Aleister Crowley-Meditation
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The Changing Role of Leah Hirsig in Aleister Crowley's Thelema, 1919
Aries – Journal for the Study of Western Esotericism 21 (2021) 69–93 ARIES brill.com/arie Proximal Authority The Changing Role of Leah Hirsig in Aleister Crowley’s Thelema, 1919–1930 Manon Hedenborg White Södertörn University, Stockholm, Sweden [email protected] Abstract In 1920, the Swiss-American music teacher and occultist Leah Hirsig (1883–1975) was appointed ‘Scarlet Woman’ by the British occultist Aleister Crowley (1875–1947), founder of the religion Thelema. In this role, Hirsig was Crowley’s right-hand woman during a formative period in the Thelemic movement, but her position shifted when Crowley found a new Scarlet Woman in 1924. Hirsig’s importance in Thelema gradually declined, and she distanced herself from the movement in the late 1920s. The article analyses Hirsig’s changing status in Thelema 1919–1930, proposing the term proximal authority as an auxiliary category to MaxWeber’s tripartite typology.Proximal authority is defined as authority ascribed to or enacted by a person based on their real or per- ceived relational closeness to a leader. The article briefly draws on two parallel cases so as to demonstrate the broader applicability of the term in highlighting how relational closeness to a leadership figure can entail considerable yet precarious power. Keywords Aleister Crowley – Leah Hirsig – Max Weber – proximal authority – Thelema 1 Introduction During the reign of Queen Anne of Great Britain (1665–1714), Sarah Churchill, Duchess of Marlborough (1660–1744), was the second most powerful woman in the kingdom. As the queen’s favourite, the Duchess overcame many restrictions hampering women of the time. -
Ade Mark Inter-Partes Decision O/222/07
O-222-07 TRADE MARKS ACT 1994 IN THE MATTER OF APPLICATION Nos 2322346A & 2322346B BY ORDO TEMPLI ORIENTIS TO REGISTER TWO SERIES OF TWO TRADE MARKS OTO/ O T O & O.T.O. / O. T. O. IN CLASSES 9, 16 & 41 AND IN THE MATTER OF CONSOLIDATED OPPOSITIONS THERETO UNDER Nos.92269 & 92270 BY STARFIRE PUBLISHING LIMITED. BACKGROUND 1) On 31 January 2003, Ordo Templi Orientis of JAF Box 7666, New York 10116- 4632, United States of America applied under the Trade Marks Act 1994 for registration of a series of four trade marks, which, for administrative purposes, were split into two series of two trade marks as follows: Mark Number Class Specification OTO 2322346A 9 Printed publications in electronic readable O T O. form. 16 Printed matter; printed publications, By Consent No. books, stationery. E768739 and E2345700 41 Instruction, education and training services all relating to religion and religious matters. O.T.O. 2322346B 9 Printed publications in electronic readable O. T. O form. 16 Printed matter; printed publications, By Consent No. books, stationery. E768739 and E2345700. 41 Instruction, education and training services all relating to religion and religious matters. 2) On 26 January 2004 Starfire Publishing Limited of 9 Temple Fortune House, Finchley Road, London, NW11 6XH filed notice of opposition to the application. The grounds of opposition are in summary: a) The letters OTO/O.T.O. are an acronym derived from the initial letters of the name Ordo Templi Orientis (hereinafter OTO) which is the name of a spiritual fraternity which emerged from European freemasonry around 1905. -
The Confessions of Aleister Crowley
The Confessions of Aleister Crowley The Confessions of Aleister Crowley www.Empirical-Academy.com Forward "It seemed to me that my first duty was to prove to the world that I was not teaching Magick for money. I promised myself always to publish my books on an actual loss on the cost of production --- never to accept a farthing for any form of instruction, giving advice, or any other service whose performance depended on my magical attainments. I regarded myself as having sacrificed my career and my fortune for initiation, and that the reward was so stupendous that it made the price pitifully mean, save that, like the widow's mite, it was all I had. I was therefore the wealthiest man in the world, and the least I could do was to bestow the inestimable treasure upon my poverty-stricken fellow men. I made it also a point of absolute honour never to commit myself to any statement that I could not prove in the same sense as a chemist can prove the law of combining weights. Not only would I be careful to avoid deceiving people, but I would do all in my power to prevent them deceiving themselves. This meant my declaring war on the spiritualists and even the theosophists, though I agreed with much of Blavatsky's teachings, as uncompromisingly as I had done on Christianity." file:///C|/Documents and Settings/Doc/Desktop/venomous-magick.com/members/confess/pdf cover.htm (1 of 2) [10/4/2004 5:52:45 PM] The Confessions of Aleister Crowley CONTENTS PART ONE: Towards the Golden Dawn {29} Chapter: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, -
Rua Augusta / Baixa Street Sounds Sofia
Episode 9. Mouth of Hell Location: Rua Augusta / Baixa Street sounds Sofia: You should now walk down Rua Augusta towards Terreiro do Paço. In 1929 Fernando Pessoa is reading the first volume of the Confessions of Aleister Crowley. Crowley was a notorious British magician and occultist. [00:00:29.09] Steffen Dix: He knew several famous figures. He was in contact with Aldous Huxley, with Albert Einstein. He prepared an exhibition in Berlin with some great German modernists, so Crowley was a very international figure. He lived between Berlin, London and Paris and travelled around the world, while Pessoa never left downtown Lisbon. And in this sense there couldn’t be a greater contrast than Crowley and Pessoa. Aleister Crowley voice recording Aleister Crowley: In the Years of the Primal Course, in the dawn of terrestrial birth, Man mastered the mammoth and horse, and Man was the Lord of the Earth. Sofia: The press dubbed Crowley "the wickedest man in the world". He identified himself as the “Antichrist” and he called himself "The Beast 666". On December 4th, 1929 Fernando Pessoa wrote to Crowley's publisher, Mandrake Press. It was to correct a mistake in the magician's astrological chart. Street sounds Steffen Dix: And he asked if the publisher could tell Crowley and the publisher did so. Then Crowley got in touch, maybe he found some interest in Pessoa and he was fairly quick to state that he was coming to Portugal. Sofia: This started a correspondence that led to a meeting between Pessoa and Crowley on September 2nd, 1930, in Lisbon. -
Babalon Rising: Jack Parsons’ Witchcraft Prophecy
Babalon Rising: JaCk parsons’ WitChCraFt propheCy Erik Davis In the forty yearS or so following the death of John Whiteside Parsons in 1952, his name—Jack Parsons from here on out—circulated principally among magic folk, critics of Scientology, and historians of modern rock- etry. In the new century, however, the tale of the SoCal rocket scientist- cum-sex magician has proven a hot commodity, told and retold in a series of articles, biographies, graphic novels, movie scripts, and reality tv shows that have transformed Parsons into one of the most storied figures in the history of American occulture. The superficial reasons are easy to see: with its charismatic blend of sex, sorcery, technology and death, Parsons’ story haunts a dark crossroads of the Southern California mindscape, scrawling a prophetic glyph in the wet pavement of postwar America. Indeed, his tale is so outrageous that if it did not exist, it would need—as they say—to be invented. But if it were invented—that is, if his life were presented as the fiction it in so many ways resembles—it would be hard to believe, even as a fiction. The narrative would seem overly contrived, at once too pulp and too poetic, too rich with allegorical synchronicity to stage the necessary suspension of disbelief. In this essay, I want to explore an unremarked aspect of Jack Parsons’ life and thought, what I will call his magickal feminism. In his 1946 text Free- 165 166 Erik Davis dom is a Two-Edged Sword, Parsons issued a call for women to take up the spiritual, sexual, and political sword—a cry for female autonomy that also eerily anticipated the militant witchcraft that would find historical expres- sion in California over twenty years later. -
Pathways in Modern Western Magic • Drury Pathways in Modern Western Magic Edited by Nevill Drury Pathways
Pathways in Modern Western Magic Western in Modern Pathways Pathways in Modern Western Magic Edited by Nevill Drury Pathways his exciting multi-authored volume provides a fascinating overview of the many different pathways that help defi ne esoteric belief and prac- in Modern ticeT in modern Western magic. Included here are chapters on the late 19th century Hermetic Order of the Golden Dawn, the infl uential Thelemic doc- trines of Aleister Crowley, and the different faces of the Universal God- dess in Wicca and the Pagan traditions. Also included are chapters on Neo- Western Magic shamanism in Europe and the United States—and an account of how these traditions have in turn infl uenced the rise of techno-shamanism in the West. Additional features of this collection include insider perspectives on Seidr oracles, hybridised Tantra, contemporary black magic, the Scandinavian Dragon Rouge and Chaos magic in Britain—as well as profi les of the magi- cal artists Ithell Colquhoun, Austin Osman Spare and Rosaleen Norton. Contributors: Nikki Bado • Jenny Blain • Nevill Drury • Dave Evans • Amy Hale Phil Hine • Lynne Hume • Marguerite Johnson • Thomas Karlsson James R. Lewis • Libuše Martínková • Robert J. Wallis • Don Webb Dominique Beth Wilson • Andrei A. Znamenski Nevill Drury, editor of this collection, received his PhD from the Univer- sity of Newcastle, Australia, in 2008. His most recent publications include Stealing Fire from Heaven: the Rise of Modern Western Magic and The • Drury Varieties of Magical Experience (co-authored with Dr Lynne Hume). Concrescent Scholars Scholars Richmond • California S Edited by Nevill Drury 10 Pathways in Modern Western Magic 05 Pathways in Modern Western Magic Edited by Nevill Drury Scholars Concrescent Scholars 06 Pathways in Modern Western Magic Pathways in Modern Western Magic © 2012 Concrescent LLC All rights reserved. -
[Aleister] Crowley
A REEVALUATION OF TI-IE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY A Thesis Presented to The School of Graduate Studies Drake University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Charles Nicholas Serra II April 1991 A REEVALUATION OF THE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY by Charles Nicholas Serra Il Approved by Committee: ~~.;.,. Dean of the School of Graduate Studies Dedicated to four instrumental people: For Aleister Crowley, who quested after "the light that never shone on land or sea"; for B. H. who provided patronage and patience; for Grace Eckley, who managed to nurse me through; and for L. L., "my Gitana, my Saliya," who has all the answers I lack, now in the ineffable. Unpublished Copyright. all rights reserved. 1991 1 A REEVALVATION OF THE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY Table of Contents Page Abstract ., . ............. ..... ... .......... u Section One: Yeats and the Golden Dawn . Section Two: Augoeides, Maturity and Mysticism. ...... .. ..... 17 Section Three: Literary Decline, the War Years 36 Works Consulted. ...... ...... .. ........................... 44 Notes. .......... ....... ............ 49 Textual Appendix. ......................................... IA 11 A REEVALVAnON OF THE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY Abstract For the last fifty years the poetry and prose of Edward Alexander [Aleister] Crowley (1875-1947) has been systematically ignored by scholars and critics on the narrow grounds that it deals with the occult sciences, is pornographic, or simply because detractors did not agree with Crowley's personal philosophy or life. Since the mid 1970's, however, academics have become increasingly interested in the mystical and occult content of William Butler Yeats's poetry, praising it for the same characteristics which have always been labeled "defects" in Crowley's work. -
Lon Milo Duquette
\n authuruuiivc exiimiriiitiiin <»f ike uurld’b iiu»st fast, in a cm tl and in^£icul turnc card V. r.Tirfi Stele op Rp.veaung^ gbvbise a>ju ftcviftsc. PART I Little Bits ofThings You Should Know Before Beginning to Study Aleister Crowley’s Thoth Tarot CHAPTER ZERO THE BOOK OFTHOTH— AMAGICKBOOK? 7^ Tarot is apoA^se^^enty-^ght cards. Tfnrt artfoter suits, as tn fnadcrrt fi/ayirtg sards, ^sjhkh art dtrs%ssdfFOm it. Btts rha Court cards nutnbarfour instead >^dsret. In addition, thare are tvsenty^turo cards called 'Truw^ " each c^vJiUh is e symkoik puJure%Atha title to itse^ Atfirst sight one suould stifrpese this arrangement to he arbitrary, but it is not. Je IS necessitated, as vilfappear later, by the structsere ofthe unwerse, stnd inparikular the Sctlar System, as symMized by the Holy Qabaloi. This xotll be explained In due course.' These a« the brilliantly concise opening words of Aldster Crowley's Tbe Book of Tbotb. When I first read them, 1 vm filled with great o^ectations. Atkst, —I thouj^^ the great mysierics of the Thoth Tarot are going to be explained to me "in due course.” At the time, I considered myself a serious student of tarot, havij^ spent three years studying the marvelous works of Paul Foster Case and his Builders ofthe Adytumd tarot and Qabalah courses. As dictated in the B.O.T.A. currictilum, I painted my own deck oftrumps and dutifully followed the meditative exercises out- lined for each of the twenty two cards- Now, vdth Aleister Crowley’s Thoth Tarot and The Book cfThoth in hand, I knew I was ready to take the next step toward tarot mastery and my own spiritual illuminaiion. -
Lucifer Over Luxor: Archaeology, Egyptology, and Occultism in Kenneth Anger’S Magick Lantern Cycle
Doyle White, E 2016 Lucifer Over Luxor: Archaeology, Egyptology, and Occultism in Kenneth Anger’s Magick Lantern Cycle. Present Pasts, 7(1): 2, pp. 1–10, DOI: http://dx.doi.org/10.5334/pp.73 RESEARCH PAPER Lucifer Over Luxor: Archaeology, Egyptology, and Occultism in Kenneth Anger’s Magick Lantern Cycle Ethan Doyle White* One of the great figureheads of American experimental cinema, Kenneth Anger (b.1927), is internationally renowned for his pioneering work, recognisable for its blend of homoerotica, popular and classical music, and dark, symbolist imagery. A follower of Thelema, the religion of infamous British occultist Aleister Crowley (1875–1947), Anger’s work is imbued with occult themes and undercurrents rarely comprehen- sible to the non-initiated viewer. In exploring these esoteric ideas, Anger makes use of archaeology and heritage in his short filmsEaux d’Artifice (1953) and Inauguration of the Pleasure Dome (1954–66), as well as in the lost films The Love That Whirls (1949) and Thelema Abbey (1955), which utilize such disparate elements as Aztec human sacrifice and putative Renaissance Satanism. However, this theme only reaches its apex in Lucifer Rising (1980), an exploration of Thelemic theology filmed at such sites as Avebury, Luxor, and Karnak, which reflects and propagates the Thelemic view of the past—an ‘alternative archaeology’ rooted in Crowley’s own fascination with Egyptomania. This paper seeks to explore Anger’s use of the past and place it in its proper context of twentieth-century Western esotericism. Kenneth Anger (b.1927) is one of the foremost figures of through the transformation of individual consciousness American experimental cinema, an artist who produced via artistic mediums (Hughes 2011: 12). -
Downloaded Their Wisdom from the Ancient Sunken Library of the Atlantians
CHAPTER 13 THE BRIGHT DARKNESS-PERSO AL INSIGHTS INTO THE ENTHEOGENIC USE OF KETAMINE Julian Vayne My entheogenic explorations with the substance known as ketamine began when I was four years old. At that age, I suffered from an astigmatism af- fecting my left eye. This led to a planned admission to the hospital and an operation to correct the problem. The anesthetic used on me was ketamine, a drug commonly employed for surgery on children and the elderly (Couper et al., 2013). Ketamine is a very safe, reliable medicine (Jansen, 2004, p. 267) and also a medicine that can provoke strange visions, distortions of space and time, and even, 1 later discovered, open the door to peak spiritual experiences (Jansen, 2004<,p. 267). For years after this operation, two things haunted me: The first was a vision, a nightmare. Something that I'd see in dreams when under stress (1 was something of a worrisome child), during fevers, and sometimes in the hypnagogic or hypnopompic states. The vision was of an egg. Not a realistic object but a stylized black-and-white ovoid shape in a 2D space that filled my entire visual field. Bisected at the widest part of the figure, this egg would appear on a background of black and white. As the top of the egg shape was filled with black, so the field behind that part of the shape would switch to white, and vice versa, for the bottom of the egg. Then the picture would shift, the monochromatic shades switching around, faster and faster until the black seemed white and the white dark. -
Aleister Crowley Thoth - Mirror of the Soul Deck & Book Set
Tarot Decks: Aleister Crowley Thoth - Mirror of the Soul Deck & Book Set Aleister Crowley Thoth - Mirror of the Soul Deck & Book Set Contains 78-card Crowley Small Thoth Tarot deck (CR80) and BK129- Tarot Mirror of the Soul book by Gerd Ziegler. Packaged in plastic bookcase box. Spread sheet not included. Rating: Not Rated Yet Price Salesprice with discount Sales price $40.00 Sales price without tax $40.00 Tax amount Ask a question about this product 1 / 2 Tarot Decks: Aleister Crowley Thoth - Mirror of the Soul Deck & Book Set Description Contains 78-card Crowley Small Thoth Tarot deck - Tarot Mirror of the Soul book by Gerd Ziegler. Packaged in plastic bookcase box. Spread sheet not included. 144 pp., b&w illus. pb. (Book not sold separately). The Crowley Thoth Tarot Deck is considered to be one of the most influential and powerful decks of all time. The 78 cards were painted by Lady Frieda Harris according to instructions from the occult scholar, Aleister Crowley. The magnificent art deco work contains kabalistic and astrological attributions described in Aleister Crowley’s Book of Thoth. The stunning art deco artwork of the Thoth is rich in Egyptian symbolism. To each of the twenty-two Major Trumps of the tarot is assigned, by tradition, a Hebrew letter and a path on the Tree of Life, as well as an astrological sign, element, or planet. The deck also reflects Crowley’s interest in alchemy and magic. Crowley Thoth Tarot has attracted a worldwide following, both for its striking beauty and for its complex depiction of occult knowledge. -
Liber Samekh
MAGICK IN THEORY AND PRACTICE [BOOK 4 (LIBER ABA) PART III] First published Paris: Lecram Press., 1930 Corrected edition included in Magick: Book 4 Parts I-IV, York Beach, Maine: Samuel Weiser, 1994 This electronic edition prepared and issued by Celephaïs Press, somewhere beyond the Tanarian Hills, and manifested in the waking world in Leeds, Yorkshire, England July 2004. (c) Ordo Templi Orientis JAF Box 7666 New York NY 10116 U.S.A. MAGICK IN THEORY AND PRACTICE BY THE MASTER THERION (ALEISTER CROWLEY) BOOK 4 PART III Do what thou wilt shall be the whole of the Law. Celephaïs Press Ulthar - Sarkomand - Inquanok – Leeds 2004 Hymn to Pan [v] ——— ἔφιξ᾿ἔρωτι περιαρχὴς δ᾿ ἀνεπιόµαν ἰὼ ἰὼ πὰν πὰν ὢ πὰν πὰν ἁ λιπλαγκτε, κυλλανίας χιονοκτύποι πετραίς ἀπὸ δειράδος φάνηθ᾿, ὦ θεῶν χοροπόι ἄναξ —SOPH. Aj. ——— THRILL with lissome lust of the light, O man! My man! Come careering out of the night Of Pan! Io Pan! Io Pan! Io Pan! Come over the sea From Sicily and from Arcady! Roaming as Bacchus, with fauns and pards And nymphs and satyrs for thy guards, On a milk-white ass, come over the sea To me, to me, Come with Apollo in bridal dress (Shepherdess and pythoness) Come with Artemis, silken shod, And wash thy white thigh, beautiful God, In the moon of the woods, on the marble mount, The dimpled dawn of the amber fount! Dip the purple of passionate prayer In the crimson shrine, the scarlet snare, The soul that startles in eyes of blue To watch thy wantonness weeping through [vi] — v — HYMN TO PAN The tangled grove, the gnarléd bole Of the living tree that is spirit and soul And body and brain - come over the sea, (Io Pan! Io Pan!) Devil or god, to me, to me, My man! my man! Come with trumpets sounding shrill Over the hill! Come with drums low muttering From the spring! Come with flute and come with pipe! Am I not ripe? I, who wait and writhe and wrestle With air that hath no boughs to nestle My body, weary of empty clasp, Strong as a lion and sharp as an asp - Come, O come! I am numb With the lonely lust of devildom.