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The Rough Guide to Naples & the Amalfi Coast
HEK=> =K?:;I J>;HEK=>=K?:;je CVeaZh i]Z6bVaÒ8dVhi D7FB;IJ>;7C7B<?9E7IJ 7ZcZkZcid BdcYgV\dcZ 8{ejV HVc<^dg\^d 8VhZgiV HVciÉ6\ViV YZaHVcc^d YZ^<di^ HVciVBVg^V 8{ejVKiZgZ 8VhiZaKdaijgcd 8VhVaY^ Eg^cX^eZ 6g^Zcod / AV\dY^EVig^V BVg^\a^Vcd 6kZaa^cd 9WfeZ_Y^_de CdaV 8jbV CVeaZh AV\dY^;jhVgd Edoojda^ BiKZhjk^jh BZgXVidHVcHZkZg^cd EgX^YV :gXdaVcd Fecf[__ >hX]^V EdbeZ^ >hX]^V IdggZ6ccjco^ViV 8VhiZaaVbbVgZY^HiVW^V 7Vnd[CVeaZh GVkZaad HdggZcid Edh^iVcd HVaZgcd 6bVa[^ 8{eg^ <ja[d[HVaZgcd 6cVX{eg^ 8{eg^ CVeaZh I]Z8Vbe^;aZ\gZ^ Hdji]d[CVeaZh I]Z6bVa[^8dVhi I]Z^haVcYh LN Cdgi]d[CVeaZh FW[ijkc About this book Rough Guides are designed to be good to read and easy to use. The book is divided into the following sections, and you should be able to find whatever you need in one of them. The introductory colour section is designed to give you a feel for Naples and the Amalfi Coast, suggesting when to go and what not to miss, and includes a full list of contents. Then comes basics, for pre-departure information and other practicalities. The guide chapters cover the region in depth, each starting with a highlights panel, introduction and a map to help you plan your route. Contexts fills you in on history, books and film while individual colour sections introduce Neapolitan cuisine and performance. Language gives you an extensive menu reader and enough Italian to get by. 9 781843 537144 ISBN 978-1-84353-714-4 The book concludes with all the small print, including details of how to send in updates and corrections, and a comprehensive index. -
The Recollections of Encolpius
The Recollections of Encolpius ANCIENT NARRATIVE Supplementum 2 Editorial Board Maaike Zimmerman, University of Groningen Gareth Schmeling, University of Florida, Gainesville Heinz Hofmann, Universität Tübingen Stephen Harrison, Corpus Christi College, Oxford Costas Panayotakis (review editor), University of Glasgow Advisory Board Jean Alvares, Montclair State University Alain Billault, Université Jean Moulin, Lyon III Ewen Bowie, Corpus Christi College, Oxford Jan Bremmer, University of Groningen Ken Dowden, University of Birmingham Ben Hijmans, Emeritus of Classics, University of Groningen Ronald Hock, University of Southern California, Los Angeles Niklas Holzberg, Universität München Irene de Jong, University of Amsterdam Bernhard Kytzler, University of Natal, Durban John Morgan, University of Wales, Swansea Ruurd Nauta, University of Groningen Rudi van der Paardt, University of Leiden Costas Panayotakis, University of Glasgow Stelios Panayotakis, University of Groningen Judith Perkins, Saint Joseph College, West Hartford Bryan Reardon, Professor Emeritus of Classics, University of California, Irvine James Tatum, Dartmouth College, Hanover, New Hampshire Alfons Wouters, University of Leuven Subscriptions Barkhuis Publishing Zuurstukken 37 9761 KP Eelde the Netherlands Tel. +31 50 3080936 Fax +31 50 3080934 [email protected] www.ancientnarrative.com The Recollections of Encolpius The Satyrica of Petronius as Milesian Fiction Gottskálk Jensson BARKHUIS PUBLISHING & GRONINGEN UNIVERSITY LIBRARY GRONINGEN 2004 Bókin er tileinkuð -
Senza Titolo-1
copertina_CILENTO2012_Layout 1 01/02/12 12:45 Pagina 1 C IL ENT O E E VA LLO D I DIANO www.incampania.com CILENTO AND THE VALLO DI DIANO Assessorato al Turismo e ai Beni Culturali CILENTO E VALLO DI DIANO CILENTO AND THE VALLO DI DIANO Regione Campania Assessorato al Turismo e ai Beni Culturali www.incampania.com EPT Salerno Via Velia, 15 - 84125 tel. 089 230 411 www.eptsalerno.it Foto Banca immagini Regione Campania Gruppo Associati Pubblitaf Massimo Pica, Pio Peruzzini Salerno CILENTO E VALLO DI DIANO CILENTO AND THE VALLO DI DIANO SOMMARIO / INDEX 7. INTRODUZIONE: CILENTO E VALLO DI DIANO PREFACE: CILENTO AND THE VALLO DI DIANO 11. DA PAESTUM AD ASCEA FROM PAESTUM TO ASCEA 37. DA PISCIOTTA A PUNTA DEGLI INFRESCHI FROM PISCIOTTA TO PUNTA DEGLI INFRESCHI 47. DA SAN GIOVANNI A PIRO AI PAESI DELL’ALTO GOLFO DI POLICASTRO FROM SAN GIOVANNI A PIRO TO THE UPPER POLICASTRO GULF 61. IL CILENTO INTERNO THE HINTERLAND OF CILENTO 83. DALLE GOLE DEL CALORE ALLA CATENA MONTUOSA DEGLI ALBURNI FROM THE GORGE OF THE RIVER CALORE TO THE ALBURNI MOUNTAIN RANGE 97. IL VALLO DI DIANO THE VALLO DI DIANO 117.. ENOGASTRONOMIA FOOD AND WINE 121.. INFORMAZIONI UTILI USEFUL INFORMATION Primula di Palinuro CILENTO E VALLO DI DIANO CILENTO AND THE VALLO DI DIANO Terra antichissima – l’attuale conforma- The current geomorphological forma- zione geo-morfologica viene fatta risalire tion of Cilento, an ancient land that is a dagli esperti a 500.000 anni fa – il Cilento veritable treasure trove, is estimated by è un autentico scrigno di tesori. -
A Companion to the Archaeology of Early Greece and the Mediterranean, Volume 2
CHAPTER 5.9 The Bay of Naples Matteo D’Acunto Introduction and Topography For the ancient Greeks, Campania in a broad sense meant the Bay of Naples, from Cape Misenum to the Sorrentine peninsula. It took its name from its shape, something like a krater (Strabo 5.4.8). Campania stretches inland to incorporate the volcanic region of the Phlegrean Fields (Campi Flegrei), and the territory from the rivers Volturnus and Clanis at the northwest, an area renowned in antiquity for its fertility, to Mount Vesuvius and the valley of the river Sarno on the east, right up to the ridges of the Apennines. The Bay of Naples includes the volcanic islands of Ischia and Procida with Vivara, north beyond Cape Misenum, as well as the island of Capri just off the Sorrentine peninsula at the south. Pithekoussai was established on Ischia, whilst Cumae (Greek Kyme), Dikaiarcheia (Pozzuoli), and Parthenope/Neapolis (Naples) were founded on the coastline. One of the main purposes of the foundation of Cumae – probably the most important one – was to control the northern areas up to the river Clanis for agriculture. The Etruscan center of Capua domi- nated the Campanian plain close to the Volturnus. South of the Sorrentine peninsula, the main Etruscan settlement of Pontecagnano held the Picentino plain up to the river Sele (Strabo 5.4.3–13; Polybius 3.91; Pliny, Natural History, 3.60–65; cf. Frederiksen 1984: pp. 1–30; Mele 2014: pp. VII–XIII). According to an early tradition, Lake Avernus, close to Cumae, was the location for the gates of Hades, also an oracle where one might consult the souls of the dead, whilst nearby flowed the infernal river Styx and the swamp of the Acheron stretched (Pseudo-Scymnus, Periplous or Periegesis 236–243; Ephorus, FGrHist 70 F 134 = Strabo 5.4.5; cf. -
Pompeii and Herculaneum: a Sourcebook Allows Readers to Form a Richer and More Diverse Picture of Urban Life on the Bay of Naples
POMPEII AND HERCULANEUM The original edition of Pompeii: A Sourcebook was a crucial resource for students of the site. Now updated to include material from Herculaneum, the neighbouring town also buried in the eruption of Vesuvius, Pompeii and Herculaneum: A Sourcebook allows readers to form a richer and more diverse picture of urban life on the Bay of Naples. Focusing upon inscriptions and ancient texts, it translates and sets into context a representative sample of the huge range of source material uncovered in these towns. From the labels on wine jars to scribbled insults, and from advertisements for gladiatorial contests to love poetry, the individual chapters explore the early history of Pompeii and Herculaneum, their destruction, leisure pursuits, politics, commerce, religion, the family and society. Information about Pompeii and Herculaneum from authors based in Rome is included, but the great majority of sources come from the cities themselves, written by their ordinary inhabitants – men and women, citizens and slaves. Incorporating the latest research and finds from the two cities and enhanced with more photographs, maps and plans, Pompeii and Herculaneum: A Sourcebook offers an invaluable resource for anyone studying or visiting the sites. Alison E. Cooley is Reader in Classics and Ancient History at the University of Warwick. Her recent publications include Pompeii. An Archaeological Site History (2003), a translation, edition and commentary of the Res Gestae Divi Augusti (2009), and The Cambridge Manual of Latin Epigraphy (2012). M.G.L. Cooley teaches Classics and is Head of Scholars at Warwick School. He is Chairman and General Editor of the LACTOR sourcebooks, and has edited three volumes in the series: The Age of Augustus (2003), Cicero’s Consulship Campaign (2009) and Tiberius to Nero (2011). -
(Vergilian Society) Steven L. Tuck (Miami University), Co-Organiser Patricia A
Panel Entering the Underworld (Vergilian Society) Steven L. Tuck (Miami University), co-organiser Patricia A. Johnston (Brandeis University) co-organiser For the 2009 CAMWS Annual Meeting, The Vergilian Society proposes a panel on ‘Entering the Underworld’. As any student of antiquity knows, not everyone who wanted to enter the underworld could do so, and many aspects of how, why, and where this could be done remain mysterious to us. These problems receive a special focus in Vergil’s Aeneid—hence, this panel. The first of these problems is perhaps the most fundamental: where, exactly, was the grotto of the Sibyl at Cumae located? ‘Re-Entering the Underworld at Cumae: Identifying the Grotto of the Sibyl’ offers an answer that uses archaeology and literary sources to evaluate the two tunnel sites that have so far been proposed for the location of the grotto. The descent of Aeneas in Avernus is the most famous underworld entrance in the Aeneid, but it is not the only one. ‘Allecto’s Descent into the Underworld (Aen. 7.565)’ is made through the Amsancti valles, modern Valle d’Amsancto, outside Avellino. This is apparently the only place in the central Appenine chain with traces of volanic action—a suitable place for a fury to enter the underworld. Any panel on Vergilian underworld entrances must return to the Golden Bough, as two of our papers do. The first, ‘The Bough and the Lock: Fighting Fate in the Aeneid,’ argues that Dido’s lock is intimately connected with the Golden Bough and that the ‘hesitations’ of these talismans highlight the conditionality of Fate in the poem, as it affects Dido and Aeneas but also the fall of Troy and the death of Turnus. -
Salerno and Cilento
Salerno and Cilento 106 Arconte Cove 107 Salerno is a fascinating synthesis of what the Mediterranean can offer to those who want to know i it better. The city is continuously improving to better host tourists and visitors from all over the world. Its province is the largest of the Campania. Together with the Amalfi Coast, the archaeological areas of Paestum and the uncontaminated Cilento, it also Ente Provinciale per il includes the high plains crossed by the Sele River, Turismo di Salerno its tributaries and the Vallo di Diano. via Velia 15 tel. 089 230411 www.eptsalerno.it informazioni e acc. turistica piazza Vittorio Veneto,1 tel. 089 231432 Azienda Autonoma di Cura Soggiorno e Turismo di Salerno Lungomare Trieste 7/9 tel. 089 224916 www.aziendaturismo.sa.it Azienda Autonoma di Cura Soggiorno e Turismo di Cava de’ Tirreni Corso Umberto I 208 tel. 089 341605 www.cavaturismo.sa.it Azienda Autonoma di Cura Soggiorno e Turismo di Paestum via Magna Grecia 887 tel. 0828 811016 www.infopaestum.it Ente Parco del Cilento e del Vallo di Diano piazza Santa Caterina, 8 Vallo della Lucania tel. 0974 719911 www.cilentoediano.it Comunità Montana Monti Picentini via Santa Maria a Vico Giffoni Valle Piana tel. 089 866160 Cava de’ Tirreni the School of Medicine then universities of Bologna and Complesso dell’ Abbazia functioning at Velia. In the Padova were founded. della SS Trinità - via Morcaldi 6 13 th century it obtained the The School continued to tel. 089 463922 right to be the only School function until 1812, when it was finally closed by Paestum the School of Medicine of Medicine of the realm Joachim Murat. -
Following the Dead to the Underworld an Archaeological Approach to Graeco-Roman Death Oracles
Chapter 10 Following the Dead to the Underworld An Archaeological Approach to Graeco- Roman Death Oracles Wiebke Friese But when in thy ship thou hast now crossed the stream of Okeanos, where is a level shore and the groves of Persephone – tall poplars, and willows that shed their fruit – there do thou beach thy ship by the deep eddying Okeanos, but go thyself to the dank house of Hades. There into Acheron flow Periphlegethon and Cocytus, which is a branch of the water of the Styx; and there is a rock, and the meeting place of the two roaring rivers. Thither, prince, do thou draw nigh, as I bid thee, and dig a pit of a cubit's length this way and that, and around it pour a libation to all the dead, first with milk and honey, thereafter with sweet wine, and in the third place with water, and sprinkle thereon white barley meal. And do thou earnestly entreat the powerless heads of the dead, vowing that when thou comest to Ithaca thou wilt sac- rifice in thy halls a barren heifer, the best thou hast, and wilt fill the altar with rich gifts; and that to Teiresias alone thou wilt sacrifice separately a ram, wholly black, the goodliest of thy flock. But when with prayers thou hast made supplication to the glorious tribes of the dead, then sacrifice a ram and a black ewe, turning their heads toward Erebos but thyself turning backward, and setting thy face towards the streams of the river. Then many ghosts of men that are dead will come forth. -
Chapter 1 Multiple Choice 1. an Important Series of Caves With
Chapter 1 Multiple Choice 1. An important series of caves with paintings from the Paleolithic period is located in ________. a. Italy b. England c. Germany d. France Answer: d 2. Which of the following describes the Venus of Willendorf? a. It is a large Neolithic tomb figure of a woman b. It is a small Paleolithic engraving of a woman c. It is a large Paleolithic rockcut relief of a woman d. It is a small Paleolithic figurine of a woman Answer: d 3. Which of the following animals appears less frequently in the Lascaux cave paintings? a. bison b. horse c. bull d. bear Answer: d 4. In style and concept the mural of the Deer Hunt from Çatal Höyük is a world apart from the wall paintings of the Paleolithic period. Which of the following statements best supports this assertion? a. the domesticated animals depicted b. the subject of the hunt itself c. the regular appearance of the human figure and the coherent groupings d. the combination of men and women depicted Answer: c 5. Which of the following works of art was created first? a. Venus of Willendorf b. Animal frieze at Lascaux c. Apollo 11 Cave plaque d. Chauvet Cave Answer: d 6. One of the suggested purposes for the cave paintings at Altamira is thought to have been: a. decoration for the cave b. insurance for the survival of the herd c. the creation myth of the tribal chief d. a record of the previous season’s kills Answer: b 7. The convention of representing animals' horns in twisted perspective in cave paintings or allowing the viewer to see the head in profile and the horns from the front is termed __________. -
Copyrighted Material
INDEX Achilles (subject) 42–43, 140, 156, 161, 170, 291; Arches Basilica 81 Figs. 2.23, 6.26, 10.19 Arc de Triomphe, Paris 359–360; Aemilia 135–136; Fig. 5.22 acroterion 33, 37, 39; Fig. 2.14 Fig. 12.26 Constantine, Trier 338–339; Figs. 12.4–12.5 Actaeon (subject) 176, 241; Figs. 6.33, 8.34 Arcus Novus, Rome 311 Nova, Rome 340; Figs. 12.6–12.7 Adamclisi, Tropaeum Traiani 229–230; of Argentarii, Rome 287; Figs. 10.14, 10.15 Pompeii 81–83; Figs. 4.5, 4.6 Figs. 8.20–8.21 of Constantine, Rome 341–346; Severan, Lepcis Magna 296, 299; adlocutio 116, 232, 256; Figs. 5.2, 8.24, 9.13 Figs. 12.8–12.11 Figs. 10.26–10.27 adventus 63, 203, 228, 256, 313, 350; of Galerius, Thessalonica 314–315; Ulpia, Rome 216; Fig. 8.5 Figs. 7.25, 8.23 Figs. 11.15–11.16 Baths aedicular niche 133; Fig. 5.20 of Marcus Aurelius, Rome 256; Fig. 9.13 of Agrippa, Rome 118, 185, 279 aedile 12 of Septimius Severus, Lepcis of Caracalla, Rome 279–283; Aemilius Paullus 16, 65, 126 Magna 298–299; Figs. 10.28, 10.29 Figs. 10.7–10.10 Victory Monument 16, 107–108; of Septimius Severus, Rome 284–286; of Cart Drivers, Ostia 242–244; Fig. 8.37 Figs. 4.30, 4.31 Figs. 10.11–10.13 of Diocletian, Rome 320–322; Aeneas 27, 121, 122, 126, 127, 135, 140, 156, of Titus, Rome 201–203; Figs. 7.22–7.24 Figs. -
From the Oak to the Olive
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com University ot Virginia libraries FROM THE OAK TO THE OLIVE. A Pla1n Record of a Pleasant Journey. by JULIA WARD HOWE. BOSTON: LEE AND SHEPARD. 1868. AlD D WIS Entered, according to Act of Congreu, In the year 1868, by JULIA WABD HOWI, In the Clerk'i Office of the District Court of the District of Maaaacbnsetti TO S. G. H., THE STRENUOUS CHAMPION OF GREEK LIBERTY AND OF HUMAN SIGHTS, IS OFFERED SUCH SMALL HOMAGE AS THE DEDICATION OF THIS VOLUME OAK OOBFEB. CONTENTS. prel1m1nar1es 1 Thb Voyagk 3 liverpool. 9 Chester — L1chfield 1 1 London 17 St. Paul's— The Japanese 23 Socekty 28 The Channel 36 Par1s and Thence 37 Marse1lles 42 Rome 45 St. Peter's 30 Supper of the P1lgr1ms 55 Easter 58 Works of Art. 60 P1azza Navona— The Tombola 65 Sundays in Rome 70 Catacombs 74 V1a Afp1a and the Columbar1a 81 Naples — The Journey 88 The Museum 92 (▼> VI CONTENTS. MM Naples — Excurs1ons 9^ The Capuch1n. 103 Baja I°6 Capr1. «» Sorrento "9 Florence. 1aa Palazzo P1tt1 I34 Ven1ce *33 Greece and the Voyage th1ther. -153 Syra 16+ Pdlakus — Athens 169 Exped1t1ons— Naupl1a. 17S Argos 183 Eg1na 196 Days 1n Athens 198 Excurs1ons 305 Hymrttus * • 214 Items 331 The Palace 333 The Cathedral 337 The Missionar1es 331 The P1azza 334 Departure 337 Return Voyage 339 Farther. 349 Fragments 353 Fly1ng Footsteps 370 Mun1ch 375 Sw1tzerland 384 The Great Expos1t1on. -
The Legacy of Ancient Rome: Art, Architecture & Cuisine October 2 -13, 2020 (12 Days | 18 Guests) with Archaeologist Albert Leonard, Jr
Limited to just Limited to just 18 18 travelers guests © Derbrauni The Legacy of Ancient Rome: Art, Architecture & Cuisine October 2 -13, 2020 (12 days | 18 guests) with archaeologist Albert Leonard, Jr. Dear Traveler, Next October, when the weather is typically perfect, discover the glorious legacy of ancient Rome with the AIA’s Dr. Al Leonard, recipient of many awards and a popular AIA Tours lecturer and host. With expert local guides plus a professional tour manager to handle all of the logistics, you can relax and immerse yourself in learning and experiencing ancient and Renaissance art and architecture, including numerous UNESCO World Heritage sites. Enjoy delicious food and wine, and excellent, 4-star hotels, perfectly located for exploring on your own during free time: five nights in central Rome, two nights in Naples overlooking the Bay of Naples, and three nights in Amalfi overlooking the Tyrrhenian Sea. © Carla Tavares Highlights are many and include: • The Roman Forum, with a private visit to the Temple of Antoninus and Faustina; and special entry to the Colosseum's upper levels; • Stunning paintings and mosaics at the House of Augustus on the Palatine Hill; • The Capitoline Museums, with their magnificent Classical and Renaissance art; • Outstanding Renaissance sculptures and paintings at the Borghese Gallery; • A day trip to Tivoli for visits to Hadrian’s Villa, a 2nd-century A.D. complex; and Villa d’Este, a superb Renaissance palace. • Breakfast within the Vatican Museums, before entering the Sistine Chapel © Intel Free