T D E C U R R E NT C I N E M A

Total Page:16

File Type:pdf, Size:1020Kb

T D E C U R R E NT C I N E M A T D E C u R R E NT C I N E M A By Archer Wins ten ,.l THOROUGHLY enjoyable picture some­ In Paul Muni's conception of the leading role, NIGHT MUST FALL-Robert Montgomery times _i--l_ fails to receive its due from the critics. however, I felt not only the emotionalism of the as a psychopathic killer in a remote English They spill quotable adjectives, and hail an­ ,vestern world but even the s lurring, character­ countryside. Mighty long. other smash-hit at the ABC-Radio-Palace theatre, istic accents of New Yorkese. It is the only time LOVE FROM A STRANGER-Coldblooded but ( especially if it is a musical comedy) they Muni has been disappointing in a long career killers loose in England. ot as exciting as hoped. forego profounder mulling. A musical comedy is touching the opposite poles of gangster and Louis THE OUTCASTS OF POKER FLAT-Bret expected to be little more than fanciful dessert. Pasteur. As to the performance of Luise Rainer Harte's California through rose-colored glasses. Wake Up And Live, the comedy with music, as O-Lan, this could be described endlessly with­ Dull and slow. Walter Winchell, Ben Bernie and Alice Faye, is out getting close to the wonder of it. Perfection what I have in mind. The presence of Winchell, is the word. PERSONAL PROPERTY-Jean Harlow and who is to millions of American citizens either an It is a great picture. The abused word "epic" Robert Taylor. If that's enough to set blood excited voice on the air or a gospel-giving col­ regains its meaning when used in this connection. aboil, take it. Robert takes a bath in front of the umnist, roots the picture in authenticity. Whether A Star Is Born tells the fabulous story of a camera. Men will be disappointed; women will or not you approve of what he stands for, or girl's rise to stardom from a Midwestern farm, have to decide for themselves. what you think he stands for, in the picture he and the fall of her mentor, a male star who drinks. QUALITY STREET-Quaint and delicate love is allowed to be himself in word, gesture and Janet Gaynor, Fredric March, and Adolphe tale out of James Barrie, acted by Katharine action. The same attention to truthful portrayal Menjou lend credence to a run-of-the-mill plot; Hepburn in the manner to which she is accus­ comes out in the picture's Radio City sequences, and for the first time, Technicolor helps a picture tomed. All right if you like that sort of thing. both as realism and satire. instead of furnishing running interference against SWING HIGH, SWING LOW-New version The plot of the picture develops more suspense its own side. of Burlesque. High comedy, slightly dampened than all the psychopathic-killer pictures of the Maytime, an elaborate expansion of the old by trite theme of trumpet-player (Fred Mac­ past year, which is faint praise, but not so in­ operetta, includes also a brand-new opera con­ Murray) going to the dogs and being reborn by tended. The direction by Sidney Lanfield is ex­ structed out of Tschaikovsky's Fifth Symphony, the loyal love of his wife (Carole Lombard). emplary. Previously he had proven himself a the best recording of the Jeanette MacDonald STEP LIVELY, JEEVES-Wodehouse's Jeeves master in Sing, Baby, Sing and One In A Million. and Ielson Eddy voices to date, and a bitter-sweet as a tool of two "con" men. Light but nice. Wake Up And Live is a richer work. story. It has been hailed by press and pulpit as SEVENTH HEAVEN-Paris Lost Horizon fits my notion concerning Mr. a stimulant to marriage. Statistics failing, I can in Wartime; a street cleaner and the waif Capra, who is surely one of America's most dis­ only say that my investigations uncovered four­ he takes in off the street. James Stewart and Simone tinguished directors. I think he lost his own teen who admitted the "Yes, I Do" feeling to one Simon in the roles that made Gaynor-Farrell horizon when he exchanged it for James Hilton's who said : "It is a Hollywood monstrosity. It's famous. Can start tears in a susceptible pipe-dream of adventure, fantasy and wisdom. overdone, it's a hodge-podge." eye. To put an X on the precise spot where Capra He was talking about the picture, not the in­ THE SOLDIER A ID THE LADY-A message sank, it happened when the magnificent air ad­ stitution of marriage. to Garcia carried halfway across Russia by venture of the refugees from Baskul ended and A FAMILY AFFAIR-Lionel Barrymore as Michael Strogoff. A blood-and-thunder thriller, their spiritual education in Shangri-La began. an upright judge. Mildly exciting, with Mickey as exciting and improbable as a trip to the moon. When the long speeches began, it was a shock Rooney in moments of splendid adolescence. THE TOP OF THE TOW -Musical comedy to hear nothing more startling than the Golden CAFE METROPOLE-Tyrone Power and elephantiasis in glass and chromium on the Rule and the Grecian precept of moderation. Loretta Young chase each other in Paris. Light 102nd floor. Despite the severity of this criticism, the pic­ enough to amuse, if you're light enough to be THU IDER I THE CITY-Edward G. Robin­ ture is incredibly beautiful in the mountain and amused. son as an American super-salesman on English flying sequences, and has the best airplane crack­ THE CRIME NOBODY SAW-Except your terrain. Weak. up ever photographed. For those to whom the reviewer, who didn't care one way or the other. WAIKIKI WED DI G-Pineapple promotion message seems real-and I know there are such­ ' ELEPHANT BOY-Biggest elephant ever, in a in Hawaii, as conceived by the melodious Bing the picture cannot fail to be glorious. Korda-Flaherty version of Kipling's Toomai of Crosby. The tropic air proves too strong for The Good Earth also demands attention. It the Elephants. Has charm. Martha Raye, who becomes louder but not has been hiding behind special prices while every­ GOOD OLD SOAK-Wallace Beery, tight but one funnier. talked about it. tender in Don Marquis's The Old Soak. A Beery You doubtless know enough about Pearl Buck's potboiler. WHEN LOVE IS YOU G-Small-town girl with voca story of Wang Lung, the Chinese peasant, his HISTORY IS MADE AT NIGHT-So was the l ambitions (Virginia Bruce) makes wife, O-Lan and the second wife, Lotus, not to plot. Jean Arthur, Charles Boyer and Leo Carillo good in big city. Also makes Kent Taylor. lot need further discussion of that struggle for land help. Good direction. new, but pleasant. and wealth. THE KI G AND THE CHORUS GIRL­ LA KERMESSE HEROIQUE-Superbly witty It is a picture with incidents so magnificently Fernand Gravel does more than Dick Powell can sex comedy of 17th Century Holland, rightly conceived, carried out and photographed that no to justify Blondell's ways to man. See title for called the best foreign picture of the year. criticism of other flaws can dim their lustre. plot. See picture to brush up on unemployed kings. THE ETER AL MASK-A Swiss picture The overpowering realism of the storm in harvest, MARKED WOMA -Recommended for con­ which ventures where none have gone successfully the famine of a people, the revolution of 1911 vention delegates. Lays bare the facts of clip before-into the mind of a doctor temporarily and the plague of locusts has never been equalled joints, their hostesses and racketeer owners. insane. An extraordinary experience, well worth in motion picture art. Bette Davis in high gear. your time. 26 .
Recommended publications
  • Tommy Dorsey 1 9
    Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 .........................................................................................................
    [Show full text]
  • 100 Years: a Century of Song 1930S
    100 Years: A Century of Song 1930s Page 42 | 100 Years: A Century of song 1930 A Little of What You Fancy Don’t Be Cruel Here Comes Emily Brown / (Does You Good) to a Vegetabuel Cheer Up and Smile Marie Lloyd Lesley Sarony Jack Payne A Mother’s Lament Don’t Dilly Dally on Here we are again!? Various the Way (My Old Man) Fred Wheeler Marie Lloyd After Your Kiss / I’d Like Hey Diddle Diddle to Find the Guy That Don’t Have Any More, Harry Champion Wrote the Stein Song Missus Moore I am Yours Jack Payne Lily Morris Bert Lown Orchestra Alexander’s Ragtime Band Down at the Old I Lift Up My Finger Irving Berlin Bull and Bush Lesley Sarony Florrie Ford Amy / Oh! What a Silly I’m In The Market For You Place to Kiss a Girl Everybody knows me Van Phillips Jack Hylton in my old brown hat Harry Champion I’m Learning a Lot From Another Little Drink You / Singing a Song George Robey Exactly Like You / to the Stars Blue Is the Night Any Old Iron Roy Fox Jack Payne Harry Champion I’m Twenty-one today Fancy You Falling for Me / Jack Pleasants Beside the Seaside, Body and Soul Beside the Sea Jack Hylton I’m William the Conqueror Mark Sheridan Harry Champion Forty-Seven Ginger- Beware of Love / Headed Sailors If You were the Only Give Me Back My Heart Lesley Sarony Girl in the World Jack Payne George Robey Georgia On My Mind Body & Soul Hoagy Carmichael It’s a Long Way Paul Whiteman to Tipperary Get Happy Florrie Ford Boiled Beef and Carrots Nat Shilkret Harry Champion Jack o’ Lanterns / Great Day / Without a Song Wind in the Willows Broadway Baby Dolls
    [Show full text]
  • Bob Thomas Papers, 1914-2004
    http://oac.cdlib.org/findaid/ark:/13030/kt300030cb No online items Bob Thomas papers, 1914-2004 Finding aid prepared by Sarah Sherman and Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2005 The Regents of the University of California. All rights reserved. Bob Thomas papers, 1914-2004 PASC 299 1 Title: Bob Thomas papers Collection number: PASC 299 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 28.5 linear ft.(57 boxes and 3 flat boxes) Date (bulk): Bulk, 1930-1989 Date (inclusive): 1914-2004 (bulk 1930-1980s) Abstract: Since 1944 Bob Thomas has written thousands of Hollywood syndicated columns for The Associated Press and has authored (or co-authored) at least thirty books relating to the entertainment industry. The collection consists of materials related to his professional career as a writer and includes manuscripts, research and photographs for books by Thomas as well as Associated Press columns, research files, and a small amount of printed ephemera. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Thomas, Bob, 1922- Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Use of audio materials may require production of listening copies.
    [Show full text]
  • Ehapter NOTE~
    Sinister for their delightful con­ tribution of sound equipment, which made our meeting more enjoyable . Dr. Anderson has taken the Laurel and Hardy silent movie "Leave 'em Laughing" and synchronized various pipe organ recordings by Gaylord Carter, Ashley Miller , Lee Erwin and Gus Farney to the motion picture. Of eHAPTERNOTE~ course, this is not live music, but they are pipe organ selections. Dr. Ander­ son spends many hours showing this film with its synchronized music to people who otherwise might never hear the pipe organ sound. This is Dr. ALABAMA Wurlitzer at its best. Jay really knows Anderson's hobby, and he is won­ this instrument and the two of them The Alabama Chapter completed dering if he might have a first in this make a great team. (I heard comments the year 1974 not on one great note, experiment. from some older members of the but two - great programs in No­ Officers elected for the year 197 5 audiences saying that Jay and his are: Calvin Christensen, chairman; vember and December by Alleen Cole music brought to mind the days of Ronald Apgar, vice-president; and and Jay Mitchell and progress in the Randy Sauls and Stanleigh Malotte at Maxine V. Russell, secretary. continuing restoration of the Alabama the Alabama Wurlitzer.) Theatre Wurlitzer. Alleen Cole is the MAXINE V. RUSSELL kind of member every chapter should Officers for 1975 were elected in December and Ray Straits is the new have. She has served the chapter since CEDAR RAPIDS chairman for our chapter. Alleen Cole its organization two years ago as On November 6, 1974 at Cedar is vice-chairman, Dan Liles is secre­ secretary-treasurer and has handled the Rapids, Iowa's Paramount Theatre tary -treasurer and the directors are writing of our Chapter Notes for THE­ another "sold out" theatre audience Geo rge Ferguson, Tom Hatter, Riedel ATRE ORGAN.
    [Show full text]
  • Alice Faye Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Alice Faye 电影 串行 (大全) Poor Little Rich Girl https://zh.listvote.com/lists/film/movies/poor-little-rich-girl-1753603/actors Stowaway https://zh.listvote.com/lists/film/movies/stowaway-2620671/actors Won Ton Ton, the Dog Who https://zh.listvote.com/lists/film/movies/won-ton-ton%2C-the-dog-who-saved-hollywood-3569779/actors Saved Hollywood Rose of Washington Square https://zh.listvote.com/lists/film/movies/rose-of-washington-square-3283905/actors Tail Spin https://zh.listvote.com/lists/film/movies/tail-spin-2953579/actors She Learned About Sailors https://zh.listvote.com/lists/film/movies/she-learned-about-sailors-7492009/actors Little Old New York https://zh.listvote.com/lists/film/movies/little-old-new-york-2007178/actors On the Avenue https://zh.listvote.com/lists/film/movies/on-the-avenue-7091287/actors Barricade https://zh.listvote.com/lists/film/movies/barricade-4863478/actors Brother, Can You Spare a https://zh.listvote.com/lists/film/movies/brother%2C-can-you-spare-a-dime%3F-3511835/actors Dime? Wake Up and Live https://zh.listvote.com/lists/film/movies/wake-up-and-live-7960990/actors 365 Nights in Hollywood https://zh.listvote.com/lists/film/movies/365-nights-in-hollywood-4635680/actors Hollywood Cavalcade https://zh.listvote.com/lists/film/movies/hollywood-cavalcade-9266672/actors George White's 1935 https://zh.listvote.com/lists/film/movies/george-white%27s-1935-scandals-1750373/actors Scandals Carmen Miranda: Bananas is https://zh.listvote.com/lists/film/movies/carmen-miranda%3A-bananas-is-my-business-5043525/actors
    [Show full text]
  • 21 -27, 1942 SUPERVISING EDITOR: Carl A
    E7 MOVIE-RADIO FIFTEEN CENTS PROGRAMS FOR ilfiriair 0rt 1 l.l 1 7 390 I a8W`fa IS Pd I 7 r`! 3 0! ?:311S j 1H-91NO r 51 f.Hb7Z/.SO FANNY ( "Snooks' ') BRICE and i HANLEY ( "Daddy ") STAFFORD Thanxgivin' Letter to Daddy GV E See page 1 U9urtbN C eaf Looks at 111 photo -Story: "My Friend Flicka" Winners of Name Lum and Abner's Baby Contest Thanksgiving Litany- 1942 IN THIS momentous year of 1942, we morning when a smile is needed most I must, as individuals and as a nation, -I THANK THEE, GOD! search deep within our souls and the For the firm belief that. America's great heart of America to know and homes are America's future family truly realize the blessings -a that are still of my work when ours in a world torn by war. own to for -so that We cannot bring back those brave victory comes they may reap the har- men who have given their lives in the vest of freedom -1 THANK THEE, cause of freedom for all peoples. Nor GOD! ' can we lessen the grief of their loved For men of vision to lead us -for the ones as they gather round their Thanks- butcher boy, the druggist, the lawyer, giving tables this the clerk, who are year and bravely try now Uncle Sam's sol- to carry on in the diers, sailors, marines face of heartbreak. and pilots -for the 1111k But on this one truly American holi- production workers, GLAMOROUS GUN -MAKERS greet the OI' Maestro at a Toronto day-Thanksgiving- the nurses, the Waves plant turning out arms for the allies.
    [Show full text]
  • Twentieth Century Fox: 1935-1965
    The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L.
    [Show full text]
  • Guide to the William K
    Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994.
    [Show full text]
  • Bensman, Marvin R.; Walker, Dennis Sources of Broadcast Audio
    DOCUMENT RESUME ED 109 724 CS 5,01 094 AUTHOR Bensman, Marvin R.; Walker, Dennis TITLE Sources of Broadcast Audio Programming. PUB DATE 75 NOTE 332p. EDRS PRICE MF-$0.76 HC-$17.13 PLUS POSTAGE DESCRIPTORS *Broadcast Industry; Instructional Materials; *Phonograph Records; *gadio; Resource Materials IDENTIFIERS *DiscographieS _ABSTRACT This publication'is the result of a search conducted for sources of,recordings of old radio programs. Section 1 consists of an annotated list of broadcast programs available on commercial phonograph records. Section 2 consists of an annotated listing of associations concerned with the preservation of recorded broadcast material, organizations which sell programs, newsletters and publications by individuals who collect and trade old radio prograts, and institutions which ha *e collections which are available to some degree for research and teaching purposes. Section 3 is a computerized- catalog of over 100 private collections which was devised to locate specific programs as well as to give some idea of the depth of the material available from such sources. (TS) ****************************************************4i***************** Documents acquired by ERIC Include manyinformal unpublished * materials not available from other sources. ERIC wakes everyeffort * * to obtain the best copy available. nevertheless, items ofmarginal * * reproducibility are often encountered and this affects thequality * * of the microfiche and hardcopy reproductions ERIC makesavailable * * via the ERIC Document Reproduction Service
    [Show full text]
  • 1937-09-18 [P C-20]
    New In New Film Crosby-Raye Film Farce at n? ——----Stirring Witty Capitol tTnKiuxii&fll Has Moments Big Kids Newspaper Films Mat. at * 30. Tealftkt at S:30 I But Better Parts or of “Double Edna May Oliver Garries Show Nothing” Are Placed Against To Pinnacle of Laughter. Some Stuff. Hackneyed D. G. Tearn on Stage. BY JAY CABMODY. BY ROBERT B. left out PHILLIPS. Jr. Prlera tlnal. Bob Burns, substituted Andy Devine, and made anothf Tail: E?ee.—(trail, ft* tOt week Loews Baleen*. Bing Crosby-Martha Capitol Theater, nee Loew s Fox. double nee the Fox, kl.KI and SI Ui lleeead Bal- Raye picture out at Paramount not long ag< •nn r. Mr is celebrating its tenth anniversary as a major presentation house in Mata.—Entire Orek., SI .Ms The film, "Double or Nothing,” at the Palace an Tnlira kirat opened yesterday and Balaam, Sl.lOt Entire those who like this city, perhaps the most welcome surprise at its birthday party Srrnnd Baleonr, S6*. THEY Bing Crosby and Martha Raye are to be s going it THISis a rather choice comedy known as "My Dear Miss Aldrich.” Dis- pleased won t make a bit of difference how we felt. We felt disappointe< ONE In of the mirth tinctly labeled "class B" when it left the M-G-M studio, this parcel of celluloid WEEK STARTING spite and laughter which Director Reed and his cast manage when unwrapped, unreeled, or whatever it is do to NEXT MON. EVE. AT S:30 to into -————— you celluloid, reveals itself get spots, there were others John Goltri as an and a1*-=-—-— into wmch let old wrinkles intelligent witty farce, ~ they come.
    [Show full text]
  • The American Legion Magazine [Volume 26, No. 3 (March 1939)]
    MARCH 1930 Legion A HAPPY COMBINATION OF THE WORLD'S BEST TOBACCOS Copyright 1959, Liggett & Myers Tobacco Co. A wide grin covered the face of the Commander of the armies Battle- Line By M.M.Capps Bossy THEY 'rudged along. The men of away that they had left their noonday said that a cow could not make long the 113th Held Artillery had just food on the stoves as it was being pre- marches, that she would never be able been through their "first baptism pared by the cooks. A huge cabbage to keep up with the regiment, that if she of fire" at St. Mihiel. They were patch nearby provided vegetables, and did she certainly would be worthless as under orders to go to the Argonne Forest meat was also to be found. It was not a provider of milk. They argued that "with the least practical delay." The many minutes before these youngsters the Army was not called upon to provide march was long. The roads were muddy had the pots boiling in true Southern cow rations and for these reasons they and as usual it was raining along the style and most of them that day enjoyed urged that quicker benefits in the way Western Front. a real Carolina meal. Meantime, other of butchering be derived from the cow. The outfit, largely made up of North foragers had captured a wild hog on the Their suggestions brought loud protests Carolinians, was in none too good humor hills overlooking Thiaucourt and these from the d etail. The protests were despite the success at St.
    [Show full text]
  • Alan Crosland, the JAZZ SINGER (1927, 88 Min)
    August 27, 2013 (XXVII:1) Alan Crosland, THE JAZZ SINGER (1927, 88 min) Academy Awards—1929—Honorary Award (Warner Bros.) for producing The Jazz Singer, the pioneer outstanding talking picture, which has revolutionized the industry. National Film Registry—1996 Directed by Alan Crosland Adapted for film by Alfred A. Cohn Based on the short story by Samson Raphaelson (“The Day of Atonement”) Original music by Louis Silvers Cinematography by Hal Mohr Edited by Harold McCord Al Jolson...Jakie Rabinowitz May McAvoy...Mary Dale Warner Oland...The Cantor Eugenie Besserer...Sara Rabinowitz Otto Lederer...Moisha Yudelson Crossland directed John Barrymore in Don Juan, which had sync Richard Tucker...Harry Lee sound effects and music, but no dialogue, using Vitaphone. Cantor Joseff Rosenblatt…Cantor Rosenblatt - Concert Recital SAMSON RAPHAELSON (b. March 30, 1894, New York City, ALAN CROSLAND (b. August 10, 1894, New York City, New New York—d. July 16, 1983, New York City, New York) has 45 York—d. July 16, 1936, Hollywood, California, car accident) writing credits, among them 1988 “American Playhouse,” 1980 directed 68 films, among them 1936 The Case of the Black Cat, The Jazz Singer (play), 1965 “Wolken am Himmel,” 1959 1935 The Great Impersonation, 1935 King Solomon of “Startime,” 1956 Hilda Crane (play), 1955 “Lux Video Theatre,” Broadway, 1935 It Happened in New York, 1935 The White 1952 “Broadway Television Theatre,” 1949 “The Ford Theatre Cockatoo, 1934 The Case of the Howling Dog, 1934 Massacre, Hour” 1949 In the Good Old Summertime, 1947
    [Show full text]