Annual Reports of the Town Officers of Hinsdale, N.H., for the Year

Total Page:16

File Type:pdf, Size:1020Kb

Annual Reports of the Town Officers of Hinsdale, N.H., for the Year ai Reports t of the Town Officers HinSDRLE NEW HAMPSHIRE for the year ending DECEMBER 31 1946 « VA ijy^V, ANNUAL REPORTS OF THE Town Officers OF HINSDALE, N. H. FOR THE YEAR ENDING DECEMBER 31, 1946 THE ZION'S HILL PRESS HINSDALE N. H. 1947 z>szoi INDEX Bonded Debt 20 Cemetery Lot Fund 19 Cemetery Trust Funds 94 Detailed Statement of Expenditures 21 Fire Department 43 Highway Department 33 Municipal Court 56 Library Report 61 Library Trust Funds 99 Licensed Dogs 50 Public Health Nursing Association 58 Selectmen's Report 10 School Budget » 70 School District Financial Report 71 School Headmaster's Report 81 School Health Report 91 School Honor Roll 90 School Planning Committee 92 School Officers and Teachers 66 School, Table of Salaries 90 School Statistical Table 88 School Superintendent 85 School Treasurer 80 School Warrant - 68 Tax Collector 46 Town Budget 15 Town Clerk • 50 Town Officers 3 Town Poor 27 Town Treasurer 18 Town Warrant ^ Vital Statistics 101 Water & Sewer Works, Superintendent's Report 40 Welcome Home Committee 63 TOWN OFFICERS Moderator CLARENCE D. FAY Selectmen and Assessors JAMES G. SNOW Term expires 1947 CLIFFORD STEARNS Term expires 1948 FRANCIS E. MASON Term expires 1949 Town Clerk ELEANOR S. SMITH Town Treasurer ROGER F. HOLLAND Collector of Taxes GEORGE H. JONES Highway Agent WALTER H. BARRETT Water and Sewer Commissioners HOWARD I. STREETER Term expires 1947 ROBERT A. WEEKS Term expires 1948 WILLIAM S. KIMBALL Term expires 1949 Supervisors of Check List RAY L. FLETCHER WILLIAM E. WATSON ROBERT CUNNINGHAM Overseer of Charities HOWARD I. STREETER RAYMOND C. HILDRETH Representative ABBIE H. ROBERTSON Board of Education PAUL V. CHAMBERLIN Term expires 1947 HAROLD WEEKS Term expires 1948 MARGARET STREETER Term expires 1949 Auditors CHESTER LEES MARION WELCH Chief of Fire Department DEXTER K. ROYCE Municipal Court JESSE W. FIELD, Justice HAROLD R. WEEKS, Special Justice Health Officer RAYMOND C. HILDRETH Forest Fire Warden DEXTER K, ROYCE Deputy Wardens PETER ZAVOROTNY WINFIELD BROOKS CLIFFORD D. STEARNS LEON THOMAS JOSEPH DOUCETTB Police FRANK W. WALKER, Chief LLOYD PICKETT Special Police CHARLES ROY RAYMOND C. HILDRETH C. EDWARD MAYNARD HARVEY LAVASSEUR WILLIAM BOOTH Trustees of Ttust Funds MAUD TAYLOR Term expires 1947 RAY L. FLETCHER Term expires 1948 ROBERT A. WEEKS Terpi expires 1949 Library Trustees SUSAN HOLLAND Term expires 1947 DORIS GARFIELD Term expires 1948 ERNEST ADAMS Term expires 1949 Budget Committee HAROLD C. HOLLAND ROBERT A. WEEKS HAROLD S. GARFIELD ALBERT KRUMENAKER FRANK W. JEFFORDS Surveyors of Wood and Lumber HENRY SPAULDING GLEN HIGGINS Fence Viewers ARTHUR ROUTLLARD HERBERT NEWELL Sexton ROY D. TAYLOR Constable and Deputy Sheriff FRANK WALKER Playground Committee ROLAND O'NEAL Term expires 1947 HOWARD STREETER Term expires 1947 HAROLD HOLLAND Term expires 1948 ORSON SMITH Term expires 1948 ROBERT F. MARSHALL Term expires 1949 Planning Board PRENTISS W. TAYLOR CLARENCE B. O'NEAL FRANK W. JEFFORDS HAROLD C. HOLLAND ORSON G. SMITH Community Room Committee MRS. CLARENCE O'NEAL MRS. WILLIAM POWERS MRS. THOMAS GOLDEN War Service Records MRS. HAROLD S. GARFIELD WILLIAM H. BOOTH JAMES G. SNOW G. A. R. Hall Trustees ROBERT A. WEEKS HAROLD S. GARFIELD RAYMOND C. HILDRETH WILLIAM H. BOOTH EARLE L. WILLIAMS Veteran's Advisory Committee PRENTISS W. TAYLOR RAYMOND C. HILDRETH HAROLD S. GARFIELD PRESCOTT BUCKLEY Aviation Committee RAYMOND C. HILDRETH CLARENCE B. O'NEAL HAROLD R. WEEKS : : THE STATE OF NEW HAMPSHIRE TOWN WARRANT To the Inhabitants of the Town of Hinsdale qualified to vote in town affairs You are hereby notified to meet at Town Hall, on Tuesday the 11th day of March, 1947, at nine o'clock in the forenoon, to act on the following subjects Article 1. To choose a Town Clerk for the ensuing year. Article 2. To see if the town will vote to accept and adopt the report of the Selectmen, Auditors and other town officers. Article 3. To choose a member of the Board of Selectmen for the ensuing three years. Article 4. 'To choose a member of the Board of Library Trustees for the ensuing three years. Article 5. To choose five members of the Budget Com- mittee for the ensuing year. Article 6. To clioose a member of the Playground Com- mittee for the ensuing three years. Article 7. To choose a member of the Water and Sewer Commission for the ensuing three years. Article 8. To choose all other necessary town officers and agents for the ensuing year. Article 9. To see how much money the Town will vote to raise and appropriate for the payment of ordinary town charges, for the maintenance of the fire department, for highAvays, for schools and for all other necessary expenses arising within the town. Article 10. To see if the Town will vote to extend the town water system in sufficient size to provide an adequate sup- ply of water for fire protection and domestic use from the end of the present line at the top of Sand Hill along the Brattleboro Road to a point near the property of Frank Amarosa and au- thorize the Selectmen to borrow on the credit of the town a sufficient sum of money to pay for the same or act in any man- ner thereon. 'Article 11. To see if the Town will raise and appropriate or borrow a sufficient sum of money to extend the water system from Cottage Street west to the Plain road and from that point north to the road which runs past Bombay's house, and from there along the last mentioned road as far as the dirt road which leads to the Richard Butler farm or act in any manner thereon. Article 12. To see if the Town will vote to extend the sewer from the Pelech farm to the Joseph Fostyck place and raise and appropriate or borrow a sufficient sum of money therefor. Article 13. To see if the Town will vote to extend the sewer system to include the Langille corner lot property on the westerly end of Highland Ave. and raise and appropriate a sufficient amount of money for same, or act in any manner thereon. Article 14. To see if the Town will vote to extend the town water from the top of Sand Hill across the field of Cecil Butler's down to the middle of Sand Hill and also installation of a hydrant and raise and appropriate or borrow a sufficient amount of money for same or act in any monner thereon. Per- mission has been granted by Cecil S. Butler to go across his field. Article 15. To see if the Town will raise and appropriate the sum of $1,000.00 to take off the corner half way between William Duggan place and John Duggan place and to widen and gravel the road from the junction of the old Ashuelot Road to the John Duggan pla6e, or act in any manner thereon. : a Article 16. To see if the Town will vote to raise and appropriate a sufficient sum of money to straighten the road from the Chester Thomas place to the top of Roger Streeter's hill, also widen the bridge, or act in any manner thereon. Article 17. To see if the Town will vote to raise and appropriate the sum of $431.62 to which the State will con- tribute $1,726.47 to be expended on Class 5 roads,. Article 18. To see if the Town will vote to raise and appropriate a sufficient sum of money to collect household rub- bish and garbage in the town of Hinsdale, or act in any manner thereon. Article 19. To see if the Town will vote to raise and appropriate the sum of five hundred dollars for the purpose of purchasing fireworks for a display at the Hinsdale Playgrounds on the evening of July 4th or act in any manner thereon. Article 20. To see if the Town will vote to accept the Australian Ballot system, starting at the next town meeting for the following purpose a. For the election of all town officers. Article 21. To see if the Town will vote to authorize the Selectmen to negotiate short term loans in anticipation of taxes. Article 22. To see if the Town will vote to continue the discount for early payments of taxes in the same manner as in previous years. Article 23. To see if the Town will vote to raise and appropriate a sufficient sum of money to install a street light across the road on the pole opposite O'Connor Funeral Home on High Street or act in any manner thereon. Article 24. To see if the Town will vote to raise and appropriate a sufficient sum of money to place a street light between the Arthur Rubeor and William Booth's houses on Spring St., or act in any manner thereon. Article 25. To see if the Town will vote to raise and appropriate a sum of money to place a street light on Stearns Court, between the brick building and Meany's bam, or act in any manner thereon. : Article 26. To see if the Town will vote to borrow on the credit of the Town a sum of money not to exceed $3,000.00 to pay the difference in value between the present truck and snow plow and a new truck and snow plow or act in any manner thereon. Article 27. To see if the Town will vote to raise and appropriate or borrow the sum of $1,500.00 to purchase a bull- dozer blade for the town tractor, or act in any manner thereon.
Recommended publications
  • Summer Art Acquisitions
    COMMUNICATIONS & MARKETING VIRGINIA MUSEUM OF FINE ARTS 200 N. Boulevard I Richmond, Virginia 23220-4007 www.vmfa.museum/pressroom I T 804.204.2704 FOR IMMEDIATE RELEASE July 15, 2013 Summer Art Acquisitions The following artworks were approved by the VMFA Board of Trustees in June 2013. VMFA is a state agency and a public/private partnership. All works of art are purchased with private funds from dedicated endowments. After VMFA’s board approves proposed acquisitions on a quarterly basis, the art becomes the property of the Commonwealth of Virginia to protect, preserve, and interpret. 1. Head of a Herm, Augustan (late 1st c. BCE—early 1st century CE), marble, 19¾‖ (w/o base); 26¾‖ (w/base). Arthur and Margaret Glasgow Endowment. This beautifully carved image of a bearded god is VMFA’s first major acquisition of ancient art in recent years and a significant addition to the museum’s holdings of Greek and Roman sculpture. As a late Hellenistic or Roman creation based on an original from the mid-fifth century BCE, this sculpture reflects the esteem later generations of artists held for the art of classical Athens. The head came from a herm, a type of sculpture that consists of a head surmounting a tall pillar with projecting posts evoking arms and an erect phallus. Early herms had a sacred character and served as distance and boundary markers with the power to ward away evil. Later herms had different type of heads, including female heads and even portraits. The form of the herm has remained part of the visual vocabulary of Western art with a wide variety of adaptations.
    [Show full text]
  • Harlem Renaissance Special Points of Interest
    Harlem Renaissance Special points of interest: The Harlem Renaissance was also know as the New Negro Movement. Plainfield Public Library Pathfinder September 2010 This captivating period of African American history began after Harlem Renaissance WWI and lasted until about 1935, in the mid- Do you have a special project for Black History dle of the Great involving ? Per- Depression. Month The Harlem Renaissance haps you are working on a college paper and are This great out flux of currently studying this very interesting and creative creativity, artistic period of American arts and letters. If you are start- expression, and ing a book club at home, and would like to begin it intellectualism repre- investing some time in this period of African Ameri- sented a marked can writing, can help concentration of pro- The Plainfield Public Library test, ideological you find the materials you need to form an outline advancement, and the for a discussion group. Or perhaps you saw a film furthering of civil rights or documentary on a title or author in this time peri- for African Americans. od, and you would like to simply find the printed ver- sion for your reading enjoyment. The goal of the move- ment was to create a Romare Bearden doubled disconnect between The Reference Department staff can help you find throughout his life as a social peoples’ perception of printed and electronic resources/items to enlighten worker by day and a visual African Americans and you about this time in American history, and the per- artist by night and weekends. those perpetuated by sonalities and talents that contributed to the flower- The prolific artist was a part mainstream American of the Harlem Artists Guild culture and its ing of African American arts and literature in the after studying art in NYC and institutions.
    [Show full text]
  • Eye to I: Self-Portraits from the National Portrait Gallery on View June 12 to September 12
    MASTERWORKS SPONSORSHIP OPPORTUNITIES Eye to I: Self-Portraits from the National Portrait Gallery On view June 12 to September 12. Drawing from the National Portrait Gallery’s vast collection, Eye to I will examine how artists in the United States have chosen to portray themselves since the beginning of the last century. The exhibition has been organized by the Smithsonian's National Portrait Gallery, Washington, D.C. and supported in part by Mr. and Mrs. Michael H. Podell. ALBUQUERQUE MUSEUM FOUNDATION To sponsor a MasterWork call Elaine Richardson 505.677.8491 or email [email protected] MASTERWORKS SPONSORSHIP OPPORTUNITIES Featured MasterWorks $1,000 – Pages 1-4 Paintings $500 – Pages 5-16 Prints, Photography, Drawings, and Watercolors $250 – Pages 17-60 ALBUQUERQUE MUSEUM FOUNDATION To sponsor a MasterWork call Elaine Richardson 505.677.8491 or email [email protected] MASTERWORKS FEATURED WORK• $1,000 Robert Rauschenberg 1925 Port Arthur, Texas – 2008 Captiva, Florida Autobiography 1968 offset lithograph National Portrait Gallery, Smithsonian Institution; the Ruth Bowman and Harry Kahn Twentieth-Century American Self- Portrait Collection NPG.2002.313 ALBUQUERQUE MUSEUM FOUNDATION To sponsor a MasterWork call Elaine Richardson 505.677.8491 or email [email protected] Page 1 MASTERWORKS FEATURED WORK • $1,000 Roger Shimomura born 1939 Seattle, Washington; lives Lawrence, Kansas Shimomura Crossing the Delaware 2010 acrylic on canvas National Portrait Gallery,
    [Show full text]
  • The University Art Collection: Paintings, Sculpture, Fine Prints, and Other Graphic Arts A
    Madonna and Child with Saints Catherine and Barbara, ca. 1525. Oil on panel, 21.75 x 16 inches. By the Master of Hoogstraeten (Netherlands; active first third of sixteenth century). This panel, painted in the tradition of Rogier van der Wyden and Gerard David, is probably related to a commission for the church of Saint Catherine in the Flemish town of Hoogstraeten near Antwerp. 144 The University Art Collection: Paintings, Sculpture, Fine Prints, and other Graphic Arts a Paintings........................................................................................................................... 145 Fine.Prints........................................................................................................................ 151 Editorial.Cartoons............................................................................................................. 157 Other.Graphics.Collections................................................................................................. 158 Sculpture........................................................................................................................... 160 Miscellaneous..................................................................................................................... 162 Archival.Resources............................................................................................................. 163 he University Art Collection is built largely on gifts from alumni and friends, and traces some important chapters in Georgetown’s history. Since it
    [Show full text]
  • International Exhibition of Contemporary Prints a Century 01
    INTERNATIONAL EXHIBITION OF CONTEMPORARY PRINTS A CENTURY 01= PROGRESS JUNE 1 TO NOVEMBER 1·1934 THE ART INSTITUTE OF CHICAGO CATALOGUE OF THE OFFICIAL INTERNATIONAL EXHIBITION OF CONTEMPORARY PRINTS FOR A CENTURY OF PROGRESS 1934 • THE ART INSTITUTE OF CHICAGO TUNE I TO NOVEMBER I , I934 No. 196. Shulamite BoRIS ANISFELD TRUSTEES, OFFICERS AND COMMITTEES THE ART INSTITUTE OF CHICAGO, 1934 Honorary Trustees JOHN J. GLESSNER WILLIAM 0. GooDMAN FRANK G. LOGAN Trustees DAVID ADLER JOHN A. HOLABIRD RoBERT ALLERTO:-< CHAUNCEY McCORMICK FREDERIC c. BARTLETT CYRUS McCoRMICK \VALTER S. BREWSTER PoTTER PALMER THOMAS E. Dm•INELLEY ABRAM PooLE PERCY B. ECKHART JOSEPH T. RYERSON MAX EPSTEIN wALTER B. SMITH CHARLES F. GLORE RussELL TYsON ALFRED E. HAMILL CHARLES H. WoRCESTER EDWARD J. KELLY RoBERT B. UPHAM Mayor of the City of Chicap Comptroller of the City of Chicago EDWARD J. KELLY PHILIPS. GRAVER President South Park Commissioners A:~ditor South Park Commissioners Officers FRANK G. LoGAN CHAUNCEY McCoRMICK Honorary President Vice-President WILLIAM 0. GooDMAN WALTER B. SMITH Honorary Vice-President Treasurer JOHN J. GLESSNER ROBERT B. HARSHE Honorary Vice-President Director PoTTER PALMER CHARLES FABENS KELLEY President Assistant Director RoBERT ALLERTON CHARLES H. BuRKHOLDER Vice-President Secretary and PERCY B. EcKHART Business Manager Vice-President GuY U. YouNG CHARLES H. WoRCESTER A1anager, Membership Vice-President Department Executive Committee PoTTER PALMER wALTER B. SMITH RoBERT ALLERTO:-< wALTER S. BREWSTER PERCY B. EcKHART CHARLES H. WoRCESTER RussELL TYSON CHAUNCEY McCoRMICK THE HONORARY PRESIDENT, THE TWO HONORARY VICE-PRESIDENTS, THE PRESIDENT AND THE D IRECTOR ARE EX OFFICIO MEMBERS OF ALL COMMITTEES STAFF OF THE ART INSTITUTE RoBERT B.
    [Show full text]
  • Art & Architecture Source
    Art & Architecture Source Database Coverage List "Core" coverage refers to sources which are indexed and abstracted in their entirety (i.e. cover to cover), while "Priority" coverage refers to sources which include only those articles which are relevant to the field. This title list does not represent the Selective content found in this database. The Selective content is chosen from thousands of titles containing articles that are relevant to this subject. *Titles with 'Coming Soon' in the Availability column indicate that this publication was recently added to the database and therefore few or no articles are currently available. If the ‡ symbol is present, it indicates that 10% or more of the articles from this publication may not contain full text because the publisher is not the rights holder. Please Note: Publications included on this database are subject to change without notice due to contractual agreements with publishers. Coverage dates shown are the intended dates only and may not yet match those on the product. All coverage is cumulative. Due to third party ownership of full text, EBSCO Information Services is dependent on publisher publication schedules (and in some cases embargo periods) in order to produce full text on its products. Coverage Policy Source Type ISSN Publication Name Publisher Indexing and Indexing and Full Text Start Full Text Stop Full Text Peer- PDF Image Abstracting Start Abstracting Stop Delay Review Images QuickVie (Months) ed (full w page) Core Magazine #3 Collection Journal 3 02/01/2013 02/01/2013 Core Book / Monograph 97807136 300 Years of Industrial Design A&C Black Publishers Ltd.
    [Show full text]
  • LGBTQ+ Artists Represented Int the Performing Arts Special Collections
    LGBTQ+ Artists Represented in the Performing Arts Special Collections in the Library of Congress Music Division Aaron Copland with Samuel Barber and Gian Carlo Menotti, 1945 (Aaron Copland Collection, Box 479 Folder 3) Compiled by Emily Baumgart Archives Processing Technician January 2021 Introduction The artistic community has always had many LGBTQ+ members, including musicians, dancers, choreographers, writers, directors, designers, and other creators. The Music Division holds a wealth of information about these LGBTQ+ artists in its performing arts special collections, which contain musical scores, correspondence, scripts, photographs and other documents of their lives and careers. This survey brings together some of the highlights from these holdings, providing an opportunity to learn more about LGBTQ+ creators and to recognize and celebrate their artistic achievements. The sexual and gender identity of many historical figures has been obscured over time; moreover, it can be difficult to determine how such individuals would identify by today’s terminology, especially when little of their personal life is known. Other figures, however, have disclosed their identity through their private correspondence or other writings. We do not wish to ascribe to any person an identity that they may have disagreed with, but at the same time we recognize that many of the queer community’s accomplishments have been hidden through oppression, prejudice, and forced closeting. By increasing awareness of LGBTQ+ identity in the Music Division’s special collections, we can make relevant primary source materials more readily accessible for students, educators, and scholars to study these creators and their contributions. This survey does not claim to be comprehensive, neither in terms of identifying every LGBTQ+ artist within the Music Division’s special collections nor in terms of identifying every collection in which those artists are represented.
    [Show full text]
  • List of Exhibitions Held at the Corcoran Gallery of Art from 1897 to 2014
    National Gallery of Art, Washington February 14, 2018 Corcoran Gallery of Art Exhibition List 1897 – 2014 The National Gallery of Art assumed stewardship of a world-renowned collection of paintings, sculpture, decorative arts, prints, drawings, and photographs with the closing of the Corcoran Gallery of Art in late 2014. Many works from the Corcoran’s collection featured prominently in exhibitions held at that museum over its long history. To facilitate research on those and other objects included in Corcoran exhibitions, following is a list of all special exhibitions held at the Corcoran from 1897 until its closing in 2014. Exhibitions for which a catalog was produced are noted. Many catalogs may be found in the National Gallery of Art Library (nga.gov/research/library.html), the libraries at the George Washington University (library.gwu.edu/), or in the Corcoran Archives, now housed at the George Washington University (library.gwu.edu/scrc/corcoran-archives). Other materials documenting many of these exhibitions are also housed in the Corcoran Archives. Exhibition of Tapestries Belonging to Mr. Charles M. Ffoulke, of Washington, DC December 14, 1897 A catalog of the exhibition was produced. AIA Loan Exhibition April 11–28, 1898 A catalog of the exhibition was produced. Annual Exhibition of the Work by the Students of the Corcoran School of Art May 31–June 5, 1899 Exhibition of Paintings by the Artists of Washington, Held under the Auspices of a Committee of Ladies, of Which Mrs. John B. Henderson Was Chairman May 4–21, 1900 Annual Exhibition of the Work by the Students of the CorCoran SChool of Art May 30–June 4, 1900 Fifth Annual Exhibition of the Washington Water Color Club November 12–December 6, 1900 A catalog of the exhibition was produced.
    [Show full text]
  • A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
    This page intentionally left blank This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 by Dorothy W. Phillips Curator of Collections The Corcoran Gallery of Art, Washington D.G. 1973 Library of Congress Catalogue Card Number N 850. A 617 Designed by Graham Johnson/Lund Humphries Printed in Great Britain by Lund Humphries Contents Foreword by Roy Slade, Director vi Introduction by Hermann Warner Williams, Jr., Director Emeritus vii Acknowledgments ix Notes on the Catalogue x Catalogue i Index of titles and artists 199 This page intentionally left blank Foreword As Director of the Corcoran Gallery of Art, I am pleased that Volume II of the Catalogue of the American Paintings in the Corcoran Gallery of Art, which has been in preparation for some five years, has come to fruition in my tenure. The second volume deals with the paintings of artists born between 1850 and 1910. The documented catalogue of the Corcoran's American paintings carries forward the project, initiated by former Director Hermann Warner Williams, Jr., of providing a series of defini• tive publications of the Gallery's considerable collection of American art. The Gallery intends to continue with other volumes devoted to contemporary American painting, sculpture, drawings, watercolors and prints. In recent years the growing interest in and concern for American paint• ing has become apparent.
    [Show full text]
  • To View Or Download the Exhibition Checklist Please Click Here
    GATHER OUT OF STAR-DUST The Harlem Renaissance & The Beinecke Library JANUARY 13 – APRIL 17, 2017 AT YALE UNIVERSITY Melissa Barton, Curator of Drama and Prose, Yale Collection of American Literature This exhibition was organized with the assistance of Olivia Hillmer Additional support provided by Phoenix Alexander GRD ’18 and Lucy Caplan GRD ’18 Additional commentary by Professor Robert B. Stepto THE HARLEM RENAISSANCE: 6. Marcus Garvey. An Appeal to the Soul of White America. New York: A CHRONOLOGY Universal Negro Improvement Association [?], 1923. 7. Window card for national tour of The Emperor Jones, 1921. A timeline of African American culture from 1910-1940, while 8. Noble Sissle and Eubie Blake. “I’m Just Wild About Harry,” in far from comprehensive, o≠ers a sense of the abundance, vari- Shu≠le Along. New York: M. Witmark and Sons, 1921. ety, and texture of documentation for this period available in the 9. Jessie Fauset. Letter to Langston Hughes, January 16, 1921. James Weldon Johnson Memorial Collection. The chronologi- Langston Hughes Papers. cal arrangement gives rise to interesting juxtapositions, such as 10. Claude McKay. Harlem Shadows. New York: Harcourt, Brace, and the appearance in the same year—1917—of Ridgley Torrence’s Company, 1922. “Negro plays” on Broadway and the N.A.A.C.P.’s Negro Silent 11. James Weldon Johnson. “A Real Poet.” New York Age, May 20, 1922. Protest Parade, or the emergence of Jean Toomer with Cane in 12. Claude McKay’s membership card for the Russian Communist the same year—1923—as the Charleston. Well-known events Party, March 1923.
    [Show full text]
  • Art and the New Negro
    Art and the New Negro An Online Professional Development Seminar Richard J. Powell John Spencer Bassett Professor of Art & Art History Duke University National Humanities Center Fellow 1995-96 We will begin promptly on the hour. The silence you hear is normal. If you do not hear anything when the images change, e-mail Caryn Koplik [email protected] for assistance. Art and the New Negro GOALS To deepen your understanding of the ways in which the New Negro Movement expressed itself in the visual arts To provide fresh primary resources and instructional approaches for use with students americainclass.org 2 Art and the New Negro UNDERSTANDINGS African American culture, from the vernacular to the cosmopolitan, and from the purely artistic to the socially grounded, figures prominently in the evolution of an early 20th century modernist sensibility. Despite the importance of African American- and/or Harlem-based expressions in the New Negro Arts Movement, the creative manifestations of this cultural initiative were international in scope, appearing in Europe, the Americas, and throughout the black diaspora. The chronological parameters of the New Negro Arts Movement span from the World War I years to the end of the 1930s. americainclass.org 3 Art and the New Negro From the Forum How does the art of the New Negro Movement reflect African American history? How does the art of the New Negro Movement relate to the literature of the Harlem Renaissance, particularly with the work of Zora Neale Hurston? To what extent did the
    [Show full text]
  • Evening Star. (Washington, DC). 1936-02-22 [P B-3]
    -- WILLIAMSBURG AND SANTA FE -«- Two Ancient American Backgrounds Appear in Washing- ton Exhibits—Color Block Prints Among Artistic Contributions to Local Galleries* By Leila Mechlin. dcrs, borrowing from the Indian folk- BULLETIN OF EXHIBITIONS. lore and tradition. EXHIBITION of paintings Corcoran of Art—Per- He and his wife (a musician) and by members of the Society of Gallery manent collections. their little daughter live in an adobe Washington Artists opened Washington Water Color Club's annual exhi- house just outside of Santa Fe. Adja- An this week in the Y. W. C. A.'s cent to the house is his studio, where bition, water colors and works in International House at 614 E street black and white. he makes and prints his blocks. He northwest, where it will remain on National gets out very small editions, printing view until April. This is the third Geographic Society- Exhibition of sculpture. "The only a few at a time—and rarely are exhibition that this society has put two Races of Mankind,” Malvina alike. Each is in fact an origi- on in these galleries and it consists by Hoffman. nal. Since the depression came upon for the most part of works shown in National us, making things more difficult than annual set Gallery of Art—Exhi- the exhibition forth in were artists in j bition of P. they before for all the Corcoran Gallery’ of Art in Janu- portraits by Bjorn exhibition of water parts of the country, Gustave Bau- ary. Egeli; pastels, colors, drawings, lithographs and mann has been making not only canvases are included :olor wood blocks Forty-three designs by Mons Breidvik and but puppets and Five are in the hall which them in hung leads! exhibition of vitreous enamels by exhibiting highly original from the to skits.
    [Show full text]