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The Rough Guide to Naples & the Amalfi Coast
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CAPRI È...A Place of Dream. (Pdf 2,4
Posizione geografica Geographical position · Geografische Lage · Posición geográfica · Situation géographique Fra i paralleli 40°30’40” e 40°30’48”N. Fra i meridiani 14°11’54” e 14°16’19” Est di Greenwich Superficie Capri: ettari 400 Anacapri: ettari 636 Altezza massima è m. 589 Capri Giro dell’isola … 9 miglia Clima Clima temperato tipicamente mediterraneo con inverno mite e piovoso ed estate asciutta Between parallels Zwischen den Entre los paralelos Entre les paralleles 40°30’40” and 40°30’48” Breitenkreisen 40°30’40” 40°30’40”N 40°30’40” et 40°30’48” N N and meridians und 40°30’48” N Entre los meridianos Entre les méridiens 14°11’54” and 14°16’19” E Zwischen den 14°11’54” y 14°16’19” 14e11‘54” et 14e16’19“ Area Längenkreisen 14°11’54” Este de Greenwich Est de Greenwich Capri: 988 acres und 14°16’19” östl. von Superficie Surface Anacapri: 1572 acres Greenwich Capri: 400 hectáreas; Capri: 400 ha Maximum height Fläche Anacapri: 636 hectáreas Anacapri: 636 ha 1,920 feet Capri: 400 Hektar Altura máxima Hauter maximum Distances in sea miles Anacapri: 636 Hektar 589 m. m. 589 from: Naples 17; Sorrento Gesamtoberfläche Distancias en millas Distances en milles 7,7; Castellammare 13; 1036 Hektar Höchste marinas marins Amalfi 17,5; Salerno 25; Erhebung über den Nápoles 17; Sorrento 7,7; Naples 17; Sorrento 7,7; lschia 16; Positano 11 Meeresspiegel: 589 Castellammare 13; Castellammare 13; Amalfi Distance round the Entfernung der einzelnen Amalfi 17,5; Salerno 25; 17,5 Salerno 25; lschia A Place of Dream island Orte von Capri, in Ischia 16; Positano 11 16; Positano 11 9 miles Seemeilen ausgedrükt: Vuelta a la isla por mar Tour de l’ île par mer Climate Neapel 17, Sorrento 7,7; 9 millas 9 milles Typical moderate Castellammare 13; Amalfi Clima Climat Mediterranean climate 17,5; Salerno 25; lschia templado típicamente Climat tempéré with mild and rainy 16; Positano 11 mediterráneo con typiquement Regione Campania Assessorato al Turismo e ai Beni Culturali winters and dry summers. -
Creating the Past: Roman Villa Sculptures
��������������������������������� Creating the Past: Roman Villa Sculptures Hadrian’s pool reflects his wide travels, from Egypt to Greece and Rome. Roman architects recreated old scenes, but they blended various elements and styles to create new worlds with complex links to ideal worlds. Romans didn’t want to live in the past, but they wanted to live with it. Why “creating” rather than “recreating” the past? Most Roman sculpture was based on Greek originals 100 years or more in the past, but these Roman copies, in their use & setting, created a view of the past as the Romans saw it. In towns, such as Pompeii, houses were small, with little room for large gardens (the normal place for statues), so sculpture was under life-size and highlighted. The wall frescoes at Pompeii or Boscoreale (as in the reconstructed room at the Met) show us what the buildings and the associated sculptures looked like. Villas, on the other hand, were more expansive, generally sited by the water and had statues, life-size or larger, scattered around the gardens. Pliny’s villas, as he describes them in his letters, show multiple buildings, seemingly haphazardly distributed, connected by porticoes. Three specific villas give an idea of the types the Villa of the Papyri near Herculaneum (1st c. AD), Tiberius’ villa at Sperlonga from early 1st century (described also in CHSSJ April 1988 lecture by Henry Bender), and Hadrian’s villa at Tivoli (2nd cent AD). The Villa of Papyri, small and self-contained, is still underground, its main finds having been reached by tunneling; the not very scientific excavation left much dispute about find-spots and the villa had seen upheaval from the earthquake of 69 as well as the Vesuvius eruption of 79. -
Amalfi Coast & Cilento Regions of Campania Campania, Italy
Campania, Italy |Culinary & Cultural Adventure! Amalfi Coast & Cilento Regions of Campania Depart: USA on May 26, 2020 | Return to USA on June 4, 2020 9 Fun Days & 8 Nights of a CULINARY and CULTURAL ADVENTURE $2,995.00 per person . 5-Star Hotel . Mount Vesuvius Winery . Cooking with a Baroness . Beautiful Sightseeing Tours . “Hands-On” Mozzarella Experience . Temples of Paestum (Magna Graecia) . Enjoy the same hotel for entire tour . Beach & Fun in the Sun Time! Explore Campania! Enjoy a culinary and cultural adventure of a lifetime as you visit two of the most spectacular regions of Campania. Savor the glamor & glitz of the Amalfi Coast along with the Cilento region (known as one of Italy’s best kept secrets, and home of the Mediterranean diet). Relish in the “sweet life” of southern Italy and its gracious people on this one-of-a-kind tour. 1 ITALY: CAMPANIA & CILENTO REGION TOUR ITINERARY DAY TO DAY ITINERARY May 27 – June 4, 2020 IMPORTANT: Departure should be scheduled for May 26rd in order to arrive on May 27th. Day 1: Arrival | Naples International Airport DINNER Meet and greet at Naples International Airport. Bus transfer is provided for the group from the airport to Hotel Sole Splendid. Relax, settle in, and enjoy the amenities of the hotel and the beautiful beach. In the evening, meet the group for a welcome dinner. Day 2: Splendors of Positano & Amalfi Experience BREAKFAST LUNCH Breakfast at the hotel. Bus departure for the port of Salerno to the alluring towns of Positano and Amalfi. Then you’ll experience a ferry ride to the chic village of Positano, famous for its glamorous shopping, restaurants, beautiful cliff-side panoramic views, and the magnificent Church of Santa Maria. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
AD Default.Pdf
our tenter de comprendre l'engouement qu'a toujours suscité Capri, perle de la Méditerranée, il faut s'y rendre à bord de l'un des ferries qui, tous les vendredis après-midi, de mai à septembre, quittent Naples, depuis le môle Beverello, en direction de l'île. Accou- dés au bastingage, les hommes bavardent gaiement sur leur téléphone portable der- nier cri avec leurs amis moins chanceux, retenus au travail à Naples, à Rome ou à Milan. Les femmes - de la grande bour- geoisie ou de l'aristocratie italiennes - affi- chent un look qui rappelle celui de la Jackie Kennedy des années 50: pantalon en coton style pêcheur, sandales à talon plat ou espadrilles à semelle de corde et haut pastel. Seules concessions à l'esprit du temps: le sac à main Gucci ou Prada et les lunettes de soleil Versace ou Fendi. Quelques bijoux de corail ou de turquoises soulignent le caractère décidément estival de cette tenue de villégiature. L'engouement des élites pour Capri n'est pas chose nouvelle. Déjà l'empereur Tibère décidait, en l'an 27 de notre ère, d'aban- donner Rome pour venir s'y installer... Dès le tournant du XVIIe siècle, l'île enchanta 1. Le grand salon de la villa Fersen est orné de marbres précieux, colonnes, stucs, et dorures. 2. Les fêtes organisées parle baron Jacques d'Adelsward -Fersen s'achevaient dans la chambre à opium. les «étrangers». D'abord des Allemands, léopard et se rendait à dîner chez ses amis des Français, des Anglais et des Suédois, avec un serpent enroulé au poignet en puis des Russes et enfin des Américains qui guise de bracelet.. -
The Recollections of Encolpius
The Recollections of Encolpius ANCIENT NARRATIVE Supplementum 2 Editorial Board Maaike Zimmerman, University of Groningen Gareth Schmeling, University of Florida, Gainesville Heinz Hofmann, Universität Tübingen Stephen Harrison, Corpus Christi College, Oxford Costas Panayotakis (review editor), University of Glasgow Advisory Board Jean Alvares, Montclair State University Alain Billault, Université Jean Moulin, Lyon III Ewen Bowie, Corpus Christi College, Oxford Jan Bremmer, University of Groningen Ken Dowden, University of Birmingham Ben Hijmans, Emeritus of Classics, University of Groningen Ronald Hock, University of Southern California, Los Angeles Niklas Holzberg, Universität München Irene de Jong, University of Amsterdam Bernhard Kytzler, University of Natal, Durban John Morgan, University of Wales, Swansea Ruurd Nauta, University of Groningen Rudi van der Paardt, University of Leiden Costas Panayotakis, University of Glasgow Stelios Panayotakis, University of Groningen Judith Perkins, Saint Joseph College, West Hartford Bryan Reardon, Professor Emeritus of Classics, University of California, Irvine James Tatum, Dartmouth College, Hanover, New Hampshire Alfons Wouters, University of Leuven Subscriptions Barkhuis Publishing Zuurstukken 37 9761 KP Eelde the Netherlands Tel. +31 50 3080936 Fax +31 50 3080934 [email protected] www.ancientnarrative.com The Recollections of Encolpius The Satyrica of Petronius as Milesian Fiction Gottskálk Jensson BARKHUIS PUBLISHING & GRONINGEN UNIVERSITY LIBRARY GRONINGEN 2004 Bókin er tileinkuð -
Herculaneum Archaeology
Defining Beauty - Alistair Thorley A First Hand Experience of the Apolline Project - Iona Hampson The Ancient Graffiti Project - Rebecca Benefiel & Jacqueline DiBiasie 2014 Southeastern College Art Conference - Lisa Gastrell The First Herculaneum Summer School - Sarah Hendriks Bronze sculpture from the Villa of the Papyri , Museo Archeologico Nazionale Napoli herculaneum archaeology herculaneum Society - Issue 19 Summer 2015 of the Friends Herculaneum the newsletter Defining beauty - the body in Ancient Greek art A Review of the recent exhibition at the British Museum by Alistair Thorley Head of Classics, Stockport Grammar School Defining beauty is about as easy as raising children or trusting politicians and so the latest superstar British Museum exhibition is ambitious in its scope. The first darkened room showcases five of Classical Greece’s best attempts to define the indefinable, all dramatically spotlit. Ilissos, the river god whose turbulent course has flowed from Athens to London and then, most recently, to St. Petersburg and back, has a beauty where flesh, drapery and water coalesce across his body. Apoxyomenos radiates a self-confidence in his muscular body. Doryphoros (via Georg Römer’s stunning bronze copy) finds beauty in mathematical perfection. The beauty of the Townley Diskobolos lies in the grace he achieves despite his clenched crouch. However, newspaper coverage of the exhibition has focused on the one female statue amidst the buff young males. The opening of the exhibition is Aphrodite’s bottom. The statue is turned 180 degrees from the angle at which she is normally first encountered on the way to the Duveen Gallery. It is easy to see why we start this way. -
Amalfi Coast Itinerary .Pdf
AMALFI COAST ITINERARY NAPLES REMARKABLE EXPERIENCES TJB SUPER YACHTS 03 AMALFI COAST ITINERARY EMBARKATION IN NAPLES A yacht charter on the Amalfi coast will give you access to one Prepare to be astounded by the rich history, endless culture of the world’s most scenic stretches of coastline. With its and breath-taking architecture that Naples has to offer. picturesque cliffside villages basking in the sun, sinuous roads Capital region of Campania and the third largest city in Italy, along mountains tumbling into the turquoise sea, and Naples has twenty one different areas for you to explore, each luxurious gardens, this picturesque coast was awarded a spot with their own individual style. Find yourself eating a freshly on the UNESCO World heritage list in 1997. baked margherita pizza in the very city where it originates from whilst overlooking the dazzling Gulf of Naples, or discover the beauty that’s hidden behind the doors of numerous churches and museums – this iconic city boasts endless opportunities. ISCHIA REMARKABLE EXPERIENCES TJB SUPER YACHTS 05 AMALFI COAST ITINERARY ISCHIA The volcanic outcrop of Ischia is the most developed and Most visitors head straight for the north-coast towns of Ischia largest of the islands in the Bay of Naples. An early colony of Porto, Ischia Ponte, Forio and Lacco Ameno. Of these, Ischia Magna Graecia, first settled in the 8th century BC, Ischia Porto boasts the best bars, while Forio and Lacco Ameno the today is famed for its thermal spas, manicured gardens, prettiest spas and gardens. On the calmer south coast, the striking Aragonese castle and unshowy, straightforward car-free perfection of Sant’Angelo offers a languid blend of a Italian airs – a feature also reflected in its food. -
Frank Heller På Capri
© Frank Orton 2016 Frank Heller på Capri Det första mötet Men våren 1920 kom jag till Capri, och med ens var det som om mina ögon öpp- nades och jag blev seende. Jag kastade mig i det kristallklara Medelhavet med sann frenesi och började springa i bergen som en stenget. Capri bestod den gången huvudsakligen av mulåsnestigar. O lårmusklernas vällust under klätt- ringen upp till Salto Tiberio och Monte Solaro! O lungornas vällust, då man där insög den kristallklara luften som var bräddad med vilda dofter! O gommens vällust då man därefter insög det skarpa vita caprivinet med sin lätta arom av svavel! Så entusiastiskt skildrar Frank Heller sitt första möte med Capri.1 Entusiasmen är rent allmänt inte ägnad att förvåna. Nationalencyklopedin, t ex, framhäver öns storslagna skönhet och nämner att den är ett av hela Italiens främsta turistmål. En färsk resebroschyr talar om naturen, som växlar mellan böljande grönska och blommande ängar, dramatiska klippor och hisnande stup.2 Inte för inte har ön be- gåvats med epitetet ”Medelhavets pärla”. Med decenniers erfarenhet av det moderna Capri som mångårig intendent vid den Axel Muntheska Stiftelsen Villa San Michele förmedlar den ungerskfödde arki- tekten Levente Erdeös3 dock en något bredare bild. Han framhåller bl a det mot- sägelsefulla förhållandet mellan Capris två ansikten. På denna poesins och le- gendernas ö finner man nämligen naturens skönhet och harmoni i en fredlig men spänningsladdad samlevnad med den ohejdade materialismens och det så ofta bedrägliga framstegets anda.4 Han tänker förstås inte minst på turismen och vad den kan föra med sig. Belägen vid södra inloppet till Neapelbukten, rakt söder om Neapel och Vesuvi- us, består Capri av två branta, 600 meter höga kalkstensformationer med en sänka emellan. -
Issue 24 Autumn 2019
News from Herculaneum and the 8th Herculaneum Congress - Bob Fowler p.2 Bronze statue of Hyperspectral Imaging -Kilian Fleischer p.3 dancer found in 1756 between the A New Theological Work by Philodemus - Marzia D’Angelo p.5 portico and the A New Updated Version of Usener’s Glossarium Epicureum - Claudio Vegara p.7 pond of the Villa Retrospective Styles in Roman Artistic Culture - Daniel Healey p.8 of Papyri. MANN News from Professor Brent Seales and his Research Team - Christy Chapman p.10 The Friends Visit to the Getty Exhibition - Roger Macfarlane p.11 Officina Director lectures at Brigham Young University - Roger Macfarlane p.12 herculaneum archaeology herculaneum Review: Buried by Vesuvius - Bob Fowler p.13 Preview: Herculaneum & the House of the Bicentenary - Bob Fowler p.14 the newsletter of the Herculaneum Society - Issue 24 Autumn 2019 Society of the Herculaneum the newsletter Report from Silchester - Professor Mike Fulford p.14 News from Herculaneum The 8th Herculaneum Congress Hyperspectral imaging – a new technique for reading unrolled Herculanean papyri Dr. Kilian Fleischer, head of the DFG-project Philodemus’ History of the Academy, University of Würzburg. Bob Fowler, Chairman of Trustees 11–14 June 2020 In early July I was able to meet with Director Fran- The next Congress—the eighth in the vener- It rarely happens that a classicist’s or papyrologist’s work attracts attention beyond the scholarly commu- cesco Sirano at Herculaneum while I was conduct- able series—offers the usual mix of familiar and nity. For the most part, the media are not interested in new readings or reconstructions of a papyrus. -
Inviaggio.Pdf Default.Pdf
Ci sono passati prima Oscar Wilde, Lenin e Humphrey Bogart. Ma in particolare negli anni '50 e'60, all'epoca della Dolce Vita romana, Capri diventa l'isola della mondanità. Attori e registi italiani, star di Hollywood, artisti, ragazze-copertina e nobili in vacanza. Tutti quelli che contano sono stati a Capri e l'hanno resa famosa nel mondo. Come provano queste foto Un'abitudine che ancora si rinnova ogni estate. Turisti di fronte allo storico hotel Quisisana, a Capri. È l'agosto del 1950 Dentro e fuori del set Maggio 1963. Brigitte Bardot arriva sull'isola campana per girare Il disprezzo, diretta dal regista Jean-Luc Godard. Eccola in alcune immagini scattate durante le riprese del film e nei momenti liberi: 1) in bikini sulla scalinata della villa di Curzio Malaparte, dov'è stata realizzata la pellicola; 2) assieme all'attore Samy Frey, suo compagno in quegli anni; 3) a passeggio a piedi nudi lungo le vie del centro di Capri. Non solo spettacolo Capri, bellissima e mondana, diventa una delle mete preferite da notabili di tutto il mondo. 1) 1 Faraglioni, simbolo dell'isola. 2) Tina Onassis (a sinistra), moglie dell'armatore greco Aristotelis Onassis, in compagnia di Maria Callas. E il 1959 e inizierà proprio da qui, con la crociera sul panfilo Christina, la storia d'amore tra la cantante lirica e il ricco armatore. 3) Soraya, imperatrice di Persia, con lo scià. E il 1957: dopo poco tempo sarà ripudiata per non avergli dato un erede al trono. Estati da rotocalco Negli anni '50, Capri è la meta preferita dai divi del cinema, che in estate riempiono i rotocalchi con le loro avventure.