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Pacific Southern Chapter the COLLEGE MUSIC SOCIETY
Pacific Southern Chapter THE COLLEGE MUSIC SOCIETY 20th Regional Conference March 17–18, 2006 California State University – Los Angeles Los Angeles, California Pacific Southern Chapter THE COLLEGE MUSIC SOCIETY ACKNOWLEDGEMENTS The CMS Pacific Southern Chapter gratefully acknowledges all of those who have worked tirelessly to make this conference such a tremendous success: David Connors, Chair, Cal State L.A. Department of Music John M. Kennedy, Director, Cal State L.A. New Music Ensemble and Program co-chair Cathy Benedict, Program co-chair CMS Pacific Southern Chapter Executive Board President: Jeffrey Benedict (California State University - Los Angeles) Vice-President: Cathy Benedict (New York University) Treasurer: William Belan (California State University - Los Angeles) Secretary: Elizabeth Sellers (California State University - Northridge) CMS Pacific Southern Chapter Conference Committee John Kennedy Cathy Kassell Benedict Jeff Benedict March 17, 2006 Dear CMS Colleagues: On behalf of my colleagues at the California State University, Los Angeles, I would like to welcome you to the 2006 College Music Society Southern Pacific Chapter Conference. As always, we have an exciting slate of performances and presentations, and I am sure it will prove to be an intellectually stimulating event for all of us. I look forward to the free exchange of ideas that has become the hallmark of our chapter conferences. I would especially like to welcome Dr. Andrew Meade, who has graciously accepted our invitation to be the keynote speaker. Again, welcome, and I hope that you all have a fabulous conference her at Cal State L.A. Jeff Benedict CMS Pacific-Southern Chapter President 2006 Conference Host S TEINWAY IS THE OFFICIAL PIANO of THE COLLEGE MUSIC SOCIETY’S NATIONAL CONFERENCE New from2 Forthcoming! BEYOND TALENT RESEARCHING THE SONG Creating a Successful Career in Music A Lexicon ANGELA MYLES BEECHING SHIRLEE EMMONS and WILBUR WATKINS LEWIS, Jr. -
American Academy of Arts and Letters
NEWS RELEASE American Academy of Arts and Letters Contact: Ardith Holmgrain 633 WEST 155 STREET, NEW YORK, NY 10032 [email protected] www.artsandletters.org (212) 368-5900 http://www.artsandletters.org/press_releases/2010music.php THE AMERICAN ACADEMY OF ARTS AND LETTERS ANNOUNCES 2010 MUSIC AWARD WINNERS Sixteen Composers Receive Awards Totaling $170,000 New York, March 4, 2010—The American Academy of Arts and Letters announced today the sixteen recipients of this year's awards in music, which total $170,000. The winners were selected by a committee of Academy members: Robert Beaser (chairman), Bernard Rands, Gunther Schuller, Steven Stucky, and Yehudi Wyner. The awards will be presented at the Academy's annual Ceremonial in May. Candidates for music awards are nominated by the 250 members of the Academy. ACADEMY AWARDS IN MUSIC Four composers will each receive a $7500 Academy Award in Music, which honors outstanding artistic achievement and acknowledges the composer who has arrived at his or her own voice. Each will receive an additional $7500 toward the recording of one work. The winners are Daniel Asia, David Felder, Pierre Jalbert, and James Primosch. WLADIMIR AND RHODA LAKOND AWARD The Wladimir and Rhoda Lakond award of $10,000 is given to a promising mid-career composer. This year the award will go to James Lee III. GODDARD LIEBERSON FELLOWSHIPS Two Goddard Lieberson fellowships of $15,000, endowed in 1978 by the CBS Foundation, are given to mid-career composers of exceptional gifts. This year they will go to Philippe Bodin and Aaron J. Travers. WALTER HINRICHSEN AWARD Paula Matthusen will receive the Walter Hinrichsen Award for the publication of a work by a gifted composer. -
Jacob Druckman Windows / Dark Upon the Harp / Animus II
NWCR781 Jacob Druckman Windows / Dark Upon the Harp / Animus II Dark Upon The Harp for mezzo-soprano, brass quintet and percussion (1961–62) ........................ (21:58) 2. Psalm XXII 12-17, 20 .............................. (1:55) 3. Psalm LVIII 4-9 ....................................... (4:35) 4. Psalm XVIII 4-9........................................ (4:09) 5. Psalm XXX 12, 13 ................................... (3:14) 6. Psalm CXXXIII ........................................ (4:05) 7. Psalm XVI 6-8 .......................................... (4:01) Jan DeGaetani, mezzo-soprano; Gerald Carlyss, percussion; Robert Ayers, percussion; New York Brass Quintet: Robert Nagel, trumpet; Fred Mills, trumpet; Ralph Froelich, horn; David Uber, trombone; Harvey Phillips, tuba 8. Animus II for mezzo-soprano, percussion, and electric tape (1967–68) ................................. (20:07) (Electronic tape realized at the Columbia- Princeton Center for Electronic Music.) Jan DeGaetani, mezzo-soprano; Richard Fitz, percussion; Gordon Gottlieb, percussion Total playing time: 63:29 1. Windows for orchestra (1972) ............................. (21:13) Orchestra of the Twentieth Century; Arthur Ê 1981, 1998 & © 1998 Composers Recordings, Inc. Weisberg, conductor © 2007 Anthology of Recorded Music, Inc. Notes During the last twenty years of his life, Jacob Druckman often organized the interactions between tonal and atonal (1928–1996) was principal architect of the New Romanticism musical language with adulterated bits of materials quoted or in American -
Music of Tania Leon Tania Leon
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 10-13-1997 Concert: Voices of Our Time - Music of Tania Leon Tania Leon Arthur E. Levering Ellen Jewett Gordon Stout Ithaca College Faculty Chamber Ensemble See next page for additional authors Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Leon, Tania; Levering, Arthur E.; Jewett, Ellen; Stout, Gordon; Ithaca College Faculty Chamber Ensemble; Ithaca College Orchestra; Cooper, Grant; and Park, James, "Concert: Voices of Our Time - Music of Tania Leon" (1997). All Concert & Recital Programs. 5308. https://digitalcommons.ithaca.edu/music_programs/5308 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Authors Tania Leon, Arthur E. Levering, Ellen Jewett, Gordon Stout, Ithaca College Faculty Chamber Ensemble, Ithaca College Orchestra, Grant Cooper, and James Park This program is available at Digital Commons @ IC: https://digitalcommons.ithaca.edu/music_programs/5308 VOICES OF OUR TIME A Celebration of Contemporary Composers and their Music Featuring the music of Tania Leon The 1997-98 Karel Husa Visiting Professor of Composition De Color for Violin and Marimba (1996-97)t TaniaLe6n 1. Pastel-blu 2. Bro nee 3. Cob re 4. Mestizo Ellen Jewett, violin Gordon Stout, marimba Twenty Ways -
Solo Percussion Is Published Ralph Shapey by Theodore Presser; All Other Soli for Solo Percussion
Tom Kolor, percussion Acknowledgments Recorded in Slee Hall, University Charles Wuorinen at Buffalo SUNY. Engineered, Marimba Variations edited, and mastered by Christopher Jacobs. Morton Feldman The King of Denmark Ralph Shapey’s Soli for Solo Percussion is published Ralph Shapey by Theodore Presser; all other Soli for Solo Percussion works are published by CF Peters. Christian Wolff Photo of Tom Kolor: Irene Haupt Percussionist Songs Special thanks to my family, Raymond DesRoches, Gordon Gottlieb, and to my colleagues AMERICAN MASTERPIECES FOR at University of Buffalo. SOLO PERCUSSION VOLUME II WWW.ALBANYRECORDS.COM TROY1578 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2015 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. AMERICAN MASTERPIECES FOR AMERICAN MASTERPIECES FOR Ralph Shapey TROY1578 Soli for Solo Percussion SOLO PERCUSSION 3 A [6:14] VOLUME II [6:14] 4 A + B 5 A + B + C [6:19] Tom Kolor, percussion Christian Wolf SOLO PERCUSSION Percussionist Songs Charles Wuorinen 6 Song 1 [3:12] 1 Marimba Variations [11:11] 7 Song 2 [2:58] [2:21] 8 Song 3 Tom Kolor, percussion • Morton Feldman VOLUME II 9 Song 4 [2:15] 2 The King of Denmark [6:51] 10 Song 5 [5:33] [1:38] 11 Song 6 VOLUME II • 12 Song 7 [2:01] Tom Kolor, percussion Total Time = 56:48 SOLO PERCUSSION WWW.ALBANYRECORDS.COM TROY1578 ALBANY RECORDS U.S. TROY1578 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. -
February 22, 2012 SUPPLEMENT CHRISTOPHER ROUSE
FOR RELEASE: February 22, 2012 SUPPLEMENT CHRISTOPHER ROUSE THE 2012–13 MARIE-JOSÉE KRAVIS COMPOSER-IN-RESIDENCE First Season of Two-Year Term: WORLD PREMIERE, SEEING, PHANTASMATA Advisory Role on CONTACT!, with WORLD, U.S., AND NEW YORK PREMIERES, Led by JAYCE OGREN and ALAN GILBERT _____________________________________ “I just love the Philharmonic musicians: I love working with them, and they play my music with incredible commitment. As a kid in Baltimore I grew up with their recordings, and then, of course, I also heard them on the Young People’s Concerts on television. I’ve always had a special feeling for the Philharmonic because the musicians have always played like they really meant it, with such energy and commitment; and when I got older and wrote music that they played, they did it the same way. I’m thrilled to be able to work with them more closely.” — Christopher Rouse _______________________________________ Christopher Rouse has been named The Marie-Josée Kravis Composer-in-Residence at the Philharmonic, and will begin his two-year tenure in the 2012–13 season. He is the second composer to hold this title, following the tenure of Magnus Lindberg. The Pulitzer Prize- and Grammy Award-winning American composer will be represented by three works with the Philharmonic this season in concerts conducted by Alan Gilbert: Phantasmata, February 21 and 22, 2013; a World Premiere–New York Philharmonic Commission, April 17–20, 2013, which will also be taken on the EUROPE / SPRING 2013 tour; and the reprise of Seeing for Piano and Orchestra (commissioned by the Philharmonic and premiered in 1999), June 20–22, 2013, performed by Emanuel Ax, the 2012–13 Mary and James G. -
JUILLIARD ORCHESTRA New World Records 80396 Conducted by CHRISTOPHER KEENE, PAUL ZUKOFSKY and JAMES DEPREIST
JUILLIARD ORCHESTRA New World Records 80396 Conducted by CHRISTOPHER KEENE, PAUL ZUKOFSKY and JAMES DEPREIST DAVID DIAMOND Symphony No. 5 MILTON BABBITT Relata I VINCENT PERSICHETTI Night Dances James DePreist has been music director and conductor of the Oregon Symphony since 1980 and a distinguished guest conductor in America and abroad. Recent and future appearances include the New York Philharmonic, the Philadelphia Orchestra, the Chicago Symphony, the Bournemouth Symphony and the Lausanne Chamber Orchestra. In 1971, Antal Dorati chose DePreist to become his associate conductor with the National Symphony Orchestra. He later was named music director of the Quebec Symphony, from 1976 to 1983. In 1991, DePreist becomes principal conductor of the Malmo Symphony, one of Sweden's four largest orchestras. He is the nephew of the legendary contralto Marian Anderson. Paul Zukofsky is director of the Juilliard 20th Century Ensemble. In addition to his activities at Juilliard, he is artistic director of "Summergarden" at the Museum of Modern Art, program coordinator of the "American Composer" series at the Kennedy Center, and music director of the Youth Symphony of Iceland. Music director of the Colonial Symphony of Madison, New Jersey from 1978 to 1987, he has also been director of the Zukofsky seminar in orchestra repertoire at the Reykjavik College of Music. A leading performer of American violin music, Zukofsky has performed world premieres of concerti by Sessions, Wuorinen, and Glass, and solo works by Babbitt, Cage, Carter, and Crumb. Recognized as both a conductor and an arts administrator, Christopher Keene became general director of the New York City Opera in March 1989. -
[email protected]
FOR IMMEDIATE RELEASE UPDATED January 17, 2017 November 21, 2016 Contact: Katherine E. Johnson (212) 875-5718; [email protected] CONTACT!, THE NEW YORK PHILHARMONIC’S NEW-MUSIC SERIES 2016–17 SEASON CONTACT! To Return to NATIONAL SAWDUST in Williamsburg, Brooklyn Two Programs To Celebrate NEW YORK–AREA COMPOSERS Part of the New York Philharmonic’s 175th Anniversary Season Celebrations Works by DAVID LANG, ZOSHA DI CASTRI, ELLIOTT CARTER, ALEXANDRE LUNSQUI, and STEVEN MACKEY January 23, 2017 WORLD PREMIERE–NEW YORK PHILHARMONIC COMMISSIONS by DAVID FULMER and SAM PLUTA Works by JACOB DRUCKMAN and ERIC WUBBELS May 22, 2017 Entering its eighth season in 2016–17, CONTACT!, the Philharmonic’s new-music series, will return to National Sawdust in Williamsburg, Brooklyn, for two chamber programs featuring New York–area composers. This season of CONTACT! complements the Philharmonic’s 175th anniversary season celebrations, which highlight the Orchestra’s rich history of commissioning and premiering important works and salute its hometown of New York City. Esa-Pekka Salonen, who is in the second year of his three-year tenure as the Philharmonic’s Marie-Josée Kravis Composer-in-Residence, continues his advisory role on CONTACT!. CONTACT!, established by Music Director Alan Gilbert in the 2009–10 season, highlights the works of both emerging and established contemporary composers, performed by smaller ensembles of Philharmonic musicians in intimate venues outside the Lincoln Center campus. Since its inception, CONTACT! has presented 21 World Premieres, including Matthias Pintscher’s songs from Solomon’s garden, Sean Shepherd’s These Particular Circumstances, Carter’s Three Controversies and a Conversation, and Dai Fujikura’s Infinite String. -
Speculum Musicae
NEW MUSIC AT RICE presents SPECULUM MUSICAE in a concert of works by JACOB DRUCKMAN PHILIPPE MANOURY DAVID SANFORD MARIO DAVIDOVSKY SALVATORE SCIARRINO and FRANCO DONATONI Friday, February 22, 2008 8:00 p.m. Lillian H. Duncan Recital Hall RICE UNNERSITY PROGRAM Glint (1995) Jacob Druckman for clarinet, violin, and piano (1928-1996) Marimba duo from Philippe Manoury Le Livre des Claviers (1988; revised 1992) (b.1952) Dogma 74 (2002) David Sanford for viola, cello, flute, clarinet, and piano (b.1963) I Brick Alley Coke II Turner's Market Ill 20th Street Cafeteria INTERMISSION Synchronisms No.12 (2006) Mario Davidovsky for clarinet and electronic sounds (b.1934) Centauro Marino (1984) Salvatore Sciarrino for violin, viola, cello, clarinet, and piano (b.1947) Arpege (1986) Franco Donatoni for violin, cello, flute, clarinet, (1927-2000) piano, and percussion SPECULUM MUSICAE Curtis Macomber, violin Maureen Gallagher, viola Chris Finckel, cello Jennifer Grim, flute Allen Blustine, clarinet Aleck Karis, piano Jared Soldiviero, percussion James Baker, conductor and percussion The reverberative acoustics of Duncan Recital Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. The taking ofphotographs and use of recording equipment are prohibited. j L PROGRAM NOTES Glint . Jacob Druckman Glint springs from nocturnal imagery, not peaceful dark, but rather night that is charged and expectant. The work is colored by a five-note "ohrwurm" ( "ear worm ": a tune that keeps insisting itself on one's mind) received from a work by my great colleague and dear friend Toru Takemitsu. I hope he will forgive the five notes and see my theft as the tribute it is. -
Battles Around New Music in New York in the Seventies
Presenting the New: Battles around New Music in New York in the Seventies A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Joshua David Jurkovskis Plocher IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY David Grayson, Adviser December 2012 © Joshua David Jurkovskis Plocher 2012 i Acknowledgements One of the best things about reaching the end of this process is the opportunity to publicly thank the people who have helped to make it happen. More than any other individual, thanks must go to my wife, who has had to put up with more of my rambling than anybody, and has graciously given me half of every weekend for the last several years to keep working. Thank you, too, to my adviser, David Grayson, whose steady support in a shifting institutional environment has been invaluable. To the rest of my committee: Sumanth Gopinath, Kelley Harness, and Richard Leppert, for their advice and willingness to jump back in on this project after every life-inflicted gap. Thanks also to my mother and to my kids, for different reasons. Thanks to the staff at the New York Public Library (the one on 5th Ave. with the lions) for helping me track down the SoHo Weekly News microfilm when it had apparently vanished, and to the professional staff at the New York Public Library for Performing Arts at Lincoln Center, and to the Fales Special Collections staff at Bobst Library at New York University. Special thanks to the much smaller archival operation at the Kitchen, where I was assisted at various times by John Migliore and Samara Davis. -
DAVID RAKOWSKI: WINGED CONTRAPTION PERSISTENT MEMORY | PIANO CONCERTO DAVID RAKOWSKI B
DAVID RAKOWSKI: WINGED CONTRAPTION PERSISTENT MEMORY | PIANO CONCERTO DAVID RAKOWSKI b. 1958 PERSISTENT MEMORY PERSISTENT MEMORY (1996–97) PIANO CONCERTO [1] I. Elegy 9:05 [2] II. Variations, Scherzo, and Variations 12:01 WINGED CONTRAPTION PIANO CONCERTO (2005–06) [3] I. Freely; Vivace 9:30 MARILYN NONKEN piano and toy piano [4] II. Adagio 6:53 BOSTON MODERN ORCHESTRA PROJECT [5] III. Scherzando 5:28 GIL ROSE, CONDUCTOR [6] IV. Poco andante, quasi adagietto, con gusty; Allegro; Cadenza; Allegro 12:04 [7] WINGED CONTRAPTION (1991) 9:24 TOTAL 64:27 COMMENT get further and further away and something would happen to bring the elegy back. That “something” became a repeated note climax in the scherzo from which the string sections would explode, first in unison, and then into another 16-note chord; that chord brings back By David Rakowski the meandering elegy music as a variation. A codetta exposes the three cellos and puts I was at the American Academy in Rome when the commission offer from Orpheus them back together as a section, themselves ending with a meandering half-step. Chamber Orchestra came. At the time, my wife’s mother had cancer with a short time The Piano Concerto came about through the tireless efforts of Marilyn Nonken, with to live, and I couldn’t afford plane fare to come to the funeral. So I was feeling a kind of whom I’d collaborated many times, and so my idea was to acknowledge her in the piece melancholy as I started work on the piece. by building it from existing piano études either written for her or that she had recorded. -
SOCIETY of COMPOSERS REGION VIII 15Th ANNUAL CONFERENCE
soeiety of SAil i>IEOO srATE eoJUposers un1VERS11Y College of Professional Studies and Fine Arts Department of Music in cooperation with PHI BETA KAPPA, NU CHAPTER presents SOCIETY OF COMPOSERS REGION VIII 15th ANNUAL CONFERENCE with Special Guest Composer JACOB DRUCKMAN Kevin Hanlon, The University of Arizona Deborah Kavasch, California State University, Stanislaus Regional Co-Chairs NOVEMBER 13-15, 1987 / SOCIETY OF COMPOSERS, REGION VIII 15th ANNUAL CONFERENCE November 13 - 15, 1987 SAN DIEGO STATE UNIVERSITY REGISTRATION: Friday, November 13 until 5:00 p.m. Music Department Office (thereafter in lobby of Smith Recital Hall) Special Conference Guest JACOB DRUCKMAN (Phi Beta Kappa National Scholar, Pulitzer Prize-winning Composer) MAIN EVENTS Friday, November 13 3:00 p.m. Lecture #1 by Jacob Druckman, Smith Recital Hall "Personal Responsibility and the New Romanticism" (A view of the major aesthetic changes of the last 25 years) 8:00 p.m. Concert #1, Smith Recital Hall Saturday, November 14 9:00 - 11:45 a.m. Papers, Demonstrations, M113 Lunch Break 1:15 p.m. Lecture #2 by Jacob Druckman, Mll3: "The Music of Jacob Druckman" 2:15 p.m. Concert #2, Smith Recital Hall Dinner Break 8:00 p.m. Concert #3, Smith Recital Hall Sunday, November 15 10:00 a.m. Brunch, business meeting, feedback, future plans, return scores, etc. SDSU Faculty Center 12:00 noon Concert #4, SDSU Indonesian Gamelans Smith Recital Hall Concert #1 Friday, November 13 8p.m. Smith Recital Hall PROGRAM Animus I, for trombone and tape Jacob Druckman "TIM NICHOLS, trombone Fragments Marshall Bialosky REBECCA BERNAL, bass clarinet *DANLEE MITCHELL, vibraphone Gems William Toutant *DAVID WARD-STEINMAN, piano NANETTE FORTIER and *DANLEE MITCHELL, percussion Under the Winter Moon Tom Cleman SHANNON ROBERTS, flute Concerto for Clarinet & Percussion .