Alan Crosland, the JAZZ SINGER (1927, 88 Min)
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President Declines to Dignify Charge FEPC “Red
■ 1 —ft, President Declines To Dignify Charge FEPC “Red WASHINGTON, D. C.-(NNPA)-President Truman Saturday ment of some Senators that the fair employment practice bill and Engel,s began to write." | The argument that FEPC was Communist Inspired wai ve ) had declined to dignify with comment the argument of Southern is of Communist origin'** Mr. White was one of those present al the While House con hemently made by Senator* Walter F. George, of Georgia, and ference in 194) which resulted in President Roosevelt issuing an I Senator* that fair employment practice legislation is of Commu- According to Walter White, executive secretary of the Nation Spessard I. Holland, of Florida, both Democrats, on the Senate al Association for the Advancement of Colored People the fdea of I ni*t origin. executive aider creating the wartime fair Employment Practice floor during the filibuster ogaintl the motion to take up the FEPC At hi* press conference Thursday, Mr. Truman told reporters fair employment practices was conceived "nineteen years before Committee. ' bill. I that he had mode himself perfectly clear on FEPC, adding that he the Communists did so in 1928." He said it was voiced in the the order was issued to slop a "march on-Woshington", I did not know that the argument of the Southerners concerning the call which resulted in the organization of lhe NAACP in 1909, and which A. Philip Randolph, president of lhe Brotherhood of Whert Senotor Hubert Humphrey, Democrat, of Minnesota I origin of FEPC deserved any comment. that colored churches and other organizations "have cried out Sloeping Car Porters, an affiliate of lhe American Federation called such a charge ’ blasphemy". -
August 26, 2014 (Series 29: 1) D.W
August 26, 2014 (Series 29: 1) D.W. Griffith, BROKEN BLOSSOMS, OR THE YELLOW MAN AND THE GIRL (1919, 90 minutes) Directed, written and produced by D.W. Griffith Based on a story by Thomas Burke Cinematography by G.W. Bitzer Film Editing by James Smith Lillian Gish ... Lucy - The Girl Richard Barthelmess ... The Yellow Man Donald Crisp ... Battling Burrows D.W. Griffith (director) (b. David Llewelyn Wark Griffith, January 22, 1875 in LaGrange, Kentucky—d. July 23, 1948 (age 73) in Hollywood, Los Angeles, California) won an Honorary Academy Award in 1936. He has 520 director credits, the first of which was a short, The Adventures of Dollie, in 1908, and the last of which was The Struggle in 1931. Some of his other films are 1930 Abraham Lincoln, 1929 Lady of the Pavements, 1928 The Battle of the Sexes, 1928 Drums of Love, 1926 The Sorrows of Satan, 1925 That Royle Girl, 1925 Sally of the Sawdust, 1924 Darkened Vales (Short), 1911 The Squaw's Love (Short), 1911 Isn't Life Wonderful, 1924 America, 1923 The White Rose, 1921 Bobby, the Coward (Short), 1911 The Primal Call (Short), 1911 Orphans of the Storm, 1920 Way Down East, 1920 The Love Enoch Arden: Part II (Short), and 1911 Enoch Arden: Part I Flower, 1920 The Idol Dancer, 1919 The Greatest Question, (Short). 1919 Scarlet Days, 1919 The Mother and the Law, 1919 The Fall In 1908, his first year as a director, he did 49 films, of Babylon, 1919 Broken Blossoms or The Yellow Man and the some of which were 1908 The Feud and the Turkey (Short), 1908 Girl, 1918 The Greatest Thing in Life, 1918 Hearts of the World, A Woman's Way (Short), 1908 The Ingrate (Short), 1908 The 1916 Intolerance: Love's Struggle Throughout the Ages, 1915 Taming of the Shrew (Short), 1908 The Call of the Wild (Short), The Birth of a Nation, 1914 The Escape, 1914 Home, Sweet 1908 Romance of a Jewess (Short), 1908 The Planter's Wife Home, 1914 The Massacre (Short), 1913 The Mistake (Short), (Short), 1908 The Vaquero's Vow (Short), 1908 Ingomar, the and 1912 Grannie. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
MUSICAL NOTES a Guide to Goodspeed Musicals Productions 2009 Season
MUSICAL NOTES A Guide to Goodspeed Musicals Productions 2009 Season Musical Notes is made possible through the generosity of Music by HARRY WARREN Lyrics by AL DUBIN Book by MICHAEL STEWART and MARK BRAMBLE Directed by RAY RODERICK Choreographed by RICK CONANT Scenery Design Costume Design Lighting Design HOWARD JONES DAVID H. LAWRENCE CHARLIE MORRISON Hair and Wig Design Sound Orchestrations Music Supervisor Music Director MARK ADAM RAMPMEYER JAY HILTON DAN DELANGE MICHAEL O’FLAHERTY WILLIAM J. THOMAS Production Manager Production Stage Manager Casting R. GLEN GRUSMARK BRADLEY G. SPACHMAN STUART HOWARD ASSOCIATES, PAUL HARDT Associate Producer Line Producer BOB ALWINE DONNA LYNN COOPER HILTON Produced for Goodspeed Musicals by MICHAEL P. PRICE Cast of Characters Andy Lee………………………………………………………TIM FALTER Maggie Jones…………………………………………………..DOROTHY STANLEY Bert Barry………………………………………………………DALE HENSLEY Phyllis Dale…………………………………………………….ELISE KINNON Lorraine Fleming……………………………………………….ERIN WEST Ann Reilly……………………………………………………....JENIFER FOOTE Billy Lawlor…………………………………………………….AUSTIN MILLER Peggy Sawyer…………………………………………………..KRISTEN MARTIN Julian Walsh…………………………………………………….JAMES LLOYD REYNOLDS Dorothy Brock………………………………………………….LAURIE WELLS Abner Dillon……………………………………………………ERICK DEVINE Pat Denning…………………………………………………….JONATHAN STEWART Ensemble……………………………………………………….ALISSA ALTER KELLY DAY BRANDON DAVIDSON ERIN DENMAN TIM FALTER JOE GRANDY CHAD HARLOW ELISE KINNON ASHLEY PEACOCK KRISTYN POPE COLIN PRITCHARD ERNIE PRUNEDA TARA JEANNE VALLEE ERIN WEST Swings TYLER ALBRIGHT EMILY THOMPSON Biographies Harry Warren and Al Dubin (Music and Lyrics) Harry Warren and Al Dubin were legendary tunesmiths both as a team and as individuals. Between the two, their prodigious careers spanned six decades. They wrote Broadway shows and revues and were pioneer song- writers for sound pictures. Their combined output of songs can only be described as astonishing. Al Dubin, born in Switzerland in 1891, died in New York in 1945. -
Ijmberland Island '** WITU/ITHU Whicu/Uirhu Iisc Consolidaterntwcni Rnatrdn THTUEP CUMBERLANPI IMRPPI Anidn NEWSNFWS
ll f0+000000000000000a*0000000000000004 I 0000000000000000000000000000000000^ TALKING At the Ilo-Ilo PICTURES all next Week ^,$^000000000000000000000000000000* ijmberland Island '** WITU/ITHU WHICu/uirHu IiSc CONSOLIDATErntwcni rnATrDn THTUEP CUMBERLANPI IMRPPI ANiDn NEWSNFWS . FORTY-NINTH YEAR— No. 6 CUMBERLAND, BRITISH COLOMBIA FRIDAY, FEBRUARY 7th, 1980 HCHSCKII'TION PRICE: TWO DOLLARS PER ANNUM |MR. FRANK FIDDLER Home Economics SCHOOL TRUSTEES Pattullo's Expenses WILL DELIVER ADDRESS IN MONTHLY MEETJ Disappearance Of i Father an Son Banquet at United Pupils Exhibit REPORT OF APPS ON RECENT Church VISIT TO CITY SCHOOLS Their Ability BEFORE BOARD In Campaign From ! Mr. Frank Fiddler, bachelor of J. Ramsay Causes ! science of Vancouver who has charge SCHOOL BO^RD MEMBERS EN The regular monthly meeting of; : of the boys' woik in B. C. will | TERTAINED AT DINNER Lhe Cumberland School Trustees was j ; deliver an address on conclusion ofl held in the school on Thursday night ! Provincial Treasury ithe 7 o'clock service at Ihe ('umber-, Pupils of Miss I). Cannon, home with Mrs. MacNaughton in the chair Anxiety to Friends | land United Church, Sunday. This J economics teacher, demonstrated! and trustees Baird and Partridge and DOINGS AT THE CAPITAL AS SEEN AND NOTED BY OUR ! service will be conducted by the boys' their ability in the art of cooking on McKimi'in present. Many communi i and the choir will be composed of Monday night, when the members of cations were before the board, Missj NO TRACE FOUND OF WELL-KNOWN MAN; MISSING OWN CORRESPONDENT l men and boys connected with boys the Cumberland School Board were McFadyen thanking the trustees for SINCE MONDAY MORNING j work in Cumberland. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
The Use of Music in the Cinematic Experience
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Spring 2019 The seU of Music in the Cinematic Experience Sarah Schulte Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/stu_hon_theses Part of the Film and Media Studies Commons, Music Commons, and the Psychology Commons Recommended Citation Schulte, Sarah, "The sU e of Music in the Cinematic Experience" (2019). Honors College Capstone Experience/Thesis Projects. Paper 780. https://digitalcommons.wku.edu/stu_hon_theses/780 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. SOUND AND EMOTION: THE USE OF MUSIC IN THE CINEMATIC EXPERIENCE A Capstone Project Presented in Partial Fulfillment of the Requirements for the Degree Bachelor of Arts with Honors College Graduate Distinction at Western Kentucky Univeristy By Sarah M. Schulte May 2019 ***** CE/T Committee: Professor Matthew Herman, Advisor Professor Ted Hovet Ms. Siera Bramschreiber Copyright by Sarah M. Schulte 2019 Dedicated to my family and friends ACKNOWLEDGEMENTS This project would not have been possible without the help and support of so many people. I am incredibly grateful to my faculty advisor, Dr. Matthew Herman. Without your wisdom on the intricacies of composition and your constant encouragement, this project would not have been possible. To Dr. Ted Hovet, thank you for believing in this project from the start. I could not have done it without your reassurance and guidance. -
THE CHARLIE CHAN FAMILY HOME 2020 NEWSLETTER *20 YEARS* ISSUE No
THE CHARLIE CHAN FAMILY HOME 2020 NEWSLETTER *20 YEARS* ISSUE No. 3 *20 YEARS* www.charliechan.info 2020 THE YEAR IN SUMMARY IN THIS ISSUE: By Lou Armagno Aloha “Charlie Chan fans,” famed Otto Penzler paid Page 1: 2020 The Year and welcome to our 3rd homage to our detective in his in Summary. annual newsletter. With it we review of The Greatest Crime highlight significant events and Films of All-Time for the site Page 3: Actress Frances happenings at year’s end, CrimeReads.com. His weekly Chan in her role as then include other items of review began December 2018, daughter…Frances Chan interest surrounding one of with Otto counting down the America’s first and most top 106 films to reach No. 1, (Webmaster Rush Glick). unique detectives: Charlie August 2020. Check out his Chan of the Honolulu Police. pick for No. 100 of the Greatest Page 5: Collecting 2020 was a difficult year for Crime Films of all-time! (Hint: It Mystery Fiction by Otto everyone, co-stars Boris Penzler (Lou Armagno). with Karloff!) Also in cancelled 2020, The Page 7: Follow in lectures, Mysterious Charlie Chan’s footsteps mystery Bookshop (the events and oldest mystery in Behind That Curtain an array of specialist (1928) through today’s setbacks for bookstore in San Francisco Chinatown us all. Still, America) has (Brenda McNeal). the year produced an contained exclusive card Page 15: 2021 A New some collection, Year and Beyond. interesting Mysterious (Lou Armagno). accolades Classic Cards: for Detective Chan. First and 1828-1950. In the style of foremost, at The Charlie Chan collectible baseball cards, KEEPER OF THE Family Home, heads bowed they are devoted to covers KEYS (recurring items) serenely as Mr. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Kol Nidre: Variations on a Theme a GREAT JEWISH BOOKS TEACHER WORKSHOP RESOURCE KIT
Kol Nidre: Variations on a Theme A GREAT JEWISH BOOKS TEACHER WORKSHOP RESOURCE KIT Teachers’ Guide This guide accompanies resources that can be found at: http://teachgreatjewishbooks.org/resource-kits/kol-nidre-variations- theme. Introduction Kol Nidre is a legal formula recited in the evening service that begins the holiday of Yom Kippur, the Jewish day of atonement. This ritual recitation may have been developed in the early medieval period as a response to Jews being forced to convert, either to Christianity or Islam. The text absolves those who recite it from vows in God’s name made under duress, so that the breaking of such vows is not counted as a sin. Its dramatic recitation and musical setting lend it an emotional intensity that has allowed the prayer to develop resonances beyond the stated meaning of the text. The High Holidays—the celebration of the new year on the Jewish calendar, which includes Rosh Hashanah and Yom Kippur—have in general come to signify a return to tradition and to religious duties that may have been neglected over the past year, and Kol Nidre serves as a climactic moment of this return. This kit gathers together examples of the use of Kol Nidre in modern Jewish literature, music, and film, asking students to consider how the prayer has come to stand for adherence to and return to Jewish tradition, and what precisely that return entails. Cover image: Cover of sheet music for an arrangement of Kol Nidre by Solomon Schenker, 1913. Courtesy of the Center for Jewish History, https://www.flickr.com/photos/center_for_jewish_history/4991049347. -
Newsletter Volume 19 / No
Newsletter Volume 19 / No. 3 / 2015 Digitizing Giant Trees of California, a 22mm Edison Home Kinetoscope Film BY DIANA LITTLE BACKGROUND The 22mm name by which this format is known describes the entire width n December of 2014, of the film and all of its three rows of The MediaPreserve images. Each frame is less than 4mm was tasked with the by 6mm making it the smallest film digital preservation of gauge to ever find mainstream use. an unusual film. The The three rows of images were ICalifornia Audiovisual Preservation printed onto the 22mm stock to Project, a coordinated program which enable the film to be projected with aims to preserve the rich heritage of minimal interruption between the that state through archival digitization three passes. The film would have of film, video and audio materials, been hand-cranked through the Home sent us a film in the rare 22mm Edison Kinetoscope projector from head to Home Kinetoscope format. The tail for the first pass at which point film, titled Giant Trees of California, the operator would reposition the film comes from the collection of the San for the center row and crank in the Francisco History Center at the San opposite direction. After repositioning Francisco Public Library. for the third row, the projectionist The Edison Home Kinetoscope would again crank the film from head 1: The film in its original container (EHK) was a film projector introduced to tail. Our goal was to replicate the by Thomas A. Edison, Inc. in 1912 to moving image that would have been the home and educational markets. -
Copyright by Jeffrey Wayne Parker 2013
Copyright by Jeffrey Wayne Parker 2013 The Dissertation Committee for Jeffrey Wayne Parker Certifies that this is the approved version of the following dissertation: Empire’s Angst: The Politics of Race, Migration, and Sex Work in Panama, 1903-1945 Committee: Frank A. Guridy, Supervisor Philippa Levine Minkah Makalani John Mckiernan-González Ann Twinam Empire’s Angst: The Politics of Race, Migration, and Sex Work in Panama, 1903-1945 by Jeffrey Wayne Parker, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2013 Dedication To Naoko, my love. Acknowledgements I have benefitted greatly from a wide ensemble of people who have made this dissertation possible. First, I am deeply grateful to my adviser, Frank Guridy, who over many years of graduate school consistently provided unwavering support, needed guidance, and inspiration. In addition to serving as a model historian and mentor, he also read countless drafts, provided thoughtful insights, and pushed me on key questions and concepts. I also owe a major debt of gratitude to another incredibly gifted mentor, Ann Twinam, for her stalwart support, careful editing, and advice throughout almost every stage of this project. Her diligent commitment to young scholars immeasurably improved my own writing abilities and professional development as a scholar. John Mckiernan-González was also an enthusiastic advocate of this project who always provided new insights into how to make it better. Philippa Levine and Minkah Makalani also carefully read the dissertation, provided constructive insights, edited chapters, and encouraged me to develop key aspects of the project.