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The Sculptures of Upper Summit Avenue
The Sculptures of Upper Summit Avenue PUBLIC ART SAINT PAUL: STEWARD OF SAINT PAUL’S CULTURAL TREASURES Art in Saint Paul’s public realm matters: it manifests Save Outdoor Sculpture (SOS!) program 1993-94. and strengthens our affection for this city — the place This initiative of the Smithsonian Institution involved of our personal histories and civic lives. an inventory and basic condition assessment of works throughout America, carried out by trained The late 19th century witnessed a flourishing of volunteers whose reports were filed in a national new public sculptures in Saint Paul and in cities database. Cultural Historian Tom Zahn was engaged nationwide. These beautiful works, commissioned to manage this effort and has remained an advisor to from the great artists of the time by private our stewardship program ever since. individuals and by civic and fraternal organizations, spoke of civic values and celebrated heroes; they From the SOS! information, Public Art Saint illuminated history and presented transcendent Paul set out in 1993 to focus on two of the most allegory. At the time these gifts to states and cities artistically significant works in the city’s collection: were dedicated, little attention was paid to long Nathan Hale and the Indian Hunter and His Dog. term maintenance. Over time, weather, pollution, Art historian Mason Riddle researched the history vandalism, and neglect took a profound toll on these of the sculptures. We engaged the Upper Midwest cultural treasures. Conservation Association and its objects conservator Kristin Cheronis to examine and restore the Since 1994, Public Art Saint Paul has led the sculptures. -
Summer Art Acquisitions
COMMUNICATIONS & MARKETING VIRGINIA MUSEUM OF FINE ARTS 200 N. Boulevard I Richmond, Virginia 23220-4007 www.vmfa.museum/pressroom I T 804.204.2704 FOR IMMEDIATE RELEASE July 15, 2013 Summer Art Acquisitions The following artworks were approved by the VMFA Board of Trustees in June 2013. VMFA is a state agency and a public/private partnership. All works of art are purchased with private funds from dedicated endowments. After VMFA’s board approves proposed acquisitions on a quarterly basis, the art becomes the property of the Commonwealth of Virginia to protect, preserve, and interpret. 1. Head of a Herm, Augustan (late 1st c. BCE—early 1st century CE), marble, 19¾‖ (w/o base); 26¾‖ (w/base). Arthur and Margaret Glasgow Endowment. This beautifully carved image of a bearded god is VMFA’s first major acquisition of ancient art in recent years and a significant addition to the museum’s holdings of Greek and Roman sculpture. As a late Hellenistic or Roman creation based on an original from the mid-fifth century BCE, this sculpture reflects the esteem later generations of artists held for the art of classical Athens. The head came from a herm, a type of sculpture that consists of a head surmounting a tall pillar with projecting posts evoking arms and an erect phallus. Early herms had a sacred character and served as distance and boundary markers with the power to ward away evil. Later herms had different type of heads, including female heads and even portraits. The form of the herm has remained part of the visual vocabulary of Western art with a wide variety of adaptations. -
Annual Reports of the Town Officers of Hinsdale, N.H., for the Year
ai Reports t of the Town Officers HinSDRLE NEW HAMPSHIRE for the year ending DECEMBER 31 1946 « VA ijy^V, ANNUAL REPORTS OF THE Town Officers OF HINSDALE, N. H. FOR THE YEAR ENDING DECEMBER 31, 1946 THE ZION'S HILL PRESS HINSDALE N. H. 1947 z>szoi INDEX Bonded Debt 20 Cemetery Lot Fund 19 Cemetery Trust Funds 94 Detailed Statement of Expenditures 21 Fire Department 43 Highway Department 33 Municipal Court 56 Library Report 61 Library Trust Funds 99 Licensed Dogs 50 Public Health Nursing Association 58 Selectmen's Report 10 School Budget » 70 School District Financial Report 71 School Headmaster's Report 81 School Health Report 91 School Honor Roll 90 School Planning Committee 92 School Officers and Teachers 66 School, Table of Salaries 90 School Statistical Table 88 School Superintendent 85 School Treasurer 80 School Warrant - 68 Tax Collector 46 Town Budget 15 Town Clerk • 50 Town Officers 3 Town Poor 27 Town Treasurer 18 Town Warrant ^ Vital Statistics 101 Water & Sewer Works, Superintendent's Report 40 Welcome Home Committee 63 TOWN OFFICERS Moderator CLARENCE D. FAY Selectmen and Assessors JAMES G. SNOW Term expires 1947 CLIFFORD STEARNS Term expires 1948 FRANCIS E. MASON Term expires 1949 Town Clerk ELEANOR S. SMITH Town Treasurer ROGER F. HOLLAND Collector of Taxes GEORGE H. JONES Highway Agent WALTER H. BARRETT Water and Sewer Commissioners HOWARD I. STREETER Term expires 1947 ROBERT A. WEEKS Term expires 1948 WILLIAM S. KIMBALL Term expires 1949 Supervisors of Check List RAY L. FLETCHER WILLIAM E. WATSON ROBERT CUNNINGHAM Overseer of Charities HOWARD I. -
Harlem Renaissance Special Points of Interest
Harlem Renaissance Special points of interest: The Harlem Renaissance was also know as the New Negro Movement. Plainfield Public Library Pathfinder September 2010 This captivating period of African American history began after Harlem Renaissance WWI and lasted until about 1935, in the mid- Do you have a special project for Black History dle of the Great involving ? Per- Depression. Month The Harlem Renaissance haps you are working on a college paper and are This great out flux of currently studying this very interesting and creative creativity, artistic period of American arts and letters. If you are start- expression, and ing a book club at home, and would like to begin it intellectualism repre- investing some time in this period of African Ameri- sented a marked can writing, can help concentration of pro- The Plainfield Public Library test, ideological you find the materials you need to form an outline advancement, and the for a discussion group. Or perhaps you saw a film furthering of civil rights or documentary on a title or author in this time peri- for African Americans. od, and you would like to simply find the printed ver- sion for your reading enjoyment. The goal of the move- ment was to create a Romare Bearden doubled disconnect between The Reference Department staff can help you find throughout his life as a social peoples’ perception of printed and electronic resources/items to enlighten worker by day and a visual African Americans and you about this time in American history, and the per- artist by night and weekends. those perpetuated by sonalities and talents that contributed to the flower- The prolific artist was a part mainstream American of the Harlem Artists Guild culture and its ing of African American arts and literature in the after studying art in NYC and institutions. -
EDUCATION MATERIALS TEACHER GUIDE Dear Teachers
TM EDUCATION MATERIALS TEACHER GUIDE Dear Teachers, Top of the RockTM at Rockefeller Center is an exciting destination for New York City students. Located on the 67th, 69th, and 70th floors of 30 Rockefeller Plaza, the Top of the Rock Observation Deck reopened to the public in November 2005 after being closed for nearly 20 years. It provides a unique educational opportunity in the heart of New York City. To support the vital work of teachers and to encourage inquiry and exploration among students, Tishman Speyer is proud to present Top of the Rock Education Materials. In the Teacher Guide, you will find discussion questions, a suggested reading list, and detailed plans to help you make the most of your visit. The Student Activities section includes trip sheets and student sheets with activities that will enhance your students’ learning experiences at the Observation Deck. These materials are correlated to local, state, and national curriculum standards in Grades 3 through 8, but can be adapted to suit the needs of younger and older students with various aptitudes. We hope that you find these education materials to be useful resources as you explore one of the most dazzling places in all of New York City. Enjoy the trip! Sincerely, General Manager Top of the Rock Observation Deck 30 Rockefeller Plaza New York NY 101 12 T: 212 698-2000 877 NYC-ROCK ( 877 692-7625) F: 212 332-6550 www.topoftherocknyc.com TABLE OF CONTENTS Teacher Guide Before Your Visit . Page 1 During Your Visit . Page 2 After Your Visit . Page 6 Suggested Reading List . -
Sicily-Rome American Cemetery and Memorial
Sicily-Rome American Cemetery and Memorial American Battle Monuments Commission 1 2 LOCATION The Sicily-Rome American Cemetery and Memorial lies at the north edge of the town of Nettuno, Italy, which is immediately east of Anzio, 38 miles south of Rome. There is regular train service between Rome and Nettuno. Travel one way by rail takes a little over one hour. The cemetery is located one mile north of the Nettuno railroad station, from which taxi service is available. To travel to the cemetery from Rome by automobile, the following two routes are recommended: (1) At Piazza di San Giovanni, bear left and pass through the old Roman wall to the Via Appia Nuova/route No. 7. About 8 miles from the Piazza di San Giovanni, after passing Ciampino airport, turn right onto Via Nettunense, route No. 207. Follow the Sicily-Rome American Cemetery sign and proceed past Aprilia to Anzio, Nettuno and the cemetery. (2) At Piazza de San Giovanni, bear right onto the Via dell’ Amba Aradam to Via delle Terme de Caracalla and pass through the old Roman wall. Proceed along Via Cristoforo Colombo to the Via Pontina (Highway 148). Drive south approximately 39 miles along Highway 148 and exit at Campoverde/Nettuno. Proceed to Nettuno. The cemetery is located 5 ½ miles down this road. Adequate hotel accommodations may be found in Anzio, Nettuno and Rome. HOURS The cemetery is open daily to the public from 9:00 am to 5:00 pm except December 25 and January 1. It is open on host country holidays. -
Eye to I: Self-Portraits from the National Portrait Gallery on View June 12 to September 12
MASTERWORKS SPONSORSHIP OPPORTUNITIES Eye to I: Self-Portraits from the National Portrait Gallery On view June 12 to September 12. Drawing from the National Portrait Gallery’s vast collection, Eye to I will examine how artists in the United States have chosen to portray themselves since the beginning of the last century. The exhibition has been organized by the Smithsonian's National Portrait Gallery, Washington, D.C. and supported in part by Mr. and Mrs. Michael H. Podell. ALBUQUERQUE MUSEUM FOUNDATION To sponsor a MasterWork call Elaine Richardson 505.677.8491 or email [email protected] MASTERWORKS SPONSORSHIP OPPORTUNITIES Featured MasterWorks $1,000 – Pages 1-4 Paintings $500 – Pages 5-16 Prints, Photography, Drawings, and Watercolors $250 – Pages 17-60 ALBUQUERQUE MUSEUM FOUNDATION To sponsor a MasterWork call Elaine Richardson 505.677.8491 or email [email protected] MASTERWORKS FEATURED WORK• $1,000 Robert Rauschenberg 1925 Port Arthur, Texas – 2008 Captiva, Florida Autobiography 1968 offset lithograph National Portrait Gallery, Smithsonian Institution; the Ruth Bowman and Harry Kahn Twentieth-Century American Self- Portrait Collection NPG.2002.313 ALBUQUERQUE MUSEUM FOUNDATION To sponsor a MasterWork call Elaine Richardson 505.677.8491 or email [email protected] Page 1 MASTERWORKS FEATURED WORK • $1,000 Roger Shimomura born 1939 Seattle, Washington; lives Lawrence, Kansas Shimomura Crossing the Delaware 2010 acrylic on canvas National Portrait Gallery, -
The Lachaise Foundation
THE LACHAISE FOUNDATION Marie P. Charles, Director Frederick D. Ballou, Trustee Paula R. Hornbostel, Curator & Trustee Ronald D. Spencer, Trustee REMINDER February 21, 2012 www.frelinghuysen.org www.lachaisefoundation.org www.nyc.gov/parks GASTON LACHAISE’S LA MONTAGNE (THE MOUNTAIN) IN TRAMWAY PLAZA New York City’s Department of Parks & Recreation, The Lachaise Foundation and the Frelinghuysen-Morris Foundation are pleased to remind the public of the loan of La Montagne (The Mountain) modeled in 1934 by American Modernist sculptor Gaston Lachaise (1882-1935). The monumental bronze earth goddess lies at Tramway Plaza, located on Second Avenue between 59th and 60th Streets, where it is on loan to the New York City Parks Department from September 23rd until June 4th, 2012. Born in Paris in 1882, Gaston Lachaise studied sculpture at the Ecole des Beaux-Arts, coming to the United States in 1906. He arrived in New York in 1912, and gained work with Paul Manship. He is known for his striking, voluptuous sculptures of women, they having been inspired by one woman, his muse model and wife Isabel. In 1935 the Museum of Modern Art gave Lachaise a retrospective exhibition of his work. He died later that year at the height of his career. The work of Lachaise’s work can be seen at Rockefeller Center on the 6th avenue facade of the GE building; in the sculpture garden at Moma (Floating Figure 1927) at the Metropolitan Museum of Art and at the Whitney Museum. This bronze cast, the second in an edition of five, was made in 2002 by the Modern Art Foundry. -
Designs in Glass •
Steuben Glass, Inc. DESIGNS IN GLASS BY TWENTY-SEVEN CONTEMPORARY ARTISTS • • STEUBEN TH E CO LLE CT IO N OF DE S IG NS I N GLASS BY TWE N TY- SEVEN CONTE iPORARY ARTISTS • STEUBE l G L ASS lN c . NEW YORK C ITY C OP YTIT G l-IT B Y ST EUBEN G L ASS I NC . J ANUA H Y 1 9 40 c 0 N T E N T s Foreword . A:\1 A. L EWISOH Preface FRA K JEWETT l\lATHER, JR. Nalure of lhe Colleclion . J oH 1\1. GATES Number THOMAS BENTON 1 CHRISTIA BERARD . 2 MUIRHEAD BO E 3 JEA COCTEAU 4 JOH STEUART CURRY 5 SALVADOR DALI . 6 GIORGIO DE CHIRICO 7 A DRE DEHAI s RAO L DUFY 9 ELUC GILL 1 0 DU TCA T GRANT . 11 JOTI GREGORY 12 JEA HUGO 13 PETER HURD 14 MOISE KISLI. G 15 LEON KROLL . 16 MARIE LA RE TCIN 17 FERNAND LEGER. IS AlUSTIDE MAILLOL 19 PAUL MANSHIP 20 TT E TRI MATISSE 21 I AM OGUCHI. 22 GEORGIA O'KEEFFE 23 JOSE MARIA SERT . 24 PAVEL TClfELlTCHEW. 25 SID EY WAUGII 26 GHA T WOOD 27 THE EDITION OF THESE PIECE IS Lil\1ITED • STEUBEN WILL MAKE SIX PIECES FROM EACH OF THESE TWENTY SEVE DESIGNS OF WHICH ONE WILL BE RETAINED BY STEUBEN FOR ITS PERMANE T COLLECTIO TIIE REMAI I G FIVE ARE THUS AVAILABLE FOR SALE F 0 R E w 0 R D SAM: A. LEWISOHN This is a most important enterprise. To connecl lhe creative artist with every-day living is a difficult task. -
The Cornish Colony Highlights from the Collection the Cornish Colony Highlights from the Collection
THE CORNISH COLONY Highlights from the Collection THE CORNISH COLONY Highlights from the Collection The Cornish Colony, located in the area of Cornish, New The Cornish Colony did not arise all of apiece. No one sat down at Hampshire, is many things. It is the name of a group of artists, a table and drew up plans for it. The Colony was organic in nature, writers, garden designers, politicians, musicians and performers the individual members just happened to share a certain mind- who gathered along the Connecticut River in the southwest set about American culture and life. The lifestyle that developed corner of New Hampshire to live and work near the great from about 1883 until somewhere between the two World Wars, American sculptor Augustus Saint-Gaudens. The Colony is also changed as the membership in the group changed, but retained a place – it is the houses and landscapes designed in a specific an overriding aura of cohesiveness that only broke down when the Italianate style by architect Charles Platt and others. It is also an country’s wrenching experience of the Great Depression and the ideal: the Cornish Colony developed as a kind of classical utopia, two World Wars altered American life for ever. at least of the mind, which sought to preserve the tradition of the —Henry Duffy, PhD, Curator Academic dream in the New World. THE COLLECTION Little is known about the art collection formed by Augustus Time has not been kind to the collection at Aspet. Studio fires Saint-Gaudens during his lifetime. From inventory lists and in 1904 and 1944 destroyed the contents of the Paris and New correspondence we know that he had a painting by his wife’s York houses in storage. -
A History Lesson Like No Other First Town Downtown Inc
WEEKLY Serving Windsor, Connecticut’s First Town, founded 1633 January 8, 2021 www.TheWindsorJournal.com Priceless 12 pages GENEVIEVE LATTIMER NAMED A HISTORY LESSON LIKE NO OTHER FIRST TOWN DOWNTOWN INC. NEW EXECUTIVE DIRECTOR coordinated large events. Most recently she handled all aspects of office management including technology upgrades and coor- dinating the Eversource Hartford Marathon Official Charity Program, a 25-charity group event. “As a life-long resident, I am thrilled to bring my skills and experience to First Town Downtown, an organization that has been praised for its positive influence on our com- munity. I look forward to build- ing upon the mission of pro- moting Windsor Center as a First Town Downtown vibrant recreational, economic announced Thursday that and cultural destination,” said Photos of the plaza in front of the Genevieve Lattimer will be its Genevieve Lattimer, new Capitol, as the rioters were storming new Executive Director. Executive Director of First the building, Wednesday, They were Genevieve Lattimer comes Town Downtown. taken from the window of Larson’s from the Hartford Marathon Outgoing Executive Director, aids’ office in the Longworth House Foundation where she man- Jane Garibay says, "I'm leaving Office Building, by George Wang. aged teams of volunteers and See FTDT page 6 CLEAR WATERS AHEAD: FARMINGTON SAFE FOR FISHING! Good news for the enviro- ment, this week. The state Public Health Department announced it has removed the consumption advisory for any fish caught in the lower Congressman John Larson, the former George J. Penney Farmington River, saying it’s a teacher and student High School in his hometown, safe to eat fish from the river. -
The University Art Collection: Paintings, Sculpture, Fine Prints, and Other Graphic Arts A
Madonna and Child with Saints Catherine and Barbara, ca. 1525. Oil on panel, 21.75 x 16 inches. By the Master of Hoogstraeten (Netherlands; active first third of sixteenth century). This panel, painted in the tradition of Rogier van der Wyden and Gerard David, is probably related to a commission for the church of Saint Catherine in the Flemish town of Hoogstraeten near Antwerp. 144 The University Art Collection: Paintings, Sculpture, Fine Prints, and other Graphic Arts a Paintings........................................................................................................................... 145 Fine.Prints........................................................................................................................ 151 Editorial.Cartoons............................................................................................................. 157 Other.Graphics.Collections................................................................................................. 158 Sculpture........................................................................................................................... 160 Miscellaneous..................................................................................................................... 162 Archival.Resources............................................................................................................. 163 he University Art Collection is built largely on gifts from alumni and friends, and traces some important chapters in Georgetown’s history. Since it