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Box Office Digest (1941)
feojc Office (Zep&itd.: 'High Sierra' Week's Money Pic i>ee Pacje 5 * -i; r&; ?v^ • . -VT£i < - : -& % W 1 617 North La Brea Avenue, Los Angeies, Calif. Subscription Rate, #10.00 Per Year. .he Hex Ojfjfice DIGEST "HONOR BOX” The Biggest Grossing Release Of The Past Week This Week WARNERS wins with 'HIGH SIERRA' 115% Vice-Prcs. in Charge of Production Executive Producer Associate Producer Director JACK L. WARNER HAL WALLIS MARK HELLINGER RAOUL WALSH IDA LUPINO HUMPHREY BOGART Screenplay Featured ALAN CURTIS JOHN HUSTON ARTHUR KENNEDY W. R. BURNETT JOAN LESLIE HENRY HULL JEROME COWAN From Novel MINNA GOMBELL by BARTON McLANE W. R. BURNETT ELIZABETH RISDON CORNEL WILDE DONALD MacBRIDE PAUL HARVEY Photographer ISABEL JEWELL TONY GAUDIO WLLIE BEST SPENCER CHARTERS HENRY TRAVERS — ^Ue &Q4C Ofjfjice. ^JUe OnAuAisuyL DIGEST l/UeeJzhf, ENTERTAINMENT An Editorial by ROBERT E. WELSH The modest Editor last week murmered about the fact that it is release of life’s problems through zanie laughs, or complete the picture industry needs no legislative chiding—Senatorial abandonment of today’s calendar by adventure into glorious or otherwise—to tell it that heavy-handed propaganda, no mat- history, the first requirement of money-making entertainment ter for what side of an argument, is not selling theater tickets. is to take the customer away from his own daily problems. He just invited the attention of the pundits to the box office Above all, don’t aggravate those problems by preaching figures. And mentioned some of the pictures that were proving and especially sermonizing so effectively about the tragedies of the surprises. -
Auction - Sale 632: Golf Books by the Shelf 01/04/2018 11:00 AM PST
Auction - Sale 632: Golf Books by the Shelf 01/04/2018 11:00 AM PST Lot Title/Description Lot Title/Description 1 24 Golf Books 3 32 Golf Books Includes:Allen, Peter. Famous Fairways. London: Stanley Paul, Includes:Balata, Billy. Being The Ball. Phoenix, Arizona: B.T.B. 1968.Allison, Willie. The First Golf Review. London: Bonar Books, Entertainment, 2000.Beard, Frank. Shaving Strokes. New York: Grosset 1950.Alliss, Peter. A Golfer’s Travels. London: Boxtree, 1997.Alliss, & Dunlap, 1970.Canfield, Jack. Chicken Soup For The Golfer’s Soul: Peter. Bedside Golf. London: Collins, 1980.Alliss, Peter. More Bedside The 2nd Round. Florida: Health Communications, 2002.Canfield, Jack. Golf. London: Collins, 1984.Alliss, Peter. Yet More Bedside Golf. Chicken Soup For The Soul. Cos Cob, Connecticut: Chicken Soup For London: Collins, 1985.Ballesteros, Severiano. Seve. Connecticut: Golf The Soul Publishing, 2008.Canfield, Jack. Chicken Soup For The Soul Digest, 1982.Cotton, Henry. Thanks For The Game. London: Sidgwick & And Golf Digest Present THE GOLF BOOK. Cos Cob, Connecticut: Jackson, 1980.Crane, Malcolm. The Story Of Ladies’ Golf. London: Chicken Soup For The Soul Publishing, 2009.Canfield, Jack. Chicken Stanley Paul, 1991.Critchley, Bruce. Golf And All Its Glory. London: B B Soup For The Woman Golfer’s Soul. Florida: Health Communications, C Books, 1993.Follmer, Lucille. Your Sports Are Showing. : Pellegrini & 2007.Coyne, John. The Caddie Who Won The Masters. Oakland, Cudahy, 1949.Greene, Susan. Consider It Golf. SIGNED. Michigan: California: Peace Corps Writers Book, 2011.Ferguson, Allan Mcalister. Excel, 2000.Greene, Susan. Count On Golf. SIGNED. Michigan: Excel, Golf In Scotland. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
1942-07-15 [P A-14]
Wherein the Stars help him to fall asleep Immedi- dotes to sleeplessness. They both I AMUSEMENTS._ OPA Secretary Is Chosen ately and sleep like a log! drink warm milk before they retire.! Tell How They Put Bette Davis has a repeating phono- Vera Vague, who teamed with which records over and Colonna in "Priorities of 1943," has graph plays News Chances Today Themselves to off auto- | | For Role in Film Sleep over again and then shuts a similar w-ay of treating insomnia.1 LIBYAN FRONT—AUCHINLECK I Goldwyn After the seventh re- HOLLYWOOD. matically. She sips hot chocolate. Jap T Boat Sunk; Saboteurs on Trial; I cording, the phonograph's nightly "KALTEXVIORN EDITS THE NEWS’*; I of Role Counting sheep to fall asleep is Bob Burns’ formula is nearest to TEX for Defense**! I Mary Byrne Texas Will Play work Is done. MeCRARY; Health out of date for Priscilla Lane. sheep-counting. The comedian Bowline; Cartoon. Adm., '47e. Tax St. I Joel McCrea recites Lincoln’s FRI.—Menace of the Risinc Sun. I She Worked in Here in Picture harks back to his boyhood on an The feminine star of Paramount's Address. La- Gettysburg Dorothy Arkansas farm. He counts pigs! With Boh as “Silver Queen," a society drama of mour repeats the telephone numbers Hope Reporter of her friends. Frances Gifford 1870, has another method of wooing goes AMUSEMENTS. JAY CARMODY. over the names of all the trans- _| By and she insists it's sure- Morpheus Atlantic liners she can remember— 1 DAY » PERSON Fin de siecle department: A few weeks ago Washington drama desks A SCREENFUL OF STARS IN fire. -
Post-Queer Desires
Post-Queer Desires: A Contemporary Queer Discourse in Pink Flamingos MA Thesis Media Studies: Film Studies Department of Humanities Author: Sidney Adelaar Supervisor: Abe Geil June 26, 2017 Word count: 13566 1 2 Contents Introduction……………………………………………………………………………. p. 5 1. The Anti-Social Queer Desiring-Machine: Going Beyond Queer………... p. 11 1.1 Antisocial Filth……………………………………………………………... p. 12 1.2 The Queer Desiring-Machine…………………………………………… p. 15 1.3 Desiring...Poop?…………………………………………………………... p. 19 2. Celebrating a Post-Queer Utopia or Dystopia?……………………………… p. 24 2.1 A Mudgey Dystopia……………………………………………………… p. 24 2.2 A Divine Utopia……………………………………………………………. p. 27 2.3 A Happy Post-Queer Birthday, Divine!………………………………... p. 30 Conclusion……………………………………………………………………………… p. 37 Acknowledgements………………………………………………………………….. p. 40 Appendix……………………………………………………………………………….. p. 41 Bibliography……………………………………………………………………………. p. 44 Films Cited……………………………………………………………………………… p. 45 3 4 Introduction Queer cinema is a fairly recent category in cinema history. Starting around 30 years ago, during the same time in the 1980’s that queer theory became a prominent academic discipline, queer cinema seems to encompass all films that deal with gay and lesbian themes, or ‘LGBT’ to use a recent term. As these themes focus mainly on the sexuality of the characters and their struggles in a ‘straight’ world because of it, there appears to be a major centring around desires, be it sexual or something else. If a desire is not desirable in heteronormative society, ‘queer’ is the right word for it. This thesis’ main focus is this notion of queer desires. By focusing on this aspect of the queer, I will show just how these desires can shape queer cinema and provide a unique framework for the analysis of the modern queer film. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Bob Thomas Papers, 1914-2004
http://oac.cdlib.org/findaid/ark:/13030/kt300030cb No online items Bob Thomas papers, 1914-2004 Finding aid prepared by Sarah Sherman and Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2005 The Regents of the University of California. All rights reserved. Bob Thomas papers, 1914-2004 PASC 299 1 Title: Bob Thomas papers Collection number: PASC 299 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 28.5 linear ft.(57 boxes and 3 flat boxes) Date (bulk): Bulk, 1930-1989 Date (inclusive): 1914-2004 (bulk 1930-1980s) Abstract: Since 1944 Bob Thomas has written thousands of Hollywood syndicated columns for The Associated Press and has authored (or co-authored) at least thirty books relating to the entertainment industry. The collection consists of materials related to his professional career as a writer and includes manuscripts, research and photographs for books by Thomas as well as Associated Press columns, research files, and a small amount of printed ephemera. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Thomas, Bob, 1922- Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Use of audio materials may require production of listening copies. -
BLACKHAWK Plymouth Rock Crystalware Kipp to All I.Adlea Mon Night Only
St AntofcM Strttt, Coraw 2924 04f Columbia—Clifford THE DETROIT TRIBUNE, SATURDAY, SEPTEMBER 6, 1941 PAGE NINE Stage ■ifliMii Screen =the Baritone Is TO APPEAR IN FILM VERSION OF HIS LIFE TOURIN’ BUSINESS LOOKS VERY GOOD JUMPIN’ JIVE RADIO WORLD by ulysses boykin Noted lb ISSAf JONIiS about Lecturer ire ready R> Just to swing into action with the fall nito life Maxine Sullivan . the big star ; ,m promising about the biggest In many moons. The Congo t 0 be Charles Stone that's pa' king 'em in at CTuh i nn- on "i! *i the famous Mills Brothers headlining Bset anew Leonard Iteid Holiday Visitor go, was gue.-t star on "Show , eduction. Hroad's Club Zombie is jumping with ’ Mush and Sugar” World.’ Auk 22. and wa tu*«:r- Willie, the boy who really does things vitwcd hy liiik 0.-good . the man and Rhythm with a harmonica, Theodore Charles Rtone, noted lights that program. behind tin' nuke on . The are b«adlloars . still out at the Cozy Corner, but we Chicago baritone, Finnish resident The interview advanced beyond owner, Mac Ivey a visit to his for nine months, was in the city ,paying sec what fall plans are. Kor- Maxim- s am tea as a star of radio, the Charles Nay Is week-end as the guest of . she talked ir manager. singing at an ofay spot. over screen and hinge the eating is not all — largest night YMCA. about too—that the dub news to hit the |* gave recip. Atmnt streets the reopen, Stone, who spent of his she also h» r for niukiu:; much . -
FILM “DAL VERO” in ITALIA TRATTI Da FUMETTI 1938-2020 a Cura Di
FILM “DAL VERO” IN ITALIA TRATTI da FUMETTI 1938-2020 a cura di Loris Cantarelli Limitandoci ai lungometraggi prodotti e/o doppiati in italiano (escludendo i documentari ma non gli apocrifi, e inserendo anche quelli in animazione mista al vero, così come quelli trasmessi soltanto in tv), di ogni film tratto da opere a fumetti riportiamo titolo, eventuale titolo originale, Paesi e anno di uscita, durata (con minutaggio esteso in caso di più versioni), regista, se prodotti per tv o home video, più una valutazione sintetica (da 1 a 5 stelle): buona visione! 30 giorni di buio (30 Days of Night, USA 2007, 113 min) David Slade ⋆⋆ 30 giorni di buio II (30 Days Of Night: Dark Days, USA 2010, 93 min) Ben Ketai ⋆⋆ 300 (USA 2007, 118 min) Zack Snyder ⋆⋆⋆ 300 - L’alba di un impero (300: Rise of an Empire, USA 2014, 102 min) Noam Murro ⋆⋆⋆ 5 è il numero perfetto (Italia 2019, 100 min) Igort [Igor Tuveri] ⋆⋆⋆ Accident Man (UK 2018, 105 min) Jesse V. Johnson ⋆⋆ Aquaman (USA 2018, 143 min) James Wan ⋆⋆ Adèle e l’enigma del faraone (Les Aventures Extraordinaires d’Adèle Blanc-Sec, Francia 2010, 107 min) Luc Besson ⋆⋆ Adrenalina blu - La leggenda di Michel Vaillant (Michel Vaillant, Francia 2003, 104 min) Louis-Pascal Couvelaire ⋆⋆ Ah! Che maschietta! (Tillie the Toiler, USA 1927, 70 min) Hobart Henley ⋆⋆ A History of Violence (USA/Canada/Germania 2005, 96 min) David Cronenberg ⋆⋆ All’Ovest di Sacramento (Le Juge, Francia/Italia 1971, 92 min) Jean Girault &Federico Chentrens ⋆⋆ Alita - Angelo della battaglia (Alita: Battle Angel, USA 2019, 122 min) Robert -
Forum Preparation Reading Thomas S
Forum Preparation Reading Thomas S. Monson, “Your Jericho Road,” Ensign, Feb 1989, 2 The reading below is an excerpt from a First Presidency Message. The word road is most intriguing. A generation ago movie moguls featured Bob Hope, Bing Crosby, and Doro- thy Lamour in films entitled The Road to Rio, The Road to Morocco, and The Road to Zanzibar. Earlier yet, Rudyard Kipling immortalized another road when he penned the lines, “On the road to Mandalay.” (Rudyard Kipling’s Verse, Garden City, N.Y.: Doubleday and Co., 1946, p. 416.) My thoughts have turned to a road made famous by the parable Jesus told. I speak of the road to Jericho. The Bible enables us to relive the memorable event that made the Jericho Road famous for all time. A certain lawyer stood and tempted the Master, saying, “What shall I do to inherit eternal life? “He said unto him, What is written in the law? how readest thou? “And he answering said, Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind; and thy neighbour as thyself. “And he said unto him, Thou hast answered right: this do, and thou shalt live. “But he, willing to justify himself, said unto Jesus, And who is my neighbour? “And Jesus answering said, A certain man went down from Jerusalem to Jericho, and fell among thieves, which stripped him of his raiment, and wounded him, and departed, leaving him half dead. “And by chance there came down a certain priest that way: and when he saw him, he passed by on the other side. -
Download Booklet
120836bk BobHope 3/10/06 5:09 PM Page 2 1. Put It There Pal 2:23 6. My Favorite Brunette 3:06 12. Blind Date 3:12 16. Nobody 2:06 (Johnny Burke–Jimmy van Heusen) (Jay Livingston–Ray Evans) (Sid Robin) (Bert Williams–Alex Rogers From Road to Utopia From My Favorite Brunette With Margaret Whiting,The Starlighters & From The Seven Little Foys With Bing Crosby;Vic Schoen’s Orchestra With Dorothy Lamour; Billy May’s Orchestra With Veola Vonn; Orchestra conducted by Decca 40000, mx DLA 3686-A Paul Weston’s Orchestra Capitol 1042, mx 6018-1 Joe Lilley Recorded 8 December 1944, Los Angeles Capitol 381, mx 1691-3 Recorded 11 May 1950, Hollywood RCA Victor LPM 3275, mx F2PL 1443 2. Road to Morocco 2:33 Recorded 13 February 1947, Hollywood 13. Home Cookin’ 2:48 Recorded 1955, Hollywood (Johnny Burke–Jimmy van Heusen) 7. Sonny Boy 1:31 (Jay Livingston–Ray Evans) 17. I’m Tired 2:20 From Road to Morocco (Al Jolson–Buddy DeSylva–Lew Brown– From Fancy Pants (William Jerome–Jean Schwartz) With Bing Crosby;Vic Schoen’s Orchestra Ray Henderson) With Margaret Whiting,The Starlighters & From The Seven Little Foys Decca 40000, mx DLA 3687-A With The Andrews Sisters Billy May’s Orchestra Orchestra conducted by Joe Lilley Recorded 8 December 1944, Los Angeles From Radio’s Biggest Show broadcast, Capitol 1042, mx 6011-4 RCA Victor LPM 3275, mx F2PL 1443 3. The Big Broadcast of 1938: Radio 18 June 1946 Recorded 11 May 1950, Hollywood Recorded 1955, Hollywood Preview (Excerpts) introducing 8.