2018: Going by So Quickly. As a Club We’Ve Had a Really Perhaps We Can Find Someone Good Year
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Steam-Bending Instruction Booklet
Steam-Bending Instruction Booklet 05F15.01 Veritas® Steam-Bending Instruction Booklet Bending Solid Wood with Steam and allowed to stretch as the bend progresses; however, the Compressive Force wood face against the form is subject to compression There are three basic requirements for the successful exerted by the end stops. bending of solid wood using steam. 1. The wood must be plasticized. Although wood can be plasticized chemically or even by microwaves when in a green state, the most convenient way to plasticize wood is with steam. Wood cells are held together by a naturally occurring substance in the wood called lignin. Imagine the wood fi bers to be a bundle of rods with the space between them fi lled with lignin. The strength of this lignin bond between the rods can be decreased by subjecting For example, a straight piece of wood 1" thick and 18" the wood to steam. With unpressurized steam at 212° long bent to 90° around a 4" radius will remain 18" Fahrenheit, steaming for one hour per inch of thickness along the outside (immediately next to the strap), but (regardless of the width) will soften the bond enough for will have the inside dimension reduced to almost 16". bending. Substantial oversteaming may cause the wood Nearly two inches have virtually disappeared through to wrinkle on the concave face as the bend progresses. compression along the inside face! 2. Only air-dried wood of an appropriate species Strap should be used. Blank Kiln-dried wood must not be used; the lignin in the wood has been permanently set during the hot, dry 18" kilning process. -
Using Local Woodlot Lumber Sara J
Extension F-9-03 FSchoolSchool ofactSheet Natural of Natural Resources, Resources, 2021 2021 Coffey Coffey Road, Road, Columbus, Columbus, Ohio Ohio43210 43210 Using Local Woodlot Lumber Sara J. Gurney Wood Products Marketing Specialist Introduction resistance to decay, ease of working, weight, hardness, color, Ohio’s Appalachian hardwoods are unique in their variety, grain, and resistance to splitting are particularly significant. quality, and beauty. Ohio’s forests contain well over 100 different When selecting lumber for a specific project, consider how the hardwoods and 25 different softwood tree species. Historically, characteristics of the wood species will meet the requirements humans have used wood and wood products for shelter, fire, of the job. For example, joists for a shed should use a wood with and in war, making wood an integral part of our civilization. We good stiffness and bending strength. Since many sheds are not use wood because it is easy to work with, inexpensive, durable, heated, wood with good dimensional stability and the ability to and readily available. Early settlers relied heavily on old growth hold nails should also be considered. Once the requirements for yellow poplar to make barn siding. Old growth yellow poplar the project have been identified, select a wood species with the made excellent decay resistance siding for log homes due to the most appropriate attributes. naturally occurring tannins in the wood. Yellow poplar boards Often the job requires wood that is decay resistant. Keep in were easy to hand hue and resisted warp and shrinkage. Today, mind that the heartwood found in the center of the log contains yellow poplar is still used for siding due to its availability, low less moisture and higher concentrations of decay resistance cost, paintability, and resistance to warp and shrinkage, as seen chemicals than the younger sapwood. -
Materials & Processes
Mahogany Spruce Ash Dark red White Light brown Easy to work with Not very durable tough/flexible Uses - bars, veneers, Uses - kitchens, Uses - tool Indoor furniture. Indoor work, handles, sports Red pine Beech furniture equipment, Pale red Light colour ladders Heavy / strong Hard Use - structural Easy to work with Uses - furniture, toys Oak Softwood Tool handles, can be Light brown steam bent Hardwood Difficult to work Natural with Uses - high MATERIALS WOOD class furniture, beams Hardboard Bonded under high Manufactured board pressure Chipboard Strong + thin Wood particles + Similar to MDF Plywood Flexi-ply resin Laminated (layered) (see ugly/weak/cheap MDF veneers set at a 90* plywood) *often covered in a Sawdust + resin angle. Able to veneer, this makes Damaged by Natural finish + grain bend it stronger + more moisture Uses - interior and aesthetically * Takes paint well exterior. pleasing *Easy to finish *Smooth surface PROCESSES Laminating Type1 This is quite an accurate method of shaping wood. It involves building up a curved form with layers. The layers may be thin veneers, thicker constructional veneers or saw-cut strips. They are assembled so that the grain of each layer is running in the same direction, following the curve . The layers are glued together with a strong adhesive and are sandwiched between the waxed faces of a former or a jig using cramp pressure. The layers bend to the shape of the jig and ‘set’ together. Another way of producing curved laminates is to use a ‘bagpress’. Type2 Creating larger board of wood from natural timber by gluing them together side by side. -
Art Carpenter
Art Carpenter's first chair, an experiment using rawhide and lathe-turned parts, satisfies his criteria for good furniture: 'First, it looks like a chair—it doesn't look like an eagle or a tree—you know right away where to put your butt. Second, it lasts, it's rugged, it will stand the use for which it was meant for many years without repair. This has been a desk chair in my shop for 22 years, and its joints are as tight today as they were when they were made. Third, there is a directness and clarity of construc- tion, which gives pleasure to the hand and to the eye. And fourth, it is relatively fast to produce, given the primitive methods of my shop.' under his mother's maiden name, Espenet) is more than a role model—he has nurtured the growth of a generation of inde- pendent designer-craftsmen. Ask the successful woodworkers in the San Francisco Bay Area how they began and you'll hear, "I taught myself, except for some time I spent with Art." Even those who don't spend more than an afternoon at Carpenter's shop leave with practical direction to make it on their own—which is really the spirit of the Guild. The Bau- lines Guild works because it is the simple extension of the self-styled craftsmen who characterize the Bay Area. It prob- ably would not have worked so well were it not for the special place Bolinas is, but it's hard to imagine the Guild at all without Art Carpenter. -
Dry Kiln Operator's Manual
United States Department of Agriculture Dry Kiln Forest Service Operator's Forest Products Laboratory Manual Madison, Wisconsin Agriculture Handbook No. 188 Dry Kiln Operator’s Manual Edited by William T. Simpson, Research Forest Products Technologist United States Department of Agriculture Forest Service Forest Products Laboratory 1 Madison, Wisconsin Revised August 1991 Agriculture Handbook 188 1The Forest Products Laboratory is maintained in cooperation with the University of Wisconsin. This publication reports research involving pesticides. It does not contain recommendations for their use, nor does it imply that the uses discussed here have been registered. All uses of pesticides must be registered by appropriate State and/or Federal agencies before they can be recommended. CAUTION, Pesticides can be injurious to humans, domestic animals, desirable plants, and fish or other wildlife-if they are not handled or applied properly. Use all pesticides selectively and carefully. Follow recommended practices for the disposal of surplus pesticides aand pesticide containers. Preface Acknowledgments The purpose of this manual is to describe both the ba- Many people helped in the revision. We visited many sic and practical aspects of kiln drying lumber. The mills to make sure we understood current and develop- manual is intended for several types of audiences. ing kiln-drying technology as practiced in industry, and First and foremost, it is a practical guide for the kiln we thank all the people who allowed us to visit. Pro- operator-a reference manual to turn to when questions fessor John L. Hill of the University of New Hampshire arise. It is also intended for mill managers, so that they provided the background for the section of chapter 6 can see the importance and complexity of lumber dry- on the statistical basis for kiln samples. -
Investigation of Selected Wood Properties and the Suitability for Industrial Utilization of Acacia Seyal Var
Fakultät Umweltwissenschaften - Faculty of Environmental Sciences Investigation of selected wood properties and the suitability for industrial utilization of Acacia seyal var. seyal Del and Balanites aegyptiaca (L.) Delile grown in different climatic zones of Sudan Dissertation to achieve the academic title Doctor rerum silvaticarum (Dr. rer. silv.) Submitted by MSc. Hanadi Mohamed Shawgi Gamal born 23.09.1979 in Khartoum/Sudan Referees: Prof. Dr. Dr. habil. Claus-Thomas Bues, Dresden University of Technology Prof Dr. Andreas Roloff, Dresden University of Technology Prof. Dr. Dr. h.c. František Hapla, University of Göttingen Dresden, 07.02.2014 1 Acknowledgement Acknowledgement First of all, I wish to praise and thank the god for giving me the strength and facilitating things throughout my study. I would like to express my deep gratitude and thanks to Prof. Dr. Dr. habil. Claus-Thomas Bues , Chair of Forest Utilization, Institute of Forest Utilization and Forest Technology, Dresden University of Technology, for his continuous supervision, guidance, patience, suggestion, expertise and research facilities during my research periods in Dresden. He was my Father and Supervisor, I got many advices from his side in the scientific aspect as well as the social aspects. He taught me how to be a good researcher and gives me the keys of the wood science. I am grateful to Dr. rer. silv. Björn Günther for his help and useful comments throughout the study. He guides me in almost all steps in my study. Dr.-Ing. Michael Rosenthal was also a good guide provided many advices, thanks for him. I would also like to express my thanks to Frau Antje Jesiorski, Frau Liane Stirl, Dipl.- Forsting. -
Design Ireland
At-a-glance LIVE TALKS | IN-STORE DEMONSTRATIONS | HANDS ON WORKSHOPS March 8 TH TUESDAY MEET THE MAKER John Hanly, Weaving Craft 1-2pm & 6-7pm 9 TH WEDNESDAY DEMO Adam Frew, Throwing Pots MEET THE MAKER Catherine Keenan, Glass Craft 1-2pm & 6-7pm 10TH THURSDAY DEMO Adam Frew, Throwing Pots MEET THE MAKER Catherine Keenan, Glass Craft 1-2pm & 6-7pm 11TH FRIDAY DEMO Adam Frew, Throwing Pots MEET THE MAKER Catherine Keenan, Glass Craft 1-2pm & 6-7pm 12TH SATURDAY DEMO Bunbury Boards, Wood Turning 13TH SUNDAY DEMO Bunbury Boards, Wood Turning 7th March – 14TH MONDAY DEMO Bunbury Boards, Wood Turning 24th April 2016 Joe Hogan The Great Heal’s Adam Frew Bodging Race 15TH TUESDAY DEMO me&him&you, Screen Printing FEATURING MEET THE MAKER John Hanly, Weaving Craft 1-2pm & 6-7pm 16TH WEDNESDAY DEMO me&him&you, Screen Printing MEET THE MAKER Scribble & Stone, Jewellery Design 1-2pm & 6-7pm Design Ireland 196 Tottenham Court Road, 17TH THURSDAY DEMO Joe Hogan, Basket Making 11am-9pm; MEET THE MAKER Scribble & Stone, London W1T 7LQ 7th – 28th March Jewellery Design 1-2pm & 6-7pm; PARTY Heal’s Craft Market Party 6-9pm 18TH FRIDAY DEMO Joe Hogan, Basket Making www.heals.com MEET THE MAKER Scribble & Stone, Jewellery Design 1-2pm & 6-7pm Modern Craft Market TO BOOK WORKSHOP TICKETS VISIT www.heals.com/events 01 Heal's MCM Brochure - 6pp Cover.indd 1 17/02/2016 11:44 19TH SATURDAY DEMO Joe Hogan, Basket Making 7 TH THURSDAY DEMO CSWA_, Domestic Cup Casting 12.30-2pm & 5-8pm 20TH SUNDAY DEMOWelcome Arran Street East, Throwing Pots 8 TH FRIDAY WORKSHOP -
Bending Wood Free
FREE BENDING WOOD PDF "Fine Woodworking" Magazine | 128 pages | 01 Sep 1989 | Taunton Press Inc | 9780918804297 | English | Connecticut, United States Bending Wood Part I - Kerf Bending You must remember one thing when it comes to bending wood, you must give it time. Wood is naturally flexible despite being high in moisture but once it is cut or after felling, the wood starts to lose moisture and begins to harden. When this happens, it may take a lot of time, and effort, for wood to bend to different shapes. The following techniques do not use heat or steam but can take time to bend wood. The lamination method uses a Bending Wood or a special kind of glue to bend wood. You Bending Wood be using a form or a pattern where the wood will be set in order to take up the form. The laminate will then be added in order to force the wood to take up the form. Cut the length of the wood strips longer than the final measurement. You need to do this because this technique will shorten the length of the wood. Draw a diagonal line using a pencil and a ruler across the bottom of the stock. This is done should the wood strips become dropped or rearranged. You will be able to tell which piece fits to where. Cut the wood strips using a straight-grained edge. Use a cork liner to line the form. The cork acts Bending Wood an anchor for the lamination. It will still even out any irregularities when the wood Bending Wood in its sawn form. -
WSIU, WUSI, WSEC, WMEC & WQEC DT3 (SD2) CREATE Programming
WSIU, WUSI, WSEC, WMEC & WQEC DT3 (SD2) CREATE Programming Schedule for July, 2020 as of 06/15/20 Wednesday, July 1, 2020 12am 100 Days, Drinks, Dishes and Destinations. CC #205 In the culinary adventure series 100 DAYS, DRINKS, DISHES & DESTINATIONS, Emmy and James Beard Award-winning wine expert Leslie Sbrocco travels the world with glass and fork in hand, indulging in delicacies, uncovering local hangouts, meeting talented artisans and visiting both up-and-coming and acclaimed restaurants, wineries and breweries. This season, Leslie explores San Francisco's Chinatown and Calistoga, California before jetting off to Vienna, Austria; Budapest, Hungary; and Normandy, France. TVG 12:30 Nick Stellino: Storyteller in the Kitchen. CC #203 The Vegetarian. While pondering life as a vegetarian, Nick discovers some fabulous new dishes loaded with spectacular flavors. Dishes include: Chilled Cantaloupe Soup / Salmon with Spinach and Pancetta Cream Sauce / Biancomangiare (Sicilian Almond Pudding). TVG 1am Moveable Feast with Fine Cooking. CC #705 Beachside In Brighton. We are in Brighton, a beautiful English seaside resort town, in this episode of Moveable Feast with Fine Cooking. Host Alex Thomopoulos is here to cook a feast with acclaimed chefs Michael Bremner and Sam Lambert. To gather the freshest fish, the chefs head to Brighton & Newhaven Fish Sales, where fisherman deliver the daily catch straight from the sea, then to inland to Namayasai, a gem of a farm that grows an exquisite array of Japanese vegetables. And finally, they travel to Saddlescombe Farm & Newtimber Hill, where sheep graze in the scenic British countryside. Back at Chef Michael's waterfront restaurant, Murmur, the trio cooks a delectable feast with the daily catch and an Herby White Wine Butter Sauce, Fire-Roasted Lamb, and Shrimp Shu Mai. -
Strike up the Bandsaw
“America’s leading woodworking authority”™ Strike Up the Bandsaw • Step by Step construction instruction. • A complete bill of materials. • Exploded view and elevation drawings. • How-to photos with instructive captions. • Tips to help you complete the project and become a better woodworker. To download these plans, you will need Adobe Reader installed on your computer. If you want to get a free copy, you can get it at: Adobe Reader. Having trouble downloading the plans? • If you're using Microsoft Internet Explorer, right click on the download link and select "Save Target As" to download to your local drive. • If you're using Netscape, right click on the download link and select "Save Link As" to download to your local drive. WOODWORKER'S JOURNAL ©2007 ALL RIGHTS RESERVED Published in Woodworker’s Journal “The Complete Woodworker: Time-Tested Projects and Professional Techniques for Your Shop and Home” WJ128 A bandsaw is a tremendously versatile and useful tool—but only if it’s running well. Properly set up, it allows you to create poetry out of wood. Out of adjustment it can cause Blade vocabulary usage that would impress the Thrust guard most seasoned boatswain’s mate. bearing adjustment Tuning up your bandsaw is not a huge undertaking. A couple of quick steps to better align and control your blade will have you cutting smoothly in just a few minutes. Most modern bandsaws have a system of Thrust bearing thrust bearings (those little metal wheels that Guide block the blade’s back edge bumps into) and guide Guide block set screws adjustment blocks that hold the blade in proper alignment. -
Shed Notesissue 297 — January 2013
Shed NotesIssue 297 — January 2013 Issue 297 January 2013 NEXT MEETING: Wednesday 30 January 2013, 1930 - 2130 Venue: The SHED, Lions Youth Haven, Kambah Pool Road, KAMBAH ACT 2902 Furnishing the Future Our speaker at the January monthly meeting is furniture-maker Niklavs Rubenis, who introduces himself as follows: I was born in Leeton NSW. I’m 31, married, grow veggies, have two cats, chickens, and live in a half-renovated 1920s cottage in Queanbeyan. I did it in reverse — furniture at the ANU School of Art first, trade in cabinet-making second. For the past decade, I have been professionally employed across many aspects of the furniture and design sectors. This has included high-scale manufacture; computer-aided design and computer-aided manufacture (CAD/CAM); commercial cabinetry; production and fine furniture-making; shop and museum fitout; exhibition design; project and design management; public art; urban design, and musical instrument-making. I am now in a very fortunate position to be able to combine my own furniture studio practice with teaching. In 2012 I was awarded an Australian National University Scholarship to undertake a PhD, beginning in 2013. My talk will be about learning, skills, thinking, and how furniture can tell a story. Contents Please note that the opinions expressed in articles in this Newsletter are those of the authors alone, and do not necessarily reflect the views, or positions, of Presidential Palaver....................... 2~3 the Woodcraft Guild of the ACT as an organization. Editorial Effluvia .............................. 3 Coming Events.................................. 4 Executive Committee of the Guild: SIG Reports................................... 4~6 President: Fred Buckley [email protected] Feature Article: ........................... -
SWAT Videos by Demonstrator 1/12/2019
SWAT Videos by Demonstrator 1/12/2019 media id title year volume Adkins, Jim DAW1019 Native American Baskets Part 1 2014 20 DAW1021 Native American Baskets Part 2 2014 21 Arledge, Jimmie DAW0490 Surface Embellishment 2004 10 Avisera, Eli DAW0789 Bowl with Leaves Inlay 2010 1 DAW0791 Boxes with New Ideas: Texturing and Coloring 2010 2 DAW0793 Boxes with New Ideas: Texturing and Coloring in Off-Center 2010 3 DAW0795 Goblet w/Star Segment & Trembleur 2010 4 DAW0797 Square Bowl w/ Off-Center 2010 5 Baldwin, Doug DAW2358 Photography for Wood Turners 2015 1 DAW2360 Photoshop for Wood Turners 2015 2 DAW2660 Light & Shadow - Photographing Wood Objects 2017 1 Barnes, Gary DAW2420 Three-Piece Stacking Salt/Spice Box 2016 1 Bassett, Kevin DAW0665 Turning a Double Natural Edge Bowl 2008 1 DAW2422 An Acorn Ring Box w/ Secret Compartment 2016 2 Batty, Stuart DAW0733 Bowl Turning Techniques using a Gouge 2009 3 DAW0735 The Six Fundamental Wooduring Cuts 2009 4 DAW0755 Dueling Lathes: two different ways to turn a bowl 2009 14 DAW2424 Stuart Batty & Mike Mahoney Dual 2016 3 DAW2426 Bowl Turning w/ the 40/40 Grind 2016 4 DAW2428 Perfecting the Art of Cutting 2016 5 DAW2430 Seven Set-up Fundamentals 2016 6 DAW2692 Stuart Batty and Mike Mahoney Dual 2017 17 Beaver, John DAW2432 Bangles 2016 7 DAW2434 Flying Rib Vase 2016 8 1 SWAT Videos by Demonstrator 1/12/2019 media id title year volume DAW2436 Wave Bowls 2016 9 Berry, Bill DAW0737 Turning Tree Crotches 2009 5 DAW2352 Air Brushing on Turnings 2014 26 Bosch, Trent DAW0462 Carving 2003 1 DAW0464 Basic Bowl