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Marian is a series of revivals of some of the greats from the typographic canon; Austin, Baskerville, Bodoni, Fournier, Fleischman, Garamont, Granjon, Kis & van den Keere. The twist is that they have all been rendered as a hairline of near uniform weight revealing the most basic structure.
PUBLISHED Marian is a unique typeface: part history lesson, part conceptual 2012 art, and part loving tribute to the great punchcutters of the past DESIGNED BY PAUL BARNES who continue to inspire contemporary type design. In musical
9 STYLES terms, it’s an album of standards or cover versions. We have no ROMAN & ITALICS illusions that this typeface is anything but challenging to use, BONUS FONT BLACKLETTER but with a careful touch its unique character can be used to great
FEATURES VARY BETWEEN STYLES e!ect. The lightness of Marian means that the typeface, in its SWASH CHARACTERS IN SOME ITALICS SMALL CAPITALS IN ALL ROMANS single weight, is only intended for headline use. We recommend PROPORTIONAL LINING FIGURES PROPORTIONAL OLDSTYLE FIGURES "# pt and above, with an absolute minimum of $# pt or so. FRACTIONS !PREBUILT AND ARBITRARY"
Commercial commercialtype.com Marian 2 of 68
Marian 1554 Roman Marian 1554 Italic Marian 1565 Roman Marian 1565 Italic Marian 1571 Roman Marian 1571 Italic Marian 1680 Roman Marian 1680 Italic Marian 1740 Roman Marian 1740 Italic
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Marian 1742 Roman Marian 1742 Italic Marian 1757 Roman Marian 1757 Italic Marian 1800 Roman Marian 1800 Italic Marian 1812 Roman Marian 1812 Italic Marian Black
Commercial commercialtype.com Marian 4 of 68 Marian 1554
During the sixteenth century the combination between roman & italic became codi!ed. This is shown most importantly in the pairing of the majestic romans of Claude Garamont (c. "#"$-"#%") with the expressive and vibrant italics of Robert Granjon ("#"&-"#'().
PUBLISHED Marian %&&' is a revival of the Parangon Cursive cut by Robert 2012 Granjon (rst seen in books printed in Lyon around %&&'. DESIGNED BY PAUL BARNES Used extensively by the master printer Plantin in Antwerp,
2 STYLES it is matched with the Parangonne Romaine cut by Claude ROMAN & ITALIC Garamont. Both types show a distinct and mature phase of FEATURES each artists work. With Garamont this was the culmination of STYLISTIC ALTERNATES SWASH CAPITALS IN ITALIC the development of the roman form that had been codi(ed (rst TERMINAL SWASH LOWERCASE CHARACTERS DISCRETIONARY LIGATURES in Italy by Francesco Gri!o (%'&#-%&%)) in his typefaces for Aldus HISTORICAL LONG S SMALL CAPITALS IN ROMAN Manitius and later copied and updated in France by various PROPORTIONAL LINING FIGURES PROPORTIONAL OLDSTYLE FIGURES punchcutters. For Granjon his Parangon Cursive marked the FRACTIONS !PREBUILT AND ARBITRARY" highpoint of his (rst mature style, one like Garamont’s that would o* be copied.
Commercial commercialtype.com Marian 1554 5 of 68 A!e"ionate Punc# Businesswoman $ies Concert sales up 6% Dresden’s Musicians Endangered animals Faithful to its origins Gunn Clan chieftian Hornsey Art School IJssel%ein in Utrecht Jamestown, Virgini& MARIAN 1554 60 PT
Commercial commercialtype.com Marian 1554 6 of 68 KÉRATINISONS '()(*+, -, ,(./01 MALVERSADOR ,02*-30' 42(-,-,5 ÖRJAN SMYTHS 6+*.(,+'0 7*(,+7 8UALITY EGGS .+9 '(:7*+.7 ;-<3= SHORTBREADS *+..-+. 9(5 :0.>7
MARIAN 1554 CAPS AND SMALL CAPS 60 PT
Commercial commercialtype.com Marian 1554 7 of 68 University Academics #anburgh’s !a$e% &acław or #ecesla( Xenon Car headlights Yohann )rayed $art *akynthos was the son +,ordable rocket -i. /righton Belle express 0hic 1tra 2uail 34s 5ala 6loda, Sweden MARIAN 1554 ITALIC 60 PT
Commercial commercialtype.com Marian 1554 8 of 68 EQUALIZATION 67AU3NF38D GENDARMERIE 938GÖ IS8AND INTERNS PLAN JÄMSÄN:OS:I KOALA RESCUE 8IT37A7Y 6AI R !ÜN093B37G ;ATU73 0AMP MARIAN 1554 ITALIC 60 PT
Commercial commercialtype.com Marian 1554 9 of 68
OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN & ITALIC
ALL CAPS ‘Chips’ & 24.65? ‘CHIPS’ & EF.GH?
PROPORTIONAL OLDSTYLE default figures £2374 €409 $285 £2374 €409 $285 PROPORTIONAL LINING £2374 €409 $285 JEKLF MFNO PEQH
PREBUILT FRACTIONS ½ ⅓ ⅔ ¼ ¾ ⅛ ⅜ ⅝ ⅞ only 2 1/2 3 1/3 4 1/4 5 3/8 2 ½ 3 ⅓ 4 ¼ 5 ⅜ ARBITRARY FRACTIONS 1 13/72 2 13/29 3 45/64 1 ]^⁄_` 2 ]^⁄`a 3 bc⁄de
DISCRETIONARY LIGATURES ct st ligatures Hasten Inactivity Ha%en Ina STYLISTIC SET 5 historical long s Passing Classicists Pafing Cla=ici>s LANGUAGE FEATURE Română (Romanian) s accent Însuşi conştiinţă Însuși conștiinţă OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN ONLY SMALL CAPS ‘Chips’ & ¿3,875.79? ‘CS-67’ & ¿r,stu.tv? ALL SMALL CAPS ‘Chips’ & ¿3,875.79? R3S-67T U VW,XYZ.Y<[ SWASH & Y Q and related; ct st; #inal a d e h l m n r t z Youth Question ?out# @ue%ioA & D2+7* Practical B 42+7* PracticaC STYLISTIC SET 1 short Q @UILTS D2-+* 8UILTS k2-+* STYLISTIC SET 2 alternate Y and related Youthfully 1(2.7 ?outhfully l(2.7 STYLISTIC SET 3 lower swash on & Months & Weeks Months m Weeks STYLISTIC ALTERNATES Q Y and related (Illustrator and Photoshop) Youthfully Q2-+* ?outhfully 82-+* Commercial commercialtype.com Marian 1554 10 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ITALIC ONLY SWASH A Æ B C D E Ex F G H K L M N P Q R T V W Y Z; ct st; #inal a d e h ANTIQUE Kelvin +NTI2U3 :el(i" k l m n r t v w and related Faker Wildest Tour 6a-er &ilde$ Hou% DISCRETIONARY LIGATURES ct is st sp us ligatures Thespis acts basted all The)? a STYLISTIC SET 1 J Y and related Joking Youth Justices Foking Gouth Fustices STYLISTIC SET 2 alternate v w & and related Revival & Thrown ReCiCal D ThroEn STYLISTIC SET 3 alternate v w and related Revivalist Thrown ReAiAalist ThroBn STYLISTIC SET 3 + SWASH initial swash for alternate v w UnAarying Aast Bit UnAarying Ja$ Ki. SWASH + STYLISTIC SET 4 alternate swash L and related /I88IONAI73S /IIIIONAI73S STYLISTIC ALTERNATES J Y v w and related (Illustrator and Photoshop) Joked Yerevan Jewel Foked GereAan FeBel Commercial commercialtype.com Marian 1565 11 of 68 Marian 1565 The demand for portable literature in the sixteenth century required a new approach to design; how does one !t more words in less pages? Printers tried smaller and smaller type, typefaces with larger x-heights, and narrower type. Like the !rst Aldine italics, Granjon’s style changed to create more upright and narrow italics. PUBLISHED Granjon’s Italique Cicero droite of %&"&, originally made 2012 for Plantin shows a change of style from his elegant style of DESIGNED BY PAUL BARNES the %&&#s. With small capitals, a large x-height, yet with tall 2 STYLES ascenders, they are both economical yet also very elegant. The ROMAN & ITALIC roman matched with this design is a Garamont style form, but FEATURES with proportions designed to match the italic. STYLISTIC ALTERNATES SWASH LOWERCASE CHARACTERS DISCRETIONARY LIGATURES SMALL CAPITALS IN ROMAN PROPORTIONAL LINING FIGURES PROPORTIONAL OLDSTYLE FIGURES FRACTIONS !PREBUILT AND ARBITRARY" Commercial commercialtype.com Marian 1565 12 of 68 Os Caça-Fantasmas Pride and Prejudice Quizzing Dete!ives Reigning for 13 years Sealing wax applied Torsö Ferry services Unobserved fashion Vadsø Finnmark 1833 Wachenheim an der Xylophone made of MARIAN 1565 60 PT Commercial commercialtype.com Marian 1565 13 of 68 YELLO LIVE ROXY "#$%& %'&( &)%'** ABACUS GENIUSES $#++,-"'-&, *.,**# CONNAH’S QUAY /0'123 *4(56'-4 7 EMILIA8ROMAGNA 9&*6,'- :'.%-&+,*; GANTRIES ERECT 6&-/(&/# $#&.;4 MARIAN 1565 CAPS AND SMALL CAPS 60 PT Commercial commercialtype.com Marian 1565 14 of 68 Iwasa Matabei 1578–1650 Joinery s!ills gain worth Knuckleheads co" match Leeuwarden in Friesland Marinha Grande, 29,100 Non disponibile nei negozi Oak tree planted in #$%& Penmaenmawr Quarries Quac!ed a'or addi'ion Rhinestones originated in MARIAN 1565 ITALIC 60 PT Commercial commercialtype.com Marian 1565 15 of 68 SCHWÄBISCH HALL TRANSPORTATION UNDERGRADUATE VELKÁ BUKOVINA WA NDERING STAR XB(#$ AUTOMATIC YODELLING SWISS ZITHER & HARPIST AIX(EN(PROVENCE BIZET )$.#*.+&,+.%.-$. MARIAN 1565 ITALIC 60 PT Commercial commercialtype.com Marian 1565 16 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN & ITALIC ALL CAPS ‘Chips’ & 24.65? ‘CHIPS’ & =>.?@? PROPORTIONAL OLDSTYLE default figures £2374 €409 $285 £2374 €409 $285 PROPORTIONAL LINING £2374 €409 $285 B=CD> E>FG H=I@ PREBUILT FRACTIONS 2 1/2 3 1/3 4 1/4 5 3/8 2 ½ 3 ⅓ 4 ¼ 5 ⅜ ARBITRARY FRACTIONS 1 13/72 2 13/29 3 45/64 1 TU⁄VW 2 TU⁄WX 3 YZ⁄[\ DISCRETIONARY LIGATURES ct st ligatures Activity Questionable A!ivity Que"ionable LANGUAGE FEATURE Română (Romanian) s accent Însuşi conştiinţă Însuși conștiinţă OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN ONLY SMALL CAPS ‘Chips’ & ¿3,875.79? ‘C6,5*’ & ¿3,875.79? ALL SMALL CAPS ‘Chips’ & ¿3,875.79? J)6,5*K L MNOP.OQR SWASH ct st ligatures Activity Question A!ivity Que STYLISTIC SET 1 short Q QUILTS c.,+;* aUILTS b.,+;* OPENTYPE FEATURES DEACTIVATED ACTIVATED ITALIC ONLY SWASH k, ct st ligatures, with contextual rules prevent collisions. Baker action rakes o5it Ba!er a'ion ra!es o4it DISCRETIONARY LIGATURES ct fr .r is ij ll st us ligatures Thespis acts basted frills Thesp/ a's ba"ed 0i1s STYLISTIC SET 1 alternate J Y and related Jazz Jessica Yellow Yak 2azz 2essica 3ellow 3ak STYLISTIC ALTERNATES alternate J Y and related (Illustrator and Photoshop) Jazz Jessica Yellow Yak 2azz 2essica 3ellow 3ak Commercial commercialtype.com Marian 1571 17 of 68 Marian 1571 Granjon’s fourth style marked another change to what has been described as the Baroque. Cut originally for Plantin, the Ascendonica Romaine and Cursive are perfectly matched for one another. Angular and sharp, they show a master at his peak. PUBLISHED Like much of Granjon’s material, the original punches and 2012 matrices survive at the Plantin Moretus museum in Antwerp. DESIGNED BY PAUL BARNES It was here that new type was cast during the %+&#s, and would 2 STYLES eventually become the model for Matthew Carter’s Galliard (%+,)). ROMAN & ITALIC FEATURES STYLISTIC ALTERNATES TERMINAL SWASH LOWERCASE CHARACTERS DISCRETIONARY LIGATURES HISTORICAL LONG S SMALL CAPITALS IN ROMAN PROPORTIONAL LINING FIGURES PROPORTIONAL OLDSTYLE FIGURES FRACTIONS !PREBUILT AND ARBITRARY" Commercial commercialtype.com Marian 1571 18 of 68 Cselekvőképtelenség Drama awards given Ele"ric #air in#alled Futuristic super cars Ghana banana boats Heyrnartæki viðgerð International whales Journals dated 1936–7 King%shers &y north Light garment worn MARIAN 1571 60 PT Commercial commercialtype.com Marian 1571 19 of 68 OLD RADNOR '()*+ ,- .-//-0/( QUADROXIDES /*(+1-, 2-3-1(45- SAGAMIHARA 1*1(5 +(2063+ 789.:; UNDERHEAVE 2055-6-<2- ,=(+>? WINTERTIME @-/*3/('A0> '/061+ MARIAN 1571 CAPS AND SMALL CAPS 60 PT Commercial commercialtype.com Marian 1571 20 of 68 Yellowstone National ZygnemataceaeAl!a" Autobiographical note Baby Bu# pushed by Cabernet Sauvignon Dabblin! Duck $ight E. E. Cummings† 1962 Fa%s & Fi%ion from Gjøvik on Lake Mjøsa Hoary Golden Bushes MARIAN 1571 ITALIC 60 PT Commercial commercialtype.com Marian 1571 21 of 68 IN&UISITIONAL 'AMAICA RUM KUUSANKOSKI LY I N G IN WAIT MATCH POINT NANOSECOND OMNIPOTENCY PORTHMADOG &UAI D’ORSA( REEXAMINING MARIAN 1571 ITALIC 60 PT Commercial commercialtype.com Marian 1571 22 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN & ITALIC ALL CAPS ‘Dam’ & 37.45? ‘DAM’ & CD.EF? PROPORTIONAL OLDSTYLE default figures ¥2374 €419 $285 ¥2374 €419 $285 PROPORTIONAL LINING ¥2374 €419 $285 HICDE JEKL MINF PREBUILT FRACTIONS 2 1/2 3 1/3 4 1/4 5 3/8 2 ½ 3 ⅓ 4 ¼ 5 ⅜ ARBITRARY FRACTIONS 1 13/72 2 13/29 3 45/64 1 XY⁄Z[ 2 XY⁄[\ 3 ]^⁄_` DISCRETIONARY LIGATURES ct st ligatures Hasten Inactivity Ha#en Ina%ivity STYLISTIC SET 5 historical long s Passing Classicists PaBing Cla)ici*s LANGUAGE FEATURE Română (Romanian) s accent Însuşi conştiinţă Însuși conștiinţă OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN ONLY SMALL CAPS ‘Chips’ & ¿3,875.79? ‘CA0'+’ & ¿3,875.79? ALL SMALL CAPS ‘Chips’ & ¿3,875.79? O>A0'+= P Q8,RST.SUV STYLISTIC SET 1 short Q QUEEN ?<051+ eUEEN f<051+ STYLISTIC ALTERNATES short Q (Illustrator and Photoshop) QUEEN ?<051+ eUEEN f<051+ Commercial commercialtype.com Marian 1571 23 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ITALIC ONLY SWASH #inal e, ct sp st ligatures Inactive Clambake Ina%ive Clambak" DISCRETIONARY LIGATURES as ct fr is ij ll st us ligatures Thespis Act Bust frill The+, A% B-t .i/ STYLISTIC SET 1 alternate Q Y Jazzed Yak Queens Jazzed (ak &ueens STYLISTIC SET 2 alternate J g and related Joking Arrangements 'okin! Arran!ements STYLISTIC SET 3 alternate z Bizarre buzzing zeal Bi0arre bu00ing 0eal STYLISTIC SET 4 alternate swash e Seaside Clambak" Seaside Clambak1 STYLISTIC ALTERNATES alternate J Q Y g z (Illustrator and Photoshop) Jazzy Yak Quagmire 'a00y (ak &ua!mire Commercial commercialtype.com Marian 1680 24 of 68 Marian 1680 The generous width, ascenders and descenders of the high Renaissance typefaces gave way in the ")th century to a narrower and more compact design. With shorter ascenders and descenders in proportions the so called ‘Dutch’ style !tted closer to those of a blackletter design. The most famous of these were cut by Nicholas Kiš ("%#$- ")$+); o,en misidenti!ed as the work of Anton Janson. PUBLISHED Kiš, a Hungarian by birth, learned his trade in Amsterdam from 2012 %")# under the typefounder Dirck Voskens. He had originally DESIGNED BY PAUL BARNES ventured to Holland to have a Hungarian bible printed by the 2 STYLES Elezevirs. His typefaces have a narrowness suitable for book ROMAN & ITALIC printing where economy is required. His italics, whilst following FEATURES the Granjon model, have a compactness and a sharpness in the STYLISTIC ALTERNATES DISCRETIONARY LIGATURES tails. Later Kiš would return to his homeland, whilst depositing HISTORICAL LONG S SMALL CAPITALS IN ROMAN material in Leipzig. This then descended via the Ehrhardt PROPORTIONAL LINING FIGURES PROPORTIONAL OLDSTYLE FIGURES foundry to the Stempel foundry in Frankfurt, where it gained FRACTIONS !PREBUILT AND ARBITRARY" much popularity in the .#th century as Janson. It was only in the %+&#s that they were identi(ed as the work of Kiš. Commercial commercialtype.com Marian 1680 25 of 68 San Ignacio growth Tape!ry woven by Union Paci"c locos Vigorous assertions Wasserburg am Inn Xenopus frog native Yorkshire puddings Žlebské Chvalovice Aegean civilizations Black cherry sauces MARIAN 1680 60 PT Commercial commercialtype.com Marian 1680 26 of 68 COCHABAMBA $%&'( $&)$*+,-) ENTERPRISING (&./,-)&0+* 1+-2/ GWENDOLINE /&$',&)3. %&++ 455 INCORPORATE 67/.2&$2 8.&9-):; KRABBENDIJKE +&<,./ $*1-'&2,-) MARIAN 1680 CAPS AND SMALL CAPS 60 PT Commercial commercialtype.com Marian 1680 27 of 68 Motivational speaking Nashville country !ar Octopus predicts scores Pots of Gold located at Quartz watch display Reading support group Secure !orage facilties Town with over 13679 Upper Silver lake tour Vulgar display of form MARIAN 1680 ITALIC 60 PT Commercial commercialtype.com Marian 1680 28 of 68 WA A RDENBURG X"RAY MACHINE YEARBOOK #$$% ZINC UP & CENT ASCOLI PICENO BODYBUILDING CARCASSONNE DOLLS HOUSES EXMOOR FERNS FRÝDEK"MÍSTEK MARIAN 1680 ITALIC 60 PT Commercial commercialtype.com Marian 1680 29 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN & ITALIC ALL CAPS ‘Dam’ & 37.45? ‘DAM’ & >?.@AB PROPORTIONAL OLDSTYLE default figures ¥2374 €419 $285 ¥2374 €419 $285 PROPORTIONAL LINING ¥2374 €419 $285 DE>?@ F@GH IEJA PREBUILT FRACTIONS 2 1/2 3 1/3 4 1/4 5 3/8 2 ½ 3 ⅓ 4 ¼ 5 ⅜ ARBITRARY FRACTIONS 1 13/72 2 13/29 3 45/64 1 VW⁄XY 2 VW⁄YZ 3 [\⁄]^ DISCRETIONARY LIGATURES ct st ligatures Hasten Inactivity Ha!en Ina(ivity STYLISTIC SET 5 historical long s Passing Classicists Pa=ing Claſſiciſts LANGUAGE FEATURE Română (Romanian) s accent Însuşi conştiinţă Însuși conștiinţă OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN ONLY SMALL CAPS ‘Chips’ & ¿3,875.79? ‘C/,L.’ & ¿k,lmn.mo? ALL SMALL CAPS ‘Chips’ & ¿3,875.79? K1/,L.3 M NO,PQR.QST STYLISTIC SET 1 Q Qd**) fd,+2. cd**) ed,+2. STYLISTIC ALTERNATES Q (Illustrator and Photoshop) Qd**) fd,+2. cd**) ed,+2. OPENTYPE FEATURES DEACTIVATED ACTIVATED ITALIC ONLY STYLISTIC SET 1 J and related Joinery Jezebel Jokes *oinery *ezebel *okes STYLISTIC ALTERNATES J and related (Illustrator and Photoshop) Joinery Jezebel Jokes *oinery *ezebel *okes Commercial commercialtype.com Marian 1740 30 of 68 Marian 1740 The Dutch taste continued to be the fashionable style in Northern Europe into the eighteenth century. In the work of Joan Michael Fleischman (")$)-")%') we see a development from the earlier designs. Working for the main type foundries of Holland, his typefaces have a de!ned sharpness and angularity not seen in his contemporaries PUBLISHED Marian %,'# shows a typical Fleischman design; large in x 2012 height, narrow italic with a /ourish in the details. The designs DESIGNED BY PAUL BARNES have been said to approach the modern style. During his 2 STYLES lifetime the German punchcutter achieved great fame for his ROMAN & ITALIC work for Wetstein and later Enschedé foundries, so much so FEATURES that his portrait is proudly shown in the Enschedé specimen of STYLISTIC ALTERNATES SWASH CAPITALS IN ITALIC %,"). However by the nineteenth and early twentieth century his DISCRETIONARY LIGATURES SMALL CAPITALS IN ROMAN typefaces had fallen out of fashion and were banded ‘tasteless’ PROPORTIONAL LINING FIGURES PROPORTIONAL OLDSTYLE FIGURES and ‘devoid of style’ by Updike. FRACTIONS !PREBUILT AND ARBITRARY" SUPERSCRIPT/SUBSCRIPT Commercial commercialtype.com Marian 1740 31 of 68 Górowo Iławeckie Hendrik Wetstein Inhibitions remain Josef K Edinburgh Kruispolderhaven Llandudno Parade Mortgage Brokers Nightingale Ne"s Otter cubs destroy Polish delicatessen MARIAN 1740 60 PT Commercial commercialtype.com Marian 1740 32 of 68 QUEEN ANNE #$%& '()$*+ ,)$* SÖDERHAMN -.&/+-(& )%/0- UNITED BANK 1(1(#+23 45-672$ WATERSKIING 8*)$& 9:$-%&/+ YARDMASTER ;:&(+ <-= -#$1() MARIAN 1740 CAPS AND SMALL CAPS 60 PT Commercial commercialtype.com Marian 1740 33 of 68 Archery & !rrow Brand design agent Cra"t fair in Bo#on Drymen is a $illage Eski%örður & Höfn Fire Engines single 'lo#er (eteor Jet Hawaii is the new Ilford in Essex was )oan & Jane pizza MARIAN 1740 ITALIC 60 PT Commercial commercialtype.com Marian 1571 34 of 68 *RZANOWICE L+TT+RWOOD (A)US,UL+S -APOL+ONIST OBS+RVATION PANDA MATES .U+STIONNÂT /ATIFICATION SCHWANDORF T0-E & WEA/ MARIAN 1740 ITALIC 60 PT Commercial commercialtype.com Marian 1740 35 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN & ITALIC ALL CAPS ‘Dam’ & ¿37.45? ‘DAM’ & >[email protected]? PROPORTIONAL OLDSTYLE default figures ¥2374 €419 $285 ¥2374 €419 $285 PROPORTIONAL LINING ¥2374 €419 $285 ¥D?@A €AEF $DGB PREBUILT FRACTIONS 2 1/2 3 1/3 4 1/4 5 3/8 2 ½ 3 ⅓ 4 ¼ 5 ⅜ ARBITRARY FRACTIONS 1 13/72 2 13/29 3 45/64 1 ST⁄UV 2 ST⁄VW 3 XY⁄Z[ DISCRETIONARY LIGATURES ct st ligatures Hasten Inactivity Ha"en Ina1ivity LANGUAGE FEATURE Română (Romanian) s accent Însuşi conştiinţă Însuşi conştiinţă OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN ONLY SMALL CAPS ‘Chips’ & ¿3,875.79? ‘C0%,+’ & ¿3,875.79? ALL SMALL CAPS ‘Chips’ & ¿3,875.79? H90%,+I J KL,MNO.NPQ STYLISTIC SET 1 J and related JEZEBEL JOKES _EZEBEL _OKES STYLISTIC ALTERNATES J and related (Illustrator and JEZEBEL JOKES _EZEBEL _OKES Photoshop) Commercial commercialtype.com Marian 1740 36 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ITALIC ONLY SWASH A Æ B C D E F G J K L M N P Q R and related; ct st ANTIQUE CAP !NTI.U+ ,AP New Gain Roosts -ew 'ain /oo#s STYLISTIC SET 1 alternate Y Yeoman Yachting 0eoman 0achting STYLISTIC SET 2 alternate v w Archival Throws Archi$al Thro3s STYLISTIC SET 3 alternate h Choice & heather C2oice & 2eat2er STYLISTIC SET 3 alternate h Chives in Yarrow C2i$es in 0arro3 Commercial commercialtype.com Marian 1742 37 of 68 Marian 1742 It was not until the late ")th c. that the dominance of the old style typefaces began to weaken. These are shown in the engraved letters instigated by the Académie des Sciences and the latter Roman du Roi cut by Grandjean. Fournier le jéune was in-uenced by these developments and those of the writing masters of his time. His typefaces became the height of sophistication during his lifetime. PUBLISHED Pierre-Simon (or Simon-Pierre) Fournier (%,%.-%,")) was the 2012 youngest of three sons born to a typefounder. His eldest brother DESIGNED BY PAUL BARNES Jean-Pierre (or Fournier l’aîne) owned one of the best-stocked 2 STYLES foundries in France, which contained punches and matrices from ROMAN & ITALIC Garamont, Granjon, Haultin and Guillaume I & Guillaume II Le FEATURES Bé. Despite being over two hundred years old, many of these faces STYLISTIC ALTERNATES DISCRETIONARY LIGATURES remained in fashion in France. Whilst the Roman du Roi shi*ed HISTORICAL LONG S SMALL CAPITALS IN ROMAN the fashion, they remained strictly for use for the Royal Printing PROPORTIONAL LINING FIGURES PROPORTIONAL OLDSTYLE FIGURES House. Fournier le jeune began in his brother’s foundry, before FRACTIONS !PREBUILT AND ARBITRARY" launching his own career as a typefoundry. His magni(cient Modéles des Caracteres de l’Imprimerie (%,'.) shows the new style of letterform pioneered in the Roman du Roi, and the rationalisation of the old style form. Fournier’s italic avoid what he considered the antiquated look of Granjon and are closer to the handwriting of the day. The (neness of the design and the legibility made them more popular than his romans. Commercial commercialtype.com Marian 1742 38 of 68 Unacceptable move Vantage points from Wasserburg am Inn $3,787.12 state tax bill York railway station Związek chemiczny Äänekoski founded Bothersome pigeon Che" of gem stones Dijon mustard seeds MARIAN 1742 60 PT Commercial commercialtype.com Marian 1742 39 of 68 ERNŐ WINTER $%&'()*+ ,-./.%) GIG HARBOUR 0)12&'-.) 3 4()* IMMIGRATION 54/ 6&%6) 7)&* 89:; KAATSHEUVEL %&3'.)+<4' $&*2 MANFREDONIA '4**=>?-'7 8@;,;A; MARIAN 1742 CAPS AND SMALL CAPS 60 PT Commercial commercialtype.com Marian 1742 40 of 68 Origami peace crane Puccini born in 1858 Quinzième annivers Rococo applied ta!e Sculpture & fashion Transfer of !udents Ullapool-Stornoway Vi"orian legend Bill W#en !raßennamen Xenolithic fragment MARIAN 1742 ITALIC 60 PT Commercial commercialtype.com Marian 1742 41 of 68 YANGOONABIE ZWINGENBERG ABERYSTWYTH BRISTOL BATH CHRISTOPHER DÙN OBHAINN ENTERTAINER FRENCHIFYING GOVERNMENT HVOLSVÖLLUR MARIAN 1742 ITALIC 60 PT Commercial commercialtype.com Marian 1742 42 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN & ITALIC ALL CAPS ‘Dam’ & 37.45? ‘DAM’ & BC.DE? PROPORTIONAL OLDSTYLE default figures ¥2374 €419 $285 ¥2374 €419 $285 PROPORTIONAL LINING ¥2374 €419 $285 GHBCD IDJK LHME PREBUILT FRACTIONS 2 1/2 3 1/3 4 1/4 5 3/8 2 ½ 3 ⅓ 4 ¼ 5 ⅜ ARBITRARY FRACTIONS 1 13/72 2 13/29 3 45/64 1 UV⁄WX 2 UV⁄XY 3 Z[⁄\] DISCRETIONARY LIGATURES ct st ligatures Hasten Inactivity Ha"en Ina"ivity LANGUAGE FEATURES Română (Romanian) s accent Însuşi conştiinţă Însuși conștiinţă Lowered i j ä ë ï ö ü ẅ ÿ dots for Finnish, German and Swedish Tekemällä hyviä töitä Tekemalla hyvba tcbta OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN ONLY SMALL CAPS ‘Chips’ & ¿3,875.79? ‘C0-?+’ & ¿3,875.79? ALL SMALL CAPS ‘Chips’ & ¿3,875.79? N.0-?+O P Q@,9:A.:RS OPENTYPE FEATURES DEACTIVATED ACTIVATED ITALIC ONLY STYLISTIC SET 1 alternate z and related Buzzing size bazaar Bu$$ing si$e ba$aar STYLISTIC ALTERNATES alternate z and related (Illustrator and Photoshop) Buzzing size bazaar Bu$$ing si$e ba$aar Commercial commercialtype.com Marian 1757 43 of 68 Marian 1757 John Baskerville (%,#,-%,,&) began his career as a writing master, and his typefaces have many qualities of the copperplate style fashionable at the time. Now seen as the height of good English taste, at the time they were famously derided and ridiculed. They mark a signi(cant change in the style of letterforms from the oldstyle to the transitional form. PUBLISHED Marian %,&, is based on the typefaces that Baskerville employed 2012 in his (rst book, Virgil, which had been begun in %,&#. DESIGNED BY PAUL BARNES Baskerville like Caslon, was an outsider to the printing trade, 2 STYLES having made a fortune in the japanning business. Described ROMAN & ITALIC as an eccentric, Baskerville was involved in perfecting all FEATURES parts of the printing process from type, through to the (rst STYLISTIC ALTERNATES SWASH CAPITALS IN ITALIC use of wove papers in the western world. During his own DISCRETIONARY LIGATURES SMALL CAPITALS IN ROMAN lifetime Baskerville’s work o*en failed to (nd favour in his PROPORTIONAL LINING FIGURES PROPORTIONAL OLDSTYLE FIGURES home country, yet were widely admired abroad. A*er his FRACTIONS !PREBUILT AND ARBITRARY" death, his widow Sarah would sell his typefoundry to Pierre Beaumarchais in France in %,,+ for £$,##. Commercial commercialtype.com Marian 1757 44 of 68 Indu!rial Heritage Jewellery "uarter Kennel club ruling Law school grades Museum relocates Newspaper advert Observeration #$ Public fund down Quartu Sant’Elena Rainfall for March MARIAN 1757 60 PT Commercial commercialtype.com Marian 1757 45 of 68 SACCHARIZED %&'() * +,-./ '% UNDERCOATS 0,.' 120' /- 3',' WASHINGTON 900-940° 4-.%,13 YIELDS RISING 5-.-1-()6 .#2%' ABBREVATION 7&215-/ 42/-.8 MARIAN 1757 CAPS AND SMALL CAPS 60 PT Commercial commercialtype.com Marian 1757 46 of 68 Cheeses & Crackers Dolomite Mountains Eßlingen am Neckar Flame on the iceberg Giuseppe Garibaldi Hampered by history Is it really so !range? Juice of 6,124 oranges Krušovické černé 3.5% Leopold II (1747–1792) MARIAN 1757 60 PT Commercial commercialtype.com Marian 1757 47 of 68 $AMMOCKING %O%CO%FORM OBOE PLAYERS PENICILLIN &' QUAFFING GIN RYND SPINDLE S(ABILI)A(ION (RA%S EUROPA USE FACEMASK VA R I E D C O LO R S MARIAN 1757 ITALIC 60 PT Commercial commercialtype.com Marian 1757 48 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN & ITALIC ALL CAPS ‘Dam’ & 37.45? ‘DAM’ & 9:.; PROPORTIONAL OLDSTYLE default figures ¥2374 €419 $285 ¥2374 €419 $285 PROPORTIONAL LINING ¥2374 €419 $285 >?9:; @;AB C?D< PREBUILT FRACTIONS 2 1/2 3 1/3 4 1/4 5 3/8 2 ½ 3 ⅓ 4 ¼ 5 ⅜ ARBITRARY FRACTIONS 1 13/72 2 13/29 3 45/64 1 PQ⁄RS 2 PQ⁄ST 3 UV⁄WX DISCRETIONARY LIGATURES ct st ligatures Hasten Inactivity Ha!en Ina*ivity LANGUAGE FEATURE Română (Romanian) s accent Însuşi conştiinţă Însuși conștiinţă Lowered i j ä ë ï ö ü ÿ dots for Finnish, German and Swedish På sillinläggningar På sfllfnlgggnfngar OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN ONLY SMALL CAPS ‘Chips’ & ¿3,875.79? ‘C#,F8’ & ¿3,875.79? ALL SMALL CAPS ‘Chips’ & ¿3,875.79? E(#,F8G * HI,JKL.KMN STYLISTIC SET 1 R and related R2'&,13 A&&'_8 ]2'^,13 A^^'_8 STYLISTIC SET 2 Q Qd'.,%_ $d,1(-8 "d'.,%_ ed,1(-8 STYLISTIC ALTERNATES Q R and related (Illustrator and Photoshop) Rid Queue $d'&%5 ]id "ueue ed'^%5 Commercial commercialtype.com Marian 1757 49 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ITALIC ONLY SWASH M Manners Magician $anners $agician STYLISTIC SET 1 alternate J K N T Y Z and related Jon Kilt Never Type +on ,ilt %ever (ype STYLISTIC SET 2 alternate J and related Juice Joking Jezebel -uice -oking -ezebel STYLISTIC ALTERNATES alternate J K N T Y Z and related (Illustrator and Photoshop) Jon Kilt Never Type +on ,ilt %ever (ype Commercial commercialtype.com Marian 1800 50 of 68 Marian 1800 The fashion for letters in the late eighteenth and throughout the nineteenth was one of high contrast and simple and o,en -at serif structure. In Italy they were pioneered by the master printer Giambattista Bodoni (").$–"'"&). As printer to the Duke of Parma he was responsible for a change in taste not just in typefaces, but also in his severe yet elegant book designs. PUBLISHED Marian %)## is based on Bodoni’s latter modern style, where 2012 he moved away from the in/uence of Fournier and re/ected DESIGNED BY PAUL BARNES the fashion pioneered in France for the modern. Whilst some 2 STYLES revivals of Bodoni tend towards the static and simpli(ed; ROMAN & ITALIC Marian %)## retains the warmth of Bodoni’s (rst modern. This FEATURES can be particularly seen in the elegant italic, which retains STYLISTIC ALTERNATES SWASH CAPITALS IN ITALIC an element of script. The swash capitals, which Bodoni DISCRETIONARY LIGATURES SMALL CAPITALS IN ROMAN o*en employed for all capital setting, enlivened many of his PROPORTIONAL LINING FIGURES PROPORTIONAL OLDSTYLE FIGURES productions. During the twentieth century his original designs FRACTIONS !PREBUILT AND ARBITRARY" were revived for the O0cina Bodoni under the direction of Giovanni Mardersteig. Commercial commercialtype.com Marian 1800 51 of 68 Hogarth’s cartoon Italian !yle shows Josiah Wedgwood Kraków academic Lost security card Magna Carta "#"$ Novello composer Odyssey translate Pra%ical Cookery Qindarkë equal 1% MARIAN 1800 60 PT Commercial commercialtype.com Marian 1800 52 of 68 RÜCKUMLAUT &'(()*+,-&./(0 TROMPE1L’ŒIL 2)3245'+)6 7+44 VALKEAKOSKI *7+88(0&)588(0 9.:" WATERLOO ;/65 850'+<+5)'& ZOOGRAPHER 5<53(.+<+5)&7+8 MARIAN 1800 CAPS AND SMALL CAPS 60 PT Commercial commercialtype.com Marian 1800 53 of 68 Barázdabillegető "row# $isperse# Deep %ater ports &rica or 'eather Ivy Bridge by JW (a)) hipster *row Kayakin* movers +ullabies +yrical Mülheim-Kärlich ,ouvelle "uisine MARIAN 1800 ITALIC 60 PT Commercial commercialtype.com Marian 1800 54 of 68 -UD .UYLEN PORT SERVING /01&2 ,-13& RILEY PRINCE 3HOW 4ONIES TITFIELD 56.78 0+29: "-$& VITAMIN PILLS ;&133&,3&& Commercial commercialtype.com Marian 1800 55 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN & ITALIC ALL CAPS ‘Dam’ & 37.45? ‘DAM’ & :=.>$? PROPORTIONAL OLDSTYLE default figures ¥2374 €419 $285 ¥2374 €419 $285 PROPORTIONAL LINING ¥2374 €419 $285 ¥#:=> €>"9 $#@$ PREBUILT FRACTIONS 2 1/2 3 1/3 4 1/4 5 3/8 2 ½ 3 ⅓ 4 ¼ 5 ⅜ ARBITRARY FRACTIONS 1 13/72 2 13/29 3 5/64 1 LM⁄NO 2 LM⁄OP 3 Q⁄RS LANGUAGE FEATURE Română (Romanian) s accent Însuşi conştiinţă Însuși conștiinţă OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN ONLY SMALL CAPS ‘Chips’ & ¿3,875.79? ‘C7+8&’ & ¿3,875.79? ALL SMALL CAPS ‘Chips’ & ¿3,875.79? A<7+8&B C DE,FGH.GIJ DISCRETIONARY LIGATURES ct st ligatures Hasten Inactivity Ha!en Ina%ivity Commercial commercialtype.com Marian 1800 56 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ITALIC ONLY TITLING A Æ B C D E F G H I K L M N O P Q R S T V X W Y Z, initials only BRIGHTER KID >RIGHTER @ID Fizz And Wildest Aizz :nd ;ildest SWASH A Æ B C D E F G H I K L M N O P Q R S T V X W Y Z d z and BRIGHT KID >91?'2 @1$ related Fizz And Wildest Ai)) :n# ;il#est STYLISTIC SET 1 alternate g and related Arrange eggnogs Arran*e e**no*s STYLISTIC SET 2 alternate v w and related Power view waits Po%er =ie% %aits STYLISTIC SET 3 alternate d and related Produced bidding Pro#uce# bi##ing STYLISTIC SET 4 swash z and related Azalea fuzzbox A)alea fu))box STYLISTIC ALTERNATES g d v w z and related (Illustrator and Photoshop) Salvaged woozier Sal=a*e# %oo)ier Commercial commercialtype.com Marian 1812 57 of 68 !arian 1812 The so called Scotch roman form, so beloved of American printers during the nineteenth century, originated on the other side of the Atlantic. These typefaces whilst sharing the sharpness of a continental ‘modern’, retain the vernacular Britishness, particularly in the italic forms. The italic features the restrained swash capital typical of the period. PUBLISHED Marian %)%. roots are in great Scottish foundries of Alexander 2012 Wilson and Son of Glasgow, and William Miller of Edinburgh. DESIGNED BY PAUL BARNES First Wilson in %)%. and Miller in %)%$ show ‘modern’ style 2 STYLES typefaces, which would gain widespread popularity with book, ROMAN & ITALIC bible and newspaper printers. In Typographica, Hansard (%).&) FEATURES he writes the designs were ‘executed’ by the master engraver and STYLISTIC ALTERNATES SWASH CAPITALS IN ITALIC punchcutter, Richard Austin, though as James Mosley points DISCRETIONARY LIGATURES SMALL CAPITALS IN ROMAN out such a large amount of work, would unlikely to be the work PROPORTIONAL LINING FIGURES PROPORTIONAL OLDSTYLE FIGURES of a single man. Marian %)%. draws in particular from the Wilson FRACTIONS !PREBUILT AND ARBITRARY" specimen of that year and the elegant and masterful Double Pica design. Commercial commercialtype.com Marian 1812 58 of 68 Yakushima, Japan Zanzibar transport an Aghaidh Mhòr Bolton Wanderers Clarendon printing Dundee Cake mix Elspeth the beauty Figgins of London Glasgow Art clubs Hohen Neuendorf MARIAN 1812 60 PT Commercial commercialtype.com Marian 1812 59 of 68 IET!Y!BWLCH "# $# %&'()#$*+ KIDKNAPPER ,#-./$0 1 +23.,4 MAKE READY $#5 &)*#) (0)/+ OPERA SEATS (1$6#$. %7##+#+ QUENCHLESS )0*/&+#$+/./2/.8 MARIAN 1812 CAPS AND SMALL CAPS 60 PT Commercial commercialtype.com Marian 1812 60 of 68 Snowboarding wins Togolese soccer stars Undervalued by 6% Vista Vélez-!álaga "zniesie# Ł%dzkich Xiphiplastron plates &ellowshanks sketch Železniční zastávka )gricultural Union Better quality wines MARIAN 1812 ITALIC 60 PT Commercial commercialtype.com Marian 1812 61 of 68 C)RTOO*IST DEMOLITION E!IGRATION FEMI*I*EL& GŁUCHOŁ)Z& HATCHERIES IMM)TURIT& JOVIAL CHUM +*IFEBO)RD LE*GTH")& MARIAN 1812 ITALIC 60 PT Commercial commercialtype.com Marian 1812 62 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN & ITALIC ALL CAPS ‘Dam’ & 37.45? ‘DAM’ & @A.BC? PROPORTIONAL OLDSTYLE default figures ¥2374 €419 $285 ¥2374 €419 $285 PROPORTIONAL LINING ¥2374 €419 $285 EF@AB GBHI JFKC PREBUILT FRACTIONS 2 1/2 1/3 2/3 1/4 3/4 2 ½ 3 ⅓ 4 ¼ 5 ⅜ ARBITRARY FRACTIONS 1 13/72 2 13/29 3 5/6 1 WX⁄YZ 2 WX⁄Z[ 3 \⁄] LANGUAGE FEATURE Română (Romanian) s accent Însuşi conştiinţă Însuși conștiinţă LANGUAGE FEATURE Polski (Polish) kreska accent Źródła możliwość ^r_dła możliwobc OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN ONLY SMALL CAPS ‘Chips’ & ¿3,875.79? ‘C7/(+’ & ¿3,875.79? ALL SMALL CAPS ‘Chips’ & ¿3,875.79? L%7/(+M N OP,QRS.RTU DISCRETIONARY LIGATURES ct st ligatures Hastened Inactivity Ha9ened Ina:ivity STYLISTIC SET 1 J and related Junior Joke #"#%.+ ;unior ;oke #<#%.+ STYLISTIC SET 3 K and related Key Kissed K/%?#* =ey =issed =/%>#* STYLISTIC ALTERNATES J K and related Junior Kick "&?#)+ ;unior =ick <&>#)+ Commercial commercialtype.com Marian 1812 63 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ITALIC ONLY SWASH A K M N V W Y VANWAYMAN ,)*")&!)- STYLISTIC SET 1 alternate J and related Junior Joke Jester .unior .oke .ester STYLISTIC SET 1 alternate g and related Rogue Agriculture Ro/ue A/riculture SWASH + STYLISTIC SET 3 alternate swash N ,) *IT& *E" ,)-IT& -E" STYLISTIC ALTERNATES alternate g and related (Illustrator & Photoshop) Rogue Agriculture Ro/ue A/riculture Commercial commercialtype.com Marian Black 64 of 68 Marian Black Blackletter (or textura) typefaces have become increasing the preserve of specialist groups, yet they remain one of the most distinctive and beautiful letterforms. Marian Black takes its cue from the work Hendrik van den Keere, who from "#)$-"#'$ was the sole supplier of typefaces to Plantin. His beautiful designs set the standard of this letterform in the Netherlands. PUBLISHED Until the twentieth century, the name of Hendrik van den Keere, 2012 the younger (Henry Du Tour le jeune) was relatively unknown, DESIGNED BY PAUL BARNES though he was perhaps the greatest of the punchcutters of the 1 STYLE low countries. Born around %&'#-%&'., his grandfather had entered the trade in %&&$ by purchasing a typefoundry. Van den FEATURES STYLISTIC ALTERNATES Keere’s designs in roman, textura and the civilité form are the DISCRETIONARY LIGATURES HISTORICAL LONG S equal of his contemporaries. His romans that take a narrowness PROPORTIONAL LINING FIGURES PROPORTIONAL OLDSTYLE FIGURES from the blackletter form, are o*en seen as the precursor of the FRACTIONS !PREBUILT AND ARBITRARY" so called ‘Dutch’ style prevalent in the seventeenth century. He cut twelve blackletters, both in metal and large letters cut in wood which were used to make moulds in sand. Commercial commercialtype.com Marian Black 65 of 68 Mönchengladbach Nature’s beautiful Oakhampton cafe Pie manufactured Quango Quango Rapeseed grower Sympathetic crow Tulyar’s winning Ungmennafélagið Volumes rise by ⅞ MARIAN BLACK 60 PT Commercial commercialtype.com Marian Black 66 of 68 Waves over 38 # Xeroxing works by Yuppie chic shows Zurich poster sale A$ociates named Breakfast & lunch Cabbage + Lettuce Dinbych-y-pysgod Entertaining Bee Forgaria nel Friuli MARIAN BLACK 60 PT Commercial commercialtype.com Marian Black 67 of 68 OPENTYPE FEATURES DEACTIVATED ACTIVATED ROMAN & ITALIC ALL CAPS not recommended in this style ‘Dame’ & $37.45? ‘DAME’ $%&.'( PROPORTIONAL OLDSTYLE default figures ¥2374 €419 $285 ¥2374 €419 $285 PROPORTIONAL LINING ¥2374 €419 $285 ¥*%&' €'+, $*-( PREBUILT FRACTIONS 2 1/2 3 1/3 4 1/4 5 3/8 2 ½ 3 ⅓ 4 ¼ 5 ⅜ ARBITRARY FRACTIONS 1 13/72 2 13/29 3 5/6 1 /0⁄12 2 /0⁄23 3 4⁄5 LANGUAGE FEATURE Română (Romanian) s accent Însuşi conştiinţă Însuși conștiinţă STYLISTIC SET 5 historical long s Passed Classicists Pa$ed Cla9ci:s Commercial commercialtype.com Marian 68 of 68 STYLES INCLUDED IN COMPLETE FAMILY ABOUT THE DESIGNER Marian !&&* Paul Barnes (born !"#$) is a graphic designer specializing in Marian !&&* Italic the %elds of lettering, typography, type design and publica- Marian !&)& tion design. In the early !""$s he worked for Roger Black in Marian !&)& Italic New York where he was involved in redesigns of Newsweek, Marian !&#! US and British Esquire and Foreign A!airs. During this Marian !&#! Italic time he art directed Esquire Gentleman and U&lc He later Marian !)-$ returned to America to be art director of the music magazine Marian !)-$ Italic Spin. Marian !#*$ Since !""& he has lived and worked in London. He has Marian !#*$ Italic formed a long term collaboration with Peter Saville, which Marian !#*( has resulted in such diverse work as identities for Given- Marian !#*( Italic chy, ‘Original Modern’ for Manchester and numerous music Marian !#&& based projects, such as Gay Dad, New Order, Joy Division Marian !#&& Italic and Electronic. Independently he has created identities for Marian !-$$ luxury Italian shoe manufacturer, Gianvito Rossi and German Marian !-$$ Italic publisher, Schirmer Graf. Barnes has also been an advisor Marian !-!( and consultant on numerous publications, notably The Marian !-!( Italic Sunday Times Magazine, The Guardian and The Observer Marian Black Newspapers, GQ, Wallpaper* , Harper’s Bazaar and frieze. He has designed many books for publishers all over Europe including, Schirmer Mosel, Oxford University Press, the Tate SUPPORTED LANGUAGES and the iconic Schirmer Graf series. His interest in the modern and vernacular is encom- Afrikaans, Albanian, Asturian, Basque, Breton, Bosnian, passed in his type design ranging from the contemporary Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, such as for Björk, through to the extensive traditional British Esperanto, Estonian, Faroese, Finnish, French, Galician, modern, Brunel as seen in Condé Nast Portfolio. Whilst German, Greenlandic, Guarani, Hawaiian, Hungarian, consultant to The Guardian he designed Guardian E'ptian Ibo, Icelandic, Indonesian, Irish, Gaelic, Italian, Kurdish, with Christian Schwartz. Following the redesign of The Latin, Latvian, Lithuanian, Livonian, Malagasy, Maltese, Guardian, as part of the team headed by Mark Porter, Barnes Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, was awarded the Black Pencil from the D&AD. They were also Romanian, Romansch, Saami, Samoan, Scots, Scottish nominated for the Design Museum ‘Designer of the Year’. In Gaelic, Slovak, Slovenian, Spanish (Castillian), Swahili, September ($$), with Schwartz he was named one of the *$ Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof most in+uential designers under *$ in Wallpaper*. A year later The Guardian named him as one of the &$ best designers in Britain. CONTACT Commercial Type 110 Lafayette Street, Room 203 COPYRIGHT New York, New York 10013 © ($!, Commercial Type. o#ce (!( )$*-$"&& All rights reserved. fax (!( "(&-(#$! Commercial® and Marian® are registered trademarks of www.commercialtype.com Schwartzco Inc., dba Commercial Type. This "le may be used for evaluation purposes only. Commercial commercialtype.com