--

WILLIAMSBURG AND SANTA FE -«- Two Ancient American Backgrounds Appear in Washing- ton Exhibits—Color Block Prints Among Artistic Contributions to Local Galleries*

By Leila Mechlin. dcrs, borrowing from the Indian folk- BULLETIN OF EXHIBITIONS. lore and tradition. EXHIBITION of Corcoran of Art—Per- He and his wife (a musician) and by members of the Society of Gallery manent collections. their little daughter live in an adobe Washington Artists opened Washington Water Color Club's annual exhi- house just outside of Santa Fe. Adja- An this week in the Y. W. C. A.'s cent to the house is his studio, where bition, water colors and works in International House at 614 E street black and white. he makes and prints his blocks. He northwest, where it will remain on National gets out very small editions, printing view until April. This is the third Geographic Society- Exhibition of . "The only a few at a time—and rarely are exhibition that this society has put two Races of Mankind,” Malvina alike. Each is in fact an origi- on in these galleries and it consists by Hoffman. nal. Since the depression came upon for the most part of works shown in National us, making things more difficult than annual set Gallery of Art—Exhi- the exhibition forth in were artists in j bition of P. they before for all the Corcoran Gallery’ of Art in Janu- portraits by Bjorn exhibition of water parts of the country, Gustave Bau- ary. Egeli; pastels, colors, drawings, lithographs and mann has been making not only canvases are included :olor wood blocks Forty-three designs by Mons Breidvik and but puppets and Five are in the hall which them in hung leads! exhibition of vitreous enamels by exhibiting highly original from the to skits. This entrance the cafeteria, j Prances and Richard MacGraw. past Christmas the Bau- two are in mann the office, end the rest Smithsonian Building—Exhibi- marionettes presented two are about evenly divided between the tion of etchings by Levon West. plays, with the help of other mem- two large assembly rooms which are, Arts and Industries Building, bers of the Santa Fe colony, for It the will be remer.*)ered, toplighted. National Museum Ann, daughter, and their friends. 1 These rooms were built by the erst- —Exhibition of photographs of They are a happy lot, these Santa while owner of this building, Mr. j old missions of California Fe artists, and greatly gifted. It by Portrait in Mr. Hilda McGuire, for the display of works of Devereux Butcher. will be an interesting coincidence to of Emory Buchner, by Scudder. art, privately owned, and there are Freer Gallery of Art—Chinese no better galleries, save those in pub- paintings, Oriental art objects; lic institutions, in the city. paintings, drawings, etchings by The collection now of view is very Whistler and paintings by other pleasantly varied and admirably hung, j American artists. Two bronze For the latter, Miss Lucia Hollerith,! tigers, Chou dynasty, recently secretary of the Society for Washing- acquired. ton Artists, and Miss Clara R. Saun- j Phillips’ Memorial Gallery— • ders, her colleague, are responsible. Permanent collection of paintings Two of the prize-winning pictures are by old and modern masters. here. Robert Gates’ “Mrs. Bowman's Studio House—Exhibition of Chickens,” which received the medal ] paintings by Harold Weston. for landscape, and “Sunlight.” by Textile Museum of the District Gladys Nelson Smith, which received, of Columbia—Rare and beautiful by overwhelming majority, the "popu- textiles, rugs and embroideries, lar” vote from visitors representing the chiefly of the East. lay public. Here, too, is Alice L. L. Arts Club of Washington—Ex- Ferguson’s Winter picture, “Febru- hibition of paintings of Williams- ary,” showing skaters on a frozen burg. Va., by Tom Brown and exhibition of block in color pond in the midst of a snow-covered prints landscape, which attracted much at- by Gustave Baumann of Sante Fe. tention in the Corcoran show. There —Recent accessions: Pencil are figures by Bertha Noyes, Frances lithographs C. Todd, Gladys Nelson Smith, Ma- and original illustrations by Stan- thilde M. Leisenring and others. A ley Reinhart, W. A. Rogers and others. very attractive group consists of a , "Church With Elms,” by Public Library, main building— Water colors Collins. Blanche H. Stanley, on either side by Hugh Northeastern Branch Public f of which have been hung a still life 20 woman by Mrs. Lona Miller Keplinger. Library—Exhibition by •‘Guinea-Gold Marigolds,” and a painters. Southeastern Branch Public of seen in out-of-door group objects "Start at Dawn," combination etching and drypoint by Levon West, on special exhibition in light, “The Porch Table,” by Lucia B. Library—Exhibition by Landscape Club. the Division of Graphic Arts, Smithsonian Building. Hollerith. Georgetown Branch Public X iic uii exit gamut ** *-»*** Library—Twenty-seven paintings i’ery brilliant etcher—one of the best. thusiasm. because of their intrinsic in- vie«T this week, to continue for a Roy Clark’s Truck Farm,” very in- by Washington artists. He is represented by four prints in terest and artistic merit. The hundred month or more. This exhibition fol- manner of teresting in pattern and — Dumbarton House Historical :he Washington Water Color Club's examples included in the present ex- lows the inaugural showing by mem- treatment, to Minor S. Jameson’s exhibit of art in ladies’ dress be- :urrent annual exhibition in the Cor- hibition were selected from the Metro- bers of the Landscape Club and the subtle and sensitive interpretation of fore 1830. roran Gallery of Art, one of which is politan Museum’s surplus collection. exhibition of paintings by the Twenty mood in Nature—"October.” "The Howard University Art Gallery •Valley of the Savery, Wyoming,” Over 60 of these pieces are signed by Woman Artists, and represents no Shed,” Dorothy M. Davidson, and by —Japanese sword furniture, lent which was awarded the Eyre medal the designer and maker, which gives organization, but instead those who •‘The Flower Garden,” by Omar R. The old Spanish Franciscan Mission San Luis in the year 1798. A by the Metropolitan Museum of of Rey, founded photograph it the thirty-third annual Philadel- indication of the importance placed are to be numbered with the inde- are akin to the latter, by Devereux Butcher. Carrington, Art. and a collection of illumi- shia Water Color Club exhibition in i upon the crafts by the Japanese. Also pendents—and seeking newr roads. whereas “Provincetown Street,” by nated manuscripts in historical :he Pennsylvania Academy last No- one of the guards records that the mo- Among the exhibitors are Beulah Rowland and “Ellicott City,” j Lyon, sequence, circulated by the Amer- have old Williamsburg and old Santa ! ind Mesopotamia to recapture Pales- the jury of the National Academy of iember. A comprehensive collection tive used is taken from a design by Weaver, through whose co-operation Beulah H. Weaver, are in the class by ican Federation of Arts. Fe represented in adjacent galleries tine from the Turks. After the war Design, New York. jf his etchings will be shown in the Sesshiu, a Buddhist monk, and one of the group was gotten together; Mar- with the former, very direct in state- j District of Columbia League of in our Arts Club of Washington next he remained for several years in Miss Scudder last Winter in Corcoran Gallery in March. the greatest of the Japanese painters. jorie Phillips, to each of whose two on fundamentals. spent 1 ment with emphasis American Pen the Burl- week and until March 13. of were Some of the used are a of honor has been Women, Europe, painting, which three Florida, where she executed a con- The next lecture in the Washington designs purely landscapes place members are! record events Alice Several out-of-town ington—Exhibition of paintings spent in isolated parts of the Pyrenees siderable number of commissions for Society of the Fine Arts 1935-36 course symbolical, while others given; Acheson, Angela Hurd, “Old Walls, Sagunto, Edna Webb Miles. Weston at where he and his wife established and of more or less note. Bernice Cross, Norma Bose, Katherine represented. by portraits of prominent persons. Among will be on “Mural Painting,” and is to happenings is one of in instance the treatment Elizabeth ," by Wells M. Sawyer, Studio House. their first home. Since his return her sitters have been Dr. Oscar be given by Miss of Phil- But every Beaman. Barnes, Julia Eckel, it was on view in the to he has advanced is with the of dec- Sewell Johnson, Frances Carroll k these. When j brought back to life America, rapidly Rogers, Thomas J. Watson of New adelphia, one of our most accomplished primarily purpose Todd, place, lately Harold Weston will hold a one-man oration and C. Law Robert Corcoran Gallery of Art in January, n competence and recognition. The York, Dr. Nathaniel Allison of St. mural painters, on the evening of essentially appropriate Watkins, F. Gates, through the generosity of John D. exhibition at Studio House, opening thereto. Richard Charles Olin and, incidentally, illustrated in the “New Stove,” now in the Phillips Louis, Emory Buckner of New York March 11. It will be illustrated by Sargent, Dunn, and the this afternoon with a private view ; Dows, Rowland Alexis catalogue of the exhibition there, the Rockefeller, jr„ scholarship foilection, was one of his first intimate and Dr. Hamilton Holt, president of stereopticon slides. This lecture will i A catalogue with notes on each ex- Lyon, Many and reception and continuing from ; and Eben Comins, a painter wrote a friend in regard to 3nd skill of a group of experts work- ttanvases to win popularity. He is Rollins Florida. She has been be given in the auditorium of the ! hibit and an introduction by Stephen certainly repre- the 24th of February (Studio House College, | this as follows: “It (Sagun- represented in the Memorial Gallery, United States Chamber of Commerce. V. from w’hich some of these sentative assemblage. Fuller review of painting ing for some years in the closest co- especially successful with her portraits j Grancsay, 30 is closed on Sunday) to March 7, in this exhibition will be later. to) is a wonderful place about j Rochester, and the Pennsylvania in low relief of men, but she has also ! facts have been taken, has been pub- given operation. inclusive. kilometers north eff Valencia. I had Academy of Pine Arts as well as here. scored with her likenesses of children. Japanese Swords lished, and greatly adds to the value the The restoration of Williamsburg is exhibition in the Phil- 1 to go each day by auto bus to ! By repeated Miss Scudder does not confine her- and of the showing. Mr. Weston’s Trappings. exhibition of sculpture—“Races town, then across it, and then up a colossal piece of work—and a work lips Memorial Gallery, I nuuu OL'uuuer s self to work in but has done ^HE relief, of Mankind”—at the National the hill 500 or 600 feet to get : work is already fairly well known in rT'HE exhibition of sword Junior League high, of art a. that. It is one thing to pre- Portraits in Relief. quite a little in the round, among Japanese but in contrast to his Geographic Society has closed and the my view. My picture is but a frag- Washington, which mention should be made of one furniture, now to be seen in the Photographic Show. serve and another to restore, rehabili- more familiar easel bronzes have been transferred to the ment. probably a fifth of the whole personal pic- PORTRAITS in bas-relief by Hilda or two fountain Howard University Gallery of Art, is very charming figures. where have was called tate, renew. Records had to be searched tures, this exhibition, it is announced, were AN EXHIBITION of photographs— Museum, they fortification. The place j Scudder shown informally It is to be hoped that arrangements not only interesting in itself, but ^ will include “several de- the first annual Pho- their next showing. This and the •Old Walls’ by the Moors. Hannibal out and studied, excavations had to De i paintings Thursday afternoon by invitation of will be made for a public exhibition of through association. The Thomas Washington in the exhibition of and the fortress and the picting impersonal industrial scenes of Col. and Mrs. at their home, Scudder's collection, so as- tographic Show—will be held paintings drawings had captured j made, every available source Cecil, Miss sculpture here before Waggaman discreetly carefully co-ordinated done Mr. Wes- new of the Junior 2001 by Alexander Iacovleff, the Russian town, and then the Romans retook ; activity by and again this afternoon at the resi- she leaves the city. sembled and beautifully shown in the gallery League. consulted, before this charming old for the decora- j from artist and traveler, shown last Win- it. All in all. six civilizations have I ton in competition dence of Mrs. E. H. Harriman at a Waggaman house in Georgetown 25 or Massachusetts avenue, February likewise in the scene of so much that was tion of the custom house in Phila- 24 to March 8. In addition to the ter, Explorers' Hall, under fought over those battlements. Down city, tea given in honor of the sculptor. Arms’ Lecture on 30 years ago, comprised some fine It was on the basis of works submitted and the auspices of the National Geographic the hill is a well preserved Roman vital and dramatic in the establish- delphia.” Miss Scudder is a Bostonian, a grand- Arouses Interest. specimens of sword guards from passed by Etching events to the these particular paintings that this of Dr. L. Clark for- and included in the collection jury, there will be included in this Society, proved, long be re- theater, which one passes on ment of life in this country, could be daughter Seelye, ; artist was invited to CO GREAT was the interest of the exhibition a number of specially in- membered with pleasure and grati- way up.” recently prepare merly president of Smith College, and of Japanese arts and crafts given the I reborn. In this Winter vited those w'ho have at- tude. Mr. Iacovleff, who is now con- Williamsburg mural designs for the main lobby cf is a distant relative of Janet Scudder, audience in the lecture that john Library of Congress by the late Crosby ! prints by Another out-of-town member rep- tained wide and nected with the Boston Museum of the Legislature of met for a the Federal Warehouse in this city, whose work the Taylor Arms gave on S. were also some choice ex- reputation standing. resented is Edward S. Shorter, a distinguished along “Contemporary Noyes \ where the Procurement Division of the Among these will be Edward Weston, Fine Arts’ school, has just been hold- session for the first time in many, same lines is world renown. After Eetchers Versus the Old Masters,” in amplcs. The “door” of Japan was Georgian, who studied here at the an exhibition Treasury Department has its quar- graduating from the Massachusetts the auditorium of the Corcoran Gal- opened by Commodore Perry in 1854, ! . Ralph Steiner, ing at Knoedler’s, in Corcoran School of Art and is now many years. This was, perhaps, to Bourke New which has attracteed much ters. School of Miss Scudder went of Art last week, under the aus- at which time and short swords I Walker Evans, Margaret York, Art Associa- Art, lery long president of the Macon create environment, but also to prove White, Arnold Genthe and the late 1 attention, his magnificent draftsman- Harold Weston was born in Merion, abroad and studied for four years in pices of the Washington Society of were carried by all Japanese of the ! tion. He is represented by a portrait Doris Ullman, each of whom in his or ship being repeatedly remarked. The that this Williamsburg is not merely Pa., in 1894. While at Harvard, he under Felix Benneteau. For Pine Arts, that the usual hour and a military caste, of which there were study of a Negro girl. “Maud." Mr. the introduction to the half was extended to two and a her own way has found, through catalogue of this to be looked at—a show place—but a determined upon a career as a painter. two years she exhibited in the Paris half, about 400,000. After 1877 the wearing Shorter has been holding a one-man medium of photography, new and ! exhibition was written by Edward W. the war he enlisted with the Salon; she has held a one-man show when, to induce dispersal, the lights of these swords was abolished by edict exhibition in the. Studio Club of At- place in which life goes on. Mr. Brown During mode of artsitic director of the served with the in the Guild of Boston Artists Gallery, were turned out one by one. Mr. Arms and then and Americans original expression Forbes, Fogg Museum, lanta 5 to 20. British Red Cross and Europeans February seems to have had the same thought a and so widened the field not only of . forces directed northward from and her work has been accepted by is not only dynamic speaker, but a began collecting them with great en- ui wic ui but of art. a iiumuci pictuico in mind in choosing his subjects, for, photography this exhibition have been painted in according to the catalogue, already It may interest some to know that are G. j 'T'HE inaugural exhibition of the distant places, for here Mary available, he has pictured not only Washington has not lagged behind in new Virginia Museum. Richmond, Riley’s “Barranca,” Lucia Hollerith’s the houses, but their surroundings and recognition of the potentialities of “Near and John Exhibit to Show Return to Realism illustrating the main currents in the Photo as an art. Salzburg, ,” set forth the as seen under the photography Many years city of “Laice Louise.” Garnett: —-. *%-----* development American painting, U. Perkins’ changing conditions of Spring, Sum- ago, when both men were just begin- how- closes March 1. It is well worth a Jex is admirably represented, mer, Winter and Autumn. In other ning to be known as photo-pictorialists Here Work of Notable Camera trip to Richmond to see. In it are ever, by “Winter Morning, Harpers words, this in the aggregate will be First Annual Show of special gift and vision, Stieglitz and as are A. H. O. Rolle were honor at a included some outstanding examples Ferry,” by an artist's interpretation, not of the Steichen guests sup- and Robert for to mark the of the of paintings by American masters of “Moonlight—Annapolis” sights of Williamsburg, interesting as Scheduled by Junior Users Is Chosen per given opening E. “Old Home.” local Camera Club's annual exhibi- the past—such as Duveneck’s ‘‘Whis- Motley by Virginia they may be, but of the spirit of the tion. tling Boy” and ‘‘Pox Hunt” by Wins- There are some flower and still-life place. Place in League Gallery. Display. low Homer. To this exhibition the studies, in addition to those already Mr. Brown is a member of the So- Mrs. MacWhite’s National Gallery of Art lent no less mentioned, which lend color and in- ciety of Washington Artists and of than nine paintings, among them terest—such as “Zinnias” and “The the Washington Water Color Club. they are filled with horror, but there Paintings of Ireland. ‘‘High Cliff, Coast of Maine" by Open Window.” by Grace M. Ruck- He paints, as a rule, in a rather high By Prentiss Taylor. are few better examples of real beauty 'T'HE exhibition of paintings by Paula Homer, which he himself considered man; “Gladioli,” by Marguerite C. key, with great delicacy of feeling and is continual talk of the (there is no longer any need to capi- MacWhite, wife of the Minister his masterpiece. Winslow Homer was Munn, “Legumes,” by Clara Saunders, touch and also frank simplicity. “great tradition” in painting, talize). The new artist and the new i from the Irish Free State, which has born in Boston in 1836. and this is, and “Still Life,” by Charles Val Clear. and most of it is a lament photographer knows there is in- been on view for the past fortnight in therefore, the centenary of that event. Elizabeth Sawtell’s “In the Woods” tine uoior THEREthat contemporary work is not trinsic beauty in the lowliest of things, the of Mrs. Cornelius J. Sulli- As an and Clara Saunders’ “Shade” are both Block Prints. gallery original genius untouched by a continuance of that tradition; but there can be functional beauty, a spir- van, New York, has attracted much foreign influence, and, in the char- engaging tree studies. BAUMANN of Santa Fe with photography, which established itual beauty that rises above the QUSTAVE I favorable notice. This exhibition com- acter of his work, well in advance of Mention should also be made of a was born in , but has its own tradition of honesty of sordid, or the more objective beauties great prised 23 canvases painted in Ireland his time, Homer will always be out- Along the Potomac,” lived the greater of his life in vision at the outset, there has been of color, tactile values and composi- painting, “Spring part and of such as in the annals of American this as will giving glimpses places standing by Elizabeth E Graves, treasurer of country. He has the willingness a manifest return to tradition, tion. He knows that by a sensitive f Cork, Connemara, Kerry and the art. The National Gallery of Art the Society of Washington Artists, to take endless pains in order to at- be shown many of the pictures in selective nature intrinsic beauty can by Island of Aran. Mrs. MacWhite was owns not only "High Cliff, Coast of because of its freshness of color and tain a desired end, the First Annual Washington Pho- be discovered in many things other characteristically born in and first studied in Maine,” but a second, and earlier ex- Viewpoint, and of Ruth Osgood’s German, but he has at the same time Show at the Junior League than the merely pleasant. The only tograph Copenhagen. After the war she went ample, likewise derived through the “Asparagus Bed”—a landscape—on an originality and freedom of expres- comments on his success, the true gallery. to Paris and studied at the Julien Evans collection—a small genre, pic- account of the unique character of sion more often found in those of the This contemporary exhibi- success is self-spoken, are ones of strictly Academy and under special masters. turing the interior of a Negro cabin and treatment. Southern Latin races. He more or real critical subject has, tion of prints by Washington pho- prejudice appreciation. After her marriage she studied and with the than one figures. During Civil War, Mar- any else, employed the wood tographers and important national and “Washington Wharves,” by 'T'HE Edward painted in , Homer undertook a commission from * block as an original medium of ex- artists could not include the photographs by Weston, garet Zimmele, noted with commenda- camera . She exhibited ir the Salon in Harper’s Weekly to make illustrations pression. using it as none other has work of David Octavius Hill, though Walker Evans and Margaret tion when in the exhibition at the 1926 and at the Roerich Museum in at the front. It was undoubtedly used it, in a his of Bourke-White, the latter frequently Corcoran is now here and way entirely own, and his Edinburgh portraits the 1840s New York in 1934. Mrs. MacWhite Gallery, with while serving in this capacity that he excellent result. since been se- uses her medium for industrial and seen to excellent advantage, as are and 1850s have hardly was represented in the Society of found the material for this Color wood block social have been selected genre. landscapes by Katharine Beaman, printing—and riously rivaled. There is a book with commentary, Washington Artists’ recent exhibition making—were the invention of the of Hill’s work that for the Washington Photograph Show Helen E. Townsend, William F. Wal- many examples by a painting of Taos, N. Mex. Her Japanese, and the methods statement of especially to elucidate this trend. In XJOBART of ter. an East Gloucester subject by they used, shows the first complete work is direct, her style broad and NICHOLS, formerly somewhat modified, have been fol- tradition the "Pepper,” by Edward Weston, one this and with Marguerite Neuhauser, and a bouquet what photography’s great assured. city many friends lowed by Western artists finds aside from an immediate text- of “Old-Fashioned Flowers" by Helen almost with- would have to be. The use of the by Benn Shahn, included in the first annual here, is holding an exhibition of re- out “Shanty," ural he can- exception. But not Baumann. camera machine to record with com- beauty an emotion that cent paintings in the Grand F. Collison. All in all, it is a de- Washington Photographic Show, opening at the Junior League WEBB MILES (Mrs. Walter Central The Japanese wood block makes much realism those things causing tomorrow not instantly determine, then he re- pDNA Galleries, New York. Mr. Nichols is lightful and well-balanced collection— plete Gallery, 2001 Massachusetts avenue, afternoon from Miles) of Chase is holding, of outline—such line the the alizes the pepper suggests a mother Chevy of the • very engaging exntbition. demarking response in individual sensitivity 5 o’clock. vice president National Acad- 3:30 to so- by invitation, an exhibition of her color area. Baumann, by the use of the to record as com- and child and, measured by his emy of Design. photographer, in the studio of the District of more or at- paintings numerous blocks and re- and honestly as possible the phistication, he is annoyed For the pletely ex- of Columbia branch of the of first time in many years, markable care in were able to sincerely point photography is as significant tracted this. Even if he is first League Two Exhibitions registering, has no total of the aesthetic the time by Maxfield Parrish is Opening photographer’s the effect. But American Pen Women, the Burlington holding an exhi- color boundaries in the of this only helped and self-respecting as the other arts. annoyed he soon realizes that he is In the Arts Club. way black sense his vision and his human ex- press bition of his This is in were some humanitarians not but that Hotel. In her girlhood Mrs. Miles won paintings. lines. Most skillful also is he in su- perience. And the true following of as there This redeclaration has been slowly seeing “bears in clouds,” the 'T'WO exhibitions open tomorrow in the world a less al- a scholarship for a four-year course Ferargil Galleries, East Fifty- one color on (mother working to make he is a much more profound 1A perimposing any great tradition includes technical seeing seventh where a 2017 I one were some creative increasing in force. One could call in the Institute. Later she Street, collection of the Arts Club, street, and thus creating not only dimen- loyed good there statement, he is seeing the emotion knowledge. that its studied under Burtls Baker at the paintings by Paul Sample of Cali- of paintings by Tom Brown, formerly sional effects but the illusion of who realized “loveliness” clarity and objectivity, its direct- of mother and child, the warmth of light This tradition of photography owes people fornia is on or this but now of misidentifled as and Corcoran School of Art and under Mr. simultaneously view. Tha city, Williamsburg, and atmosphere. But his prints are of its was being beauty ness, sunshine, but one must admit flesh and the tenderness and protec- part early foundation to the had been and Miss C. C. Critcher. contrast must be very striking be- Va„ and the other of block prints as a in that profound honesty that not all of the mists have been tion of contact. It is not a senti- Claghorn simple, rule, composition and limitations of the first cameras, ancf tween the works of this In color Gustave Baumann of from the scene. that She has exhibited at the Maryland In- idealist and by very decorative in effect. Some are as the camera crowded burned out of the photograph “salons’* mental statement but the feeling became more adaptable stitute, in the Tennessee State Fair, realist—who may, however, not be so Banta Fe, N. Mex. Edward now the mo6t runs all forms of life. meant primarily as decorations—all the sense of it as a machine was lost yet. Weston, through at the Chevy Chase Woman’s Club and very far apart. Of the 28 in oil that Mr. nave an intent which transcends the man to realize this most keenly completely realistic and depersonal- These pictures, with additional ex- paintings in a welter of aesthetic and technical rpjjE elsewhere. Her are ized was a Carl Van subjects chiefly Brown will show all but three or things set forth with a truth great- experiments. Some of these and to have the greatest subse- photographer, salon prize amples by Doris Ullman, pictures work local scenes and people. This exhibi- lour will be of houses and scenes in er than reality. As, for were influence, through continuous winner until 1021, when he began to Vechten, Ralph Steiner and the Instance, beautiful and remarkable, but quent tion, which opened with a tea last historic The some of his Santa Fe over 30 years, is Alfred Stieg- feel he was missing the actuality of of Washington photographers, will be WllliamsDurg. very subjects, which most of them floated in pseudo ar- effort Sunday, will continue another week. It names visions. The Travis the e£kct of the who returned to America after photography. on view at the Junior League gallery, conjure five feeling place tistic mist of varying technical deli- litz, will be open to the public every after- ASIAN ARTS noted in for He, with the best creative of 2001 Massachusetts avenue, beginning r House, Bassett Hall, Paradise House and hour. He has tried interesting cacies. having become Europe people Fine Chinese Furniture. ® Feb- noon from 2 to 5 o’clock. Jade and Bam, Coke-Garrett House, Bruton ixperiments with metal leaf as back- The his to re-establish the today, has tried to prove beauty is with a preview Sunday afternoon, portraits. Japanese haorl-coata. ) camera, of course, was not doing photographs, prints, lacquer. 1 as a machine for ndt to be confused with loveliness, 23, from 3:30 to 5:30 o’clock. Parish Church. Archibald Blair House, ground for blossoming fruit trees this alone. The world was seeming camera realistically ruary which hu- that is a more a The exhibition be seen daily ex- TN THE Georgetown branch, Public Capt. Orr’s House, Market Square ind for flowers, and with great suc- to like itself and most of its presen- recording things express beauty austere, may 1143 Connecticut Avo. a 27 are :ess. a that is emotional and intellect- sterner and richer Greek cept Sunday from 10 to 5 o’clock until Library, collection of paintings National 1333. Tavern all part and parcel of He employs certain amount tations were on the pleasant side; man, quality. >f in that by, this view- tragedies can never be March 8. by Washington artists was placed on .. ",l history which permeates thigv1 symbolism his decorative bar- that a number ol creative people at ual, experience; ojgled pleasant, ■