A History Lesson Like No Other First Town Downtown Inc

Total Page:16

File Type:pdf, Size:1020Kb

A History Lesson Like No Other First Town Downtown Inc WEEKLY Serving Windsor, Connecticut’s First Town, founded 1633 January 8, 2021 www.TheWindsorJournal.com Priceless 12 pages GENEVIEVE LATTIMER NAMED A HISTORY LESSON LIKE NO OTHER FIRST TOWN DOWNTOWN INC. NEW EXECUTIVE DIRECTOR coordinated large events. Most recently she handled all aspects of office management including technology upgrades and coor- dinating the Eversource Hartford Marathon Official Charity Program, a 25-charity group event. “As a life-long resident, I am thrilled to bring my skills and experience to First Town Downtown, an organization that has been praised for its positive influence on our com- munity. I look forward to build- ing upon the mission of pro- moting Windsor Center as a First Town Downtown vibrant recreational, economic announced Thursday that and cultural destination,” said Photos of the plaza in front of the Genevieve Lattimer will be its Genevieve Lattimer, new Capitol, as the rioters were storming new Executive Director. Executive Director of First the building, Wednesday, They were Genevieve Lattimer comes Town Downtown. taken from the window of Larson’s from the Hartford Marathon Outgoing Executive Director, aids’ office in the Longworth House Foundation where she man- Jane Garibay says, "I'm leaving Office Building, by George Wang. aged teams of volunteers and See FTDT page 6 CLEAR WATERS AHEAD: FARMINGTON SAFE FOR FISHING! Good news for the enviro- ment, this week. The state Public Health Department announced it has removed the consumption advisory for any fish caught in the lower Congressman John Larson, the former George J. Penney Farmington River, saying it’s a teacher and student High School in his hometown, safe to eat fish from the river. of history, invokes East Hartford. The advisory had been in 25th Amendment, asks for But Wednesday afternoon, place since June 2019 after rioters to be prosecuted to having been evacuated from the 20,000 gallons of Aqueous Film the full extent of the law floor of the House of Forming Foam from the By Bill Doak Representatives where the 117th Signature Flight Hangar at It is second nature for session of Congress had just Bradley International Airport Congressman John B. Larson to gathered to debate questions of in Windsor Locks went into the call upon pivotal moments in the certifying the 2020 Presidential river. The spill was due to a history of the United States, and Electors, no precedent could malfunctioning sprinkler sys- the courage of those who led the provide a history lesson for what tem at the hangar and nation when America was put to was happening in the nation's Signature Flight has since taken the test. Capitol building. responsibility, the Windsor "It's not every day do you The Farmington River, above, near the Poquonock area that was included in As well he should, having the state health department’s advisory. The area is now considered safe for Journal reported. served as a teacher of history at See RIOT page 6 fishing. Photo by Anthony Zepperi See RIVER page 7 BUYING OR SELLING Wm.R. SMITH REALTY We Wish You a Happy, Safe GIVE US A CALL NOW! SERVING WINDSOR 860-219-1935 AND SURROUNDING TOWNS and Prosperous 2021! 70 Poquonok Avenue, Windsor, CT 06095 FOR 48 YEARS 2 January 8, 2021 LOCAL BUSINESS HUNDREDS OF LOCAL EVENTS TO OFFER INFORMATION WITH UNPAID UTILITY AND TO PARENTS AND CHILDREN ABOUT SCHOOL CHOICE ENERGY BILLS PILING UP, OPERATION FUEL URGES PUBLIC more about school choices and better than anyone else, but you prep for the next school year. may not know all the school TO APPLY FOR HELP As families and teachers in options in your area. Here in Connecticut celebrate the Week Connecticut, there are a variety with 303 virtual events and of educational options available activities, don’t miss doing these including: traditional public three things to start planning schools with limited open enroll- now for an extraordinary school ment, charter schools, magnet year: schools, private schools, and First, talk to your child. homeschooling. You see your child every day If reading this helped you and know what makes them learn something new about edu- happy, nervous, or inspired. But cation options in your area, make time during School Choice share that knowledge. A simple Operation Fuel is encourag- 20% increase in requests for Week to speak with your child conversation with a neighbor ing Connecticut residents who help with electric, gas, oil, By Andrew R. Campanella about their current school expe- about school options could are struggling with utility and water, and other energy costs. Yes, it’s January, not June, rience. What are they learning? transform their child’s life. energy bills and unpaid bal- Since July, residents have and you may feel like you’re What would they change? What Third, find and celebrate ances to seek financial assis- been able to apply for help finally settling into a routine are they doing when they feel your community. tance through its new online online with Operation Fuel’s during a challenging school year. happiest? Starting in January gives you assistance portal at opera- Home Energy Assistance But as the saying goes, “The If you talk to other parents plenty of time to consider new tionfuel.org/gethelp Program, a 24/7 web-based por- secret to getting ahead is getting about their school choice, schools. Even if you’re not sure “Even though utility shutoff tal that provides a safer alter- started.” Despite the disruptions remember: What’s important to a school is for you, learning protections are in place for native to in-person appoint- of COVID-19, January is the you and your child in a school more via a call or visit may sur- now, the unpaid bills continue ments during the pandemic. ideal time to check in with your may be different than what’s prise you. Look for what seems to stack up and these high bal- The online system also offers child about your school choice important to your neighbor— to motivate the students and ances aren’t going away,” said easier access for people who and start planning for the 2020- and that’s okay. One family may teachers. Is it an environment Brenda Watson, executive direc- have mobility issues, limited 2021 school year. prioritize a school’s location; you could see your child thriv- tor of Operation Fuel. “Thanks transportation, child or elder That’s why National School another may consider a school’s ing in? to our very generous support- care responsibilities, or jobs Choice Week takes place the last language offerings or extracur- Or, maybe you already love ers, help is available, and we during typical business hours. week of January. Each year, the riculars more important. Be your current school and plan to hope residents will reach out public awareness effort features confident in what matters most stay. If so, use this time and now to help reduce unpaid bal- thousands of independently- to you and your child in a your child’s feedback to make a ances.” CLEAN, SEASONED, planned community activities school. simple plan to truly invest in Even before COVID-19’s dev- that help parents in the area Second, know your options. your school choice. Maybe you’ll astating financial impact, the SPLIT, FIREWOOD and across the nation learn You might know your child volunteer at the school once a United Way found that more STO month. Maybe you’ll supplement than 400,000 low- and moder- BROOKMAN IP PS classroom learning with month- ate-income Connecticut fami- $215 R H D lies were at risk of not being /cord PLUMBING, LLC E ly museum trips, or use Khan able to pay their utility bills. E R Academy one evening a week to Delivered (860)683-2613 E H help your child’s fill in their Now, residents who have never • Bathroom & Kitchen Remodeling T weak spots in math. needed emergency energy assis- • All Repairs At the end of the day, navi- tance before are desperately • Additions gating the K-12 education seeking help. Already this fiscal 53-+1/5+62-/ • Residential & Commercial process is an adventure—cele- year, Operation Fuel has seen a Serving Windsor for over 30 years brate it! Use School Choice Week to spread positivity about Zach Brookman • 971 Sheldon St., West Suffield your school on social media or We welcome new patients! Fully Licenced and Insured. 24-Hour Emergency Service send a thank you note to a Cell (860) 205-6141 Lic. #P- 288666 teacher. Spreading positivity can start a domino effect, Published by Town News Media LLC reminding teachers of their love for education and inspiring [email protected] other parents to be more [email protected] engaged. A child’s learning environ- Barbara Honor, DMD [email protected] ment is one of the single-biggest P.O.Box 451, influencers of their life, and it’s Windsor, CT 06095 worth putting in the time to find a great school fit. Whether it’s General Dentistry for the entire family ☎ (860)922-6442 finding a new school or shower- ✒ John Karas ✒Howard Frydman ing your current school with Easy parking, comfortable and compassionate care Editor Art Critic at Large love, now is the time to start ✒ Lawrence Jaggon ✒Anthony Zepperi deciding what school choices to 42 Wintonbury Mall Reporter Reporter at Large make next. 860-242-1230 ✒ Woodrow Dixon ✒Kathy Lepak Andrew R. Campanella also at 2304 Berlin Turnpike Reporter serves as president of National Masthead School Choice Week. www.TheDentalCenterLLC.com January 8, 2021 3 LOCAL BUSINESS LOCAL POLITICS CAMP BOW WOW IS NOW OPEN! REPRESENTATIVE BRANDON MCGEE APPOINTED AGAIN CHAIR OF HOUSING COMMITTEE “I am honored to continue as the Housing Chair and I am eager to continue creating housing stability in the midst of a very difficult time for many who may face economic insecu- rity, among other chal- lenges,” Rep.
Recommended publications
  • The Sculptures of Upper Summit Avenue
    The Sculptures of Upper Summit Avenue PUBLIC ART SAINT PAUL: STEWARD OF SAINT PAUL’S CULTURAL TREASURES Art in Saint Paul’s public realm matters: it manifests Save Outdoor Sculpture (SOS!) program 1993-94. and strengthens our affection for this city — the place This initiative of the Smithsonian Institution involved of our personal histories and civic lives. an inventory and basic condition assessment of works throughout America, carried out by trained The late 19th century witnessed a flourishing of volunteers whose reports were filed in a national new public sculptures in Saint Paul and in cities database. Cultural Historian Tom Zahn was engaged nationwide. These beautiful works, commissioned to manage this effort and has remained an advisor to from the great artists of the time by private our stewardship program ever since. individuals and by civic and fraternal organizations, spoke of civic values and celebrated heroes; they From the SOS! information, Public Art Saint illuminated history and presented transcendent Paul set out in 1993 to focus on two of the most allegory. At the time these gifts to states and cities artistically significant works in the city’s collection: were dedicated, little attention was paid to long Nathan Hale and the Indian Hunter and His Dog. term maintenance. Over time, weather, pollution, Art historian Mason Riddle researched the history vandalism, and neglect took a profound toll on these of the sculptures. We engaged the Upper Midwest cultural treasures. Conservation Association and its objects conservator Kristin Cheronis to examine and restore the Since 1994, Public Art Saint Paul has led the sculptures.
    [Show full text]
  • EDUCATION MATERIALS TEACHER GUIDE Dear Teachers
    TM EDUCATION MATERIALS TEACHER GUIDE Dear Teachers, Top of the RockTM at Rockefeller Center is an exciting destination for New York City students. Located on the 67th, 69th, and 70th floors of 30 Rockefeller Plaza, the Top of the Rock Observation Deck reopened to the public in November 2005 after being closed for nearly 20 years. It provides a unique educational opportunity in the heart of New York City. To support the vital work of teachers and to encourage inquiry and exploration among students, Tishman Speyer is proud to present Top of the Rock Education Materials. In the Teacher Guide, you will find discussion questions, a suggested reading list, and detailed plans to help you make the most of your visit. The Student Activities section includes trip sheets and student sheets with activities that will enhance your students’ learning experiences at the Observation Deck. These materials are correlated to local, state, and national curriculum standards in Grades 3 through 8, but can be adapted to suit the needs of younger and older students with various aptitudes. We hope that you find these education materials to be useful resources as you explore one of the most dazzling places in all of New York City. Enjoy the trip! Sincerely, General Manager Top of the Rock Observation Deck 30 Rockefeller Plaza New York NY 101 12 T: 212 698-2000 877 NYC-ROCK ( 877 692-7625) F: 212 332-6550 www.topoftherocknyc.com TABLE OF CONTENTS Teacher Guide Before Your Visit . Page 1 During Your Visit . Page 2 After Your Visit . Page 6 Suggested Reading List .
    [Show full text]
  • Sicily-Rome American Cemetery and Memorial
    Sicily-Rome American Cemetery and Memorial American Battle Monuments Commission 1 2 LOCATION The Sicily-Rome American Cemetery and Memorial lies at the north edge of the town of Nettuno, Italy, which is immediately east of Anzio, 38 miles south of Rome. There is regular train service between Rome and Nettuno. Travel one way by rail takes a little over one hour. The cemetery is located one mile north of the Nettuno railroad station, from which taxi service is available. To travel to the cemetery from Rome by automobile, the following two routes are recommended: (1) At Piazza di San Giovanni, bear left and pass through the old Roman wall to the Via Appia Nuova/route No. 7. About 8 miles from the Piazza di San Giovanni, after passing Ciampino airport, turn right onto Via Nettunense, route No. 207. Follow the Sicily-Rome American Cemetery sign and proceed past Aprilia to Anzio, Nettuno and the cemetery. (2) At Piazza de San Giovanni, bear right onto the Via dell’ Amba Aradam to Via delle Terme de Caracalla and pass through the old Roman wall. Proceed along Via Cristoforo Colombo to the Via Pontina (Highway 148). Drive south approximately 39 miles along Highway 148 and exit at Campoverde/Nettuno. Proceed to Nettuno. The cemetery is located 5 ½ miles down this road. Adequate hotel accommodations may be found in Anzio, Nettuno and Rome. HOURS The cemetery is open daily to the public from 9:00 am to 5:00 pm except December 25 and January 1. It is open on host country holidays.
    [Show full text]
  • The Lachaise Foundation
    THE LACHAISE FOUNDATION Marie P. Charles, Director Frederick D. Ballou, Trustee Paula R. Hornbostel, Curator & Trustee Ronald D. Spencer, Trustee REMINDER February 21, 2012 www.frelinghuysen.org www.lachaisefoundation.org www.nyc.gov/parks GASTON LACHAISE’S LA MONTAGNE (THE MOUNTAIN) IN TRAMWAY PLAZA New York City’s Department of Parks & Recreation, The Lachaise Foundation and the Frelinghuysen-Morris Foundation are pleased to remind the public of the loan of La Montagne (The Mountain) modeled in 1934 by American Modernist sculptor Gaston Lachaise (1882-1935). The monumental bronze earth goddess lies at Tramway Plaza, located on Second Avenue between 59th and 60th Streets, where it is on loan to the New York City Parks Department from September 23rd until June 4th, 2012. Born in Paris in 1882, Gaston Lachaise studied sculpture at the Ecole des Beaux-Arts, coming to the United States in 1906. He arrived in New York in 1912, and gained work with Paul Manship. He is known for his striking, voluptuous sculptures of women, they having been inspired by one woman, his muse model and wife Isabel. In 1935 the Museum of Modern Art gave Lachaise a retrospective exhibition of his work. He died later that year at the height of his career. The work of Lachaise’s work can be seen at Rockefeller Center on the 6th avenue facade of the GE building; in the sculpture garden at Moma (Floating Figure 1927) at the Metropolitan Museum of Art and at the Whitney Museum. This bronze cast, the second in an edition of five, was made in 2002 by the Modern Art Foundry.
    [Show full text]
  • Designs in Glass •
    Steuben Glass, Inc. DESIGNS IN GLASS BY TWENTY-SEVEN CONTEMPORARY ARTISTS • • STEUBEN TH E CO LLE CT IO N OF DE S IG NS I N GLASS BY TWE N TY- SEVEN CONTE iPORARY ARTISTS • STEUBE l G L ASS lN c . NEW YORK C ITY C OP YTIT G l-IT B Y ST EUBEN G L ASS I NC . J ANUA H Y 1 9 40 c 0 N T E N T s Foreword . A:\1 A. L EWISOH Preface FRA K JEWETT l\lATHER, JR. Nalure of lhe Colleclion . J oH 1\1. GATES Number THOMAS BENTON 1 CHRISTIA BERARD . 2 MUIRHEAD BO E 3 JEA COCTEAU 4 JOH STEUART CURRY 5 SALVADOR DALI . 6 GIORGIO DE CHIRICO 7 A DRE DEHAI s RAO L DUFY 9 ELUC GILL 1 0 DU TCA T GRANT . 11 JOTI GREGORY 12 JEA HUGO 13 PETER HURD 14 MOISE KISLI. G 15 LEON KROLL . 16 MARIE LA RE TCIN 17 FERNAND LEGER. IS AlUSTIDE MAILLOL 19 PAUL MANSHIP 20 TT E TRI MATISSE 21 I AM OGUCHI. 22 GEORGIA O'KEEFFE 23 JOSE MARIA SERT . 24 PAVEL TClfELlTCHEW. 25 SID EY WAUGII 26 GHA T WOOD 27 THE EDITION OF THESE PIECE IS Lil\1ITED • STEUBEN WILL MAKE SIX PIECES FROM EACH OF THESE TWENTY­ SEVE DESIGNS OF WHICH ONE WILL BE RETAINED BY STEUBEN FOR ITS PERMANE T COLLECTIO TIIE REMAI I G FIVE ARE THUS AVAILABLE FOR SALE F 0 R E w 0 R D SAM: A. LEWISOHN This is a most important enterprise. To connecl lhe creative artist with every-day living is a difficult task.
    [Show full text]
  • The Cornish Colony Highlights from the Collection the Cornish Colony Highlights from the Collection
    THE CORNISH COLONY Highlights from the Collection THE CORNISH COLONY Highlights from the Collection The Cornish Colony, located in the area of Cornish, New The Cornish Colony did not arise all of apiece. No one sat down at Hampshire, is many things. It is the name of a group of artists, a table and drew up plans for it. The Colony was organic in nature, writers, garden designers, politicians, musicians and performers the individual members just happened to share a certain mind- who gathered along the Connecticut River in the southwest set about American culture and life. The lifestyle that developed corner of New Hampshire to live and work near the great from about 1883 until somewhere between the two World Wars, American sculptor Augustus Saint-Gaudens. The Colony is also changed as the membership in the group changed, but retained a place – it is the houses and landscapes designed in a specific an overriding aura of cohesiveness that only broke down when the Italianate style by architect Charles Platt and others. It is also an country’s wrenching experience of the Great Depression and the ideal: the Cornish Colony developed as a kind of classical utopia, two World Wars altered American life for ever. at least of the mind, which sought to preserve the tradition of the —Henry Duffy, PhD, Curator Academic dream in the New World. THE COLLECTION Little is known about the art collection formed by Augustus Time has not been kind to the collection at Aspet. Studio fires Saint-Gaudens during his lifetime. From inventory lists and in 1904 and 1944 destroyed the contents of the Paris and New correspondence we know that he had a painting by his wife’s York houses in storage.
    [Show full text]
  • 215.399.9000
    Photo: Caitlin Martin Caitlin Photo: Martin Caitlin Photo: 1 2 Indiana Robert Moore Henry (1976) LOVE (1964) Points 1: Number Piece Way Three Flashlight Mob Event photo contest. photo Event Mob Flashlight Photo: Den Sweeney, winner of our our of winner Sweeney, Den Photo: Suvero di Mark 16 (1983-1999) Iroquois Philadelphia and Fairmount Park. Fairmount and Philadelphia 60 outdoor sculptures throughout Center City City Center throughout sculptures outdoor 60 Photo: Caitlin Martin Caitlin Photo: Unique audio programs are available for more than than more for available are programs audio Unique 26 Boyle . J John one stop at a time, and create your own sequence. sequence. own your create and time, a at stop one (1887) Stone Age in America in Age Stone MUSEUM conversational style. Go at your own pace, listen to to listen pace, own your at Go style. conversational TM and creative expression behind each sculpture in a a in sculpture each behind expression creative and WITHOUT WALLS AUDIO Photo: Caitlin Martin Caitlin Photo: Each audio program tells the distinct story, civic effort, effort, civic story, distinct the tells program audio Each 13 Manship Paul art in a new light. light. new a in art 1948) (detail, Memorial Aero passersby to stop, look, listen and experience public public experience and listen look, stop, to passersby the artworks. This free, innovative program invites invites program innovative free, This artworks. the MUSEUM historians, and those with personal connections to to connections personal with those and historians, TM all walks of life – artists, educators, civic leaders, leaders, civic educators, artists, – life of walks all WITHOUT WALLS AUDIO more than 150 voices and viewpoints of people from from people of viewpoints and voices 150 than more is an award-winning audio program that features features that program audio award-winning an is Museum Without Walls™: AUDIO Walls™: Without Museum ve.
    [Show full text]
  • American Sculptor Paul Manship Celebrated at the Addison Gallery of American Art
    American Sculptor Paul Manship Celebrated At the Addison Gallery of American Art Exhibition Debuts New Series of Works by Photographers Barbara Bosworth, Justin Kimball, S. Billie Mandle, and Abelardo Morell Andover, Massachusetts (July 26, 2018)—Exploring notions of place in American art throughout its 2018– 2019 program, this fall the Addison Gallery of American Art will open From Starfield to MARS: Paul Manship and his Artistic Legacy. The exhibition examines the work and influence of Paul Manship (1885– 1966) through two interconnected components: Art Deco at Andover considers the Addison's historic connection with the prominent early 20th-century sculptor Paul Manship, while Starfield through Contemporary Lenses presents the work of four artists-in-residence at the Manship Artists Residency + Studios (MARS) program established this year in Gloucester, Massachusetts. MARS is being developed as an international, interdisciplinary artists’ residency at Manship’s former summer home and studio, which he dubbed Starfield, to create new works inspired by the artist and his estate. The first class of artists-in-residence were selected by Addison curator Allison N. Kemmerer, and include acclaimed Massachusetts-based photographers Barbara Bosworth, Justin Kimball, S. Billie Mandle, and Abelardo Morell, who bring individual perspectives and aesthetic approaches to interpreting Manship’s estate and archives. These artists will also participate in the Addison’s fall 2018 Edward E. Elson Artist-in-Residence program, collaborating with students and faculty at Phillips Academy and area public schools on projects inspired by the exhibition. From Starfield to MARS: Paul Manship and his Artistic Legacy is on view from September 15, 2018 through January 20, 2019.
    [Show full text]
  • American Sculpture: Revolution to Rebellion
    American Sculpture: Revolution to Rebellion Alice Levi Duncan In 1976, as a celebration of the Bicentenary of the United States, the Whitney Museum of American Art presented an exhibition entitled Two Hundred Years of American Sculpture. The exhibition and accompanying catalogue focused on the origins and history of American sculpture from the political Revolution of 1776 to the artistic one of the late 20th century. The study incorporated the influences of native aboriginal art and folk art traditions on the devel- opment of an American art, while emphasizing the impor- tance of both academic and modern artistic activity originating in Europe. The exhibition and catalogue created new academic as well as collecting interest in this area of American art. It would be ludicrous to separate this branch of fine arts from “foreign influence” and then attempt to explain the quantity and quality of sculpture produced in the United States as an inevitable response to America’s growth. The extraordinary creativity and production of sculpture by American artists can only be appreciated once its depend- ence on European roots has been “forgiven”. The reliance on Europe for artistic training, technical support and critical approval did not diminish until after the Civil War. However the body of work produced from 1840-1940 is important as part of an international artistic movement and should not be considered a distant relation. The sculpture produced by American sculptors during that period was as accomplished artistically and technically as those from Europe, albeit the majority was primarily mainstream and not innovative in style or method. Yet this body of work, made by artists constantly seeking an American idiom, predicts the extraordinary artistic develop- ments that followed in the second half of the 20th Century, 1 which turned the international spotlight to one centered on Figure 1.
    [Show full text]
  • Modern Classic an EXHIBITION at the WADSWORTH ATHENEUM REVEALS the IMPACT of ANCIENT ART on the WORK of the AMERICAN ART DECO SCULPTOR PAUL MANSHIP
    exhibitions exhibitions Modern Classic AN EXHIBITION AT THE WADSWORTH ATHENEUM REVEALS THE IMPACT OF ANCIENT ART ON THE WORK OF THE AMERICAN ART DECO SCULPTOR PAUL MANSHIP. BY JOHN DORFMAN COURTESY OF GERALD PETERS GALLERY. PRIVATE COLLECTION. © ESTATE OF PAUL MANSHIP; WADSWORTH MANSHIP; WADSWORTH PAUL OF ESTATE COLLECTION. © PRIVATE GERALD OF GALLERY. COURTESY PETERS ATHENEUM MUSEUM OF ART, BEQUEST OF HONORA C. ROBERTSON. OF © ESTATE PAUL MANSHIP Clockwise from top left: Assyrian, Nimrud (now Nineveh Province, Iraq), from the Palace of Ashurnasirpal II, Relief panel, 883– 859 BCE, gypsum; Paul Manship, Centaur and Dryad, 1913, cast 1925, bronze; Centaur and Dryad (detail of base), 1913, cast 1925, bronze. AFTER THE demise of the French Acad- ists, and illustrators. During the 1920s it emies and long before the advent of today’s seemed as if the U.S. had entered a sec- vania Academy of Fine Arts in Philadelphia “Classical Realism,” ancient Greek and ond Neoclassical era, embracing architec- and then to the Art Students League in New Roman art exerted an important influence ture, sculpture, and the graphic arts—only York, where he studied with George Bridg- on modernism. One need only this time in a streamlined, modernist form man. In 1909, at the urging of Isidore Konti, think of Picasso’s Minotaurs and suited to the machine age. a Viennese-born sculptor whom he was serv- other reinterpretations of myths One of the major figures of this move- ing as studio assistant, he entered the Rome from Ovid’s Metamorphoses, de ment was the sculptor Paul Manship (1885– Prize competition and won.
    [Show full text]
  • Artists for Victory
    THE METROPOLITAN MUSEUM UF ART Artists for Victory M Sxhibition of Contemporary American Art PAINTINGS SCULPTURE PRINTS SPONSORED BY ARTISTS FOR VICTORY, INC ARTISTS FOR VICTORY, INC. 101 PARK AVENUE, NEW YORK, N. Y. Includes the Following Artists' Organizations: ALLIED ARTISTS OF AMERICA ALUMNI ASSOCIATION OF THE AMERICAN ACADEMY IN ROME AMERICAN ABSTRACT ARTISTS AMERICAN INSTITUTE OF DECORATORS AMERICAN SOCIETY OF MINIATURE PAINTERS AMERICAN VETERANS SOCIETY OF ARTISTS AMERICAN WATER COLOR SOCIETY AN AMERICAN GROUP, INC. ARCHITECTURAL LEAGUE OF NEW YORK BOMB SHELL ARTISTS GROUP FEDERATION OF MODERN PAINTERS AND SCULPTORS LEAGUE OF AMERICAN ARTISTS MUNICIPAL ART SOCIETY OF NEW YORK NATIONAL ACADEMY OF DESIGN NATIONAL ASSOCIATION OF WOMEN ARTISTS NATIONAL SCULPTURE SOCIETY NATIONAL SOCIETY OF MURAL PAINTERS NEW YORK CHAPTER OF THE AMERICAN ARTISTS PROFESSIONAL LEAGUE NEW YORK CHAPTER OF THE AMERICAN INSTITUTE OF ARCHITECTS NEW YORK CHAPTER OF THE AMERICAN SOCIETY OF LANDSCAPE ARCHITECTS NEW YORK SOCIETY OF WOMEN ARTISTS PITTSBURGH ARTISTS FOR VICTORY SCULPTORS GUILD, INC. SOCIETY OF AMERICAN ETCHERS UNITED SCENIC ARTISTS THE METROPOLITAN MUSEUM OF ART Artists for Victory An Exhibition of Contemporary American Art SPONSORED BY ARTISTS FOR VICTORY, INC. NEW YORK, 1942 WO. \ FOREWORD HE present exhibition expresses a desire on the part of the Museum Tto proclaim its faith in the American artist during one of the most critical years in our history. We believed that the facilities of the Mu­ seum should be turned over to the artists to organize an exhibition as they themselves would want it done. Artists for Victory, Inc., the emergency wartime agency representing the twenty-three leading art societies in New York was asked to undertake the task.
    [Show full text]
  • Color in a Pattern May Be Random, Repeating (Or Regular) Or Alternating
    Color Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators March 9, 2011 Table of Contents Page Contents 2 Image List Red 4 Sang de Boeuf Vase, Kangxi Period, Chinese 5 Small Rug with Swastika Design, Din Navajo 6 Color from Natural Pigments Lesson Written by Virginia Catherall Orange 10 Red Mesa, Monument Valley, Utah, Edgar Payne 11 Étude, Harriett Richards Harwood 12 Replicating Nature Lesson Written by Tami Searle Yellow 14 Series III, Spectrum Squared, Variation A, Anna Bliss 15 Ngaady aMwaash Mask, Kuba Kingdom 16 Exploring Patterns, Connecting Math & Art Lesson Written by Tracey Matthews Green 22 The Moods of Time: Morning, Paul Manship 23 Madonna and Child, Filippo Lipp i 24 Chemistry Changes Color Lesson Written by Virginia Catherall Blue 27 Truitt ‘67, Anne Truitt 28 Breathless, Robert Arneson 29 Expressing with Color Lesson Written by Megan Hallett Purple 32 Wailele, George Dibble 33 Madame de Noailles, Hyacinthe Rigaud 34 Symbol and Meaning in Color Lesson Written by Annie Burbidge Ream White 37 Flower Still Life, François Ykens 38 Camouflage Lesson Written by Virginia Catherall Black 43 Perimeter Rainbow, Norman Ackroyd 44 Creating Color: Connecting Math & Art Lesson Written by Tracey Matthews Evening for Educators is funded in part by the StateWide Art Partnership and the Professional Outreach Programs in the Schools (POPS) through the Utah State Office of Education 1 Color Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators March 9, 2011 Image List 1. Chinese, Kangxi Period (1662-1722), Q’ing Dynasty (1644-1911) Vase with “Sang de Boeuf” Glaze Porcelain Promised gift of Bert G.
    [Show full text]