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Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre
W&M ScholarWorks Arts & Sciences Articles Arts and Sciences Spring 2014 Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre Emily E. Wilcox William & Mary, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/aspubs Part of the Chinese Studies Commons, and the Dance Commons Recommended Citation Wilcox, Emily E., Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre (2014). TDR: The Drama Review, 58(1), 42-63. https://doi.org/10.1162/DRAM_a_00327 This Article is brought to you for free and open access by the Arts and Sciences at W&M ScholarWorks. It has been accepted for inclusion in Arts & Sciences Articles by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Meaning in Movement Adaptation and the Xiqu Body in Intercultural Chinese Theatre Emily E. Wilcox Strindberg Rewritten “You don’t know what to do? Let me tell you. Let me show you!”1 Jean yells this at Julie as he gives a villainous laugh and tosses his ankle-length silk sleeves into the air. Jean rushes toward Julie, grabs what we now know is an imaginary bird from Julie’s hand and, facing the audience, violently wrings the bird’s neck, killing it. The bird still in his hand, Jean bends both legs into a deep squat, spins his arms like a jet propeller in a fanshen2 turn, and then bashes the bird’s body into the stage floor. Julie screams. Jean lets out a violent shout, whips his sleeves toward the floor and struts away offstage in a wide-legged swagger.3 1. -
Violin Concerto Miss Julie Suite • Fanfare for a Joyful Occasion Lorraine Mcaslan, Violin Royal Liverpool Philharmonic Orchestra David Lloyd-Jones
570705 bk Alwyn 26/1/11 12:18 Page 8 Also available: ALWYN Violin Concerto Miss Julie Suite • Fanfare for a Joyful Occasion Lorraine McAslan, Violin Royal Liverpool Philharmonic Orchestra David Lloyd-Jones 8.570704 8.557645 8.570705 8 570705 bk Alwyn 26/1/11 12:18 Page 2 William Royal Liverpool Philharmonic Orchestra The Royal Liverpool Philharmonic Orchestra is Britain’s oldest surviving professional symphony orchestra, dating ALWYN from 1840. Vasily Petrenko was appointed Principal Conductor of the orchestra in September 2006 and in (1905-1985) September 2009 became Chief Conductor until 2015. The orchestra gives over sixty concerts each season in Liverpool Philharmonic Hall and in recent seasons world première performances have included major works by Sir Violin Concerto 36:57 John Tavener, Karl Jenkins, Michael Nyman and Jennifer Higdon, alongside works by Liverpool-born composers John McCabe, Emily Howard, Mark Simpson and Kenneth Hesketh. The orchestra also tours widely throughout the 1 Allegro ma non troppo 18:27 United Kingdom and has given concerts in the United States, the Far East and throughout Europe. In 2009 the 2 Allegretto e semplice 9:30 orchestra won the Ensemble of the Year award in the 20th Royal Philharmonic Society Music Awards, the most 3 Allegro moderato alla marcia – Allegro e pesante – prestigious accolade for live classical music-making in the United Kingdom. Recent additions to the orchestra’s extensive discography include Tchaikovsky’s Manfred Symphony [Naxos 8.570568] (2009 Classic Allegro molto 9:00 FM/Gramophone Orchestral Recording of the Year), Sir John Tavener’s Requiem, Volumes 1–4 of the Shostakovich symphony cycle and Rachmaninov’s Symphonic Dances and Piano Concertos Nos. -
Tommy Dorsey 1 9
Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 ......................................................................................................... -
Miss Julie by August Strindberg
MTC Education Teachers’ Notes 2016 Miss Julie by August Strindberg – PART A – 16 April – 21 May Southbank Theatre, The Sumner Notes prepared by Meg Upton 1 Teachers’ Notes for Miss Julie PART A – CONTEXTS AND CONVERSATIONS Theatre can be defined as a performative art form, culturally situated, ephemeral and temporary in nature, presented to an audience in a particular time, particular cultural context and in a particular location – Anthony Jackson (2007). Because theatre is an ephemeral art form – here in one moment, gone in the next – and contemporary theatre making has become more complex, Part A of the Miss Julie Teachers’ Notes offers teachers and students a rich and detailed introduction to the play in order to prepare for seeing the MTC production – possibly only once. Welcome to our new two-part Teachers’ Notes. In this first part of the resource we offer you ways to think about the world of the play, playwright, structure, theatrical styles, stagecraft, contexts – historical, cultural, social, philosophical, and political, characters, and previous productions. These are prompts only. We encourage you to read the play – the original translation in the first instance and then the new adaptation when it is available on the first day of rehearsal. Just before the production opens in April, Part B of the education resource will be available, providing images, interviews, and detailed analysis questions that relate to the Unit 3 performance analysis task. Why are you studying Miss Julie? The extract below from the Theatre Studies Study Design is a reminder of the Key Knowledge required and the Key Skills you need to demonstrate in your analysis of the play. -
100 Years: a Century of Song 1930S
100 Years: A Century of Song 1930s Page 42 | 100 Years: A Century of song 1930 A Little of What You Fancy Don’t Be Cruel Here Comes Emily Brown / (Does You Good) to a Vegetabuel Cheer Up and Smile Marie Lloyd Lesley Sarony Jack Payne A Mother’s Lament Don’t Dilly Dally on Here we are again!? Various the Way (My Old Man) Fred Wheeler Marie Lloyd After Your Kiss / I’d Like Hey Diddle Diddle to Find the Guy That Don’t Have Any More, Harry Champion Wrote the Stein Song Missus Moore I am Yours Jack Payne Lily Morris Bert Lown Orchestra Alexander’s Ragtime Band Down at the Old I Lift Up My Finger Irving Berlin Bull and Bush Lesley Sarony Florrie Ford Amy / Oh! What a Silly I’m In The Market For You Place to Kiss a Girl Everybody knows me Van Phillips Jack Hylton in my old brown hat Harry Champion I’m Learning a Lot From Another Little Drink You / Singing a Song George Robey Exactly Like You / to the Stars Blue Is the Night Any Old Iron Roy Fox Jack Payne Harry Champion I’m Twenty-one today Fancy You Falling for Me / Jack Pleasants Beside the Seaside, Body and Soul Beside the Sea Jack Hylton I’m William the Conqueror Mark Sheridan Harry Champion Forty-Seven Ginger- Beware of Love / Headed Sailors If You were the Only Give Me Back My Heart Lesley Sarony Girl in the World Jack Payne George Robey Georgia On My Mind Body & Soul Hoagy Carmichael It’s a Long Way Paul Whiteman to Tipperary Get Happy Florrie Ford Boiled Beef and Carrots Nat Shilkret Harry Champion Jack o’ Lanterns / Great Day / Without a Song Wind in the Willows Broadway Baby Dolls -
Bob Thomas Papers, 1914-2004
http://oac.cdlib.org/findaid/ark:/13030/kt300030cb No online items Bob Thomas papers, 1914-2004 Finding aid prepared by Sarah Sherman and Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2005 The Regents of the University of California. All rights reserved. Bob Thomas papers, 1914-2004 PASC 299 1 Title: Bob Thomas papers Collection number: PASC 299 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 28.5 linear ft.(57 boxes and 3 flat boxes) Date (bulk): Bulk, 1930-1989 Date (inclusive): 1914-2004 (bulk 1930-1980s) Abstract: Since 1944 Bob Thomas has written thousands of Hollywood syndicated columns for The Associated Press and has authored (or co-authored) at least thirty books relating to the entertainment industry. The collection consists of materials related to his professional career as a writer and includes manuscripts, research and photographs for books by Thomas as well as Associated Press columns, research files, and a small amount of printed ephemera. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Thomas, Bob, 1922- Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Use of audio materials may require production of listening copies. -
UBC Opera2020/21 SEASON
UBC Opera 2020/21 SEASON presents Il viaggio a Reims (The Journey to Reims) Sung in Italian with English surtitles Dramma giocoso in One Act Music by Gioachino Rossini | Libretto by Luigi Balocchi October 16, 17, 18 at 7:30 pm Performed at the Chan Centre for the Performing Arts and streamed live to your location! Conductor – David Agler Director – Nancy Hermiston Lighting Design – Jeremy Baxter Costume Design – Parvin Mirhady Technical Director – Grant Windsor JAN 30, 31 / FEB 2, 3, 5, 6, 2021 MAY 15, 16, 18, 19, 21, 22, 2021 UBC Opera Ensemble Old Auditorium Old Auditorium Pianists – Tina Chang (October 16, 18), Richard Epp (October 17) Mansfield Park Le nozze di Figaro There will be no intermission during the approximately 100-minute performance. Chamber Opera in Two Acts Comic Opera in Four Acts This production is made possible by the Sung in English with English surtitles Sung in Italian with English surtitles David Spencer Endowment Encouragement Fund Jonathan Dove Composer Wolfgang Amadeus Mozart Composer Alasdair Middleton Librettist Lorenzo da Ponte Librettist We acknowledge that the University of British Columbia is situated on the traditional, ancestral and unceded territory of the Musqueam people. Nancy Hermiston Director Nancy Hermiston Director David Agler Conductor David Agler Conductor More information at ubcopera.com A Message from the Director Dear UBC Opera Ensemble Supporters and Audience Members, These are extraordinary times for all of us, and nothing Repairs have already begun and as heartbreaking as this damage is, it could have in life seems simple anymore. Indeed, producing opera been much worse. In all likelihood, it will be anywhere from four to seven weeks in this COVID-19 pandemic is not an easy task, but before we can have full access to the theatre. -
Sundial and the Director Miss Judy Hughes Was the Past Group Such As AIS Is That It Speech Drama 121 and Quite of Inforiaatlon and Printing
< •»W(»vr*-*-»-f'-^i^ • MM mmm Mmwaii itiiiftiyiniii C2_ •' vy//^/////y//y^^yy/'y//xy'///.'//'/'////>^y///////-/' '////>-^/yy/////'//y^^y.'/'/////^//////xy/^A^/.^/'y^j^/z/yyAPLATFORM S RETOLD. Candidates State Views In Run-off Former President Harry S. or iraints of their platforms. Junior Class President next "issues" :were brought up by Truman once quipped on the Joel Aaronson, AIS can took the platform to introduce students. subject of politics, "If you didate tor v:ce president, reit Jo Ann Woodward, AIS backed When asked if her affiliation can't stand the fire get out erated his plan for the estab presidential candidate. with the AIS party would mean of the kitchen." lishment of a Comnvunlcations Briefly Whites' said that in 0iat any kind of control might A.S. Presidental candidates Committee consisting of the some quarters he felt Miss be exerted over hep If she is Doug Ofeller and Jo Ann and. director of on-canwus pub Woodward's sex was unjustly elected she stated emphatical Vice Presidential campaigners licity, • the director of Clubs being held against her. ly, "No." Joel Aaranson and Bob Axel and Organizations, a member He pointed out the tact that "I feel the real value of a stepped Jn to the kitchen In of the Sundial and the director Miss Judy Hughes was the past group such as AIS is that it Speech Drama 121 and quite of inforiAatlon and printing. student body president of has stimulated interest in stu a bite of fire In the run-off as He said he also favored an Fresno State College and was dent govemmlent . -
Introduction "Preface" to Miss Julie (1893)
Introduction August Strindberg (1849-1912) was a Swedish playwright. In his preface to Miss Julie, Strindberg speculates about bringing radical change to the theatre. "Preface" to Miss Julie (1893) As far as the scenery is concerned, I have borrowed from impressionistic painting its asymmetry, its quality of abruptness, and have thereby in my opinion strengthened the illusion. Because the whole room and all its contents are not shown, there is a chance to guess at things—that is, our imagination is stirred into complementing our vision. I have made a further gain in getting rid of those tiresome exits by means of doors, especially as stage doors are made of canvas and swing back and forth at the lightest touch. They are not even capable of expressing the anger of an irate pater familias who, on leaving his home after a poor dinner, slams the door behind him "so that it shakes the whole house." (On the stage the house sways.) I have also contented myself with a single setting, and for the double purpose of making the figures become parts of their surroundings, and of breaking with the tendency toward luxurious scenery. But having only a single setting, one may demand to have it real. Yet nothing is more difficult than to get a room that looks something like a room, although, the painter can easily enough produce waterfalls and flaming volcanoes. Let it go at canvas for the walls, but we might be done with the painting of shelves and kitchen utensils on the canvas. We have so much else on the stage that is conventional, and in which we are asked to believe, that we might at least be spared the too great effort of believing in painted pans and kettles. -
Alexandra Dahlström Rehearsing Her Role As Alexandra/Julie at the Schoolhouse Theater, Croton Falls, New York
Alexandra Dahlström rehearsing her role as Alexandra/Julie at The Schoolhouse Theater, Croton Falls, New York. Still from Fia-Stina Sandlund’s film She’s Staging It, 2012. Photographer: Marius Dybwad Brandrud. Copyright CC-BY-NC-ND. 8. From Here to Eternity: Miss Julie Strikes Back and Refuses to Die Arrange for the bored and possibly clueless daughter of a count to find herself in the presence of a handsome servant with social ambi- tions. Add a maid who represents order, morality, and common sense. Immerse them in the Swedish midsummer night with its atmosphere of sexuality and magic. The result is the August Strindberg classic, Miss Julie, a play that has never ceased to fascinate directors, actors, and audiences since it was first staged in Copenhagen in 1889.1 It has long been claimed that A Doll’s House was the world’s most performed play. Today Miss Julie seems about to edge Henrik Ibsen’s drama from the top position. European theatres have recent- ly presented Miss Julie in a variety of interpretations, including a British update by Patrick Marber directed by Natalie Abrahami at Young Vic in London; a multimedia version by Katie Mitchell and Leo Warner at the Schaubühne in Berlin; and a French mise-en-scène by Frédéric Fisbach, in which Juliette Binoche makes one of her rare appearances on stage. The Schaubühne’s director and CEO, Thomas Ostermeier, has set his Miss Julie in contemporary Moscow. As in the same director’s earlier productions of A Doll’s House and Hedda Gabler, Miss Julie is trapped in a claustrophobic middle-class setting from whose social patterns she is unable to break free. -
Best Entertainment in Stockholm"
"Best Entertainment in Stockholm" Created by: Cityseeker 4 Locations Bookmarked Oscarsteatern "Operettas & Music" The Oscar theater founded in 1906, is situated in one of the oldest parts of the town, right next to the Central station. Till 1926, the theater was owned by theater king Albert Ranft and the shows included large by No machine-readable operettas. Gösta Ekman, the famous movie man in Stockholm was the author provided. owner of the theater in the 1930s. It is now owned and run by the Kalle1~commonswiki assumed Sandrew Metronome, and operetta shows are part of the repertoire, along (based on copyright claims). with American musicals. +46 8 20 5000 www.oscarsteatern.se [email protected] Kungsgatan 63, Stockholm Strindbergs Intima Teater "Swedish Playwright's Theater" Brainchild of renowned Swedish playwright August Strindberg, the Strindbergs Intima Teater was established in Stockholm in 1910. In its initial run as a performing arts hub, the Strindbergs Intima Teater hosted nearly 1500 performances based on about 25 of Strindberg's plays, such as The Ghost Sonata and Miss Julie. While the theater closed after by Esquilo Strindberg's death, it was revived by the Culture Department in 2001, and has since been restored to its thriving glory. Today, the theater hosts plays in tandem with the Royal Dramatic Theater, besides occasional in- house productions and plays for children and young adults. +46 8 5451 1042 www.strindbergsintimatea info@strindbergsintimateat Barnhusgatan 20, Norra ter.se/ er.se Bantorget, Stockholm Maximteatern "All about Farce" This is the home of theatrical farce in Stockholm, and many of Sweden's most popular artistes have performed here. -
1993 Moundbuilder
The Moundbuilder Southwestern College Winfield, Kansas 67156 Right: The Boeing Skydiving Club delivered the game ball at the Homecoming football game. FourSkydivers floated to earth, landing on the bright green field, amid cheers from the spectators. Photo by Kathy Wilgers. Below: TheSGA Crayolas were a hitatthe Homecom ing Parade. From left: Kyle Rhynerson, Deloris, Anita Bandy,Joy Hathaway, Robin Hathaway, and Brandon Rhodes. Photo by Kathy Wilgers. '- I, • 2 Left: Courtney Brown salutes the photographer. Below: Students and faculty have the opportunity to eat and visit before the Moundbuilding Ceremony. Photo by Tara Ghere. Hom.ecom.ing Queen Queen Keela Patterson Keela is the daughter of Ken and Shelley Miss Shannon Folck Patterson and Vickie and Eldon Lawless. Shannon is the daughter of Gary and Vickie Candidates She is a senior from Wellington, KS, ma Folck. She is a junior from Lyons, KS, ma joringinart. Tentatively Keela hasplanned joring in business with an emphasis in ac for the future to enter a Master's program counting. One of Shannon's future aspira in social work at Kansas University, and tions involves becoming an American later ei ther practice clinical therapy or Gladiator.5hannon is a member of the pursue a career in commercial art. Being a women's tennis team and Pi Delta Sigma. cheerleader is one of Keela's activities. Miss Stephanie Wall Stephanie is the daughter ofJohn and Lola Wall. She is a senior from Lyons, KS, majoring in English with a minor in phi losophy / religion. Steph's future plans include graduation in May, marrying Paul Miss Julie Underwood Miss Kris Martin on August 7th, and attending seminary to Julie is the daughter of Richard and Kris is thedaughterof Dr.