Catalog of Audio Recordings February, 2009

Total Page:16

File Type:pdf, Size:1020Kb

Catalog of Audio Recordings February, 2009 Catalog of Audio Recordings February, 2009 Composers From the West Rare, Unusual and Eclectic Repertoire Historical Americana Carlos Chavez Chamber Music Volumes I and II Grammy® Winners - 2004 and 2005 Small Ensemble Category Southwest Chamber Music 50th ANNUAL GRAMMY® AWARDS NOMINATION New Release BEST INSTRUMENTAL SOLOIST PERFORMER Rufus Choi, piano (WITHOUT ORCHESTRA) Cambria Master Recordings Box 374, Lomita, California 90717 • USA Phone 310-831-1322 • Fax 310-833-7442 WWW.Cambriamus.com [email protected] ORCHESTRAL RECORDINGS ORCHESTRA WORKS BY ELINOR REMICK WARREN The Crystal Lake; Symphony in One Movement; Along the Western Shore; Suite for Orchestra; Good Morning, America (Narrator: Efrem Zimbalist, Jr.). Polish Radio Orchestra, Cracow. Szymon Kawalla, conductor. CD1042 ELINOR REMICK WARREN - THE LEGEND OF KING ARTHUR Choral Symphony Thomas Hampson, baritone; Lawrence Vincent, ten., Polish Radio Orch. and Chorus, Cracow. S. Kawalla, conductor. CD1043 SINGING EARTH - Choral/Orchestral Works by ELINOR REMICK WARREN Featuring American Baritone THOMAS HAMPSON Bruce Ferden conducts the Polish Radio Orchestra and Chorus of Krakow. Includes Singing Earth (orchestra and baritone soloist); The Harp Weaver (orchestra, chorus and baritone soloist); The Sleeping Beauty (orchestra, chorus, and soloists); and Abram in Egypt (orchestra, chorus, and baritone soloist). CD1095 THE MUSIC OF WILLIAM KRAFT Concerto For Four Percussion Soloists and Orchestra (Zubin Mehta and the Los Angeles Philh. Orchestra); Contextures:Riots - Decade '60 (Mehta and LAPO); Games: Collage No. 1, (Los Angeles Horn Club); Double Trio. CD1071 THREE ROMANTIC VIOLIN CONCERTI FAURE: Concerto in D Minor (Allegro); SIBELIUS: Concerto in D Minor; RICHARD DICIEDUE: Concerto in D. Mischa Lefkowitz, violin. Polish National Radio Symphony, David Amos, conductor. CD1064 EUGENE ZADOR - CHRISTOPHER COLUMBUS - Choral Symphony (soloists, Concert Choir of Long Island. The American Symphony Orchestra, Laszlo Halasz, Conductor); STUDIES FOR ORCHESTRA (Westphalian Symphony, Paul Freeman, conductor). CD1100 ORCHESTRAL WORKS BY LEO ARNAUD The Polish Radio Symphony Orchestra, Krakow, Masatoshi Mitsumoto, conductor. Symphonie Francaise; Latin American Scenario; Midinette for Orchestra and Clarinet; In Memoriam (string ensemble); Well Tempered Oboist for orchestra and oboist; and Bugler's Dream (from Charge!) for brass ensemble (ABC-TV Olympic Theme Fanfare Music). CD1074 WILLIAM GRANT STILL Symphony No. 3 (North Arkansas Symphony Orchestra, Carlton Woods, conductor); Festive Overture (Royal Philharmonic Orchestra of London, Arthur Lipkin, conductor); Romance for Saxophone and Piano (Robert Umiker, Saxophone, Arthur Tollefson, piano); Folk Suite No. 4; Three Rhythmic Spirituals and I Feel Like My Time Ain't Long (Schola Cantorum of the University of Arkansas, Jack Groh, conductor). CD1060 ORCHESTRAL WORKS BY BYON-KON KIM Choyop (Seoul Philharmonic Orchestra); The Seven Last Words of Christ (Euny P. Kim organ, Carroll Raynor, percussion); Epitaph (California E.A.R. Unit); Festival Symphony (Korean Philharmonic Orchestra). CD1046 URBAN CLASSICAL - THE MUSIC OF ED BLAND Piece For Chamber Orchestra (Speculum Musicae); Sketches Set 1 (Light Fantastic Players); Brass Quintet (American Brass Quintet); For Flute; For Violin; For Clarinet; Sketches Set Seven (piano). CD1026 KORNGOLD IN VIENNA The Austrian Radio Orchestra, Vienna (1949) conducted by Max Schonherr. Selections from Der Schneeman; Violanta; Tomorrow; Much Ado About Nothing; Theme & Variations. CD1066 LEON LEVITCH Elegy for Strings, Op., 20 (Amer. Youth Sym., Mehli Mehta, cond.); Symphony No. 2, Op. 18 "The Taos" (Amer. Youth Symp., M. Mehta, cond.); Suite for Flute; String Orchestra & Harp, Op. 7 (UCLA Chamber Orchestra, Mehli Mehta, cond). CD1123 TCHAIKOVSKY, PETER ILYICH Symphony No. 5 in E minor, Op.64. (Moscow Philharmonic Orchestra, Dong Hyock Hyun, conductor). CD1116 TAKTAKISHVILI, OTAR - BALAKIREV, MILY Piano Concerto No. 1 in C Minor (Moscow Phil. Orchestra, Jungran Kim Khwarg, piano; Dong Hyock Hyun, conductor); BALAKIREV, MILY - Tamara, Symphonic Poem (Moscow Philh. Orchestra, Dong Hyock Hyun, conductor) DDD. CD1120 REFLECTIONS - MUSIC BY ARNI EGILSSON Reflections (Iceland Sym. Orch., Koivula, cond.); Blaer (Hollywood Studios Woodwind Quintet); Just a Thought (Gloria Cheng, piano); Erinnerungen (Claudine Carlson, mez-sop, Robert Hunter, pn) Dies Irae (Choir of the Church of Langholt, Stefansson, cond.) CD-1132 HOLLYWOOD BOWL CONCERT (1928) DVORAK: Carnival Overture; DE FALLA: Ritual Fire Dance; BERLIOZ: March to the Scaffold; BALAKIREV: Islamey (arr. Alfredo Cassella); TCHAIKOWSKY: Ballet Suite from Swan Lake - Eugene Goossens and the Los Angeles Philharmonic Orchestra. (Also contains two rare rehearsal sequences: STRAVINSKY Rite of Spring; GLINKA: Kamarinskaya. CD1147 NIKOLAI MIASKOVSKY Concerto for Cello and Orchestra, Op. 66 (Ovidiu Marinescu, cello; Russian Philharmonic Orchestra, Konstantin Krimets, conductor); Sonata for Cello and Piano No. 1 in D Major, Op. 12; Sonata for Cello and Piano No. 2 in A Minor, Op. 81. (Ovidiu Marinescu, cello; Kenneth Boulton, piano) CD1155 THE NIGHTENGALE'S RHAPSODY - MUSIC FOR CLARINET AND STRINGS - JEROME SUMMERS, CLARINET RONALD ROYER: Romance for Clarinet, Harp, Piano and Strings (2005); Rhapsody for Clarinet, Percussion and Strings. OLIVER WHITEHEAD: Pissarro Landscapes for Clarinet, Piano, Strings (2000); MICHAEL CONWAY BAKER: Concerto for Clarinet, Piano, Percussion and Strings, Op. 120 (2002); DALE REUBART: Fantasy for Clarinet and Strings (2002). CD 1172 DANCING ON THE BRINK OF THE WORLD - DEON NIELSEN PRICE Berkeley A. Price and John McLaughlin Williams, conductors. National Symphony Orchestra of Ukraine Yellow Jade Banquet, Epitaphs for Fallen Heroes, America Themes, Gateways, States of Mind, Dancing on the Brink of the World DDD. CD1170 PIANO LEONARD PENNARIO (PIANO) - Film Themes and Variations Includes Midnight on the Cliffs; Romeo and Juliet; Midnight Cowboy; A Star is Born(1937); Waltz Suite (Rozsa); From the Terrace; Rocco and His Brothers; Kings Row; Invitation; The Sand Pebbles; The Umbrellas of Cherbourg. CD1093 BLACK DIAMONDS - Piano Music of African-Americans FLORENCE PRICE: Sonata; Dances in the Canebrakes; W. G. STILL: Three Visions; MARGARET BONDS: Troubled Water; ED BLAND: Sketches Set VII. Althea Waites, piano. CD1097 ERIC PARKIN PLAYS PIANO WORKS BY MIKLOS ROZSA. Sonata, Op. 20; Bagatelles, Op. 12; Variations, Op. 9; The Vintner's Daughter, Op. 23. Eric Parkin, piano. CD1081 ESTHER LEE KAPLAN (PIANO) PIANO WORKS BY ROBERT SCHUMANN AND FREDERIC CHOPIN. SCHUMANN: Carnaval, Op. 9; CHOPIN: Three Mazurkas; Valse in E minor; Nocturne in D flat major; Fantasie in F minor, Op. 49. Esther Lee Kaplan, piano. CD1098 ADVENTURES IN MUSIC-MAKING WITH THE HADDENS - DUO-PIANISTS. Rachmaninoff: Tears; Russian Easter; Milhaud: Brazileira; Bach: Vivace; Mozart: Andante-sonata K448; Gershwin: Prelude No. 2; Madeleine Dring: Lillliburlero, Tarantelle; Will Reed: Prelude to Annie the Valiant; Benjamin: Jamaican Rumba; Goodman: Stomping at the Savoy; Tansman: Cakewalk; F. Hadden: Bicentennial Suite,The Forgotten Factor; R. Hadden: The Bells Must Ring! Richard and Francis Hadden, duo-pianists. CD1065 PIANIST JAKOB GIMPEL AT AMBASSADOR AUDITORIUM - ALL CHOPIN RECITAL MAY 11th, 1978, PASADENA, CALIF. (COMPLETE PROGRAM) - Variations Brillantes, Opus 12; Impromptu in F-sharp Major; Ballade No. 1 in G minor; Sonata No. 2 in B-flat minor; Barcarolle in F-sharp Major; Three Mazurkas, Two Etudes; Nocturne in E Major, Scherzo No. 1 in B minor - (Encores) Valse Oubliée (Liszt); Etude (Debussy) - CD1070 -2 CD SET - $19.95. PIANIST JAKOB GIMPEL AT AMBASSADOR AUDITORIUM - ALL CHOPIN RECITAL NO. 2 JANUARY 24th, 1976, PASADENA, CALIF. (COMPLETE PROGRAM) - Fantasie in F Minor, Twenty-Four Preludes, Sonata in B Minor - (Encores) Song Without Words No. 32 (Mendelssohn), Etude (Debussy), Waltz A-Flat Major, (Chopin.) CD1106 - 2 CD SET - $19.95. PIANO MUSIC OF JOHN BEALL Sonata for Piano (L'homme arme); Summer Pieces; Piano Fantasy; Black Raindrops. Steven Herbert Smith, piano.- Capriccio for Piano 4 Hands - Carol Beall and Lucia Unrau, duo-pianists. CD1105 MARGARET MILLS PLAYS WORKS BY CHABRIER AND DEBUSSY Chabrier: Pieces Pittoresques and Bouuree Fantasque; Debussy: Suite Bergamasque. Margaret Mills, piano. DDD - CD1128 PIANO WORKS BY RUTH SCHONTHAL AND LOWELL LIEBERMANN - MARGARET MILLS (PIANO) SCHONTHAL: Canticles (1987); Gestures (1978); Self-Portrait (1991); Liebermann: Sonata No 2 (1983); Sonata No. 1 (1977). CD1094 WILLIAM CORBETT-JONES (PIANO) Roger Nixon: Selections from Twelve Preludes (1984), Music for Piano (1994); Ravel: Sonatine; Bartok: 15 Hungarian Peasant Songs; Busoni: Fantasia nach J.S. Bach; Schubert: Sonata in A Major (D. 959) CD1119 WILLIAM CORBETT-JONES (PIANO) - ALL SCHUBERT PROGRAM Waltz No. 36 in F Major, D.365; Sonata in A minor, D.784; Sonata in B-flat Major, D.960; Hungarian Melodie in B minor, D.817; Allegretto in C minor, D.915; Eleven Landler, from 17 Landler, D.366; March in E Major, D.606. CD-1129 WILLIAM CORBETT-JONES (PIANO) - PIANO WORKS BY NIXON AND MOZART Roger Nixon: Seven Preludes (2000); Three Preludes from "12 Preludes" (1984). Mozart: Rondo in A minor, K.511; March in C Major, K408/I; Fantasia in D minor, K. 397/385g; Rondo in D Major, K. 485; Adagio in B minor, K. 540; Minuet in D Major, K355/576b; Gigue in G Major, K. 574; 10 Variations in G Major on "Les Hommes pieusement" (Gluck), K. 455; Sonata in D Major, K. 576. CD-1139 DANIEL POLLACK -
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Grey Lodge Occult Review™
    May 1 2003 e.v. Issue #5 Grey Lodge Occult Review™ Gems from the Archives Selections from the archived Web-Material C O N T E N T S Mummeries of Resurrection The Cycle of Osiris in Finnegans Wake by Mark L. Troy The Man Who Invented Flying Saucers by John A. Keel SF, Occult Sciences, and Nazi Myths by Manfred Nagl Exegesis excerpts 1974-1982 "The Ten Major Principles of the Gnostic Revelation" by Philip K. Dick I Understand Philip K. Dick by Terence Mckenna Dr. Green and the Goblins of Langley by Jim Schnabel Brother Dave Morehouse D:.I:.A:. Remote Viewer & NDE Experiencer Excerpt from: Psychic Warrior by David Morehouse The Oberg Files by Blue Resonant Human, Ph.D. (Agent BlueBird) EXIT Communication to all Brethren (Information) from Robert De Grimston The Process - Church of the Final Judgement The Gitanjali or `song offerings' by Rabindranath Tagore with an introduction by William B. Yeats Rosa Alchemica by William B. Yeats (Note: PDF) John Dee by Charlotte Fell-Smith (Note: PDF) Serapis A Romance by Georg Ebers (Note: PDF) Home GLORidx Close Window Except where otherwise noted, Grey Lodge Occult Review™ is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License. Grey Lodge Occult Review™ 2003 e.v. - Issue #5 Mummeries of Resurrection The Cycle of Osiris in Finnegans Wake Mark L. Troy Uppsala 1976 Doctoral dissertation at the University of Uppsala 1976 HTML version prepared by Eric Rosenbloom Kirby Mountain Composition & Graphics 2002 Note: Page numbers from the printed text have been retained in the table of contents to use as approximate guides for the references in the bibliographies, line index, and elsewhere.
    [Show full text]
  • Dr. Craig Cramer
    SOUTHERN NEVADA CHAPTER OF THE AMERICAN GUILD OF ORGANISTS THE DESERT WIND Editor: Bruce Behnke © 2017 Issue: March/April 2017 Southern Nevada Chapter Dean’s Notes American Guild of Organists For those organists involved in the https://tinyurl.com/gvdpvbo Before the next Desert Wind comes liturgical seasons, Lent is upon out in May, the Guild will be in full us. For me, preparations for Holy Here’s an interesting tidbit about swing to renew memberships. It is a Week and Easter is the busiest time Dr. Cramer: He sells via e-mail season to invite new people to join. of the year. This season also brings used organ music for modest pric- Our chapter has been increasing mem- us the birthday of Johann Sebastian es. This encourages organists to bership. This is partly because of the Bach, an artist who used the organ enjoy the variety and beauty of the four choir collaboration at the last to glorify God. We will celebrate organ repertoire. Some of these Members Recital, but it is more due to the great composer’s birthday on works are out-of-print, and this the enthusiasm of one-on-one invita- Friday March, 24th at 7:30 PM; clearing house provides a place for tions. Online registration is becoming you will get to hear Dr. Mykola Suk organ literature to live again to the preferred way to join the Guild. If on piano and Dr. Stephen Ackert organists. you have thought of doing online reg- on organ in an all-Bach program. istration and are a little nervous about I have not heard them before, but it Collaboration with other groups it, there are people willing to help you is exciting to hear someone new.
    [Show full text]
  • Back Listeners: Locating Nostalgia, Domesticity and Shared Listening Practices in Contemporary Horror Podcasting
    Welcome back listeners: locating nostalgia, domesticity and shared listening practices in Contemporary horror podcasting. Danielle Hancock (BA, MA) The University of East Anglia School of American Media and Arts A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy January 2018 Contents Acknowledgements Page 2 Introduction: Why Podcasts, Why Horror, and Why Now? Pages 3-29 Section One: Remediating the Horror Podcast Pages 49-88 Case Study Part One Pages 89 -99 Section Two: The Evolution and Revival of the Audio-Horror Host. Pages 100-138 Case Study Part Two Pages 139-148 Section Three: From Imagination to Enactment: Digital Community and Collaboration in Horror Podcast Audience Cultures Pages 149-167 Case Study Part Three Pages 168-183 Section Four: Audience Presence, Collaboration and Community in Horror Podcast Theatre. Pages 184-201 Case Study Part Four Pages 202-217 Conclusion: Considering the Past and Future of Horror Podcasting Pages 218-225 Works Cited Pages 226-236 1 Acknowledgements With many thanks to Professors Richard Hand and Mark Jancovich, for their wisdom, patience and kindness in supervising this project, and to the University of East Anglia for their generous funding of this project. 2 Introduction: Why Podcasts, Why Horror, and Why Now? The origin of this thesis is, like many others before it, born from a sense of disjuncture between what I heard about something, and what I experienced of it. The ‘something’ in question is what is increasingly, and I believe somewhat erroneously, termed as ‘new audio culture’. By this I refer to all scholarly and popular talk and activity concerning iPods, MP3s, headphones, and podcasts: everything which we may understand as being tethered to an older history of audio-media, yet which is more often defined almost exclusively by its digital parameters.
    [Show full text]
  • Pacific Southern Chapter the COLLEGE MUSIC SOCIETY
    Pacific Southern Chapter THE COLLEGE MUSIC SOCIETY 20th Regional Conference March 17–18, 2006 California State University – Los Angeles Los Angeles, California Pacific Southern Chapter THE COLLEGE MUSIC SOCIETY ACKNOWLEDGEMENTS The CMS Pacific Southern Chapter gratefully acknowledges all of those who have worked tirelessly to make this conference such a tremendous success: David Connors, Chair, Cal State L.A. Department of Music John M. Kennedy, Director, Cal State L.A. New Music Ensemble and Program co-chair Cathy Benedict, Program co-chair CMS Pacific Southern Chapter Executive Board President: Jeffrey Benedict (California State University - Los Angeles) Vice-President: Cathy Benedict (New York University) Treasurer: William Belan (California State University - Los Angeles) Secretary: Elizabeth Sellers (California State University - Northridge) CMS Pacific Southern Chapter Conference Committee John Kennedy Cathy Kassell Benedict Jeff Benedict March 17, 2006 Dear CMS Colleagues: On behalf of my colleagues at the California State University, Los Angeles, I would like to welcome you to the 2006 College Music Society Southern Pacific Chapter Conference. As always, we have an exciting slate of performances and presentations, and I am sure it will prove to be an intellectually stimulating event for all of us. I look forward to the free exchange of ideas that has become the hallmark of our chapter conferences. I would especially like to welcome Dr. Andrew Meade, who has graciously accepted our invitation to be the keynote speaker. Again, welcome, and I hope that you all have a fabulous conference her at Cal State L.A. Jeff Benedict CMS Pacific-Southern Chapter President 2006 Conference Host S TEINWAY IS THE OFFICIAL PIANO of THE COLLEGE MUSIC SOCIETY’S NATIONAL CONFERENCE New from2 Forthcoming! BEYOND TALENT RESEARCHING THE SONG Creating a Successful Career in Music A Lexicon ANGELA MYLES BEECHING SHIRLEE EMMONS and WILBUR WATKINS LEWIS, Jr.
    [Show full text]
  • American Academy of Arts and Letters
    NEWS RELEASE American Academy of Arts and Letters Contact: Ardith Holmgrain 633 WEST 155 STREET, NEW YORK, NY 10032 [email protected] www.artsandletters.org (212) 368-5900 http://www.artsandletters.org/press_releases/2010music.php THE AMERICAN ACADEMY OF ARTS AND LETTERS ANNOUNCES 2010 MUSIC AWARD WINNERS Sixteen Composers Receive Awards Totaling $170,000 New York, March 4, 2010—The American Academy of Arts and Letters announced today the sixteen recipients of this year's awards in music, which total $170,000. The winners were selected by a committee of Academy members: Robert Beaser (chairman), Bernard Rands, Gunther Schuller, Steven Stucky, and Yehudi Wyner. The awards will be presented at the Academy's annual Ceremonial in May. Candidates for music awards are nominated by the 250 members of the Academy. ACADEMY AWARDS IN MUSIC Four composers will each receive a $7500 Academy Award in Music, which honors outstanding artistic achievement and acknowledges the composer who has arrived at his or her own voice. Each will receive an additional $7500 toward the recording of one work. The winners are Daniel Asia, David Felder, Pierre Jalbert, and James Primosch. WLADIMIR AND RHODA LAKOND AWARD The Wladimir and Rhoda Lakond award of $10,000 is given to a promising mid-career composer. This year the award will go to James Lee III. GODDARD LIEBERSON FELLOWSHIPS Two Goddard Lieberson fellowships of $15,000, endowed in 1978 by the CBS Foundation, are given to mid-career composers of exceptional gifts. This year they will go to Philippe Bodin and Aaron J. Travers. WALTER HINRICHSEN AWARD Paula Matthusen will receive the Walter Hinrichsen Award for the publication of a work by a gifted composer.
    [Show full text]
  • The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
    ! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176
    [Show full text]
  • December 1940) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1940 Volume 58, Number 12 (December 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 12 (December 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/59 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. —— THE ETUDE Price 25 Cents mueie magazine i — ' — ; — i——— : ^ as&s&2i&&i£'!%i£''££. £&. IIEHBI^H JDiauo albums fcj m Christmas flarpms for JfluStc Jfolk IS Cljiistmas iSnraaiitS— UNTIL DECEMBER 31, 1940 ONLY) (POSTPAID PRICES GOOD CONSOLE A Collection Ixecttalist# STANDARD HISTORY OF AT THE — for £111 from Pegtnner# to CHILD’S OWN BOOK OF of Transcriptions from the Masters Revised Edition PlAVUMfl MUSIC—Latest, GREAT MUSICIANS for the Pipe Organ or Electronic DECEMBER 31, 1940 By James Francis Cooke Type of Organ Compiled and MYllfisSiiQS'K PRICES ARE IN EFFECT ONLY UP TO By Thomas
    [Show full text]
  • The Ukrainian Weekly 2007, No.26
    www.ukrweekly.com INSIDE: • Auto accident alters lives of families in Ukraine, U.S. — page 3. • Philadelphia celebrates 95th anniversary of Plast — page 9. • ‘Bereza Kartuzka’ documentary premieres in Montreal — page 13. HE KRAINIAN EEKLY T PublishedU by the Ukrainian National Association Inc., a fraternal non-profitW association Vol. LXXV No. 26 THE UKRAINIAN WEEKLY Sunday July 1, 2007 $1/$2 in Ukraine Bush unveils memorial Latest poll says four political forces to victims of communism likely to be elected to next Rada by Nina Brantley by Zenon Zawada The Razumkov Center is among the U.S.-Ukraine Foundation Kyiv Press Bureau most respected polling and research cen- ters in Ukraine, supported by 57 govern- WASHINGTON – Twenty years to the KYIV – Four political forces would ments and private organizations, including day when U.S. President Ronald Reagan qualify for the Verkhovna Rada if elec- Ukraine’s Ministry of Foreign Affairs, the stood in Berlin and asked then-Soviet tions were held today, according to a sur- U.S. Embassy in Ukraine and the Morgan, leader Mikhail Gorbachev to “tear down vey of 11,000 Ukrainians in 403 locations, Stanley and Co. investment bank. this wall,” a memorial to commemorate conducted between May 31 and June 18 Almost 79 percent of respondents said the victims of communism was dedicated by the Kyiv-based Razumkov Center for they will vote in the September 30 parlia- in Washington by the current U.S. presi- Economic and Political Research. mentary elections, while 10 percent said dent, George W. Bush. The Party of the Regions would win 37 they won’t.
    [Show full text]
  • Performance Theory
    Performance Theory “Reading Performance Theory by Richard Schechner again, three decades after its first edition, is like meeting an old friend and finding out how much of him/her has been with you all along this way.” Augusto Boal “It is an indispensable text in all aspects of the new discipline of Performance Studies. It is in many ways an eye-opener par- ticularly in its linkage of theater to other performance genres.” Ngu˜ gı˜ wa Thiong’o, University of California “Richard Schechner has defined the parameters of con- temporary performance with an originality and insight that make him indispensable to contemporary theatrical thought. For many years, both scholars and artists have been inspired by his unique and powerful perspective.” Richard Foreman “Schechner has a place in every theater history textbook for his ground-breaking work in environmental theater in the 1960s and 1970s and for his vision in helping to found the discipline of performance studies.” Rebecca Schneider “Richard Schechner is the master teacher and the master conversant on the transformative power of performance to both performer and spectator, at its deepest level. Perform- ance Theory is the essential book which brilliantly illuminates the world as a performance space on stage and off.” Anna Deveare Smith A highlands Papua New Guinea man takes a break from dancing (see chapter 4, “From ritual to theater and back: the efficacy– entertainment braid”). Richard Schechner Performance Theory Revised and expanded edition, with a new preface by the author London and New York Essays on Performance Theory published 1977 by Ralph Pine, for Drama School Specialists Second edition first published 1988 by Routledge 29 West 35th Street, New York, NY 10001 First published in the United Kingdom 1988 by Routledge First published in Routledge Classics 2003 by Routledge 29 West 35th Street, New York, NY 10001 11 New Fetter Lane, London EC4P 4EE Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004.
    [Show full text]
  • Solo Percussion Is Published Ralph Shapey by Theodore Presser; All Other Soli for Solo Percussion
    Tom Kolor, percussion Acknowledgments Recorded in Slee Hall, University Charles Wuorinen at Buffalo SUNY. Engineered, Marimba Variations edited, and mastered by Christopher Jacobs. Morton Feldman The King of Denmark Ralph Shapey’s Soli for Solo Percussion is published Ralph Shapey by Theodore Presser; all other Soli for Solo Percussion works are published by CF Peters. Christian Wolff Photo of Tom Kolor: Irene Haupt Percussionist Songs Special thanks to my family, Raymond DesRoches, Gordon Gottlieb, and to my colleagues AMERICAN MASTERPIECES FOR at University of Buffalo. SOLO PERCUSSION VOLUME II WWW.ALBANYRECORDS.COM TROY1578 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2015 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. AMERICAN MASTERPIECES FOR AMERICAN MASTERPIECES FOR Ralph Shapey TROY1578 Soli for Solo Percussion SOLO PERCUSSION 3 A [6:14] VOLUME II [6:14] 4 A + B 5 A + B + C [6:19] Tom Kolor, percussion Christian Wolf SOLO PERCUSSION Percussionist Songs Charles Wuorinen 6 Song 1 [3:12] 1 Marimba Variations [11:11] 7 Song 2 [2:58] [2:21] 8 Song 3 Tom Kolor, percussion • Morton Feldman VOLUME II 9 Song 4 [2:15] 2 The King of Denmark [6:51] 10 Song 5 [5:33] [1:38] 11 Song 6 VOLUME II • 12 Song 7 [2:01] Tom Kolor, percussion Total Time = 56:48 SOLO PERCUSSION WWW.ALBANYRECORDS.COM TROY1578 ALBANY RECORDS U.S. TROY1578 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K.
    [Show full text]
  • The Sirens Call Ezine Throughout the Years
    1 Table of Contents pg. 04 - The Cave| H.B. Diaz pg. 110 - Mud Baby | Lori R. Lopez pg. 07 - Honeysuckle | T.S. Woolard pg. 112 - On Eternity’s Brink | Lori R. Lopez pg. 08 - Return to Chaos | B. T. Petro pg. 115 - Sins for the Father | Marcus Cook pg. 08 - Deathwatch | B. T. Petro pg. 118 - The Island | Brian Rosenberger pg. 09 - A Cup of Holiday Cheer | KC Grifant pg. 120 - Old John | Jeffrey Durkin pg. 12 - Getting Ahead | Kevin Gooden pg. 123 - Case File | Pete FourWinds pg. 14 - Soup for Mother | Sharon Hajj pg. 124 - Filling in a Hole | Radar DeBoard pg. 15 - A Dying Moment | Gavin Gardiner pg. 126 - Butterfly | Lee Greenaway pg. 17 - Snake | Natasha Sinclair pg. 130 - Death’s Gift | Naching T. Kassa pg. 19 - The Cold Death | Nicole Henning pg. 132 - Waste Not | Evan Baughfman pg. 21 - The Burning Bush | O. D. Hegre pg. 132 - Rainbows and Unicorns | Evan Baughfman pg. 24 - The Wishbone | Eileen Taylor pg. 133 - Salty Air | Sonora Taylor pg. 27 - Down by the River Walk | Matt Scott pg. 134 - Death is Interesting | Radar DeBoard pg. 30 - The Reverend I Milkana N. Mingels pg. 134 - It Wasn’t Time | Radar DeBoard pg. 31 - Until Death Do Us Part | Candace Meredith pg. 136 - Future Fuck | Matt Martinek pg. 33 - A Grand Estate | Zack Kullis pg. 139 - The Little Church | Eduard Schmidt-Zorner pg. 36 - The Chase | Siren Knight pg. 140 - Sweet Partings | O. D. Hegre pg. 38 - Darla | Miracle Austin pg. 142 - Christmas Eve on the Rudolph Express | Sheri White pg. 39 - I Remember You | Judson Michael Agla pg.
    [Show full text]