HOME ARTISTS RANK WELL IN WATER COLOR EXHIBITION GAINS IN 40 YEARS Notable Showings in Black and White Are Made—Tradition Richer Through Creative Genius of Artist.

"Lone Lake,” by Elisabeth E. Poe, in the Washington Water Color Club's annual exhibition at the Corcoran Gallery of Art.

a recently exhibited here at the Arts Leila ! Street Wharf.” The former sets forth | "The Veteran," an etching by R. W. Weiceske. in the black and white division of the Wash- By Mechlin. Club, is represented. Color Club’s annual a of four three men ington Water exhibition at the Corcoran Gallery of Art. Washington Water Color Club group persons, and a woman, quartet.” ren- 41st "string Excellent Work Holds Annual Exhibition. with of dering great inensity interest From Out-of-Town. etchings—one of an old barn and the Sale of Etchings and highly civilized and most artistic era. annual exhibition a musical composition. The latter forty-first excellent and delightful paint- other of "Laurelton Hall. Tiffany Other Prints Increases. Is it because all art is strung on the the Washington Water Color shows a group of Negroes making 'J'WO Foundation"—which show sensitive- ings—snow scenes, one at Con- Society of American Etchers same string—or because, in the mind Both have and are lub, which opened in the Cor- merry. vitality ness of feeling. Inez Demonet, who 'J'HE of the Indian as well as the cord, Mass., the other at Woodstock, has concluded its Greek, coran Gallery of Art the first of skillfully handled. has done excellent work in this field, just twenty- there is no Vt., the ski run—by Russell T. Smith, shadow of self-conscious- this week crowds the gallery of special is well an first annual exhibition held, as has no now head of the lately termed Depart- represented by etching ness, confusion? The Worcester exhibitions and overflows into the Phenomenal Success ment of Art at the University of North of the “All Hallows Gate of the Cathe- lately become customary, in the Na- Art Museum has lately, it is under- atrium where works in black and white Of Local Painter. Carolina at Chapel Hill, have been dral on Mt. Saint Alban.” while Minnie tional Arts Club, New York. Not only stood, acquired 15 Indian paintings, are shown. It is by no means a purely C. STANLEYS "Social L. is at her best in an and several Life, given impressive placement on the end Briggs etching was this exhibition, with its 194 sep- of the great art museums local display, for works have come from JANE Georgetown," a well-peopled street wall, which their admirable of "Iris in the Rain.” And in this arate items, upheld to a high standard abroad have acquired comprehensive over quality all the country, north, east, south scene in the small are collections. The Negro section, is a well- merits. Mr. Smith is an architect by comparatively group to be and well worth the effort it cost, but newest of our Amer- and west, painters of New England are rendered composition, and Thomas S. i training, but his enthusiasm is water found other works of real distinction, numerous sales were made, evidencing ican art museums, the Mint Museum, represented, but also painters and Baker's “Afternoon, Pigeon Cove,” for color painting and within the past two such as those by Margaret Dougall interest and co-operation on the pare in Charlotte, N. C., has set aside a printmakers of Southern California. as well as Elder. Kumm and of the and room for Indian art and is lighting effect, composition, ; years he has in this field come rap- Marguerite Wuanita public—a healthy invig- soon to Oklahoma, Texas, the "deep South.” j will be found to have much to com- Smith. Indeed, of one of the exhibit a collection of facsimiles : idly to the fore. His work is broad and orating sign. of Alabama. Georgia. South Carolina; mend it. One of the It is a an Samuel Cham- Indian outstanding ; simple, very sincere and sympathetic, strange anomaly that in this prints, etching by painting. It is well to cherish ana j the Atlantic Coast Middle West. works in this exhibition Is a — Marble- this art while it painting realistic enough to assure veracity, but i day, when painters are so regardless of berlain “Summer Street, lasts. Obviously the producing centers in this by Elisabeth E. Poe. entitled “Lone if we are not mistaken sufficiently interpretative to be emo- draftsmanship, printmaking, which head"—shown country have become widely dis- which is an Ruth H. in the Water Lake,” purely imaginative tional. “Self Portrait,” by Lee, Washington has as a first requirement mastery of in the Arts Club of Washington not Prints by a Florida Artist tributed. For this does not mean that but so ren- Ari. composition, powerfully Color Club’s annual exhibition at the Corcoran Gallery of this art, so thrives and flourishes. But long ago—20 copies were sold before To Be Shown local artists have been outcrowded, for S. Peter Wagner of this city. Maine Here. dered and with such decorative effect such is the case. This exhibition will the exhibition had been open a week. and to the season, they are still in the majority and that it more than carries realistic Florida, according at by Polly Knipp Hill of St. a Benson be on view to and Jan- In fact, all through the exhibition the best. is extremely well represented in this past. Kappel sends not only typical by Moore—very charming. including pRINTS among conviction. 20. that time were to be seen stars In Petersburg. Fla., will constitute boat, "Aloha,” but a well-etched by George J. Mess of In- uary exhibition by a large, colorful paint- fgrm Aquatints the exhibition in the The Washington Water Color Club Miss Poe has been known for years j and groups, indicating popular purchases. January Smith- ing, boldly rendered, of sunset through house—quite out of the ordinary; dianapolis are competent good American Art to Be has in the more than 40 years since its through her association as a Journal- Exhibited As John Taylor Arms said in the fore- sonian Institution. Miss Hill was the woods, which he has entitled "The while Grant is thrice represented by and etchings by Charles M. Capps of organization made an repu- ist with one of our In Scandinavian Countries. to the of this exhibition, born in Ithaca, N. Y.. and studied at enviable! Washington papers. of sailors on shore and on Kansas, who has been rep- word catalog ! Eagle Nest Pine.” Eleanor Parke Cus- etchings previously the tation for itself, showing in its annual Only lately has she taken up painting. HAVE been fortunate in this this is “a fitting moment for emphasis University of Syracuse. In 1930, who has a and all the sea. resented in these annual exhibitions by exhibitions work which reflected the tis, technique style WE 1932 and 1933 her work was Wisely knowing professional limita- show in- on the ‘eternal verities' of which art included her own, shows only one work this year Novel exhibits in this section are blofk prints and aquatints, country, in recent years, in se- trends of the time, but was upheld to tions, she has boldly essayed to find is one." in Fine Prints of the Year. She is farm "New drawings of hands by Roselle H. Osk crease in versatility and sensitive per- a high standard. Many changes have expression for her dreams through the | —a scene, England-Au- curing for display not in one but sev- both etcher and lithographer. and very well ren- of New York, of "The Conductor" and ception. taken place in these four decades. graphic arts, and her success has been gust"—picturesque eral cities notable collections of Manship's Sculpture Exhibition Susan B. the “The Sailor"—life size with greatly re- R. W. Weiceske is because When the Water Color Not was one of dered. Chase, secretary popular In Corcoran Officials Refuse to Admit Washington phenomenal. only works the artists Outstanding. of the club, is at her best in an in- duced figures in the background giving of the picturesqueness! of his themes, by leading and Club came into existence toward the her water colors accepted by the Phila- ; /"\NE of the most and Illustrations as Works Art. There is more in- but he is esteemed his important of last of the nineties” the Dutch Water Club for last : terior—a corner presumably of her setting. nothing by colleagues craftsmen of Europe, but we have "gay delphia display thought-provoking exhibitions to New York own studio. teresting than the hands drawn or for the artistic quality of hi's work. been customs officials are school of water color painting was at year, but it was purchased by the peculiarly indifferent to the de- be in in recent 'J'HE the old and noth- Reasons for both are Evidenced in his neld Washington years Its and of the for its painted by masters, again having difficulty In defining height many artists Pennsylvania Academy perma- and of ; Painters more difficult The hands of "The and I stability privilege showing the Is that of sculpture by Paul Manship, art. Some nent collection. She has Younger ing to do. etchings a tree, Veteran,” time ago, the Limited Edi- In this country were using the "scrub” made steady which in the Cor- Join the Ranks. works of our own artists and handi- opened yesterday tions Club instituted an method and color. to then progress, until now in “Lone Lake” her International opaque Up coran Gallery of Art. Not only is • for book water color had been technical competence matches her ARY WADE MOSES makes her craft workers abroad. There seems competition illustrations for employed chiefly Vf ; Mr. Manship one of our foremost force. This is remarkable 1 1 now reason to believe that this short- future publications. The prizes. $2.- In accordance with the tenets of the imaginative debut as a water colorist in this one of the American sculptors, but and achievement a road seldom trod. coming has been recognized and will 500, $1,500 $1,000. respectively, English school—clear wash on white by exhibition with two paintings. “The most individual. He is one of those be remedied. At the invitation of were sufficiently generous to tempt not paper—which, while sometimes very Another newcomer to this exhibition Old Canal” and "On the Railways." : who have led rather than followed— Denmark. Sweden and Finland a only American but foreign competi- effective, was weak. In fact such paint- is Walter Bruce Howe (best known in the latter picturing a boat laid up on who, while respecting tradition, has collection of ceramics by American j tors, but when the works entered in ings were referred to as "water color musical circles, to which his talented Rocky Neck, Gloucester, for repair to made it, through his own creative has been a arrived from there was potters assembled by com- competition abroad, they drawings.” Obviously then, wife makes large contribution as both its hull. Janice Holland is also twice genius. England has honored him by mittee of experts and. ; were .ield up at the Customs House aa as always, a middle ground—painters and who has and well, by and sponsored by composer performer), represented, "Fog an exhibition in her National Gallery dutiable. who used the Museum of Syracuse, sent to these transparent color with sent to this exhibition a little picture, Silence, Boothbay,” especially good in —the Tate; France has made him a countries for display between Janu- The Limited strength and vigor and fine effect. It "Tahiti,” sympathetically rendered. tone, and “Golden Harvest,” also tone- | chevalier of the Legion of Honor and Editions Club very ary and June. Now comes the an- claimed that an was from these that we derive today. ful, but somewhat stylized. one of his works; he is properly illustration So far as current trends go. the gamut nouncement that acquired rep- the Society of is a work of art, and therefore customs There have been changes in the is run from Prentiss painting There are fewer flower paintings resented in all our leading art mu- Taylor's American Etchers has made arrange- free, but the customs authorities medium itself. At first it came in little entitled "The Service which than usual this year. Outstanding are seums. There has been no one more Club," ments with the Riksforbundet For a hard cakes and to more more liked quoted decision of the Customs had be ground with would seem to be sur-realistic, to the “Zinnias,” by Lona Miller Keplinger, honored, discussed, ; Bildande Konst (Association for Court to the effect that when color water in saucers, then in little pans colorful and roses in a ! and questioned than he. Some years genuinely realistic paintings by Benson forthright: Furthering Art) for an of har moist exchange of Art ac- been used to such an extent that enough to be taken up with a B. Moore, "Haunts of the Pox” and bowl, “Over Night,” by Clara R. Saun- j ago the Corcoran Gallery print exhibitions between Sw'eden and it interferes with the such wet brush and care overflow- : his “Dancer and Gazelles." a design, works against “Winter on the Canal Road,” both of | ders, subtly rendered and reticent; America. quired next it in tubes characteristic work. Now it is must be classed as decorated paper and ing, appeared like oil which are very ! “Cactus,” by Lila M. Cabaniss, virile | very pictorial transcriptions Tne American exchange exhibit as such be to a tax. paints—and so it is still to be pur- and in- showing, on its way from Richmond, subject high of nature. Puzzle pictures may have and almost aggressive in color will consist of approximately 200 chased. These changes have affected their ! and “Narcissus," Eliza- where it was displayed in the Vir- This distinction is, to say the least, interest—undoubtedly they do— dividuality. by prints, etchings, lithographs, wood en- work in this medium and for this ginia Museum of Art, to New York, novel and unique. How color applied but If the puzzle is impossible of solu- ! beth Muhlhofer, exquisitely rendered gravings and block prints. It will be reason are Important. Such painting a comprehensive collection of Mr. as an integral part of a design can tion it soon ceases to amuse. And after i with meticulous care. shown in Stockholm in March, after In water color as we have today— all also be made of : Manship's works in bronze and in obscure the figures it is difficult to what is the use of expressing one- Mention should which it will go to one or two other strong, broad and forceful—could not i marble—a collection such as may understand. Some sympathy was felt self If the language used is unknown, landscapes by Elizabeth Sawtelle, A. H. major cities of Sweden and then be have been done with the medium in never be gotten together again. The for the New York customs officials unintelligible? O. Rolle, Elizabeth Graves, who stead- sent on a circuit of the principal Its original form. But it is true that value of such an exhibition lies in when they failed to see in the abstract ily gains in competence; Marguerite towns throughout the country. It Winslow Homer, perhaps the greatest for ! the opportunity it affords the public sculpture of Brancusi and his col- Vogue Munn, Edith Hoyt, Lesley Jackson, may thereafter go to Copenhagen, water colorist of this country, devel- The to see and study such work and be- leagues that which would proclaim Unlovely. Gladys Milligan and Ruth Osgood, all Oslo and Helsingfors for 1938. "This j oped his astonishing technique and I come familiar with it. Art is visual them to be works of art—but how an there are in this, as in of whom have long since attained high means," the circular states, “that the produced his astounding works under QBVIOUSLY and must be seen to be appreciated, illustration to accompany and eluci- all other exhibitions of current standing. Commendation should also prints in the exhibition will be absent | very severe technical difficulties. How- understood. Such work speaks for date text could be abstract is hard work, a considerable number of paint- go to Prances Wheeler for her "Pam- a year or more, making friends for ever. Homer was a genius and for such itself if allowed to do so, but its full to imagine. But art is a funny word, ings of things seen which are unlovely; pas Grass.” to Mildred Nungester of America and its artists throughout hurdles are not barriers and rules with- significance cannot be comprehended and at times very misleading. Some paintings which would seem to stress Alabama ana to Charles C. Councell of j ; the Scandinavian countries.” What out significance. At any rate water i at a glance. This exhibition will be one of exceptional wisdom has only ugliness and that which is dis- Alexandria—the two making two con- better service could they render? lately color has in our time ceased to be reviewed at length with illustrations suggested that if the new, progression pleasing. from choice or bravado: to i tributions of fine quality each. What better good-will envoy could regarded as a lady-like medium. in these columns next Saturday. It art, especially that of children, could say of so America have than one which so em- nothing compositions badly ; will continue for several weeks. In this connection it also be Black and White Section be given some other name, all the may drawn that one suspects on the part of phasizes the common sharing of noted that water color Exhibits. present fuss and worry and painting has the artist imperfect, uncorrected vision, Includes Notable Ideals? widespread Notable Exhibition would be done now come to be regarded with the THE section of of Draicings disagreement away but such works are not dominant here. TN black-and-white The '■ return National Exhibition of And Prints Beal. with. But as it no same importance as painting in oils. In by Gifford is. wonder the fact, they are in the minority. But this exhibition there is much to Swedish Prints will be shown in New For example, both Winslow Homer and poor customs officials are bewildered. unfortunately they are not and to hold attention. Here, York j IN THE print rooms at the Phillips sufficiently delight early next Fall and then sent on 1 Who has ever John Singer Sargent, pre-eminent as satisfactorily defined counterbalanced by strong, colorful too, the exhibits have come from all a circuit America. I Memorial Gallery opens, today, an in are throughout Every ! art? painters oils, likewise pre- works a of more inspiring sort. It is parts of the country. -Also the media | effort will be made to uphold these exhibition of drawings and prints by eminent as water colorists, and the in the apparent timidity of some of are much varied, including etching, exhibitions to the highest standard. Gifford Beal, who happens to be both chances are that for their work in the the painters, who presumably follow aquatint, lithography, wood block and The American exhibition will be a National Academician and a leader latter will be se- they equally Jong re- that well as Some in the so-called modern movement. Aids Vital. tradition,- present-day confusion ; engraving, as drawing. lected by two expert juries, one of dis- Housekeeping membered. But as Eliot O Hara has is moat The characteristic of his clearly registered. i of the foremost graphic artists of the tinguished the other of men outstanding One of the less publicized activities said in his book on water color etchers, painting There is weak in Robert ! in America are as. who work is strength, and whatever he of the W. P. A. has been the work of —“to nothing day represented, have attained distinction as paint good water colors is a full- Franklin does has this The list of Gates' “Waiting for the ! for instance, John Taylor Arms, Philip lithographers, wood engravers and quality. the housekeeping aids, those women time Job, not a relaxation from other “Evening Quartet,” a water color Catharine Morris Thaw," but certainly the old tractor Kappel and Gordon Grant. Arms, who by block cutters. awards received by Mr. Beal is long who go into homes where living con- kinds of artistic expression.” Too Wright, in the Washington Water Color Club’s annual exhibition many which plays the chief part In this com- is president of the Society of American In connection with this exhibition and enviable, and it is interesting to ditions are far below par either persons, perhaps, have regarded it as at the Corcoran Gallery of Art. note that such have to him not position is not a beautiful object even Etchers, has contributed to this exhibi- which is to be shown abroad, the So- come through ignorance, carelessness or the latter and too many still look | upon in the midst of a snow-covered field tion three of his most skillful etchings of only for oil paintings, but water col- complications which render proper It as a I ciety American Etchers announces medium for amateurs. ors and is But neither is there weakness in the of Gothic buildings, with special ref- of “The Conductor” by this artist are a of trees, “Windblown Birches," an exhibition of wood prints. He quite generally home-making impossible. That water color is an gropp lithographs, elastic me- two represented in the art mu- colorful, illustrative, if you will, erence to detail in carving and archi- especially significant. in this exhibition—both of which are cuts and block prints, national in leading The aides visit homes in need of dium, allowing great freedom for in- seums of this In his but very charming paintings in gouache tectural ornament—marvels of tech- uncommonly well composed and more scope, to be held under its auspices country. paint- instruction, teach the home-maker dividuality of expression, the current Novelties he has at times in by Gertrude A. Kay. “Village in the nical competence—mastery of medium than cleverly rendered. If we can- in the National Arts New ings specialized how to cook, how to maintain sani- exhibition of the Washington Water Club, York, Pyrenees" and "In a indicative of humble ad- In Color. not find in nature, where subjects—as for example, in circus Color Club gives Basque Town.’’ —and fully beauty may during the month of February. Prints tary conditions, how to make and re- ample proof. Not 1 scenes and scenes of life. by Which this capable Ohio artist, who miration for the great work of the novelties are the color wood- we look for It? Mr. Wciceske for both seafaring how to only is the lubject matter varied, but r^THER hopefully exhibitions in these media pair clothing, guard the health .- of E. But he is too big and competent an also the method of blocks Sophonisba Herges- has not only discovered it in land- may be sent in duplicate, the same of the family, in fact, how to make a handling. There artist to tie himself down to sub- heimer of Nashville, of "Giant Euca- but made it manifest to all. in instances. The any home. are as many ways of as scape, jury serving both painting there more than and a lyptus, San Diego" and “Mt. Hood. of this second exhibition is ject temporarily, are painters, and who shall that purpose to 1 As an example of the type of service say Local Printmakers study of his prints will evidence his one is most Oregon.” interesting both in color and encourage the arts of any correct? These are lithography, breadth which is rendered in times of emer- Bulletin the color of Mul- Show of interest and catholicity i of pattern; prints Progress. wood and wood and times for artists Exhibitions Mary cutting engraving one Ohio home visited was because of trying the of taste. First of he is a gency, lineaux—one of blue morn- RAYMOND CARRINGTON, all, capable confusion of ideals, the of Japanese to demonstrate the friendliness of the headed a mother who was strength QMAR draftsman; he is in- by suffering other a beach secondly, keenly the currents of that are ing-glories—the scene; a member of the Landscape Club Society of American Etchers toward from tuberculosis. The change sweep- CORCORAN j terested. if we read his works cor- attending GALLERY OF ART—Permanent and the color of a cedar bird ing the world, and in every exhibition collection, American etching and a good painter, shows here two and interest in these media. j physician had asked for a 90-day rest paintings and sculpture. rectly, in the drama of life. This is of current work one notes a certain Barye bronzes. Clark collection—European for the mother. Instead of paintings, a good combination. The exhbiitlon breaking evidence of bewilderment rugs, tapestries, lace. etc. Drawings by Sargent. Forty-first and confu- has been up the home, sending the children to Annual Exhibition Water opening today gotten to- *lon. From this the present exhibi- Washington Color Club. Exhibition Of sculp- an institution, a housekeeping aide ture by Paul gether at the request of Mrs. Phillips, tion is hot exempt. In fact, this state Munship. visited the home for five hours each GALLERY by whom it is specially sponsored. of mind on the part of the painters is op ART. UNITED STATES NATIONAL day, did the food purchasing, planned MUSEUM Permanent more obvious here than in previous collections. Evans, Gellatly, Ralph Cross John- {the meals and in other ways replaced son. Harriet Lane Johnson Landscape Painters showings. The display as a whole is and Herbert Ward African sculptures {mother until she was able to return, lesa Two stained In the Women’s City Club. colorful, the work less assured glass windows by John La Farge and other recent Iwell again and ready to assume her and in effect accessions. January exhibition in the Wom- positive than heretofore. rpHEA tegular burdens. There are fewer contribu- INSTITUTION en's City Club consists of works outstanding DIVISION — — OF GRAPHIC ARTS- -m tions. on SMFj®Gf,IAN.°n of members of the But, the other hand, the *tchmgs Polly Knipp Hill of Florida by Landscape Club of average of competence is FREER GALLERY OF Washington, headed by its president, fairly high ART—Permanent collections Whistler paintings 9,000,000 Visit Parks. and sustained. etchings, dramas, and the Peacock Bruce Horsfall, and including works Room, Oriental paintings, bronzes of the pottery, miniatures, etc. by Garnet Jex, Roger B. Rittase, John 'J'HE popularizing national Portraits and NATIONAL MUSEUM. W. Perkins, Roy Clark, Omar H. Car- parks, which has been under way Tenth street and Constitution avenue—Exhibi- Figure tion Benson B. Minor for the last several years, gained re- Paintings. Index of American Design. Federal Art rington, Moore, S. Project, W. P. A. newed this 18 unusual PHILiUPS MEMORIAL Jameson, L. O. Norris, Rowland Lyon, impetus past year. A sur- to see life-size portraits GALLERY—Permanent collection paintings by JT old and modern Charles Whepley. Russell C. Parr, vey indicates that fuUy 20 per cent In water color, but to this exhibi- masters; also works in sculpture. and Drawings prints Roy Clark and A. H. O. Rolle. more people visited the parks in 1936 tion Ruth H. Lee of Syracuse, N. Y., by Gifford Beal. STUlJlO than in the previous year. contributes two—one a self-portrait, HOUSE—Exhibition of drawings by Aaron Sopher. TEXTILE Paintings by Blue Eagle The development of various out- the other of an old woman napping, MUSEUM OF THE DISTRICT OF COLUMBIA—Permanent To Be Seen for Another Week. door facilities, such as those for with a bowl of fruit on her lap, both collection rugs, tapestries and other textiles of the sport Near and Far East 'T'HE exhibition exceedingly well rendered and Open Mondays. of paintings by skiing, ice skating and other Winter given Wednesdays and Fridays 2 to 5 p.m. Admission by of honor. Another Chief Acee Blue Eagle continues sports, hiking, horseback riding, cam- positions Syracuse of Geor*e HewRI Myers, 730 Fifteenth street. painter—Marjorie 8. Garfield, who has THE ARTS CLUB OF at the Arts Club ot Washington for era hunting and so on, brought a WASHINGTON—Exhibition of paintings by Acee made a name for herself by the paint- Blue Eagle of Oklahoma. another week, much to the gratifi- greatly increased number of visitors. ing of period rooms in art museums— cation of those who have found in it Nine million people at least visited LIBRARY OF CONGRESS. DIVISION OF FINE ARTS—Exhibition of has here made notable contribution in much to admire and ponder. Blue the 134 parks and national monu- recent accessions: Pennell lithographs; drawings by American Illus- • broad, of the door of Eagle’s art, like that of his Indian ments, the far reaches of which were simple painting trators. Exhibition of original Illustrations Walter a by Appleton Clark made accessible means church at Ragusa, No less compe- — confreres in Oklahoma and New Mex- by of new recent accessions Pictorial photographs of the Statue of tent and a Liberty is trails and in perhaps bit more colorful by Jeanette Griffith. ico, essentially racial, but it is at highways, construcsted and effective is the painting by Mary the same time new. It possesses the part by members of the Civilian Con- PUBLIC LIBRARY, MAIN BUILDING—Exhibition of local O. of this of the church at prints by of the best Indian art that servation Riley city artists. qualities Corps. Ban Miguel, done during a recent has been preserved to us from the MOUNT PLEASANT BRANCH—Exhibition water colors Susan B. Summer sojourn in Central America. by past, but it is of our time. Chase end Frances Wheeler. Especially Two figure compositions, widely dif- does Blue Eagle in his paintings evi- GEORGETOWN BRANCH—Paintings members of the ferent in manner of handling and in by Landscape dence a keen of deco- EXHIBITION Club appreciation personnel, stand out in this collec- rative values, and with especial felic- LITTLE GALLERY, 2040 S street—Water colors and ASIAN tion—"Evening Quartet," by Cath- prints by local art- ity does he employ the art of elim- ARTS ists at moderate arine Morris Wright of Philadelphia prices. ination. Strangely enough, there is Chinese Paintings of the Ming, Kong- GALLERY OF MODERN and who contributes also a notable ma- MASTERS—Paintings designs by Olinska something in these paintings, without shi and Chien Lung Periods; Portraits, rine, "The Spray.” and "Mammy's Hrdy. background, of figures which cut Buddhist, Floral and Scenes. Just or-, PAN-AMERICAN UNION—Exhibition of ’lace,” by Gertrude G. Brown oi photographs of Mexico by sharply and clearly against the white rived from Peking. D. L. and G. E. Fischer. ilashingtnn. who is likewise well rep- Laid’g “The Conductorby Roselle H. Osk, in the black and white section oj the Washington Water paper in silhouette, that recalls the 114B Connecticut Ave. lied by a second work, "EleveiAb Color Club's annual exhibition at the Corcoran Gallery of Art. 1 fig urea on Greek vaaea of the moat

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