Jet Propulsion : a Play About John Whiteside Parsons
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Aleister Crowley and the Hidden God to Assume
Introduction THIS BOOK contains a critical study of Aleister Crowley's system of sexual magick and its affmities with the ancient Tantric rites of Kali, the dark goddess of blood and dissolution represented in Crowley's Cult as the Scarlet Woman. It is an attempt to supply a key to the work of an Adept whose vast knowledge of occultism was unsurpassed by any previous Western authority. I have emphasized the similarity between Crowley's Cult of Thelema and Tantra because the present wave of interest in the Tantric System makes it probable that readers will be able to assess more fully the importance of Crowley's contribution to occultism in general and to the Magical Path in particular. As a result of many years' research into obscure phases of occultism I have evolved a method of dream control for contacting extra-terrestrial and non-human entities; this forms the substance of Chapters Six and Seven. This method is described in relation to the mysteries of Kundalini, the supreme magical power symbolized by the sleeping Fire Snake at the base of the spine which, after its awakening, activates the subtle power-zones in the human body. Aleister Crowley, Austin Spare, Dion Fortune and the German occultist Eugen Grosche were among the first Adepts in the West to teach the use of the psycho-sexual energies, the Ophidian Current that informed the most ancient arcana of Africa and the Far East. Although it was Crowley who first integrated this current with the Westem Esoteric Tradition, this was not achieved without some doubtful interpretations of oriental symbolism. -
On the Fill/Kill Correction (3)
ON THE FILL/KILL CORRECTION (3) Do what thou wilt shall be the whole of the Law. A great deal has been written by some serious students on this subject of late, some of which has been very thought-provoking. I will respond in a general way to some of the issues raised below. Some points are made in two point-by-point timelined analyses, one pro “fill me” (to the best of my ability), the other pro “kill me.” Others are given in topical discussions under the headings of the various sources, given below, which correspond to an analytical side-by-side table designed to simplify the comparison of the handling of the Stèle poetry across all sources. This table is given as a separate file released with this memo, along with other files of source material as cited in the notes discussing the table. The table is intended to simplify the study, over a timeline, of the evolution of the readings across all sources. I thought a table necessary as I find lengthy prose expositions about small textual details in multiple sources hard to follow. It is intended as an aid to discussion, and not constructed to advance any particular argument, though the dating of some items is necessarily argumentative as a choice had to be made about the likely date of a few uncertain items. The various sources documenting the use of “fill me” or “kill me” do not have equal weight—one cannot simply count the occurrences of each reading in these sources and reach a reasonable con- clusion. -
The Changing Role of Leah Hirsig in Aleister Crowley's Thelema, 1919
Aries – Journal for the Study of Western Esotericism 21 (2021) 69–93 ARIES brill.com/arie Proximal Authority The Changing Role of Leah Hirsig in Aleister Crowley’s Thelema, 1919–1930 Manon Hedenborg White Södertörn University, Stockholm, Sweden [email protected] Abstract In 1920, the Swiss-American music teacher and occultist Leah Hirsig (1883–1975) was appointed ‘Scarlet Woman’ by the British occultist Aleister Crowley (1875–1947), founder of the religion Thelema. In this role, Hirsig was Crowley’s right-hand woman during a formative period in the Thelemic movement, but her position shifted when Crowley found a new Scarlet Woman in 1924. Hirsig’s importance in Thelema gradually declined, and she distanced herself from the movement in the late 1920s. The article analyses Hirsig’s changing status in Thelema 1919–1930, proposing the term proximal authority as an auxiliary category to MaxWeber’s tripartite typology.Proximal authority is defined as authority ascribed to or enacted by a person based on their real or per- ceived relational closeness to a leader. The article briefly draws on two parallel cases so as to demonstrate the broader applicability of the term in highlighting how relational closeness to a leadership figure can entail considerable yet precarious power. Keywords Aleister Crowley – Leah Hirsig – Max Weber – proximal authority – Thelema 1 Introduction During the reign of Queen Anne of Great Britain (1665–1714), Sarah Churchill, Duchess of Marlborough (1660–1744), was the second most powerful woman in the kingdom. As the queen’s favourite, the Duchess overcame many restrictions hampering women of the time. -
Acknowledgments P. Xi Encountering the Scarlet Goddess P. 1 Western Esotericism, Occultism, and Magic P
Acknowledgments p. xi Encountering the Scarlet Goddess p. 1 Western Esotericism, Occultism, and Magic p. 6 Notes on Methodology p. 8 Technicalities and Demarcations p. 10 Outline of the Book p. 12 Divine Women, Femmes, and Whores: The Theorization of Multiple Femininities p. 17 Feminism and Sex: Passion, Prostitution, and Pleasure p. 18 Difference, Divinity, and Multiple Femininities p. 19 Fem(me)ininity and Vulnerable Subversion p. 23 "The Sex That Is Not One": The Concept of Plural Femininities p. 26 The Scarlet Goddess and the Wine of Her Fornications: Crowley, Babalon, and the Femmep. 35 Fatale 1898-1909 Good, Bad, and Scarlet: Femininities of the Fin-de-Siècle p. 36 Scripture and Scourging: The King James Bible and Pariah Femininities before Babalon p. 39 "Fresh Blossoms from the Heart of Hell": Jezebel and the Influence of Decadence p. 39 "The Work of Wickedness": The Scarlet Woman in Liber AL vel Legis (1904) p. 43 "Into Unguessed Abysses": Lola of the Infernal Bliss p. 46 "I Was Really Being Married": Pain and Erotic Submission in Crowley's Early Work p. 49 The Dancing God and the Pyramid Gateway: Babalon in The Vision and the Voice p. 51 Dancers, Bulls, and Amphoras: Babalon below the Abyss p. 52 Enter the Mother of Abominations: Babalon above the Abyss p. 55 The Daughter and the Blasphemy: Babalon beyond the City of the Pyramids p. 58 Enthroned in Eternity: Babalon in the 2nd Aethyr p. 63 Erotic Destruction and Pariah Femininities: Blood, Receptivity, and Reframed p. 65 Whoredom Yielding Peaches and Women with Whips: Babalon, Crowley, and Magical Systematizationp. -
Moonchild Crowley, Aleister
Moonchild Crowley, Aleister Published: 1917 Categorie(s): Fiction, Occult & Supernatural, War & Military Source: http://hermetic.com/crowley/moonchild/index.html 1 About Crowley: Aleister Crowley (pronounced /ˈkroʊli/; 12 October 1875 – 1 December 1947), born Edward Alexander Crowley, and also known as both Frater Perdurabo and The Great Beast, was an influential English occultist, mystic and ceremonial magician, responsible for founding the religious philosophy of Thelema. Through this belief he came to see himself as the prophet who was entrusted with informing humanity that it was entering the new Aeon of Horus in 1904, a time when old ethical and reli- gious systems would be replaced. Widely seen as one of the most influential occultists of all time, he was a member of the esoteric Hermetic Order of the Golden Dawn, as well as a co- founder of the A?A? and eventually a leader of Ordo Templi Orientis (O.T.O.). He is known today for his magical writings, especially The Book of the Law, the central sacred text of Thelema, although he also wrote widely on other subjects, in- cluding a large amount of fiction and poetry. Crowley was also a bisexual, recreational drug experimenter and social critic. In many of these roles he "was in revolt against the moral and re- ligious values of his time", espousing a form of libertinism based upon the rule of "Do What Thou Wilt". Because of this, he gained widespread notoriety during his lifetime, and was denounced in the popular press of the day as "the wickedest man in the world." Alongside his esoteric activities, he was an avid chess player, mountaineer, poet and playwright, and it has also been alleged that he was a spy for the British government. -
Kenneth Anger: Where the Bodies Are Buried - Esquire 10-01-14 10:49
Kenneth Anger: Where The Bodies Are Buried - Esquire 10-01-14 10:49 Kenneth Anger: Where The Bodies Are Buried - Esquire Photo by Brian Butler On a recent warm afternoon in Los Angeles, Kenneth Anger was taking a walk in the Hollywood Forever Cemetery. Anger, 86, is the US’s most celebrated underground film-maker, named as a major influence by directors as disparate as Martin Scorsese, David Lynch and John Waters. He is also the elemental spirit whose life draws a connecting line between some of the most intriguing figures of 20th century arts and Bohemia: the occultist Aleister Crowley, Jean Cocteau, the sexologist Alfred Kinsey, Anaïs Nin, The Rolling Stones and Led Zeppelin. Anger has always liked visiting cemeteries. “They’re peaceful,” he says. “They’d better be...” And Hollywood Forever, formerly the Hollywood Memorial Park Cemetery, has a personal significance. It is the resting place of a number of famous Hollywood stars and stands behind the original Paramount lot; in fact, the studios were built on a part of the old cemetery. Anger is an authority on old Hollywood. He is the author of two volumes of Hollywood Babylon, http://www.esquire.co.uk/culture/features/5483/kenneth-anger/ Page 1 of 19 Kenneth Anger: Where The Bodies Are Buried - Esquire 10-01-14 10:49 the classic account of Tinseltown’s most infamous scandals, from the silent era up to the Fifties. A number of the cast are buried here. Rudolph Valentino, whom Anger considers the quintessential Hollywood star (“he had a short, tragic life [dead at 31] and left a big legend”) is interred in a crypt in the Cathedral Mausoleum. -
Grey Lodge Occult Review™
e October 31 2002 E.V. Issue #1 Grey Lodge Occult Review™ Gems from the Archives Selections from the archived Web-Material C O N T E N T S THE CASE OF THE FLYING SAUCERS by Manly Palmer Hall The Men in Black and their Magical Origins Excerpt from: Secret Cipher of the UFOnauts by T. Allen Greenfield The Aliens of the Golden Dawn Text excerpted from: The Dawn of Magic by Louis Pauwells & Jacques Bergier Aleister Crowley and the "Sirians" Excerpt from: The Pyramids of Montauk by Preston Nichols and Peter Moon A Glimpse of the Structure and System of the Great White Brotherhood Excerpts from Alt.Magick FAQ #7 The Cloud Upon the Sanctuary By the Councillor d' Eckartshausen The Rocket Scientist & The Guru: Stargate 1946 by T. Allen Greenfield The Sorcerous Scientist Excerpt from: Jack Parsons: Sorcerous Scientist by Douglas Chapman LIBER CHETH A:.A:. Publication in Class A The Book of BABALON By Jack Parsons The Book of ANTICHRIST By Belarion 8=3 (Parsons) Freedom is a Two-edged Sword By Fra. Belarion The Grey Hour Excerpt from "The Ordeal of Ida Pendragon" Makbenash Chapter 12 from de Nerval's Voyage to the Orient. Faust - traduction par Gerard de Nerval Les Veillees litteraires illustres 1850 Home GLORidx Close Window Except where otherwise noted, Grey Lodge Occult Review™ is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License. October 31 - 2002 e.v. - Issue #1 Grey Lodge Occult Review™ A 1950 Lecture on UFOs by Brother Manly P. Hall, 33° Following is a rare historical gem. -
Experimental Film
source guides experimental film National Library experimental film 16 + Source Guide contents THE CONTENTS OF THIS PDF CAN BE VIEWED QUICKLY BY USING THE BOOKMARKS FACILITY INFORMATION GUIDE STATEMENT . .i BFI NATIONAL LIBRARY . .ii ACCESSING RESEARCH MATERIALS . .iii APPROACHES TO RESEARCH, by Samantha Bakhurst . .iv INTRODUCTION . .1 GENERAL REFERENCES . .1 FOCUS ON: DEREK JARMAN . .4 CHRIS MARKER . .6 MARGARET TAIT . .10 CASE STUDIES: ANGER, BRAKHAGE, AND WARHOL . .12 KENNETH ANGER . .13 STAN BRAKHAGE . .17 ANDY WARHOL . .23 Compiled by: Christophe Dupin Stephen Gordon Ayesha Khan Peter Todd Design/Layout: Ian O’Sullivan Project Manager: David Sharp © 2004 BFI National Library, 21 Stephen Street, London W1T 1LN 16+ MEDIA STUDIES INFORMATION GUIDE STATEMENT “Candidates should note that examiners have copies of this guide and will not give credit for mere reproduction of the information it contains. Candidates are reminded that all research sources must be credited”. BFI National Library i BFI National Library All the materials referred to in this guide are available for consultation at the BFI National Library. If you wish to visit the reading room of the library and do not already hold membership, you will need to take out a one-day, five-day or annual pass. Full details of access to the library and charges can be found at: www.bfi.org.uk/filmtvinfo/library BFI National Library Reading Room Opening Hours: Monday 10.30am - 5.30pm Tuesday 10.30am - 8.00pm Wednesday 1.00pm - 8.00pm Thursday 10.30am - 8.00pm Friday 10.30am - 5.30pm If you are visiting the library from a distance or are planning to visit as a group, it is advisable to contact the Reading Room librarian in advance (tel. -
Gnosticism, Transformation, and the Role of the Feminine in the Gnostic Mass of the Ecclesia Gnostica Catholica (E.G.C.) Ellen P
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-13-2014 Gnosticism, Transformation, and the Role of the Feminine in the Gnostic Mass of the Ecclesia Gnostica Catholica (E.G.C.) Ellen P. Randolph Florida International University, [email protected] DOI: 10.25148/etd.FI14110766 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, History of Religions of Western Origin Commons, Liturgy and Worship Commons, New Religious Movements Commons, Religious Thought, Theology and Philosophy of Religion Commons, and the Social and Cultural Anthropology Commons Recommended Citation Randolph, Ellen P., "Gnosticism, Transformation, and the Role of the Feminine in the Gnostic Mass of the Ecclesia Gnostica Catholica (E.G.C.)" (2014). FIU Electronic Theses and Dissertations. 1686. https://digitalcommons.fiu.edu/etd/1686 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida GNOSTICISM, TRANSFORMATION, AND THE ROLE OF THE FEMININE IN THE GNOSTIC MASS OF THE ECCLESIA GNOSTICA CATHOLICA (E.G.C.) A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Ellen P. Randolph 2014 To: Interim Dean Michael R. Heithaus College of Arts and Sciences This thesis, written by Ellen P. Randolph, and entitled Gnosticism, Transformation, and the Role of the Feminine in the Gnostic Mass of the Ecclesia Gnostica Catholica (E.G.C.), having been approved in respect to style and intellectual content, is referred to you for judgment. -
Home and Family
5 Home and Family UNCORRECTED PAGE PROOFS Copyright © 2017 (and distributed by) Bedford, Freeman & Worth High School Publishers. Strictly for use with its products. Not for redistribution 06_JAG_8251_ch05_148_307.indd 148 18/08/16 12:26 PM hat makes a house a W home? “Home” suggests sanctuary, loved ones, nourishment — a place where everybody knows your name. The term is woven deep into our language as well as our consciousness. Consider the connotations of homemade and homespun. Home can offer refuge from the hostile world, or it can be a prison. People living together inevitably — sometimes intentionally — rub one another the wrong way. This chafing provides writers with rich material for art. (Remember, without conflict there is no story.) Are these writers working through their own failed relationships with mothers, fathers, and siblings? Sometimes. Are they exploring their conflicted feelings toward a home they left behind? Maybe. Are they holding up a mirror that allows us to see our own homes and families in a new light? Most certainly. Though the trappings of Happy families are all alike; home and family differ across every unhappy family is unhappy cultures, human families have in its own way. much in common. Legend has it that a man from Czechoslovakia, — Leo Tolstoy, Anna Karenina after watching a production of August Wilson’s Fences (set in Pittsburgh in the 1950s), approached the playwright and asked him, “How did you know about my family?” Wilson may not have known that particular man’s family, but he knew about families and how the sins of the Getty Images / father play out in the lives of sons. -
Babalon Rising: Jack Parsons’ Witchcraft Prophecy
Babalon Rising: JaCk parsons’ WitChCraFt propheCy Erik Davis In the forty yearS or so following the death of John Whiteside Parsons in 1952, his name—Jack Parsons from here on out—circulated principally among magic folk, critics of Scientology, and historians of modern rock- etry. In the new century, however, the tale of the SoCal rocket scientist- cum-sex magician has proven a hot commodity, told and retold in a series of articles, biographies, graphic novels, movie scripts, and reality tv shows that have transformed Parsons into one of the most storied figures in the history of American occulture. The superficial reasons are easy to see: with its charismatic blend of sex, sorcery, technology and death, Parsons’ story haunts a dark crossroads of the Southern California mindscape, scrawling a prophetic glyph in the wet pavement of postwar America. Indeed, his tale is so outrageous that if it did not exist, it would need—as they say—to be invented. But if it were invented—that is, if his life were presented as the fiction it in so many ways resembles—it would be hard to believe, even as a fiction. The narrative would seem overly contrived, at once too pulp and too poetic, too rich with allegorical synchronicity to stage the necessary suspension of disbelief. In this essay, I want to explore an unremarked aspect of Jack Parsons’ life and thought, what I will call his magickal feminism. In his 1946 text Free- 165 166 Erik Davis dom is a Two-Edged Sword, Parsons issued a call for women to take up the spiritual, sexual, and political sword—a cry for female autonomy that also eerily anticipated the militant witchcraft that would find historical expres- sion in California over twenty years later. -
Alternative Projections
alternative projections experimental Film in los angeles 1945–1980 11.12.10 11.12.10 – 11.14.10 los angeles Filmforum schedule of events visions and voices: the USC arts and Humanities initiative and the USC school of cinematic arts fridAy, november 12 welcome you to 2:00 Pm–8:00 Pm alternative projections exhibition SCA Gallery AlternAtive Projections 6:00 Pm–7:30 Pm experimental Film in los angeles 1945–1980 Welcome reception lobby, steven spielberg building, school of cinematic arts complex Friday, november 12–Sunday, november 14, 2010 Opening Remarks by Elizabeth Daley, Steven J. Ross/Time Warner Professor and Dean, USC School of Cinematic Arts the eileen norris cinema theatre, the ray stark Family theatre and the SCA Gallery at the school of cinematic arts 7:30 Pm–9:00 Pm Film screenings to complement panels This three-day symposium aims to expand understanding of how experimental eileen norris cinema theatre filmmaking evolved in Los Angeles and to contextualize its place in postwar The WormWood STar by Curtis Harrington (1956, 10 min., 16mm, color) Print courtesy of the Academy Film Archive art history. The project places focus on the community of filmmakers, artists, “I have recently been making a film calledTHE WORMWOOD STAR. It is a film in color, and presents a curators and programmers who contributed to the creation and presentation of symbolic portrait of an extraordinary artist, a painter who is named Cameron. The film is an attempt to apotheosize the artist cinematically while she yet lives. She is presented as an alchemist, we observe experimental cinema in Southern California in the postwar era.