de La Habana, Cuba) María Eugenia Vázquez Semadeni (Stanford University, United States) Eric Saunier (Université du Havre, France) Andreas Önnerfors (Lunds universitet, Sverige) Samuel Sánchez Gálvez (Universidad Carlos Rafael Rodríguez de Cienfuegos, Cuba) Roberto Valdés Valle (Universidad Centroamericana “José Simeón Cañas”, El Salvador) Céline Sala (Université de Perpignan, France) Dominique Soucy (Université de Franche-Comté, France) Guillermo de los Reyes Heredia (University of Houston, United States) Dévrig Mollès (Université de Strasbourg, France) Felipe Santiago del Solar Guajardo (Universidad ARCIS, Santiago de Chile) Carlos Francisco Martínez Moreno (Universidad Nacional Autónoma de México, México) Michel Goulart da Silva (Universidade do Estado de Santa Catarina, Brasil) Examinateurs de style: Sylvia Hottinger (Centro de Estudios Históricos de la Masonería Española, España) Kyle Jackson (University of California Los Angeles, United States) Web administrateur et designer: Luis Martín Valverde Alfaro (Universidad de Costa Rica, Costa Rica) Editor: Yván Pozuelo Andrés (IES Universidad Laboral de Gijón, España) E-mail: [email protected] Director: Ricardo Martínez Esquivel (Universidad de Costa Rica, Costa Rica) E-mail: [email protected] Adresse web : www.rehmlac.com/ E-mail : [email protected] PO Box : 243-2300 San José, Costa Rica REHMLAC ISSN 1659-4223 14 Vol.