DOCSLIB.ORG

Catalog-2019-Final-P

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catalog-2019-Final-P THE UDP COLLECTIVE Yelena Gluzman OUR MISSION & PROGRAMS Chuck Kuan Sarah Lawson Ugly Duckling Presse is a not-for-profit publisher for poetry, Silvina López Medin Anna Moschovakis translation, experimental nonfiction, performance texts, and Michael Newton books by artists. With a volunteer editorial collective of artists Lee Norton and writers at its heart, UDP grew out of a 1990s zine into a Daniel Owen small press that has published more than 300 titles to date, with Kyra Simone an editorial office and letterpress workshop in the Old American Rebekah Smith Matvei Yankelevich Can Factory in the industrial neighborhood of Gowanus, Brooklyn. UDP favors emerging, international, and “forgotten” writers, BOARD OF DIRECTORS and our books, chapbooks, special editions, periodicals, Amy S. Choi Edwin Frank broadsides, and ephemera often contain handmade elements, Peter Freed calling attention to the labor and history of bookmaking. In all Rebecca Gee of our activities, UDP endeavors to create an experience of art Nicholas Risteen free of expectation, coercion, and utility. Every year, UDP publishes between twenty and twenty-five ADVISORY BOARD titles, some of which belong to our various series: Dossier, the Neil Alger Eastern European Poets Series, Lost Literature, Emergency Charles Bernstein Playscripts, the Señal series of contemporary Latin American James Copeland poetry, Original Web Books, and Paperless Books. James Hoff Bob Holman Our out-of-series books tend to be single volumes by English- Jennifer Kabat language poets, or works in translation. Our print runs typically Ben Lerner range from 750 to 1,500 copies for books (trade paperbacks), and Sarah McCarry Brett Price 500 to 750 for chapbooks, some of which are bound by hand with Troy Selvaratnam the help of volunteers at the UDP workshop. From time to time, Alina Simone we also print broadsides, ephemera, and limited edition books. Christopher Stackhouse The Online Chapbook Archive and the Digital Proofs Program Johnny Temple offer free digital reading experiences of many of our titles. Elizabeth Willis UDP has published several periodicals, including the Emergency Gazette (1999-2002), 6x6 (2000-2017), and New York Nights (2001- RECENT & CURRENT 2006). Emergency INDEX, an annual of performance documents, APPRENTICES & INTERNS has been coming out since 2012. A new poetry periodical C. Bain Zoe Guttenplan launches in 2019. In 2020, the Presse will put out a series Emily Bang Jonelle Mannion Cassidy Batiz Denise Millstein of twenty pamphlet-length essays on performance, poetics, Lucie Berjoan Paige Parsons translation, collectivity, pedagogy, and print culture — themes Jamie Chiang Serena Solin closely related to UDP's various publishing arms and initiatives. Neelufar Franklin Lix Zackeroff CATALOGUE DESIGN Sarah Lawson, Don't Look Now! COVER DESIGN Harris Bauer, Serena Solin, Don’t Look Now! TYPEFACES Fort and Bell MT PRINTING McNaughton & Gunn TYPESETTING SUPPORT Paige Parsons, Jamie Chiang THANKS Megan Mangum/Words That Work; Jeremy Mickel/MCKL UGLY DUCKLING PRESSE NEW AND FORTHCOMING 2019-2020 AMANDA BERENGUER ROCHELLE FEINSTEIN MATERIA PRIMA PLS. REPLY POETRY ESSAY/ART Amanda Berenguer (1921 - 2010) was a I’m Amanda — from Women artists have been Rochelle Feinstein (born 1947) has long vital presence in Uruguayan literary life for been influential as both an abstract painter aggressive in their practice more than six decades. She is a key figure in Montevideo – and an educator (she was one of the first the “Generation of 1945,” known around the daughter of Amanda, from inside and outside the women to be tenured in the Visual Arts at world for its energetic experimentation. Her cow-eyed discipline of painting in Yale, where she still teaches). Her thrillingly first book appeared in Montevideo in 1940, reckless paintings, deeply informed by followed by a steady stream of collections contemporary deity shaping representations of abstraction, while also conveying a keen recognized for their excellence. Her many blackbird heart with subjects beyond the historically sensibility to contemporary culture, honors included the prestigious international particularly to our everyday use of language, Casa de las Américas Prize for Poetry (1986) lightning bolts constructed categories of are full of gestural edge, humor and pop- and two national prizes for her collection La where the flash that traditional art. They have, for cultural allusion. dama de Elche. shatters night comes instance, created ingenious Pls. Reply spans the last four decades Materia Prima is the first English- to roost forms of expression offering of Feinstein's writings, as she probed the language collection of Amanda Berenguer’s it flaps joy inciting life immediate access to their issues, relevance of the abstract painting tradition poetry.Berenguer (1921-2010) stands among daughter of Rimmel, using ordinary, mass-produced vis-a-vis a rapidly changing cultural the most important post-World War II environment. Pls. Reply intends to give poets of Latin America, along with her now- father materials. In doing this many readers a broad scope of Feinstein’s ongoing legendary compatriot Marosa di Giorgio. Her fighting cock assert it as a choice not to engage, engagement with the subject, in magazine poetry ranges from classic, measured lyric articles, personal writing, conference to Dickinson-inspired gnomic utterance; cruel Cerberus transgress against, or compete presentations, school assignments, and from metaphysical and erotic rhetorical or tender marrow with the historical authority of exhibition proposals. The book includes 16 effusion to condensed and radically concrete under the feathers abstraction. Men have found it full-color photographs of the artist's studio experiment; from seemingly apolitical and a letterpressed bookmark. languor to pointed ideological dissent. almost bearings all too easy to maintain their ever almost arrows “widened artistic options.” As for Edited by Sergio Bessa Edited by Kristin Dykstra and Kent Johnson sister of Rimmel, women who continue to paint, Co-published with The Bronx Museum Translated from Spanish by Gillian Brassil, sacrificed and dear they are treated as if they had of the Arts and Stellar Projects Anna Deeny Morales, Mónica de la Torre, dead because the penises (unless they paint them) Kristin Dykstra, Kent Johnson, Urayoán Noel, Jeannine Marie Pitas, and Alex Verdolini dead — but without the privileges in from the kingdom of either case. An extra burden of Rochelle uses abstract painting the dead blame is served to these women: to question just about everything, and then uses just about anything Feisty yet lyrical, playful yet deeply surrounded him why are you doing men’s work? to question abstract painting. serious, explorative yet assured. — PIERRE JORIS — BARRY SCHWABSKY, ARTFORUM LOST LITERATURE #24 ISBN 978-1-946433-06-0 ISBN 978-1-946433-34-3 TRADE PAPERBACK TRADE PAPERBACK SPRING 2019 SPRING 2019 ROBERT FITTERMAN ED STECK ROB’S WORD SHOP AN INTERFACE FOR A FRACTAL LANDSCAPE POETICS/ART/PERFORMANCE POETRY Robert Fitterman is the author of 15 Left apartment on The body code within Ed Steck is the author of The Garden: books of poetry, including This Window Makes Synthetic Environment for Analysis and Me Feel (UDP), Nevermind (Wonder Books), bicycle at 10:30 AM the accessible space Simulation (UDP), The Rose (with Adam No Wait, Yep. Definitely Still Hate Myself Marnie, Hassla), sleep as information/ (UDP), Holocaust Museum (Counterpath, for Rob’s Word Shop. performs an automated the fountain is a water feature (COR&P), and Veer), and now we are friends (Truck Stopped at stationary Far Rainbow (Make Now Books), Books), and is the co-author of Notes on act of mimesis: creating DoorGraphicDataRecovery (orworse press), Conceptualisms (UDP). He is the founding store for envelopes and A Time Stream in Spaces: The Cultic Parody member of the international artists and a pseudo naturally of Time-Induced Capital (West), and The folders ($5.25). Arrived Necro-Luminescence of Pink Mist (Skeleton writers collective, Collective Task. He teaches occurring, fully at New York University and is a member of the at Rob’s Word Shop Man Press). His work has been exhibited writing faculty of the Milton Avery School of functional copy of the nationally and internationally, most recently the Arts at Bard College. promptly at 11:00 AM. at the Los Angeles Museum of Contemporary Art. He is the editor of Theme Can, an online First customer arrived user that has exited the Rob’s Word Shop documents the art and writing publication. He lives in exchanges of Fitterman’s storefront shop, at 12:30 PM. Served 6 server. Massachusetts. where he sold individual letters and words during the month of May 2010. customers continuously Due to the procedurally An Interface for a Fractal Landscape is an exploration of potential networking This special edition artist’s book contains from 12:45 to 2:05 PM. generated process of the ledgers and transcriptions, followed by between organic life and digitally recreated an essay by the store’s Records Manager, Closed shop and left fractal landscape, the nature on a virtual terrain. Taking its cues Lawrence Giffin, and a sampling of materials from a variety of media, including concrete collected for the store’s archives. 308 Bowery at 2:15 PM. functioning copy of the poetry, artists’ books, science fiction, nature Arrived at apartment, poetry, and information science, the book exited user raises a low follows the experience of an inorganic life on bicycle, at 2:30 PM. form attempting to recreate an organic risk of encountering the relationship between organism and Total sales: $7.00. Below landscape on an outmoded server in the era active original user form of post-anthropocene collapse. is a list of words sold: during campaigning, tops, technicolor, better, unscripted; off the books questing, or archiving. (gratis), Constraint-B, The copy becomes lost These transcripts doggedly elude our desire Graphs, images, data, and language are to name all the affects they contain. nachleben. in the landscape folds. elegantly interwoven into a topographic web.
Load more

Recommended publications
  • Alejandra Pizarnik the Most Foreign Country
    Ugly Duckling Presse :: Poetry :: Spring 2017 Alejandra Pizarnik TranslatedThe byMost Yvette Siegert Foreign Country First published in 1955 and now translated for the first time into English, The Most Foreign Country is Alejandra Pizarnik’s debut collection. By turns probing and playful, bold and difficult, Pizarnik’s earliest poems teem with an exuberant desire “to grab hold of everything” and to create a language that tests the limits of origin, paradox, and death. With a new introduction from Cole Heinowitz. Pizarnik is a world class poet whose poetry has “ remained too little known for much too long. —JOHN TAYLOR, THE ANTIOCH REVIEW Estranged, helpless and anguished, Pizarnik’s haunting “ words have ... [earned] her a reputation as perhaps Argentina’s most important female poet. Trade Paperback Poetry | $14 —KATE BOWEN, THE ARGENTINA INDEPENDENT 5” x 8” in. | 56 pp. ISBN 978-1-937027-60-5 Lost Lit Series #14 Small Press Distribution Raincoast Books (Canada) Release Date: April 1, 2017 Alejandra Pizarnik (1936-1972) was a leading voice in twentieth- century Latin American poetry. Born in Argentina, Pizarnik studied at the University of Buenos Aires. In 1960, she moved to Paris, where she was influenced by the work of the Surrealists and participated in a community of writers that included Julio Cortázar and Octavio Paz. Yvette Siegert is a poet and translator based in New York and Europe. For her translations of Alejandra Pizarnik she has received recognition from the PEN American Center, the New York State Council for the Arts, the Ubersetzerhaus Looren, and the National Endowment for the Arts.
    [Show full text]
  • Alejandra Pizarnik Und Das Thema Der Sprache
    ¿QUÉ SIGNIFICA TRADUCIRSE EN PALABRAS? ALEJANDRA PIZARNIK UND DAS THEMA DER SPRACHE Dissertation zur Erlangung des akademischen Grades Doktor philosophiae (Dr. phil.) vorgelegt dem Rat der Philosophischen Fakultät der Friedrich-Schiller-Universität Jena von Ivonne Reischke geboren am 06. 04. 1977 in Rostock Erstgutachter: Prof. Dr. Harald Wentzlaff-Eggebert Zweitgutachter: Prof. Dr. Hubert Pöppel Tag des Kolloquiums: 25. Februar 2007 Inhaltsverzeichnis 1. Einleitung S. 3 1.1. Übersicht zu Leben und Werk Alejandra Pizarniks S. 3 1.2. Alejandra Pizarnik – Rimbaud de Hispanoamérica S. 4 1.3. Aufbau der Arbeit S. 7 1.4. Editionsgeschichte der Texte Pizarniks S. 8 1.5. Stand der Forschung S. 10 2. Die Thematisierung des Schreibens und der Sprache in Pizarniks essayistischen Texten S. 12 2.1. “Con Alejandra Pizarnik: algunas claves”. Das Interview mit Martha Isabel Moia S. 12 2.2. Rezensionen S. 16 2.3. Tagebücher und Briefe S. 24 3. Die Thematisierung des Schreibens und der Sprache in Pizarniks fiktionalen Texten S. 32 3.1. Die explizite Thematisierung des Schreibens und der Sprache S. 32 3.1.1. Schreiben als rituelle Handlung S. 32 3.1.2. Sprache und Identität S. 36 3.1.3. Sprache und Körper S. 45 3.1.4. Sprache und Schweigen S. 50 3.1.5. Sprache und Musik bzw. Malerei S. 53 3.2. Pizarniks Texte: Die Arbeit an der Sprache S. 57 3.2.1. Lyrik S. 59 3.2.2. Prosa und Theater S. 71 3.3. La condesa sangrienta S. 75 3.4. Zusammenfassung der Poetik Pizarniks S. 78 4. Die Rezeption Alejandra Pizarniks S.
    [Show full text]
  • La Sexualidad Que Exhala Alejandra Pizarnik a Través De La Muerte Deseada Paola Calahorrano  E University of Arizona
    Cuerpo y muerte: la sexualidad que exhala Alejandra Pizarnik a través de la muerte deseada Paola Calahorrano e University of Arizona A veces, de noche, enciendo la luz para no ver mi propia oscuridad Antonio Porchia i la muerte, ese anhelado # n del dolor, no llega, habría que vivir haciendo el amor. Pero “Buma” está sola y tampoco se dan para ella los deseados momentos de Séxtasis físico. ¿De qué sirve vivir? Hay que vivir para evitar el dolor y éste se evita escribiendo, ergo hay que escribir para no sufrir. Así, a partir de los 19 años, la palabra es el exorcismo de la argentina Alejandra Pizarnik y ella, a la vez, es personaje. Había nacido el 29 de abril de 1936 en Avellaneda, provincia de Buenos Aires, y muerto el 25 de septiembre de 1972, a los 36 años, producto de una sobredosis de 50 pastillas de seconal sódico. “Buma”, como la llamaban en su adolescencia, se entregó en cuerpo y alma a la poética, aunque rozó los campos de la prosa y el ensayo. Su autenticidad se re( eja en un incesante dolor que convierte su poesía en una de las máximas de la literatura surrealista hispanomericana (según César Aira, Pizarnik vivió, leyó y escribió en la estela del surrealismo). A través de obras estudiadas por la autora del presente ensayo, como sus Diarios, versos de uno de los considerados sus máximos poemarios, La extracción de la piedra de la locura , escrito en 1968, y fragmentos de La condesa sangrienta , se puede percibir su perspectiva de vida y la anhelada muerte, que -al igual que la noche- es el rincón recurrente de las letras de la argentina, escritas sobremanera con visceralidad espontánea.
    [Show full text]
  • Atravesando La Sombra De Alejandra Pizarnik
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2020 Entre la persona y la poesía: atravesando la sombra de Alejandra Pizarnik Laura Pérez Torremocha University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Latin American Literature Commons Scholar Commons Citation Pérez Torremocha, Laura, "Entre la persona y la poesía: atravesando la sombra de Alejandra Pizarnik" (2020). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8282 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Entre la persona y la poesía: atravesando la sombra de Alejandra Pizarnik by Laura Pérez Torremocha A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Spanish Department of World Language College of Arts and Science University of South Florida Major Professor: Madeline Cámara, Phd Pablo Brescia, Phd Sonia Ramírez Wohlmuth, Phd Date of approval: March 6, 2020 Keywords: performance, semiótica, diarios, poemas, sombra, alquimia Copyright © 2020, Laura Pérez Torremocha DEDICATION Quiero agradecer, antes que nada, a mi familia. A mis padres, por darme la oportunidad de viajar tan lejos y apoyarme durante estos dos años, y por siempre alentarme a volar alto. Y por ser los eternos correctores de mis trabajos. A mi hermano, por hacerme reír hasta cuando no quiero hacerlo, desde que era pequeño tuvo ese don.
    [Show full text]
  • Cristina Piña*
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by USAL (Universidad del Salvador): Open Journal Systems Cristina Piña Gramma, Año XXIX, 60 (2018) BÚSQUEDA, FRUSTRACIÓN Y Encuentro: Poesía Y Trascendencia EN OLGA OROZCO, Amelia BiaGioni Y AleJandra PIZarniK Cristina Piña* Resumen: En el presente trabajo, se analiza la forma que adopta la búsqueda de la trascendencia en la poesía de Olga Orozco, Amelia Biagioni y Alejandra Pizarnik. Se las seleccionó por considerar sus trayectorias especialmente significativas a causa de la heterodoxia de sus relaciones con lo trascendente y por la resolución contradictoria de sus búsquedas respectivas: la tristeza y la duda que acompañan a Orozco hasta el final en su apasionada búsqueda por entrar en contacto con la divinidad; el desgarramiento y el dolor extremo de Pizarnik ante el fracaso de su concepción ontologizante de la poesía, y el regocijo afirmativo final de Biagioni, más allá de lo accidentado de su tra- yectoria y de su ruptura con el pensamiento dualista. Palabras Clave: Trascendencia; Dimensión Religiosa; Heterodoxia; Inmanencia; On- tologización. Abstract: This work analyzes the different ways the quest for transcendence takes in the poetry of Olga Orozco, Amelia Biagioni and Alejandra Pizarnik. The three poets have been chosen because their work is considered especially important, due both to their unorthodox relationships with transcendence and to the contradictory results of their quests. Orozco is besieged by sadness and doubt during all her passionate quest for getting in touch with God; atheist Pizarnik fails when trying to make poetry a substitute for religion and is overwhelmed by deep pain and distress; Biagioni, in spite of the treacherous path she follows, feels finally rejoiced when meeting transcendence beyond dualist thought.
    [Show full text]
  • 3Poetas3-Muestra Web 2021.Pdf
    COMPILADORES Fernando Copello Marina Letourneur Lucie Valverde Fernando Copello [et al.] 3 poetas 3. Ensayos sobre la infancia en la obra de Juan Gelman, Alejandra Pizarnik y María Elena Walsh; compilado por Fernando Copello, Marina Letourneur y Lucie Valverde; 1a ed., Ciudad Autónoma de Buenos Aires, Dedalus, 2020. 122 p.; 21 x 14 cm. ISBN 978-987-3744-64-8 1. Estudios Literarios. 2. Poesía en Español. 3. Infancia. I. Copello, Fernando, comp; II. Letourneur, Marina, comp; III. Valverde, Lucie, comp. CDD 861 1ª edición: octubre de 2020 © 2020 Dedalus Editores Paraguay 3034, 3°D, Buenos Aires, Argentina. [email protected], [email protected] www.dedaluseditores.com.ar Diseño y cubierta: Alejandro Crudele Maquetación: Ariel Shalom ISBN 978-987-3744-64-8 Hecho el depóstito que marca la ley 11.723 Impreso en Argentina Ninguna parte de esta publicación, incluido el diseño de la cubierta, puede ser reproducida, almacenada o transmitida en manera alguna ni por ningún medio, ya sea eléctrico, químico, mecánico, óptico, digital, de grabación o de fotocopia, sin permiso previo del editor. Índice Palabras preliminares a 6 ensayos y 1 conversación Fernando Copello, Marina Letourneur y Lucie Valverde 9 Juan Gelman y la infancia como lenguaje Geneviève Fabry 17 Alejandra Pizarnik: la inocencia terrible Ivonne Bordelois 33 À défaut d'autre chose: glosolalia y poética bucanera Edgardo Dobry 51 Vacas que estudian y contexto escolar en la poesía de María Elena Walsh Fernando Copello 61 “Madre de las odas”: la maternidad en la poética (feminista) de María Elena Walsh Gabriele Hassler 77 Infancia y poesía en María Elena Walsh Maud Gaultier 95 Conversación con Betty Sapollnik, amiga de infancia de Buma (Alejandra) Pizarnik Elena Savransky y Fernando Copello 111 Palabras preliminares a 6 ensayos y 1 conversación Fernando Copello, Marina Letourneur y Lucie Valverde En un ejemplar de Zoo loco encontramos una dedicatoria de María Elena Walsh fechada en 1999.
    [Show full text]
  • Alejandra Pizarnik Y El Siglo De Oro Español1
    151 Alejandra Pizarnik y el Siglo de Oro español1 Fernando Copello Université du Maine – Le Mans A Raquel Minian de Alfie, en Buenos Aires n esos textos conversados, tan de los años 60, que constituyen La vuelta Eal día en ochenta mundos , Julio Cortázar recuerda: ...los profesores de castellano y de literatura de nuestras escuelas secundarias conseguían el más horrendo parricidio en el espíritu de sus alumnos, insti- lando en ellos la muerte por hastío y por bimestre del infante Juan Manuel, del Arcipreste, de Cervantes y de cuanto clásico había tenido el infortunio de caer en la ratonera de los programas escolares y las lecturas obligatorias. (Cortázar, 1967, 96)2 Lo que no le impide al autor de Rayuela recuperar con amplia libertad la herencia cervantina cuando en otro texto del mismo libro nos dice: “...como si Cervantes hubiera sido solemne, carajo” (1967, 34). 3 La relación entre los escritores argentinos que producen su obra en los años 60 y la tradición hispánica es compleja y no creo que haya sido extremadamente estudiada. Esa huella está ahí, sin embargo, de manera positiva o negativa, y es uno de los gérmenes de nuestra literatura a la par del Instituto Di Tella. Es la época en que Leda y María entonan las Canciones del Tiempo de Maricastaña , son los años en que la Walsh inicia su camino hacia la literatura infantil nutrida de psicoanálisis y de herencias de Juan Ramón Jiménez.4 En ese contexto cultural se me ocurrió que podía ser interesante indagar el peso que tiene el Siglo de Oro en la obra de Alejandra Pizarnik (1936-1972).
    [Show full text]
  • ANTOLOGIAS, DISCURSO E MEMÓRIA CULTURA O Dialogismo
    ANTOLOGIAS, DISCURSO E MEMÓRIA CULTURAL o dialogismo em compilações bilíngues de poesia argentina111 Silvana Serrani Unicamp/CNPq RRRESUMO Neste texto o gênero antologia é abordado, da perspectiva da Análise do Discurso, enquanto lugar de memória (Courtine, 1994; Nora, 1996). Apresenta-se um estudo de caso com compilações bilíngues de poesia argentina: (Jozef, 1990; e Buarque de Holanda; Monteleone, 2003 – antologias em espanhol/português; Salas, 1996 – antologia em espanhol/francês; e Graham Yool; Saimolovich, 2004 – antologia em espanhol/inglês); também, em decorrência da análise, far-se-ão referências comparativas a antologias monolíngues. A partir do enfoque discursivo- dialógico (Bakhtin, 1984; Foucault, 1985; Pêcheux, 1990), estudam- se representações da memória literário-cultural em ensaios introdutórios, prólogos ou prefácios e na organização estrutural das antologias do corpus. As ilustrações apresentadas correspondem à representação da poesia argentina dos anos 1960. Após questionarem-se generalizações frequentes, como a suposta descontextualização inerente a toda antologia ou a existência de leituras que seriam próprias das espécies antologia ou coletânea, o foco do trabalho dirige-se à análise de ressonâncias e formações discursivas nas antologias consideradas. No domínio de saber em análise, as formações discursivas propostas são: representação unilateral de desqualificação e exclusão da poesia dos anos 1960; representação marcada pela preponderância de sentidos positivos sobre a “geração dos anos 1960”; representação por desconstrução/questionamento da noção “geração dos anos 1960”. Nas conclusões, apontam-se perspectivas da análise do discurso de antologias, em relação a novos projetos antológicos, com enriquecimento do debate sobre a memória literário-cultural representada, e à utilização renovada de antologias em programas educacionais, com enfoques não dicotômicos de língua e literatura.
    [Show full text]
  • Alejandra Pizarnik: Vida, Obra Y Principales Símbolos Poéticos
    3 Universitat Rovira i Virgili TRIANGLE LLENGUATGE, LITERATURA, COMPUTACIÓ LANGUAGE, LITERATURE, COMPUTATION 3 Alejandra Pizarnik: vida, obra y principales símbolos poéticos María Isabel Calle TRIANGLE 3 March 2010 Alejandra Pizarnik: vida, obra y principales motivos poéticos María Isabel Calle LLENGUATGE, LITERATURA, COMPUTACIÓ LANGUAGE, LITERATURE, COMPUTATION Tarragona, 2011 Revista TRIANGLE President: Antonio Garcia Español Consell editorial: M. Angeles Caamaño, Natalia Català, M. Dolores Jiménez López, M. José Rodríguez Campillo. Gemma Bel-Enguix per la Sèrie Linguistics, Biology and Computation, i Esther Forgas per la Sèrie Español Lengua Extranjera. Edita: Publicacions URV ISSN: 2013-939X ISBN: 978-84-693-6954-4 DL: T-1492-2010 Per a més informació de la revista consulteu la pàgina http://revista-triangle.blogspot.com/ Publicacions de la Universitat Rovira i Virgili: Av. Catalunya, 35 - 43002 Tarragona Tel. 977 558 474 - Fax: 977 558 393 www.urv.cat/publicacions [email protected] Arola Editors: Polígon Francolí, parcel·la 3, nau 5 - 43006 Tarragona Tel. 977 553 707 - Fax 977 542 721 [email protected] Cossetània Edicions: C. de la Violeta, 6 - 43800 Valls Tel. 977 602 591 - Fax 977 614 357 [email protected] Aquesta obra està subjecta a una llicència Attribution-NonCommercial-NoDerivs 3.0 Unported de Creative Commons. Per veure’n una còpia, visiteu http://creativecommons.org/licenses/by-nc-nd/3.0/ o envieu una carta a Creative Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA.
    [Show full text]
  • Portrayals of the Female Body by Latin American Women Poets in the Twentieth and Twenty-First Centuries
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2015 Sublimity and Identity: Portrayals of the Female Body By Latin American Women Poets in the Twentieth and Twenty-First Centuries Kathryn Mendez Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1052 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SUBLIMITY AND IDENTITY: PORTRAYALS OF THE FEMALE BODY BY LATIN AMERICAN WOMEN POETS IN THE TWENTIETH AND TWENTY-FIRST CENTURIES by Kathryn J. Mendez A dissertation submitted to the Graduate Faculty in Hispanic and Luso-Brazilian Literatures and Languages in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 This manuscript has been read and accepted for the Graduate Faculty in Hispanic and Luso- Brazilian Literatures and Languages to satisfy the dissertation requirement for the degree of Doctor of Philosophy. Araceli Tinajero: Chair of Examining Committe Signature: _______________________________________ Date: ____________________________________ José Del Valle: Executive Officer Signature: ______________________________________ Date: ____________________________________ Elena Martínez: Supervisory Committee Member Malva Filer: Supervisory Committee Member THE CITY UNIVERSITY OF NEW YORK ii Abstract SUBLIMITY AND IDENTITY: PORTRAYALS OF THE FEMALE BODY BY LATIN AMERICAN WOMEN WRITERS IN THE TWENTIETH AND TWENTY-FIRST CENTURIES by Kathryn J. Mendez Adviser: Professor Araceli Tinajero This work explores the different portrayals of the female body and its relationship to transmodernity, sublimity and identity in the latter part of the 20th century up to the first decade of the 21st century.
    [Show full text]
  • Redalyc.Alejandra Pizarnik: Poesía, Prosa, Humor Y Otros Misterios
    Atenea ISSN: 0716-1840 [email protected] Universidad de Concepción Chile Daza D., Paulina Alejandra Pizarnik: Poesía, prosa, humor y otros misterios Atenea, núm. 514, julio-diciembre, 2016, pp. 207-225 Universidad de Concepción Concepción, Chile Disponible en: http://www.redalyc.org/articulo.oa?id=32850070014 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto ISSN 0716-1840 Alejandra Pizarnik: Poesía, prosa, humor y otros misterios* Alejandra Pizarnik: Poetry, prose, humor and other mysteries Paulina Daza D.** RESUMEN En este artículo se proponen dos puntos estratégicos como claves para facilitar la en- trada a la lectura de la Prosa de Humor de Alejandra Pizarnik. El primero, a través de la vinculación de las prosas de humor y la poesía publicada de la autora a partir de la idea de misterio. Y el segundo desde la revisión de los paratextos presentes en la prosa de humor. Palabras clave: Alejandra Pizarnik, prosa, poesía, humor, misterio, paratextos. ABSTraCT In this article, two strategic cues are proposed to facilitate the reading of Alejandra Pizarni’s Humorous Prose. The first one by establishing, through the idea of mystery, the link between the writer’s humorous prose and her poetry published. And the sec- ond one by reviewing the paratexts that can be found in the humorous prose. Keywords: Alejandra Pizarnik, prose, poetry, humor, mystery, paratexts. Recibido: 21.11.11.
    [Show full text]
  • Alfonsina Storni Y Alejandra Pizarnik
    Patricia García Ces Artículo Especial Early Feminist Voices from Argentina: Alfonsina Storni and Alejandra Pizarnik Primeras Voces Feministas desde Argentina: Alfonsina Storni y Alejandra Pizarnik Patricia García Ces Escuela de Humanidades, Universidad Nacional de San Martín (UNSAM). Buenos Aires, Argentina. Manuscrito recibido: 4 de julio de 2019; aceptado para publicación: 14 de septiembre de 2019 Autor de contacto: Prof. Patricia García Ces. Escuela de Humanidades, Universidad Nacional de San Martín (UNSAM). Buenos Aires, Argentina. E-mail: [email protected] Abstract In line with the prevailing essentialist gender ideology and sexist views of women of the times, the discourse of early 20th century literary tradition systematically marginalized, devalued and deauthorized female authors. Thus, women writers’ relationships to texts and to writing was radically different from men’s, giving rise to voices of resistance, as well as to a struggle for rights and identities beyond the stereotypical confi nes of femininity afforded by a patriachal society. The goal of this article is to analyze and compare, from the perspective of feminist criticism, some of the poems by Alfonsina Storni and by Alejandra Pizarnik, in which the authors challenge literary (and societal) tradition of their times. To conclude, we will see that while these poets were born almost half a century apart, and each of them were informed by different waves of the feminist movement (the fi rst and second wave, respectively), they both shared the fact that their poetry subverts the popular tropes of romantic love, and of purity, submission and domesticity typically ascribed to women –and women’s writing- in those times.
    [Show full text]