Number 47 – Summer 2011

newsletterAlumni institute of fine arts

Contents From the Director...... 3

A Foreign Student in Franco’s Spain...... 4

The Year in Pictures...... 6

Alumni Voices

Crossing the Wall in Pursuit of Knowledge . . . . .5

How I Fell From Grace (And You Can Too!) . . . . . 10

Atypical ...... 11

In Memoriam

Leo Steinberg ...... 12

Françoise Weinmann . . . . .13

Creighton Gilbert ...... 14

Awards for Summer 2010. . . . 15

Outside Fellowships...... 15

PhDs for 2010 - 2011...... 17

Faculty Updates...... 18

Alumni Updates...... 22

Alumni Donors...... 34

Published by the Alumni Association of the Institute of Fine Arts 1

AlNwsLtr11 mech1.indd 1 9/6/11 12:08:03 PM Institute of Fine Arts Alumni Association

Officers: Board of Directors: Committees:

President Term ending April 1, 2012 Grants Charles Little, chair Gertje Utley Jason Rosenfeld Miriam Basilio gutley@rcn .com Jason .rosenfeld@verizon .net Sabine Rewald Alison West Vice-President a .west .1@alumni .nyu .edu Walter S. Cook Lecture Alicia Lubowski-Jahn Beth Holman, editor Yvonne Elet Alicia1155@aol .com Term ending April 1, 2013 Susan Galassi Patrick Amsellem Pepe Karmel Treasurer Patrick .amsellem@nyu .edu Carol Krinsky Lisa Rotmil Yassana Croizat-Glazer Kathy Schwab lisarotmil@aol .com croizatglazer@nyu .edu Anita Moskowitz CAA Reunion Ex-Officio Term ending April 1, 2014 Mary Tavener Holmes Past Presidents Jennifer Perry Mary Tavener Holmes jpperrymason@gmail .com Nominating Committee Connie Lowenthal Sabine Rewald Robert Lubar, chair Ida e . Rubin Sabine .rewald@metmuseum .org History of the IFA Suzanne Stratton-Pruitt Marie Tanner Rebecca Rushfield,chair Gerrit l . Lansing marietanner@aol .com IFA Alumni Newsletter Phyllis Tuchman, editor

Editor’s Note: It is with regret that in the Summer 2010 Alumni Newsletter the article on Professor Thomas Mathew’s Festschrift incorrectly spelled his last name and misquoted his graduation year, Professor Mathews graduated with a PhD in 1970 . His faculty update was also accidentally omitted . We apologize for these errors .

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AlNwsLtr11 mech1.indd 2 9/6/11 12:08:05 PM From the Director Patricia Rubin

both received University awards for twenty- a position that acknowledges the professional five years of service while Jonathan Brown and skill that so greatly benefited the ifa . Hope Colin Eisler each were honored with volumes comes to us from the Bogliasco Foundation, of essays by their grateful students and Linda which administers the Liguria Center for the Nochlin received a Bruce Museum Icon award . Arts and Humanities . Trained in art history and These are due tributes to our loyal and long- with a career in development associated with the serving colleagues, who are well known to all arts and education, Hope’s experience is a perfect of you . We have also been delighted to bring preparation to meet the challenges of fundraising new members to the IFA community, all of for the ifa . We are confident that you will enjoy whom have made valuable contributions to the meeting her and that the IFA’s Development life of the Institute over the course of the year, Office will go from strength to strength under including Robert Slifkin, professor of modern her direction . Marc Cincone, who was interim and contemporary art; Jennifer Raab, Andrew Director of Development, is to be thanked for w . Mellon Foundation postdoctoral fellow; his steadfast and good-humored stewardship of and Carol Mancusi-Ungaro, Honorary Fellow . the office, when he was doing at least one and a Rob’s promise as an emerging talent in the field half jobs on our behalf . During the past academic year we have was demonstrated this year by the award of the had occasion to reflect on our previous Phillips Prize for the manuscript of his book on Of course the newest of the new additions to the accomplishments, celebrate current Philip Guston, which will be published by the IFA’s roster are our 2011 graduates, the 35 MAs, achievements, and welcome new people and University of California Press in 2013 . Jennifer the five MAs with Advanced Certificates in the projects . The year opened with a party for the will come to the IFA in the autumn as the first Conservation of Historic and Artistic Works, 50th Anniversary of the Conservation Center – Andrew w . Mellon Foundation postdoctoral and the 20 PhDs . Our most recent alumni, when alumni from all over the world gathered fellow . A specialist in nineteenth-century these graduates have done exceptional work on to celebrate . Events included a conference American art with a PhD from Yale, she will the widest imaginable range of topics and have where presentations by different generations offer courses which will both complement and succeeded in meeting the rigorous and testing of graduates recalled the origins and growth of supplement our offerings in the areas of modern demands of their courses . We congratulate them the program, starting from its earliest days – a and contemporary art . We were delighted that with admiration for their attainments as students tumultuous beginning when typically strong Carol, an IFA alumna, accepted our invitation and with confidence in their future eminence – and independent-minded students helped to to be the first Honorary Fellow . The fellowship as IFA graduates – who have the model and the shape the bold, but still imperfectly formed, is intended to recognize outstanding figures in support of their predecessors – you, the alumni . venture . Individually and cumulatively, in art history, conservation, archaeology and the their current roles as leaders in the field, our visual arts . We are proud to claim her among This year, Alumni Association funding added alumni were impressive proof of its importance . our alumni and to reaffirm her association with further resources for our students, allowing for The Conservation Center looks forward to the ifa . special class trips with professors – memorable continuing its leadership and its guiding role; additions to the teaching program . Also, an in the spring, Michele Marincola convened This year we have added five new members to anonymous alumni donation has established a an international committee to identify and to the IFA Board of Trustees . We are proud that prize for best essays in decorative arts, intended discuss the major issues facing conservators alumnae Anne Ehrenkranz, Estrellita Brodsky to promote imaginative work in that field . and restorers, the attendant training needs, and and Anne Poulet have agreed to join the board, All of these contributions greatly enhance the specific place of the Institute in supplying and greatly pleased that Mark Fisch and Stephen the Institute’s activities and are an important, those needs . The support of major foundations Lash have also come onto our Board . They are moving way for your past experiences to for innovative programs – such as a newly all exceptionally distinguished in the realms contribute to the IFA’s future success . established certificate in Archive and Library of art, art history, and arts philanthropy and Conservation (sponsored by a grant from their advice and participation will be extremely For all their continued dedication and the Andrew w . Mellon Foundation) and a valuable to the IFA as we work to shape and to support, I want to express my most heartfelt summer school in technical art history for art secure our future . gratitude to the Alumni Association, its history teachers (supported by the Samuel H . officers and Association President Gertje Utley . Kress Foundation) – is further testimony to Another major appointment is our new Director Their efforts make possible the noteworthy the prestige of the Center, and the continued of Development, Hope O’Reilly . IFA alumna developments described in the previous generosity of students and alumni is a welcome Kathy Heins, who in her five years as Director paragraphs . But none of these projects and affirmation of its influence and inspiration . of Development did a terrific job in bringing fellowships would be possible without the order and system to our fundraising, left the generosity of you, our alumni . Thank you Institute faculty, students, and alumni have Institute in February to become Director of for playing a role in the education of our received numerous honors and awards this Development at the Steinhardt School of bright young professionals and the continued year –Jenni Rodda and Jonathan Alexander Culture, Education, and Human Development– success of the Institute of Fine Arts .

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AlNwsLtr11 mech1.indd 3 9/6/11 12:08:06 PM A Foreign Student in Franco’s Spain Jonathan Brown

In time and space, it seems such a long time which did their best to frustrate intruders, became the ultimate “decider” in all matters ago . In the late 1950s-early 1960s, Spain was fearful ( and with reason) that compromising concerning the field . His protégés found the virtually a third-world nation . Although the material might come to light . Mornings were a best jobs at a time when there were few to be Civil War had ended a generation earlier, the good time to work at the Biblioteca Nacional; had . The Prado was staffed with his disciples, dictatorship of Francisco Franco had served service was slow and at times haphazard . (You and only those who followed in his footsteps to cut off Spain from the rest of the western may remember the discovery in the 1970s of a could hope to obtain one of the scanty offerings world . Franco had constructed a police state Leonardo manuscript that had been mis-shelved of travel grants . He was the director of the to maintain his power and keep the citizenry for centuries .) After an intolerably long break most prestigious journal and its most prolific under control . Policemen were everywhere, for lunch, I headed for the Instituto Diego contributor . Many years later, I understood notably the grises, so-called for the long, Velázquez, located just behind the Palace Hotel . that Angulo’s style of governance reflected the gray overcoats they wore in the winter, who As the primary research center, the Instituto political situation, although I have no reason to maintained order in the cities, and the infamous had an excellent library of books on Spanish believe that he was an ardent supporter of the Guardia Civil, who patrolled the countryside . art and a photo archive . It was the only place regime . Power was invested in his person and where foreign publications could be consulted, shared with those who were his clients . As time The streets were nearly empty, except for taxis although there were many gaps . went on, he tried to exert control over my lines and government vehicles, The sidewalks, on the of investigation, but I confess that for many other hand, were populated by beggars, blind An unintended benefit of the economic years, his words went sailing over my head . sellers of daily lottery tickets and the maimed conditions was the lack of visitors to museums Nothing in my experience prepared me for this survivors of the Civil War, hanging on as best and galleries . Whenever I went to the Prado, approach to the pursuit of scholarship, and I they could to survive the poverty from which there was hardly anybody there, and this was beyond his reach . there seemed no escape . allowed me to develop an intimate knowledge of the collection, which became a cornerstone If I had to describe the malaise of Spain during Cultural events—concerts, exhibitions, of my career . the 50’s and 60’s in a word, the word would theater—were rationed as carefully as food . be “isolation .” In the broadest terms, I have A weekly orchestra concert took place at To return to the Instituto Velázquez, I slowly worked to re-integrate Spanish art (and latterly two venues . The rich went to the Teatro de came to see that the Director, Prof . Diego Spanish American art) of the early-modern la Zarzuela on Friday evening, the others Angulo Iñiguez, was at the center of power in period into the master narrative of European listened to a repeat performance every Sunday the realm of art history . Angulo had studied art . Upon Franco’s death in 1975, art history morning in the vast, desolate space of the Cine at the University of Berlin and imported to and everything else in Spain began to change Monumental . Spain the concept of “scientific art history .” The at a rapid pace, and the nation underwent an facts, and nothing but the facts, would lead us astonishing transformation from the old regime I was unprepared for life in Franco’s Spain, to the promised land of irrefutable knowledge . to the new in a matter of a couple of decades . but eventually I found my bearings . Despite Watching this concept in action, I eventually Few traces of the melancholy Franco years the circumstances, research could be organized realized that the emphasis on facts was not only remain . For those with long memories, it is still if you planned your daily itinerary according impoverished the subject but could be shaped a pleasant surprise to visit Madrid today . One of to the schedules of the various libraries and into an instrument of control in the hands of Europe’s gloomiest cities has been changed into institutions . Access to research material was an authoritarian personality . That person was one of its most attractive . never a problem, except for cathedral archives, Angulo . An extraordinarily prolific scholar, he

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AlNwsLtr11 mech1.indd 4 9/6/11 12:08:06 PM Crossing the Wall in Pursuit of Knowledge Alumni Voices

by Eric M. Zafran, PhD ’73 rather worrisome . Everything was naturally went to a kind of cafeteria where not only was closed in the station, but there was an elderly the food rather awful, but I remember they Having advanced to that compulsive stage of lady awaiting its arrival who asked if I needed had some kind of ersatz cola . I then visited the preparing a dissertation in which one wants to a room, and, as she quoted a low price, I said very depressing but still remarkable installation check out all possible sources of information, I yes . So off we went to a section of the city that of the Pergamon Altar and continued to stroll went to Europe in 1971 and traveled through was run down but still had an air of the old on the desolate avenue . Coming to the Opera Italy, France, Spain, and Germany . The rather elegance . In the morning she made a lovely House, I found that by great coincidence overwhelming topic of this dissertation, breakfast, and I was then able to go out and they were performing that evening Wagner’s prepared under the guidance of Prof . Colin pursue my researches . I found some material Meistersinger, so how could I not go, and I Eisler was The Iconography of Anti-Semitism in the West Berlin printroom but knew that bought an inexpensive balcony ticket . Arriving focusing on the fruitful period of the late I had to go into the East to search for more . at the theater, we were told that those people Middle-Ages and Renaissance . My research To do so one had to make the crossing at the who were seated in the balcony could take took me into libraries and museums as well as fearful Checkpoint Charlie . I arrived there with empty seats in the orchestra – and I thought into churches and homes in some unusual locals my passport in hand and a folder of notes and this is the one good aspect of Communism that such as Trento, Judenstein, and Oberwesel . But references . The East German security guards I have observed . The problem, however, is that by far the most memorable part of the extensive made me give them all this material – which Meistersinger is a very long opera and according sojourn was that to Berlin . I had several they thoroughly scrutinized for some time . As to the terms of entry, one had to be out of East references to works which before the War had I have notoriously awful handwriting, I am Berlin by midnight, or who knows what would been in the Berlin libraries, but whether they sure they could not decipher my notes and happen to you . So although I remember it as a had survived or not and if so where was unclear . had to be sure it was not some diabolical secret very good, old-fashioned performance, my main At that time the Cold War was still at its code . Finally after a lengthy wait in the cold, I thought was the anxiety of getting out . So there height and getting to Berlin was not an easy or received back both my material and passport, in the dark (as street lights didn’t seem to be in pleasant experience . Once the train passed from and I was allowed to pass through . It really was use) a small group of music lovers made their West Germany into the East, the Eurailpass like going from day to night, as East Berlin was hurried way back to the check-point . It was a was no longer valid, and one had to move kept in a dilapidated state of repair, many of the truly eerie feeling as we approached the exit gate into an uncomfortable old rail car, but even grand buildings still were pockmarked with gun and could see the armed guards in the towers, worse the train was boarded by armed soldiers shot damage, and of course the famous Unter but we did make it just barely, and I was able to accompanied by large German shepherds to der Linden where I quickly arrived had no return to the cozy warmth of the apartment . I search and interrogate all passengers . There trees any more . I made my way to the National have no memory of the return trip to the West, were endless delays, and the train instead of Library and found they did have a card but that brief spell in Berlin was enlightening arriving as scheduled in the afternoon at the catalogue and from that I was able to request a and the kind of adventure that youth is all Zoo station of West Berlin, only pulled in about number of interesting items . Among these were about . midnight . Since traveling as a student, I hadn’t some of the printed Anti-Semitic diatribes by made any advance hotel reservation this was the famous poet Hans Sachs . Taking a break I

The Walter W.S. Cook Lecture The Annual IFA Alumni Reunion Thursday, November17th at 6:00 pm Will be held during the 2012 College Art Association Conference Speaker will be Alice Donohue (MA ‘77) from in Los Angeles (February 22, 2012 to February 25, 2012). The

T he Date Bryn Mawr College. Reception will follow. date of the Alumni Reunion will be announced this fall.

Save Save For more details, go to www.ifa.nyu.edu

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AlNwsLtr11 mech1.indd 5 9/6/11 12:08:06 PM The Year in Pictures

by Phyllis Tuchman, MA ’73 Access it directly or go through the IFA’s website . to Facebook . Missed Gary Radke’s terrific Cook Lately, it feels as if there’s a special event every lecture last September? Go to Facebook . We no Whether you still live in the Tri-State area or only week . They’re all posted . You need to RSVP to longer recap these talks in the newsletter because visit New York City occasionally, you should some, but not most, events . If you can’t attend, you can access them so readily . Following are check out the IFA Alumni Facebook page from watch the video . If you missed Wu Hung’s casual photographs of events you might have time to time . You don’t have to be a member . wonderful Kirk Varnedoe series last winter, go attended . Check ’em out .

IFA Annual Reunion Alumni Reunion held on February 10, 2011 at the IFA during the 2011 College Art Association Conference.

Mariët Westermann (PhD ’97), Philippe de Montebello (MA ’76), Mariët Westerman (PhD ’97), Heather Horton (PhD ’10), Anne Leader (PhD ’00), Patrica Rubin Kathy Heins Jennifer Ball (PhD ’01)

Professor James McCredie, Phyllis Tuchman (MA ’73), Marie Tanner (MA ’70), Charles Little (PhD ’77), Eric Zafran (PhD ’73), Professor Colin Eisler Suzanne Stratton-Pruitt (PhD ’83), Charles Little (PhD ’77) Gregory Hedberg (PhD ’80)

Kathryn Wysocki Gunch (MA ’08), Kate Patton, Peter Bell Carol Krinsky (PhD ’65), Erik Gustafson (MA ’04) Jim Jordan (PhD ’74), Professor Günter H. Kopcke

Lynne Ambrosini (PhD ’89), Nancy Hall-Duncan (MA ’74), Beth Cohen (MA ’70), Gregory Hedberg (PhD ’80), Carolyn Wilson (MA ’70), Susan Galassi (PhD ’91), Suzanne Stratton-Pruitt (PhD ’83) Dene Leopold (MA ’71), Phyllis Tuchman (MA ’73), Carol Mancusi-Ungaro (MA ’70) 6

AlNwsLtr11 mech1.indd 6 9/6/11 12:08:08 PM Professsor Colin Eisler Festschrift Reception A reception was held on, February 10, 2011, to celebrate the publication of New Studies on Old Masters: Essays in Renaissance Art in Honor of Colin Eisler. The collection of essays highlights Professor Eisler’s scholarly achievements and engagement in the field of Renaissance art.

John Garton (PhD ’03), Professor Colin Eilser, Suzanna Simor (PhD ’96), Professor John Garton (PhD ’03), Professor Colin Eisler, Suzanna Simor (PhD ’96) Colin Eisler, Eric Zafran (PhD ’73), Hester Diamond, Rachel Eisler, Fern Luskin (MA ’81), Gregory Hedberg (PhD ’80), Marie Tanner Rangsook Yoon (PhD ’08), Susan Koslow, (MA ’70), Jay Levenson MA (’75) Suzanna Simor (PhD ’96), Gregory Hedberg (PhD ’80)

Symposium in Honor of Professor Marvin Trachtenberg A symposium was held, on November 5, 2010, in honor of the work of Professor Marvin Trachtenberg focusing on the subject of Medieval and Renaissance Architecture.

Kathryn Wysocki Gunch (MA ’08), Maile Hutterer (PhD ’11), Don Selby, Michael Waters

1st Row: Theresa Flanigan (PhD ’06), Max Grossman, Mia Genoni (PhD ’07), Dorothy Ko, Amee Yunn (PhD ’09), Mailan Doquang (PhD ’09), Lauren Jacobi, 2nd Row: Michelle Hobart (PhD ’06), Erik Gustafson (MA ’04), Heather Horton (PhD ’10), Matthew Collins, Beathrice Rehl (PhD ’84), Michael Waters, Guendalina Ajello Mahler (MA ’97), Yassana Croizat-Glazer (PhD ’08), Emanuele Lugli (PhD ’09), Professor Marvin Trachtenberg (PhD ’63), Daniel Savoy (PhD ’08), Areli Marina (PhD ’04), Joshua Glazer (PhD ’08) Lisa Reilly (PhD ’91), Maile Hutterer (PhD ’11), Joshua Glazer (PhD ’08) Steven Haas (MA ’70)

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AlNwsLtr11 mech1.indd 7 9/6/11 12:08:13 PM The Year in Pictures Continued

Professor Jonathan Brown Festschrift Reception A reception was held in honor of Professor Jonathan Brown, on September 27, 2010, in celebration of the publication of Art in Spain and the Hispanic World: Essays in Honor of Jonathan Brown. The volume of essays celebrates Professor Brown’s contributions to the fields of Spanish and colonial Latin American art.

Roberta Huber, Sandra Brown, Lisa Banner (PhD ’06), Kate Holohan (MA ’10), Kathy Heins Brett Lazer (MA ’10)

Ross Finocchio (MA ’06), Professor Jonathan Brown Jordana Mendelsohn, Adele Nelson (MA ’03), Eleanor Goodman (PhD ’01), Miriam Basilio (PhD) Lisa Banner (PhD ’06)

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AlNwsLtr11 mech1.indd 8 9/6/11 12:08:15 PM Alumni Panel: Alternative Careers for Art Historians On February 8, 2011 the Institute of Fine Arts hosted a career panel highlighting non-traditional career paths for IFA students. Panelists inclueded: Gregory Hedberg, Director of the Department of European Art, Hirschl & Adler Galleries; Lisa Duffy-Zeballos, Leon Levy Foundation Director of Art Research, International Foundation for Art Research; Vivian Ebersman, Director of Art Expertise, AXA Art Insurance Corporation; Andrew Butterfield, Founder, Andrew Butterfield Fine Arts. A video of the discussion is available via the IFA website at www.nyu.edu/gsas/dept/fineart/

Moderator Colleen Leth (MA ’11), Gregory Hedberg (PhD ’80), Lisa Duffy-Zeballos Vivian Ebersman (MA ’66), Andrew Butterfield (PhD ’92) (PhD ’07), Vivian Ebersman (MA ’66), Andrew Butterfield (PhD ’92).

The Fifth Kirk Varnedoe Memorial Lectures Series with Professor Wu Hung The IFA welcomed the Professor Wu Hung, as the Fifth Kirk Varnedoe Memorial Professor for the Spring 2011 semester. Professor Hung gave a series of three lectures on modern and contemporary Asian art around the theme Reading Absence: Three Moments in Chinese Art History. His lectures were entitled: 1644: Where Is the Broken Stele? (Februrary 3, 2011); 1860: Photography Defines China (February 7, 2011); 1985: Absence as Contemporaneity (February 15, 2011).

Professor Wu Hung Professor Wu Hung presents ”Reading Absense: Three Moments in Chinese Art History”

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AlNwsLtr11 mech1.indd 9 9/6/11 12:08:15 PM How I Fell From Grace (And You Can Too!) Alumni Voices

by Ian Volner, MA ’08 me he was leaving his office and that I’d make a been given out—the simple fact is, the state of Caveat lector: I’m afraid I have a confession to great replacement, I admit I was seized at once the media nowadays is such that any critical make, and it’s one that may alarm my sometime with a kind of morbid curiosity . aspirations one might develop in an academic professors and colleagues at the Institute—to hothouse like the IFA are fairly well thwarted say nothing of those young scholars anxiously I knew—I thought I knew—what they did . In to begin with . The difference between writing looking forward to their professional prospects the design community, the publicist operates a 300-word bit of puffery about an architect, post-78th St . as an odd mixture of chaperone and procuress: and writing a 300-word bit of puffery for an she (typically she) has to have an eye for her architect as his publicist, is effectively nil . For I was once as them . There was nothing clients’ reputation, but she can’t get credit in my performance or comportment in two unless the client gets maximum exposure in the This, at any rate, is the answer I give my writer years at Duke House that could have presaged press . She is obliged, therefore, to maintain a friends whenever they rib me about my PR my descent into hopeless, abject perversion . veneer of intellectual circumspection, all while interval, and it generally sets them to grumbling And yet I have knowingly, willingly, and with quietly pestering every journalist within earshot assent through their scotches . Which is to say malice of forethought, worked as a publicist, in to write, write, write about the architects in I’ve returned from the beyond: I had taken a certified public relations office, for a term of her stable . Naturally this makes the publicist the job on a lark, had a fine time, and from no less than twelve months . Of which sin I do a figure of some minor infamy among design a similarly vain impulse came back several earnestly repent, etc ., etc ,. so help me Erwin writers . months ago to legitimate (or what passes for Panofsky . ibid) journalism . And the stigma may be falling Could I cross over to the dark side? What if away altogether . I had dinner the other day My career had seemed, at first, full of promise . I ever wanted to come back? Would I lose all with a fellow alum who’s taken the professorial A year out of school, I was writing for journals credibility as a would-be design intellectual? track, and I came around carefully to the whole like Architectural Record and Metropolis, and Well, I have been over the mountain, and I subject of my recent public-relationship . Was I was feeling bullish even as the national can honestly say that the view is more or less he shocked at my loose morals? “Nah,” said he, . economy settled into a protracted funk . identical on the other side . Becoming a paid “Sounds like fun .” It felt like absolution . But—lackaday!—when a publicist friend told shill is not really so corrupting as has generally

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AlNwsLtr11 mech1.indd 10 9/6/11 12:08:16 PM Atypical In response to an Institute of Fine Arts Alumni Data Update inquiry Alumni Voices

by John Willenbecher, MA ’61 Martin Weinberger and Walter Friedlaender . had left the Institute in more ways than one . New York City, July 2010 I particularly valued Colin Eisler’s brand new museum training course, given in conjunction The idea had in fact been simmering on a back The inquiries on the IFA Alumni Update with the Metropolitan Museum . To sit around burner for quite some time . Being immersed in questionnaire, recently arrived in the mail, a table at the Met examining prints while the the old masters at the Institute had not kept me mostly do not apply to my post Institute life . So incomparable Hyatt Mayor spoke about them from an awareness of what was going on around perhaps instead it is easier for all was a demonstration of what a delight art and me in the world of contemporary art and even concerned if I write a little description of what its history could—and should be . The program from meeting some practicing artists . It was happened . I think you could say without ended with an internship in one of the Met’s an extraordinary time in that regard . At the hesitation that I turned out to be a rather departments and I went to work for Theodore beginning of the 1960s things were changing atypical Institute student . Rousseau and Margaretta Salinger and Claus dramatically: the abstract expressionists Virch in the paintings department . John exiting with their tails between their legs and What happened is that instead of becoming a McKendry, also in the museum training program, the Popsters brashly ascending . We graduate professional art historian—and going into spent his internship in the print department— students were not immune to all of this and museum work, which is what I supposed I and he stayed there for the rest of his career . used to head out in gaggles to attend gallery would do and was eager to do ever since an or museum openings . And it required little Art History major at Brown—I became, I, however, left . By then in my third year of effort as so much of the action was within a few instead, an artist . Some years later I asked the studies, I had completed all the coursework blocks of the Institute . Recently proliferating woman behind the desk at the Frick Collection and even passed my German exam . To do this Xerox technology allowed us to make multiple if there was a discount for artists . “Don’t I tutored in German with Martin Weinberger’s invitations for openings at the Guggenheim, as you realize that without me none of this would wife and the sessions we had were so boring I recall . These were particularly prized for their exist?” I sniffed when she firmly told me no . that I once looked up from a passage I was profusions of shrimp backed up by an excellent painfully translating to find she had gone sound bar . Who’s opening tonight at Castelli? Who at When I decided to go to the Institute (rather asleep . The only thing at that point separating Eleanor Ward’s Stable? At Martha Jackson? Or than Harvard or Princeton where I had also me from a Masters Degree was the writing of a at Betty Parsons or Janis or Pace or the Green been accepted—I crow) it was because the thesis . This was to be an attempt to separate the Gallery down on 57th Street? And on these Institute had a reputation for being the best drawings of Mariotto Albertinelli from those of many occasions the thought kept coming to in its field -everyone said so . But it also had his master . me: “Gee, I could do that .” another characteristic which seemed to me an incomparable draw: it was in New York City . Fra Bartolommeo -a sticky wicket if ever there was Of course it is not for me to say, after all this The notion of studying art while living in New one . I had been studying Renaissance drawings time, that I have . But as I approach almost fifty York was too delicious to resist . with Craig Smyth, a patient, enlightening years in the studio I can say I have had—and teacher and a lovely man . He was my Advisor am continuing to have—an absolutely splendid I started at the Institute in the fall of 1958 . on the thesis . In the end I realized that to do time trying . That meant that my first semester there this work properly I would have to look at a lot * coincided with the last semester to be held in of Florentine drawings in person in museum Oh, a funny story: a year or two after I left the the Warburg building . The Institute—I used collections scattered across Europe . So I booked Institute and was preparing my first exhibition to call it the little marble schoolhouse—was passage, put my research notes in a big briefcase at the brand new Richard Feigen Gallery I ran making ready to move . And so between and in March of 1961 sailed out of New York into John O’Melia . He had been working on semesters that year students could be seen in a harbor on the France, a projected six months of his PhD at the Institute when I was there . He very long bucket brigade which proceeded from Kupferstichkabinetten looming on the horizon . asked me what I was doing and when I told the old building westward on 81st Street and But things did not turn out quite the way I him I had become an artist he said “Oh, how then down Fifth Avenue to the Duke House, envisioned . Shortly after I debarked at Le Harvre wonderful! But please, John, promise me you sensitively restored and brilliantly adapted by I had sudden realization, like a bolt of thunder: will do one thing .” I asked him what that could Robert Venturi . Except that water buckets in I would not do my projected research but rather possibly be and he said “Please, please sign and this instance had been replaced by boxes of full travel about, look at all the art I could, enjoy date everything! ” of books from the Institute’s library . myself—and entertain the notion of actually becoming an artist . Poor Albertinelli’s drawings At the Institute I studied with, among others, would have to spend some additional years in a Richard Offner, Richard Krautheimer, state of disarray, but I was on my way . I realized I

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AlNwsLtr11 mech1.indd 11 9/6/11 12:08:16 PM In Memoriam: Leo Steinberg (1920-2011)

Mariët Westermann PhD ‘97 baby sex—as a point of departure for the most probing examination of complex structures and Leo Steinberg stood in a productively agonistic patterns of thought in times and places that relation to art history’s leading practitioners turn out more distant from our mental sets than and institutions, and the Institute of Fine we had ever imagined . Arts, his alma mater, was a frequent recipient of his intelligent pique and brusque gratitude . While the procedure of working from a motif Conversations with Leo about the Institute that, through its seemingly obsessive repetition, were never boring, always illuminating, and emerges as a symptom of deep structure inevitably lengthy, ranging from emotional evoked Freudian procedure, Steinberg’s appreciations of Craig Hugh Smyth, whom he interest interest was not in the thrill of sexual considered to have rescued him from years of ad or pathological reference, and what it might hoc education in exile, to blunt denunciations reveal of the unconscious . He credited artists of the Scylla of academic specialization and the with thoughtful and aware engagement with Charybdis of gadfly journalism, between which the most challenging ideas of their times . His he thought few in the Duke House managed to work on Renaissance art was fundamentally navigate . He could be accused of neither, and Leo Steinberg (PhD ‘60) with then IFA Director, iconological, even exhaustively so, recording all his range, impact, and oratorical drive made Mariët Westermann (PhD ‘97), during the possible referents to be found in the theological him an ideal alumnus to deliver the annual 2006 Walter W.S. Cook Annual Lecture and philosophical literature of the time that Walter Cook lecture . He finally did so on May might have been deposited in works that, 3, 2006, to an oversubscribed audience we did perceptive vision, tireless curiosity, scholarly to Steinberg, should be obviously strange to not remotely manage to restrict to the large IFA energy, and an unparalleled flair for words modern eyes . Leonardo’s Incessant Last Supper, alumni cohort that came to hear him . and conversation . Knowing just how much his last book, is a particularly sustained and Leo Steinberg put into every text he wrote, controversial example of a method that, while Under the title “Beware of Texts,” Leo every lecture he gave, we were hesitant to ask aimed at restoring humanist intentionality to engaged us for two all-too-brief hours on this him to interrupt his work on “The Burden of great artists, nevertheless ran risks of losing hobbyhorse, giving trenchant summations of his Michelangelo’s Painting”—the publication of the pictorial or sculptural artist beneath the lifelong looking and writing as well as focused his Andrew w . Mellon lectures at the National erudition . The lively writing, forcing the new insights into Picasso and Jasper Johns, Gallery of Art in the 1980s—but he readily reader to attempt to look as or with an artist, Leonardo and Michelangelo . After the talk, accepted the invitation . or Steinberg’s artist, usually provided the while hundreds gathered for summer drinks insurance . in the Great Hall and Loeb Room, Leo posted Even before I began graduate studies at the himself at the top of the steps to the Duke IFA, Leo Steinberg to me was the kind of art Like many, I first read Leo Steinberg on Jasper House entrance where, fortified with a steady historian who made me want to be one . What Johns, and thought of him as a historian of the flow of cigarettes and the occasional sip of was it in his work that made me and many contemporary, a critic more than a historian, prosecco, he received a long line of interlocutors others feel that way? There was the infectious even if that was a distinction he would not and well-wishers, paying discursive attention to commitment to painting, and a clear eye have accepted . When the first edition ofT he the lifelong friend and the novice student alike . and mind for its particular contribution to Sexuality of Christ in Renaissance Art and western culture . There was the ability to see Modern Oblivion came out in 1983, and To introduce the event, I gave a shorter version the art of the past, especially the Renaissance, I heard all about it before I read it, I could of the remarks below . Edited here into a form through the lens of the history of painting up scarcely believe that it had been written by the more appropriate for an in memoriam, they are to the art of his day, yet without sacrificing the same man—until I did read it, and saw the even less adequate as an obituary than they were historical specificity of Renaissance art . There argument unfold about what paintings and as a surrogate for the IFA’s collective recognition was the deep resistance to formalism, leavened sculptures can say in ways that words can’t, of the intellectual stature of one of its finest . with skepticism about the ability of texts to and recognized the operations of that pair of illuminate the image, the more compelling for eyes and that mind in the bold interpretive * * * Leo’s own virtuoso command of language and framework and the close descriptions . his understanding how texts can give us insight A constitutionally maverick art historian into the status of the work of art . And there Leo Steinberg garnered an array of recognitions for whom history and criticism were always was that uncanny way in which he would take rare for an art historian: he was a Fellow of integrated concerns, Leo Steinberg was one his observations of visual oddities—be it a dove the American Academy of Arts and Sciences; of the IFA’s most influential and idiosyncratic hovering before the Virgin’s belly (subject of a received prestigious book awards, including one graduates . He came to art history with true Silberberg lecture he gave in my first year at the in literature from the American Academy of gifts: sharp intellect, contrarian instincts, IFA), a riskily slung leg, a repetitively exposed Arts and Letters; and was awarded a MacArthur

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AlNwsLtr11 mech1.indd 12 9/6/11 12:08:17 PM In Memoriam: Françoise Weinmann

Fellowship . His fine and inspiring teaching Françoise Weinmann, who much preferred to in late 1965 . She traveled to and did archival career unfolded at Hunter and, from 1975 to be called Francesca, came to the Institute in work in Vienna, Naples, and Provence (it 1991, the University of Pennsylvania . All of the fall of 1964 . She had already completed didn’t hurt to be fluent in four languages) these professional activities and accolades only some graduate work in Paris, at the Sorbonne . and made startling discoveries . Then the seemed to spur his relentless search for more I met her early on in her first semester, in opportunity came to create an Art History persuasive ways of writing about art—tried out Erwin Panofsky’s famous seminar, “Studies in department, and shape an art history major, at on friends, foes, and colleagues in sustained Iconology .” He’d given out a list of topics the the American College in Paris (subsequently debates hunched over reproductions of this previous week and had asked us to choose one the American University) and Francesca picture or that print . There were many other to work on . I was ready to go for Balzac’s Chef dived into this project with the passion and publications besides the few mentioned above, d’oeuvre inconnu, until I heard someone behind intensity that characterized everything she selected here for the example of his methods me, speaking in a French accent, say “I would undertook . She taught at the ACP/AUP from rather than any priority in his affection or like to work on the Balzac ”. Francesca and I 1972 to 1999 . During that long period, she their influence . Less famous, however, was became fast friends on that day and were in developed courses on the origins of art, on Steinberg’s remarkable educational trajectory, close touch for over 46 years, until her death ancient art, on medieval art, and on the Italian which, with its migrations born of revolution, from cancer in March 2011 . She also took Renaissance . As her colleague George Wanklyn persecution, and war, marked and shaped a courses with Richard Krautheimer, Charles wrote in a beautiful tribute to Francesca for quintessentially twentieth-century life . After Sterling (the adviser of her PhD dissertation), the AUP, “during most of her time as a faculty his family’s dislocation from Moscow to Berlin and Willibald Sauerländer, among others . member, she was teaching eight courses a year, (1923) to London (1933), he learned English A number of my fellow students, including in addition to chairing her department . She and then studied drawing and sculpture at Debra Pincus and JoAnne—and her husband also developed a course on Aesthetics, and her London’s Slade School in London, obtaining Alan—Bernstein, also became good friends . sustained reflection on the nature of beauty in a degree in 1940 . Having reached New York We were all lucky enough to visit Francesca in art produced a book, on which she was working toward the end of World War II, he worked as her apartment in Paris, overlooking the dome in her retirement, and right to the very last a translator, gave lectures on art, and sought a of the Val-de-Grâce, and at her exquisite house days of her life ”. Entitled The Path Toward professional credential at NYU, where in 1954 in Northern Italy, in the hills above the Lake of Beauty: Through Texts and Works of Art, it will be he obtained his BS in the School of Education . Como . published in June by Aperion Books . Drawn to the study of art history, he began to take classes at the Institute when it was still in Francesca did extensive research on her Francesca will be remembered with love by her the Warburg House . Harry Bober and Richard doctorate, on the painter or painters of King many friends and former students . She enriched Krautheimer were his first mentors; Craig Hugh René of Anjou, when she returned to Europe all our lives . Smyth gave gentle encouragement and arranged for financial support for full-time studies .

In a session honoring him at the 2002 conference of the College Art Association, Steinberg recalled his graduate school conversion from a Romanesque topic assigned by Krautheimer to the architecture of Borromini . In 1957, Wolfgang Lotz’s on-site course in Baroque architecture in Rome drew him deeply into the architectural fabric of seventeenth-century Rome; it also cemented his friendship with fellow student Richard Pommer . Leo defended his dissertation on “Borromini’s San Carlo alle Quattro Fontane: A Study in Multiple Form and Architectural Symbolism” in 1960, just two years before he gave us a first critical understanding of Johns .

The IFA and the world of art and letters have lost a giant, a man the more endearing for the heated, even angry passion he brought to the understanding of artists he considered most true to art’s humane potentials .

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AlNwsLtr11 mech1.indd 13 9/6/11 12:08:17 PM In Memoriam: Creighton Gilbert

by Walter Cahn, MA ’61 During his long career, Creighton was a highly took some rueful pride in the fact that that productive scholar . A bibliography of his he had exceptionally been asked to serve two Creighton Eddy Gilbert was born in 1924 in published writings up to the year 2005 lists terms as Editor-in-Chief of the Art Bulletin Durham, NC . His parents were professors at 247 items, the first of which, offering new (1980-1985), a vital but rather thankless Duke: his mother, Katharine e . Gilbert, taught evidence for the date of Piero della Francesca’s assignment that by common consent, he philosophical esthetics; his father, Allan H . portraits of the Count and Countess of Urbino, performed admirably . “I suppose,” he writes Gilbert, Renaissance literature . His father’s was published in Marsyas in 1941, when he in a reminiscence (AB, June 1994, 205) “that translations of Dante, Ariosto, and Machiavelli was just 17 . It is difficult to give an adequate I have given the Art Bulletin more life energy remain esteemed . Creighton studied at Duke, overview of these writings, whose subjects than any of its other editors in the modern era . Johns Hopkins and New York University, touch on Renaissance painting, from Giotto It was possible to keep up by devoting half of where he obtained his BA in 1942 . At the IFA, to Caravaggio, and from the most general every day, including Saturdays and Sundays for he completed his PhD degree in 1955 with a terms, as in his survey volume History of twelve months, during six years .” Schooled in dissertation on the Brescia painter Girolamo Renaissance Art: Painting, Sculpture, Architecture the methods of a brilliant generation of émigré Savoldo ( published in a revised, amplified form throughout Europe (New York, 1972), to the scholars, he was unaffected by the various crises in 1986, and dedicated to Walter Friedlaender, deliberately microscopic, as in the essay “The that touched the discipline after 1968 . He Richard Offner and Lionello Venturi) . In 1946, Smallest Problem in Florentine Iconography”, remained, publicly at least, confident in the he taught at Emory; then, from 1947-56, at the contributed to a Festschrift for Myron rightness of his chosen path . University of Louisville, interrupted by a stint as P .Gilmore (Florence, 1978) . Michelangelo Fulbright Visiting Professor at the University of undoubtedly occupied a central place among A distinctive trait for which he is best Rome . At the end of the decade, he was briefly his varied interests . His highly-regarded remembered, I think, is the independent an Assistant Professor at Indiana University translation of the Complete Poems and Selected spirit, an endearing if occasionally maddening and a Visiting Professor at the University of Letters of Michelangelo has been reprinted several contrariness, which he invariably displayed and California, Berkeley . From the John and Mable times since 1963, and some of his essays are inform his work . Who among those he engaged Ringling Museum in Sarasota, where he was collected in the volume, Michelangelo: On and in argument has not been at the receiving end a curator, he became Associate Professor at Off the Sistine Ceiling (New York, 1994) . His of one of his inimitable memos, turned out on Brandeis University 1961-1966, where he Italian Art, 1500-1600: Sources and Documents the old manual typewriter with a long worn chaired the Department of Art from 1961- (New York, 1980) is a compilation that rescues out ribbon that he never abandoned, in which 1966 . During this period, he was also a Visiting from oblivion valuable archival material buried his punctilious erudition would be unleashed Professor at Harvard University . From 1965- in hard to find provincial journals . Creighton at length? This self-reliant, unprejudiced 1977, Creighton taught at Queens College, also was active as a critic and a prolific book curiosity enabled him to formulate questions CUNY, where he was Chair of the Department reviewer . In 1964, he received the CAA’s Frank heretofore unasked or simply outside the until 1972 . In 1966-67, he was a Fellow at the Jewett Mather award for art criticism . And, normative frame of reference . “When Did a Harvard Center for Italian Renaissance Studies from 1983 to 1993, he regularly contributed Man in the Renaissance Grow Old?” (Studies at I Tatti; and in 1976, a Clark Professor . In exhibition reviews and commentary to the New in the Renaissance, 1967) is one of these 1977, he became the Jacob Gould Schurman Criterion . unforeseen, oddly illuminating soundings, Professor of the History of Art at Cornell as revealing for the issue it considers as it is University; four years later, he came to Yale, I first met and came to know Creighton on a for the mind that raised it . “On Subject and where he retired as Professor of the History of personal basis only following his appointment Not-Subject in Italian Renaissance Pictures” Art in 1997 . If such a career might from the at Yale . “Know” him is saying a lot, since (Art Bulletin,1952), one of his most stimulating present vantage point seem to have something though unfailingly courteous, with something studies, is a meditation on a topic, central restless about it, it should be remembered that of the air of a Southern gentleman, he was to our discipline, that has lost none of its it unfolded at a time of considerable expansion a very private person . Totally dedicated to relevance . of art history as an academic discipline in this scholarship, he appeared to have no other country, providing enhanced opportunities for interests or distractions, and his devotion to professional advancement . his studies over his entire career was total . He

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AlNwsLtr11 mech1.indd 14 9/6/11 12:08:17 PM The IFA Alumni Association awards for Summer 2010:

Rachel Federman – Dissertation level doctoral Nicholas Herman – Dissertation level doctoral Deanna Sheward – Pre-orals doctoral candidate working with Thomas Crow on candidate working with Jonathan Alexander candidate working with Jean-Louis Cohen on “Los Angeles and the Aesthetics of Immersion: on “Jean Bourdichon (1457-1521): Tradition, the architecture of the American atomic defense Kienholz, Ruppersberg, McMillen, McCarthy .” Transition, Renewal .” program during World War II, primarily the Travel to Amsterdam to study Edward and To complete research in and around Paris . Manhattan Project . Nancy Kienholz’s life-sized installation, “The For three weeks of archival research at the Horengracht (1984-88) ”. Sarah Montross – Dissertation level doctoral national archival resources in Washington, candidate working with Edward Sullivan DC to complete her dissertation proposal for Luis Castañeda – Dissertation level doctoral on “Landscape into Media: Dislocation and submission to the faculty in September . candidate working with Edward Sullivan on Metaphor in Chilean Art of the Pinochet Era .” “Mexican Architecture, c . 1968 .” For archival For travel to Chile for preliminary dissertation Rashmi Viswanathan – Rashmi is a research . research in Santiago . dissertation level doctoral candidate working with Finbar Barry Flood on “Early Colonial Genevieve Hendricks – Dissertation level Meggie Morris – Pre-orals doctoral candidate Painting and Photography in India .” doctoral candidate working with Jean-Louis working with Thomas Crow in the area of Alumni Association award to extend her stay Cohen on “Collision and Collusion: Le Spanish Pop and Underground Art of the in India to examine photography and painting Corbusier’s Painting and Architecture after 1970s-1980s . collections in Mumbai, specifically the archives Purism .” For dissertation research in Paris where For travel to Madrid and Barcelona for research of the photographic societies there . she has been appointed as a research intern at in preparation for writing her dissertation the Fondation Le Corbusier . proposal during the Fall term .

IFA students who have won outside fellowships for 2010-2011

Fellowships granted by outside foundations, museums, research institutes, and universities redound greatly to a student’s scholarly and professional benefit and credit . The IFA expects students to apply for outside funding and supports their applications with workshops and faculty advice .

Mark Abbe Denise Birkhofer Clare Davies Kenan t . Erim Fellowship, Grant for Photo Archives Research in Mexico, Grant for Photo Archives Research in Egypt, American Research Institute in Turkey Samuel H . Kress Foundation Samuel H . Kress Foundation

Joseph Ackley Anna Brodbeck Laura Dickey Intensive Language Course Scholarship, Pre-doctoral Summer Fellowship, French Heritage Society Internship for Deutscher Akademischer Austausch Dienst Graduate School of Arts and Science, NYU French Art, (DAAD) The Metropolitan Museum of Art Michael Brown Jennifer Babcock Mayer Curatorial Fellowship, Grace Dingledine Hagop Kevorkian Fellowship, The Denver Art Museum Graduate Internship, Ancient Near Eastern Art, The Metropolitan Museum of Art The Metropolitan Museum of Art Lauren Canady Theodore Rousseau Fellowship, Kara Fiedorek Esther Bell European Paintings, Tuition Scholarship, Moore Curatorial Fellow, The Metropolitan Museum of Art Kosciuszko Foundation The Morgan Library and Museum Yassana Croisat-Glazer Pinar Gokpinar Peter Bell Jane and Morgan Whitney Postdoctoral Fulbright Scholarship Grant for Photo Archives Research in Italy, Fellowship, Samuel H . Kress Foundation The Metropolitan Museum of Art

continued

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AlNwsLtr11 mech1.indd 15 9/6/11 12:08:17 PM Outside fellowships for 2010-2011 COntinued

Mellissa Greenberg Sarah Madole Katherine Sanderson Kress Scholarship, Research Fellowship, Andrew w . Mellon Research Scholar in Latin Institute, City University of New York American Research Center in Sofia Photograph Conservation, The Metropolitan Museum of Art Joanna Hecker-Silva Caitlin McKenna Outstanding Teaching Award, Summer Internship, Sophie Scully College of Arts and Science, NYU Solomon r . Guggenheim Museum The Dedalus Fellowship for Conservation

Genevieve Hendricks Kathryn Moore Deanna Sheward Summer Internship, Samuel H . Kress Foundation Pre-doctoral Patricia Dunn Lehrman Fellowship, Fondation Le Corbusier, Paris Rome Prize, Graduate School of Arts and Science, NYU The American Academy in Rome Amanda Herrin Sasha Suda Institutional Fellowship at Universiteit Leiden, Elizabeth Nogrady Andrew w . Mellon Fellowship, Samuel H . Kress Foundation J . Clawson Mills Fellowship, The Metropolitan Museum of Art European Paintings, Nicholas Herman The Metropolitan Museum of Art Rosemarie Trentinella Hanns Swarzenski and Brigitte Horney Fulbright Graduate Student Grant to Italy Swarzenski Fellowship, Medieval Art, Jeremy Ott and The Metropolitan Museum of Art Graduate Fellowship, Torch Fellowship, and The American Research Center in Sofia Graduate School of Arts and Science, NYU Travelling Fellowship, Sir John Soane’s Museum Foundation Lelia Packer Rashmi Viswanathan Internship, Department of Northern Baroque Foreign Language and Area Studies Fellowship Maile Hutterer Paintings, (FLAS), Dissertation Completion Fellowship National Gallery of Art Ameican Institute of Indian Studies Mellon/ACLS Maggie Popkin Michael Waters Lauren Kinnee Fulbright Graduate Student Grant to Italy Donald and Maria Cox Pre-Doctoral Rome Frank Brown/Samuel H . Kress Foundation/ and Prize, Helen M . Woodruff Fellowship of the Memoria Romana International Doctoral American Academy in Rome Archaeological Institute of America Pre- Fellowship, Doctoral Rome Prize, Max Planck Institute Shannon Wearing The American Academy in Rome Subvention for Dissertation Research, Christina Rosenberger Program for Cultural Cooperation between Abigail Kornfeld Fellowship for Historians of American Art to Spain’s Ministry of Culture and United States Graduate Internship, Travel Abroad, Universities J . Paul Getty Museum CASVA, National Gallery of Art Kathryn Wysocki Laura Leaper Margaret Samu Robert Holmes Travel/Research Award for Graduate Internship, Sylvan C . and Pamela C . Coleman Memorial African Scholarship, The Getty Foundation Fellowship, Graduate School of Arts and Science, NYU Nineteenth-Century, Modern and Yulin Lee Contemporary Art, Lim Pen-Yuan Foundation Fellowship The Metropolitan Museum of Art

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AlNwsLtr11 mech1.indd 16 9/6/11 12:08:17 PM PhD’s for 2010-2011 Graduation Ceremony

Marta Ameri Jacqueline Coutré Anna Jozefacka (Holly Pittman for Donald Hansen) (Egbert Haverkamp-Begemann) (Jean-Louis Cohen) “Sealing at the Edge of Third Millennium “Jan Lievens: Painting, Politics and “Rebuilding Warsaw: Conflicting Visions of Middle Asian Interaction Spheres: The Decoration in Dutch Art, 1653-1669” a Capital City, 1916-1956” View from Gilund, Rajasthan, India” Lindsay Harris Yumiko Kamada Esther Bell (Jean-Louis Cohen) (Priscilla Soucek) (Jonathan Brown for Donald Posner) “Picturing the Primitive: Photography, “Flowers on Floats: The Production, “Charle-Antoinie Coypel: Painting and Architecture, and the construction of Italian Circulation and Reception of Early Modern Performance in Eighteenth-Century France” Modernism, 1911-l936” Indian Carpets”

Johanna Blokker Keely Heuer Lauren Kinnee (Jean-Louis Cohen) (Joan Mertens and Clemente Marconi) (Katherine Welch) “(Re)Constructing Identity: World War II “The Development and Significance of the “The Roman Trophy from Battlefield Marker and the Reconstruction of Cologne’s De- Isolated Head in South Italian Vase Painting” to Emblem of Power” stroyed Romanesque Churches, 1945-1985” Heather Horton Cheryl Korte Michael Brown (Marvin Trachtenberg) (Colin Eisler) (Jonathan Brown) “Authority and Innovation in Alberti’s “Polychromed Quattrocento Sculpture in “Portraiture in new Spain, 1600-1800: Theory and Practice” Florence” Painters, Patrons and Politics in Viceregal Mexico” Pamela Huckins Jonathan Lackman (Jonathan Brown) (Linda Nochlin) Amy Calvert “Art in the Alta California Mission Churches, “Art-Critical Invective in Paris: 1844-1876” (David O’Connor) 1769 – ca . 1834” “The Integration of Quantitative and Kathryn Moore Qualitative Research in a Study of the Maile Hutterer (Marvin Trachtenberg and Barry Flood) Regalia of Ramses III” (Marvin Trachtenberg) “Italian copies of Holy Land architecture: the “Broken Outlines and Structural illustrated versions of Niccolò da Poggibonsi’s Luis Castaneda Exhibitionism: The Flying Buttress as Libro d’oltramara” (Jean-Louis Cohen and Edward Sullivan) Aesthetic Choice in Medieval France” “The Serpent and the Torch: The Politics of Heather Turnbow Design, Mexico, 1968” Matthew Israel (Katherine Welch) (Robert Storr) “Sarcophagi and Funerary Display in Roman “Paradigms of Protest: American Artists Against Aphrodisias” the Vietnam War”

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AlNwsLtr11 mech1.indd 17 9/6/11 12:08:17 PM Faculty Updates

Jonathan J. G. Alexander blanche à Alex MacLean, Paris, Dominique Carré, Place of Words, Fifteenth International Conference Publications: Festschriften published . “An English 2010; “‘Infiniment fraîche, infiniment neuve’: of Architecture Museums, Paris, June 2010 . twelfth-Century Manuscript of Hugh of St l’architecture de Los Angeles vue d’Europe,” in Honors and Awards: Schelling Victor and Examples of Italian Fifteenth-century Catherine Maumi, ed ., Pour une poétique du Architekturtheoriepreis 2010 . Illumination in the Lilly Library, Bloomington, détour. Rencontre autour d’André Corboz, Paris Indiana,” Tributes to Nigel Morgan. Contexts of Editions de la Villette, 2010; “France/Allemagne/ Thomas Crow Medieval Art: Images, Objectd & Ideas, eds . Julian France: porosités et étanchéités 1918-1930,” in Publications: “Negative Spaces in the Art of M . Luxford, M . a . Michael, London, Turnhout, Catherine Coley, Danièle Pauly, ed ., Quand Robert Indiana,” in Allison Unruh ed ., Robert 2010 . “The City Gates of Perugia and Umbrian l’architecture internationale s’exposait 1922- Indiana, Berlin: Hatje Cantz, forthcoming 2011; Manuscript Illumination of the Fifteenth Century,” 1932, Lyon, Fage éditions, 2010 . “Jacques Rey, “The Later 1970s in Los Angeles Art: Marginal The Medieval Book. Glosses from Friends and architecte de l’engagement,” preface to Jacques Rey, Mayhem,” in Paul Schimmel ed ., Under the Big Colleagues of Christopher de Hamel, eds . James H . Lyon, cité radieuse. Une aventure du Mouvement Black Sun: California Art 1975-1981, Los Angeles: Marrow, Richard a . Linenthal, William Noel, moderne international, Lyon, Libel, Maison de Museum of Contemporary Art, forthcoming 2011; ‘tGoy-Houten, Netherlands, 2010 . l’architecture Rhône-Alpes, 2010; “Un rappel aux “Equivalence and Equivalents in the Art of Sherrie Lectures: Fall 2010 lecture Course on Romanesque camarades architectes,” introduction to Moïsséï Ia . Levine,” in Elizabeth Sussman and Johanna Burton art and a Seminar entitled “Portraire: portraiture in Guinzbourg, Le Rythme en architecture, Gollion, eds ., Sherrie Levine: A Retrospective Exhibition the European Middle Ages .” InFolio, 2010; Preface to Gaia Caramellino, New York: Whitney Museum of American Art, William Lescaze. Un architetto europeo nel New forthcoming 2011; “The Sailor Who Fell From Jonathan Brown Deal, Milano, Franco Angeli, 2010; Preface to Grace with the Sea: Bas Jan Ader’s Path through Los Publications: “A Restored Gislhaine Meffre, Architecture marocaine du XXe Angeles,” in Pedro de Llano ed ., Bas Jan Ader: In Velázquez, a Velázquez Restored,” siècle. Edmond Brion et Auguste Cadet, Paris, Senso Search of the Miraculous, Thirty Years Later, Santiago in Velázquez Rediscoverd, Unico, 2010; Portrait de ville New York, Paris, Cité de Compostela: CGAC, forthcoming 2011; New York, The Metropolitan de l’architecture et du patrimoine, 2010 . “Disappearing Act: Art in and Out of Claremont,” Museum of Art, 2009 . Lectures: “Urbanism without a City and in Rebecca McGrew ed ., It Happened at Pomona: Lectures: “Velázquez Architecture without Citizenship,” at Cities : Local Art at Pomona College 1969-1973, Claremont: Rediscoverd,”The Metropolitan Resistance and Global Speculation, Universal Forum Pomona College Museum, forthcoming 2011; Museum of Art, January 2010; of Cultures, Valparaíso, December 2010; “White “The Pop Wars” in Jennifer Farrell, ed ., Get There Curator, Pinturas de los Reinos . Identidades spots and steel storms : architects during the Second First: Decide Promptly: The Richard Brown Baker compartidas en el mundo hispánico, (Museo World War,” symposium (Dis)continuities: spaces of Collection of Post-War Art, New Haven and London: Nacional del Prado and Palacio Real Madrid) 2010 . modernity 1900-1950, Geisteswissenschaftliches Yale University Press, forthcoming 2011; “For and Honors and Awards: 2010 Premio for Art Zentrum Geschichte und Kultur Ostmitteleuropas against the Funnies: Roy Lichtenstein’s Drawings in History—Fundación Gabarron, Valladolid, Leipzig, National University of Arts, “Ion Mincu,” the Inception of Pop Art, 1961–1962,” in Isabelle Spain; 2010 Distinguished Scholar, College Art University of Architecture and Urbanism, Dervaux, ed ., Roy Lichtenstein: The Black-and- Association of America . Bernardo de Galvez Award Bucarest, November 2010; Participation in White Drawings, 1961–1968, New York: Morgan and is presented by the Fundacion Consejo the roundtable “Paris, du plan Voisin aux tours Library and Museum, 2010; “Warhol among the Espana-ee .uu . de la Défense,” Festival Image de ville, Aix en Art Directors,” in Allison Unruh, ed ., Andy Warhol Provence, November 2010; “Edifying Narratives: Enterprises, Berlin: Hatje Cantz, 2010; “Call to Jean-Louis Cohen Wartime Exhibitions,” symposium The Canadian Order: on the Legacy of Claude Lévi-Strauss,” Publications: “Roger Ginsburger . Doppelagent Centre for Architecture in an Expanding Curatorial Artforum . April 2010 . und Radikalkritiker,” Arch+, vol . 43, n . 200, 2010; Field, Montréal, November 2010 . “Manipulated Honors and Awards: Fellowship, Clark Art “Le aporie di un secolo” (recension de Architettura Objectivity?” symposium Learning Without Institute, Spring 2011 . e novecento de Carlo Olmo), L’Indice, vol . 27, n . Teaching: Experiments in Architectural Knowledge, 10, October 2010; “La recherche en histoire et Berlage Institute, Rotterdam, October 2010; Colin T. Eisler théorie de l’architecture et de l’urbanisme,” Culture Organizer and moderator of the workshop and Publications: Irving Penn: et Recherche, n . 122-123, Spring-Summer 2010; discussion Interférences, architecture – Allemagne Archaeology, exhibition catalogue, “Mirror of Dreams,” Log, n . 20, Autumn 2010; – France, 1800-2000, Musées de Strasbourg, New York, The Pace Gallery, 2010 . “Exhibitionism and its Limits,” ICAM print 03, Strasbourg, October 2010; Participation in the Lectures: “The Iris Page in the 2010; “Eugène Hénard in Berlin,” in Harald roundtable “Ré-imaginer la ville : un enjeu culturel Bellini Paris Notebook: Who Bodenschatz, Christina Gräwe, Harald Kegler, à partager,” XXXe Rencontres d’Avignon pour la ainted it and Why? Reasons for Hans-Dieter Nägelke, Wolfgang Sonne, ed ., culture, Fédération nationale des élus socialistes et he Iris’s Presence in Works North Stadtvisionen 1910/2010. Berlin, Paris, London, républicains, Avignon, July 2010; “L’architecture, and South of the Alps, 1430–1530, Chicago. 100 Jahre Allgemeine Städtebau-Ausstellung la création, la durée,” colloquium Paris Île-de- Renaissance Society of America, Venice, 2010 . in Berlin, Berlin, Dom Publishers, 2010, p . 92- France : un fleuve, un territoire, un mode de vie, Lecture on Prado’s recently rediscovered Bruegel at 95; “From Grand Landscapes to Metropolises: Région Île-de-France, Bureau d’urbanisme de the Century Association (future) . Will participate Henri Prost,” in Pierre Pinon, f . Cânâ Bilsel, Shanghai, Shanghai, July 2010; Conversation with in the Metropolitan Museum’s Symposium on the ed ., From the Imperial Capital to the Republican Alexandre Chemetoff and Christophe Girod as early Michelangelo . Modern City: Henry Prost’s Planning of Istanbul part of the exhibition Droit de visite, Maison de Honors and Awards: 2010 Symposium Tout art (1936-1951), Istanbul, Araștimalari Enstitüsü, l’architecture, Genève, July 2010; Intervention au s’apprend par art . 2010; “Madurodam: du polder à l’éolienne,” in Primo seminario CUS. Enciclopedia per il restaura Fiona Meadows, ed ., Archi petit. Mini maousse e i riuso dell’architettura del XX secolo, Accademia 2099-2010, Paris, Cité de l’architecture et du di architettura, Mendrisio, June 2010; “’Take my patrimoine, 2010; “Le Grand axe d’Alex,” in Carte Word for it’: the Curator as Author,” session The

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AlNwsLtr11 mech1.indd 18 9/6/11 12:08:18 PM Margaret Holben Ellis Clemente Marconi Thomas F. Mathews IFA MA 1979, IFA CERT 1979 Publications: “Orgoglio e pregiudizio . La IFA PhD 1970 Publications: “Foreword,” Master Drawings New connoisseurship della scultura in marmo dell’Italia Publications: “The Piety of Constantine the Great York, 2010 . “Roy Lichtenstein’s ‘Mechanical meridionale e della Sicilia .” in Scolpire il marmo. in his Votive Offerings,” Cahiers Archéologiques, Drawings’ in the Age of Mechanical Reproduction,” Importazioni, artisti itineranti, scuole artistiche nel volume 53 . “Vrt’anes K’ertoł and the Early RoyLichtenstein: The Black-and-White Drawings, Mediterraneo antico, ed . G . Adornato, Milano: Theology of images,” The Revue des Έtudes 1961–1968, New York, Morgan Library & LED . 2010; “Choroi, Theōriai and International Arméniennes volume 31 . Museum, 2010 . “Achieving Clarity – Glazing Ambitions: The Hall of Choral Dancers and Its Lectures: Distinguished speaker at the Deutsche Options for Works of Art on Paper,” Museum Frieze,” in Samothracian Connections. Essays in Arbeitsgemeinschaft zur Förderung Byzantinischer Management and Curatorship, Vol . 25, #4, 2010 . honor of James R. McCredie, ed . Olga Palagia and Studien, at the University of Leipzig on “Nicaea II Lectures: The Getty Conservation Institute/ Bonna D . Wescoat, Oxford and Oakville: Oxbow on the Votive Offering of Images”; Speaker at Museum of Fine Arts, Boston,“Rethinking the Books . 2010; With Rosalia Pumo: “Un frammento the symposium “Double-Headed Eagle: Byzanz Museum Environment,” Invited participant . di anathema fittile dal grande santuario urbano di and the Seljuks” at the Römisch-Germanisches Heritage Preservation, Washington, DC, Selinunte,” Mare Internum 2, 2010 . “Sculpture, Zentralmuseum in Mainz , October 2010, on the “Connecting to Collections,” Webinar, November Architectural .” In The Oxford Encyclopedia of “Kars-Tsamandos Group of Armenian Illuminated 2010; The British Museum, London, England . Ancient Greece and Rome, ed . Michael Gagarin, Manuscripts,” “Icons is Early Armenia and the “Reflecting Raphael – A Closer Look at the Volume 6, New York: Oxford University Press . Triptych of Dvin” at the Journée d’études sur l’art Morgan’s Agony in the Garden;” The Leonard Lectures: “La Dea del Getty: un capolavoro della et l’archéologie médievale, University of Provence, Lopate Show, New York, NY, WNYC Public Radio, scultura greca classica dalla Sicilia,” Universität December 2010 . “Please Explain – Art Conservation,” 2010 . Zürich, Archäologisches Institut, December 2010; Honors and Awards: Leverhulme Fellowship at “Altari e Potere .” Conference Arte – Potere. Forme Pembroke College (2010); Visiting Professor at the Finbarr Barry Flood artistiche, istituzioni, paradigmi interpretativi, Scuola Oriental Institute, Oxford University, lectured in Publications: Contribution to “Roundtable: The Normale Superiore, Pisa, November 2010; “The Hilary term on the origin of icons in Roman Egypt Global before Globalization,” October, Summer, Parthenon Frieze: Degrees of Visibility .” New and in Trinity term on Armenian art . 2010; Globalizing Cultures: Art and Mobility in York University, Inaugural University Lecture, the Eighteenth Century . Co-edited with Nebahat April 2010; “The Institute of Fine Arts - NYU James R. McCredie Avcioğlu, a dedicated volume of the journal Ars Excavations on the Akropolis of Selinunte .” 111th Honors and Awards: 2012 recipient of the Orientalis 39 (forthcoming, December) . “Masons Annual Meeting of the AIA, Anaheim, January Archaeological Institute of America’s (AIA) and Mobility: Indic Elements in Twelfth-century 2010 . Conservation and Heritage Management Award . Afghan Stone-carving,” in Anna Filigenzi & Honors and Awards: Elizabeth a . Whitehead Roberta Giunta, eds ., Fifty Years of Research in the Professor, American School of Classical Studies Philippe de Montebello Heart of Eurasia, Istituto Italiano per l’Africa et at Athens (2010-2011) . Malcolm Hewitt Wiener IFA MA 1976, DFA 2007 l’Oriente, Rome, 2009 . Foundation, Selinunte Project (2010) . Kress Honors and Awards: 2011 College Art Association Foundation, Selinunte Project . (2010) centennial Award for Leadership . Jonathan Hay Lectures: IFA Faculty Inaugural Lecture: A la Publications: “The Michele D. Marincola recherché…d’un autre temps, April 2011 . Narrativization of IFA MA 1990, IFA CERT 1990 Tenth-century Chinese Publications: Michele Marincola and Sarah Alexander Nagel Painting .” In 10th-Century Maisey, “To Err is Human: Understanding and Mailing Address: 110 Bleecker Apt 22B New York, China and Beyond: Art and Sharing Mistakes in Conservation Practice,” NY 10012 Visual Culture in a Multi- ICOM-CC Lisbon Preprints, forthcoming 2011; Email Address: alexander .nagel@nyu .edu centered Age, ed . Katherine Lucretia Kargère and Michele Marincola, “The Website: http://www .nyu .edu/gsas/dept/fineart/ Tsiang and Wu Hung, Conservation of Polychrome Wood Sculpture in the faculty/nagel .htm forthcoming . “Qi Baishi: Three Questions .” In The United States: An Historical Overview 1870-1970,” Latest Position: Professor of Fine Arts, Institute of Collective Works of the International Forum (2010 ICOM-CC Lisbon Preprints, forthcoming 2011 . Fine Arts, New York University, 2007- Beijing) on Qi Baishi’s Art, 2010; “Seeing through Lectures: “Making Mistakes in Conservation,” Publications: The Controversy of Renaissance Dead Eyes: How Early Tang Tombs Staged the Rijksmuseum Conservation Department, Art, Chicago University Press, 2011 . Subject as Afterlife,” RES: Anthropology and Aesthetics 57/58 October 2010; “Blink Twice: Making Mistakes in Aporia in Early Modern Art . Co-edited with (2010); Sensuous Surfaces: The Decorative Object Conservation,” General Session, Annual Meeting Lorenzo Pericolo, Ashgate Press, 2010 . Anachronic in Early Modern China. London: Reaktion Books, of the American Institute for Conservation, Renaissance, Co-authored with Christopher Wood, 2010 . Milwaukee WI, May 2010 . “Understanding Zone Books, 2010 . Contribution to the forum Medieval Polychrome Sculpture: Technical Studies “Questions of Style,” Artforum, 2010; “Roundtable Günter H. Kopcke of Twelfth-Century Italian and Spanish Crucifixes,” on the Global before Globalization,” with Barry Honors and Awards: Amilla: The Quest for Villa La Pietra Graduate Studies Seminar, Florence, Finnbar Flood, Alessandra Russo, Eugene Wang, Excellence. Studies Presented to Guenter Kopcke Italy, February 2010; Moderator, CAA-AAA Panel and Christopher Wood, moderated by David in Honor of his 75th Year . r . B . Koehl, ed ., on Authentication of Art, Levin Institute, New Joselit, October 133, 2010 . “The Afterlife of the Philadelphia 2010 . York, January 2010 . Reliquary,” in Treasures of Heaven: Saint, Relics and Devotion in Medieval Europe, eds . Martina Bagnoli, Holger a . Klein, C . Griffith Mann, and James Robinson, Baltimore: Walters Art Museum, 2010 . Lectures: “The premodern 1960s,” Department of the History of Art, Yale University; April 2011 .

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AlNwsLtr11 mech1.indd 19 9/6/11 12:08:18 PM Faculty Updates Continued

“Artwork and Environment, Medieval and COST, Brussels, Belgium (2010) . Hsueh-man Shen Modern,” Department of Art History, University Lectures: P . Bellendorf, H . Roemich, s . Publications: ‘Inside Out, of Chicago, 2010; “Anachronic Renaissance” Gerlach, P . Mottner, e . López, K . Wittstadt: Outside in – Spatiality in the (Presentation with Christopher Wood), Institut “Archaeological Glass: the Surface and Beyond,” Tombs of Tenth-Century National de l’Histoire de l’Art, Paris; 2011 . “Two in Glass and Ceramics Conservation 2010 (Editor: Northern China’ in Tenth- Prophecies of Modern Art,” Studio School, New H . Roemich), Interim Meeting of the ICOM-CC Century China and Beyond: York; October 2010 . Working Group, October 2010, Corning, New Art and Visual Culture in a Projects: Seminar Director, The Reformation in a York; H . Roemich and s . Weintraub: “Teaching Multi-Centered Age, ed . Global Context, Institut National de l’Histoire de Preventive Conservation: Preparing Conservators Wu Hung, Beijing: Wen wu l’Art, Paris, June -July 2010 . for the Complex World of Interdisciplinary chu ban she, Forthcoming; “Sheng si yu nie pan Decision Making . Final Meeting of COST – Tang mo Wudai ji Bei Song he Liao dai de mu Linda Nochlin Action D42,” November 2010; H . Roemich, f . zang yu she li mai cang” (Funerary and religious IFA PhD 1963 Zanini, K . Wittstadt, C . Mueller Weinitschke, practices in medieval China) in Academia Sinica Publication: “Courbet and the Representation of and n . Sodini: “Beyond the surface: analysis of Series of New Chinese History, ed . Chung-lin Chiu, Misere: a Dream of Justice”, in Courbet: A Dream cracked archaeological glass . Eastern Analytical Taipei: Academia Sinica . of Modern Art, ed . Klaus Herding and Max Hollein, Symposium (EAS),” Somerset, NJ, November Lectures: June – July 2011 “China among Schirn Museum, Frankfurt, 2010 . 2010; “The interface between field archaeology and Equals: Re-contextualizing the China-Abbasid Lectures: J . Paul Getty Museum panel discussion conservation,” Workshop at the NYUAD Institute, Trade Connection in the Long Tenth Century,” on Jean-Léon Gérôme: “Gérôme and Felinity,” Abu Dhabi, UAE, February 2011 (convener of in conference organized by the Museum für August 2010 . the workshop, jointly with Prof . Norbert s . Baer); Islamische Kunst, Berlin, on “Hundred Years of Honors and Awards: Conference – “The Roemich, H, “Research for glass conservation,” Excavations in Samarra,” Berlin, Germany, June Granddaughters’ Generation: Feminism and Art Lecture for students at the Civil & Environmental 2011; “Inside Out and Outside In: Spatiality in History Now” (the work of Linda Nochlin and Engineering Department, Princeton University, NJ, the Tombs of Tenth-Century Northern China,” in its legacies), University College London, February March 2011 . seminar organized by the Institute of History and 2011 . Philology, Academia Sinica, on “Transformation Patricia Rubin of Iconography,” Taipei, Taiwan . September – David O’Connor Publications:“‘Not … what I October 2010; “One Thing Contains All, and Publications: “The Funerary would fain offer, but … what All Things Contain One: Huayan Buddhism and Cult Enclosure of Khasekhemwy I am able to present’: the Liao Pagodas” in conference co-organized by at Abydos,” (with M . D . Adams, Mrs . Jonathan Foster’s Yale University and Bard Graduate Center on w . Remsen and a . Crosby) in translation of Vasari’s Lives,” “Perspectives on the Liao .” April 2010; Presentation r . Danforth (ed .), Preserving in Le Vite del Vasari: Genesi, “State of the Field: Research on Buddhist Art Egypt’s Cultural Heritage: The Topoi, Ricezione/ Die Vite Vasari: as Practiced in Europe and North America” (in Conservation Work of the Entstehung, Topi, Rezeption, ed . Chinese) . Sichuan University, China . American Research Center in Katja Burzer, Charles Davis, Sabine Feser, and Projects: Co-Principal Investigator of the research Egypt 1995-2005, American Research Center in Alessandro Nova, Marsilio Editore (Florence), pp . project “Evolution of Tang Dynasty Buddhist Egypt Inc ., San Antonio, 2010 . “The Shunet el- 317-33; “’The Liar’: Fictions of the Person,” Art Imagery in Sichuan,” in collaboration with Zebib at Abydos: Architectural Conservation at History, 34:2, pp; 332-51; and co-editor, with Academia Sinica, Taipei, and Tsinghua University, One of Egypt’s Oldest Preserved Monuments,” Catherine Grant, of this special issue, Creative Beijing . Project funded by the Chiang Ching-Kuo (with M . D . Adams) in s . D’Auria (ed .), Offerings Writing and Art History (to be published as a book, Foundation for International Scholarly Exchange to the Discerning Eye: An Egyptological Medley in November 2011) for the academic years 2008-2011 . Honor of Jack A. Josephson, Brill, Leiden, London, Lectures: New York University, Institute for the 2010 . Humanities, Harry Berger Jr ., Collecting Body Parts Robert Slifkin in Leonardo’s Dave: Vasari and the Erotics of Obscene Publications: “Now Man’s Bound to Fail, More,” Hannelore Roemich Connoisseurship, Respondent, October 2010; New October 135 (Winter 2011); “Philip Guston’s Publications: P . Bellendorf, H . York University, Casa Italiana, book presentation, Return to Figuration and the Thirties Renaissance Roemich, s . Gerlach, on Lina Bolzoni, Il cuore di cristallo: ragionamenti of the 1960s,” Art Bulletin 93, June 2011; “Donald P . Mottner, e . López, d’amore, poesia e ritratto nel Rinascimento, January Judd’s Credibility Gap,” American Art 25, 2011, K . Wittstadt: “Archaeological 2011; College Art Association, Annual Conference, forthcoming . Glass: the Surface and panel: The Crisis in Art History, February 2011; Lectures: “Donald Judd’s Credibility Gap,” Beyond,” in Glass and College Art Association, Annual Conference, panel: Cold War Cultures, University of Texas, Austin, Ceramics Conservation 2010 Inspiration and Opportunity: Art History Reflects September 2010; “Fitz Henry Lane’s Compromised (Editor: H . Roemich), on its Past to Determine its Future, February 2011; Seascapes and the Cartographic Eye of Antebellum Interim Meeting of the ICOM-CC Working Association of Art Historians, Annual Conference, American Art and Culture,” Grounded Histories: Group, October 2010, Corning, New York, Plenary, Art History from the Bottom Up, April Land, Landscape, and Environment in Early Preprints, ICOM Committee for Conservation, 2011; Columbia University, Bettman Lecture, North America, Huntington Library, Los Angeles, Corning Museum of Glass (2010); H . Roemich and Pisanello’s Topknot: Facing up to Fifteenth-century May 2010 . “Philip Guston’s Modernist Follies,” s . Weintraub: “Teaching Preventive Conservation: Portraiture, April 2011 . Philip Guston: The Late Work, American Preparing Conservators for the Complex World of Academy, Rome, Italy, May 2010 . “Action Painting Interdisciplinary Decision Making . Proceedings Refigured,” Abstract Connections, Tate Modern, of the Final Meeting of COST Action D42,” London, England, April 2010 . published by Trinity College Dublin, Ireland and

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AlNwsLtr11 mech1.indd 20 9/6/11 12:08:19 PM Edward J. Sullivan Marvin Trachtenberg IFA, PhD 1972 IFA, PhD 1963 Publications: Nueva York: Publications: Building in 1613-1945, ed . plus essay, ime from Giotto to Alberti and New York: Scala Books, Modern Oblivion, London, 2010 . Concrete Yale University Press, 2010; Improvisations: Collages and “Heinrich Klotz in the New Sculptures by Esteban World,” in Remembering Vicente (with Lynn Heinrich Klotz, Karlsruhe, Gumpert), exhibition 2010 . catalogue, New York, Grey Lectures: “Building-in-Time: Thinking and Art Gallery, NYU, 2011 Making Architecture in the Premodern Era,” Lectures: Series of three keynote lecture, Trecento Conference in Honor of lectures on modern and Andrew Ladis, University of Georgia, Athens, GA, contemporary Latin November 2010; “Architecture and Politics at the American art, Bogota, Palazzo Vecchio 1299 to 1313,” EAHN (European Colombia, Universidad Art History Network) Conference, Guemares, de Los Andes, August Portugal, May 2010 . 2010; “Fernando Botero in an International Context,” Reno, Nv . Nevada Katherine Welch Museum of Art, April 2010 . “Exhibitions of IFA, PhD 1994 Identity-based Art: a Valid Concept for Today?” in Publications: “Amphitheater” and “Circus”, conference panel “Museums Here and Now” NYU The Harvard Encyclopedia of the Ancient Greek Abu Dhabi Institute, April 2010; moderator, “L’art and Roman Worlds, ed . J . Elsner et al ., Harvard Haitien d’Aujourd’hui”, NYU in Paris, February University Press, 2010; “Roman Imperial 2010 Architecture” forthcoming in The Blackwell Projects: Advisor, ICAA Documents archive and Encyclopedia of Ancient History, Encyclopedia on book project . Architecture (civic, Roman Empire), ed . s . Mitchell et al ., 2010 . Thelma K. Thomas IFA MA 1982, IFA PhD 1990 Publications: J . Alchermes, ed ., with H . Evans and t .K . Thomas, Anathemata Eortia: Studies in Honor of Thomas F. Mathews, Wiesbaden, Reichert Verlag, 2010 . “Egyptian Art in Late Antiquity,” in a . Lloyd, ed ., A Companion to Ancient Egypt, vol . 2, 2010; “Coptic Textiles in the Dikran G . Kelekian Textile Album of c . 1910,” in Anathemata Eortia: Studies in Honor of Thomas F. Mathews, J . Alchermes, ed ., with H . Evans and t .K . Thomas, (Wiesbaden, Reichert Verlag), 2010; “Coptic Art,” exhibition catalog Coptic Art Revealed, Nadja Tomoum, on the occasion of the Centennial of the Coptic Museum, Cairo, and in association with the Supreme Council of Antiquities in Egypt and Centrum für internationale Migration und Entwicklung (CIM), Frankfurt am Main, forthcoming 2011 . Lectures: “Envision the Habit as a Kind of Compendious Symbol:” Pictorial Traces of the Symbolic Monastic Habit of Evagrius” Conference in honor of the career of Dale Kinney, Eugenia Chase Guild Professor in the Humanities, Bryn Mawr College October 2010; “Apa and Prophet: Visual Portrayals of Shenoute’s Monastic Authority,” St . Shenouda-UCLA XIIth Conference of Coptic Studies, July 2010 .

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AlNwsLtr11 mech1.indd 21 9/6/11 12:08:20 PM Alumni Updates

Conservation ...... 22 project to conserve 19 of its most important and Latest Position: Senior Conservator of Paintings vulnerable Asian scroll and screen paintings . Lectures: “Technical examination and treatment of Asian Art...... 22 three panels of a predella by Sassetta,” AIC Annual Sandhya Jain Patel Meeting, Milwaukee, 2010 Islamic Art...... 23 Conservation CERT 2004, Italian Baroque/ Renaissance Art History, MA 2004 Ancient Near Eastern, Greek & Roman Art. . 23 Mailing Address: 149 Skillman Avenue, PH, Asian Art Brooklyn, NY 11211 Early Christian to Medieval Art...... 24 Email Address: art .conservation@gmail .com Carolyn Maxwell Finn Website: sandhyajain .com Modern/ Chinese, MA 1991 Renaissance to 18th Century Art ...... 26 Latest Position: Specialist, Indian and Southeast Mailing Address: 19 Saddle Ridge Road, Ossining, Asian Art, Christie’s NY 10562 19th Century, Modern & Contemporary Art. 30 Publications: Indian and Southeast Asian Art Email Address: carolyn_finn@yahoo .com auction catalogues (twice yearly), additional special Latest Position: VP, Human Resources, The Other Fields...... 33 sales Nielsen Company . Projects: Continued freelance conservation work Patricia Karetzky Joyce Hill Stoner Chinese Art, PhD 1979 Conservation, MA 1970, Mailing Address: o . Munsterberg Chair of Asian CERT, Conservation 1973 Art, Bard College, Box 5000 Annandale on the Conservation Mailing Address: Hudson, NY 12504 5105 Kennett Pike, Email Address: karetzky@bard .edu Rebecca Capua Wilmington, DE 19735 Website: www .karetzky .com Paper Conservation, MA 2007, Conservation Email Address: Publications: Cui Xiuwen, “Walking on Broken CERT 2007 jstoner@winterthur .org Glass,” Yishu vol . 9, 2010; “Gao Yuan’s ‘Precious Mailing Address: 170 Atlantic Avenue Apt 1, Website: http://www .artcons . Little Angel,’”’ n .paradoxa, January 2011; State Brooklyn, NY 11201 udel .edu/faculty/ud-faculty/ of the Dao in Chinese Contemporary Art, The Email Address: rebecca .capua@gmail .com joyce-hill-stoner Bronx, Lehman College Art Gallery, CUNY, 2010; Latest Position: Assistant Conservator, Latest position: Edward f . and Elizabeth Existential Emptiness The Art of Cui Xiuwen, Metropolitan Museum of Art Goodman Rosenberg Professor of Material Culture, Tina Keng Gallery, Taiwan April 2010; 18% The Publications: “Material Japonisme in American University of Delaware New Works of Xu Yong, 798 Gallery Beijing Art, 1876–1925,” The Book and Paper Group Lectures: At CAA (at the IFA) “Conservators 2010; “Le Deluge, Après Mao” China’s Surging Annual, 2009 . interacting with living artists: When the act Creative Tide An Exhibition of Work by Significant of observing the phenomenon changes the Contemporary Chinese Artists, Cress Gallery of Judy Fox phenomenon .” Art University of Tennessee at Chattanooga, 2010; Conservation, MA 1984, Conservation CERT Honors and Awards: The 2011 College Art “State of the Dao in Chinese Contemporary Art,” 1984 Association/Heritage Preservation Award for The Bronx, Lehman College Art Gallery, CUNY, Mailing Address: Judy Fox Studio, 270 Lafayette Distinction in Scholarship and Conservation . 2010 (Review: Benjamin Genocchio, “View of Street, New York, NY 10012 Projects: 400,000-word book with 76 international Mao’s China and What it Became,” New York Email Address: phocks@earthlink .net authors, co-edited with Rebecca Rushfield, Times, n Y. ./Region, April 8, 2010); “Le Deluge, Website: JudyFox .net forthcoming, 2012 . Après Mao,” China’s Surging Creative Tide An Latest Position: Faculty, New York Academy of Art Exhibition of Work by Significant Contemporary Lectures: “Into Icons” Hartford School of Art, Lindsey Tyne Chinese Artists, Cress Gallery of Art University of NCECA Conference, Philadelphia . Conservation, MA 2010, CERT, Conservation Tennessee at Chattanooga, November 2010 . Projects: Invitational Exhibition of American 2010 Lectures: “Uses of the Past in Contemporary Academy of Arts and Letters, Taiwan Ceramic Mailing Address: 25-05 41st Street, #D1 Astoria, Chinese Art,” Xiamen University Fujian, June Biennial Exhibition, with catalogue . NY 11103 2010; “The Use of Hanzi in Contemporary Email Address: lindsey@lindseytyne .com Chinese Art,” Seventh International Conference Lyn Koehnline Latest Position: Sherman Fairchild Post-Graduate on Hanzi Calligraphy Education, Capital Normal Art Conservation, MA 1984, Conservation CERT Fellow at The Morgan Library and Museum University, Beijing, June 2010 . 1984 Publications: “‘Mechanical’ Drawings in the Age Mailing Address: Koehnline Conservation Studio, of Mechanical Reproduction .” Roy Lichtenstein: The Nancy Chang Lee LLC, 620 SW 21st Street, Richmond, IN 47374 Black and White Drawings, 1961 - 1968, Margaret Han Tomb Potteries, 17-18 Century Spanish Email Address: Holben Ellis and Lindsey Tyne, eds ., New York, Painting (Goya), MA 1990 KoehnlineConservation@gmail .com Morgan Library & Museum, 2010 . Mailing Address: House G, 71 Repulse Bay Road, Latest Position: Working as a paper conservator Hong Kong in private practice, Indiana . Continue, half-time, Serena Urry Email Address: petenan@netvigator .com . at Ackland Art Museum, University of North Conservation, MA 1989 Latest Position: Chairman, Friends of the Hong Carolina at Chapel Hill . With major grants from Mailing Address: The Barnes Foundation, 300 Kong Museum of Art, past 5 years: wide range of IMLS, the Sumitomo Foundation, and the e . North Latch’s Lane, Merion, PA 19003 educational programs for members and the public . Rhodes and Leona B . Carpenter Foundation, Email Address: surry@barnesfoundation .org Ackland Art Museum is in the midst of a major Website: www .barnesfoundation .org

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AlNwsLtr11 mech1.indd 22 9/6/11 12:08:20 PM Ann Wood Norton Kensington, 2011; “Prosopopeia: The Gift of 1999, eds . M . Kiel, n . Landman & H . Theunissen, Asian and Italian Renaissance Art History, MA Tongues, the Tongues of Gifts,” Unwrapping Gifts Electronic Journal of Oriental Studies (EJOS) 1964, PhD 1981 of the Sultans, a symposium in connection with IV, 2001, http://www .let .uu .nl/EJOS; “Selling Mailing Address: 4 Kenilworth Way, Pawtucket, Gifts of the Sultan: The Arts of Giving at the Islamic to the Court: Late Sixteenth Century Shiraz RI 02860 Courts exhibition, Los Angeles County Museum of Manuscripts,” Muqarnas 17, 2000 . “Ottoman Email Address: anorton@providence .edu Art, 2011 . Book Collectors and Illustrated Sixteenth Century Website: www .providence .edu/art/cambodian/ Awards: Emily Floyd Research Grant, Vassar Shiraz Manuscripts,” Revue des mondes musulmans Latest Position: Professor of Humanities in Art College, 2010; Scholar in Residence, Shangri La, et de la Méditerranée: Livres et Lecture dans le History, Providence College, Providence, RI The Doris Duke Foundation, Honolulu, Hawai’i, monde ottoman, [REMMM],1999; “The Grave Publications: Contemporary Religious Art of 2011 . of Sa´dī Shīrāzī as depicted in Sixteenth Century Outer Mongolia: Survival and Regeneration, Projects: Monograph in progress on the Alhambra; Shiraz Copies of his Works,” in Essays in Honour Honolulu, 2011; Mongolian Arts of the Spirit: A “Constructing Interiors at Shangri La, Doris Duke’s of Aptullah Kuran, ed . Çiğdem Kafescioğlu and Story of Renewal After Persecution, Ulaan Baatar, Home in Honolulu, Hawai’i” (essay); “Magreb, Lucienne Thys-Şenocak, Istanbul, 1999 . Ottoman 2011 . el occidente árabe:” Spanish Photojournalism on Material Culture and its European Life, co-authored Honors and Awards: Research Grant for Study of Contemporary Life in North Africa (essay) . with Prof . Nurhan Atasoy, forthcoming, 2011 . Contemporary Religious Arts in Outer Mongolia, Turkman Governors, Shiraz Artisans and Ottoman Summer, 2010 . Layla S. Diba Collectors: Arts of the Book in 16th Century Shiraz, Islamic Art, Persian Istanbul, 2006 . Stephanie Stokes Lacquerwork, MA 1974, Lectures: “On the Iconography of Persian 16th Asian Art, IFA 1983 PhD 1994 century Illustrated Shahnamas,” Kunsthistorisches Mailing Address: 470 Park Avenue #11C, New Mailing Address: Institut, Zurich University, 2011 . “16th Century York, NY 10022 1115 Fifth Avenue, Illustrated Copies of the Shahnama of Firdausi from Email Address: stephaniestokes@aol .com New York NY 10128 Safavid Shiraz,” Los Angeles County Museum of Website: stephaniestokesinc .com Email Address: Art (LACMA), 2010; “Shiraz Painting,” School Latest Position: President, Stephanie Stokes, Inc . Lsdiba2000@yahoo .com of Oriental and African Studies, London, 2009 . (interior decorating firm) Latest Position: Independent 16th Century Safavid Manuscripts,” University Curator & Art Advisor of Delhi, 2009; “Shiraz Venues in 16th Century Publications: Turkmen Silver: Jewelry and Shiraz Illustrations,” Austrian Academy of Science, Islamic Art Ornament from the Marshall and Marilyn Wolf Vienna, 2008 . Collection . Metropolitan Museum of Art, New Olga Bush Haven Press, forthcoming 2011; “Patronage, Art Islamic Art and Architecture, PhD 2006 and Society in the Middle East: A Reconsideration, Ancient Near Eastern, Greek & Mailing Address: 151 College Avenue Apt 2, “ in Art & Patronage: The Middle East, edited by Roman Art Poughkeepsie, NY 12603 Hossein Amirsadeghi and Maryam Homayoun Email Address: olbush@vassar .edu Eisler . London, 2010 . “Muhammad Ghaffari: The Zainab Bahrani Latest Position: Adjunct Assistant Professor of Persian Painter of Modern Life” in Archaeologists Ancient Near Eastern Art, MA 1984, PhD1989 Islamic Art and Architecture, Department of Art, & Travelers in Ottoman Lands, edited by Renata Mailing Address: Department of Art History, Vassar College; Research Fellow, Kunsthistorisches Holod and Robert Ousterhout, catalogue of the Columbia University, 826 Schermerhorn Hall, Institut - Max Planck Institut, Florence, 2011- exhibition at University of Pennsylvania Museum 1190 Amsterdam Avenue, New York, NY 10027 2012 . of Archaeology and Anthropology , Philadelphia, Email Address: zb2101@columbia .edu Publications: “The Art of Spain, North Africa, 2010 . Latest Position: Edith Porada Porfessor of Art and the Western Mediterranean,” catalog of Islamic Lectures: “Bridging the Modern and History and Archaeology, Columbia University Art at The Metropolitan Museum of Art, New Contemporary in Iranian Art .” Asia Society, New Publications: Rituals of War: the body and Haven and London: Yale University Press, 2011, York . “Modern and Contemporary Art of Iran .” violence in Mesopotamia, Zone Books, 2008 . forthcoming; Catalog entries, exhibition catalogue, Arario Gallery, New York . Lectures: As The Slade Professor in the Fine Arts Islamic Art at The Metropolitan Museum of Projects: Iran Modern Exhibition (forthcoming), at Oxford, 2010-2011, delivered in 2011, the first Art, New Haven and London: Yale University Asia Society Museum Oxford Slade Lectures in field of ancient art . Press, 2011, forthcoming; “‘Designs Always Honors and Awards: Rituals of War: the body and Polychromed or Gilded’: The Aesthetics of Color in Lale Uluç violence in Mesopotamia awarded the American the Alhambra,” And Diverse Are Their Hues: Color Islamic Art History, PhD 2000 Historical Association’s Breasted Prize . in Islamic Art and Culture, Proceedings of the 3rd Mailing Address: Istinye cad . Huzur Apt, 92/1, Biennial Hamad bin Khalifa Symposium on Islamic Istinye -Istanbul, TURKEY Robert Steven Bianchi Art, Cordoba, Spain, New Haven and London: Yale Email Adress: laleuluc@hotmail .com Egyptian, Greek, Roman and Modern, PhD 1976 University Press, 2011, forthcoming . Latest Position: Adjunct professor, Bogaziçi Mailing Address: 2032 Barracuda Court, Holiday, Lectures: “Madinat al-Zahra: Urban Design in University, Istanbul FL 34691-9798 Medieval al-Andalus,” Marist College, 2010; Publications: “The Shahnama of Firdausi in the Email Address: thedrbob@verizon .net “Iberian Islamic Architecture: From Medieval Lands of Rum,” the proceedings of the Shahnama Latest Position: Conservateur Collection al-Andalus to Contemporary Andalusia,”Shangri symposium at Pembroke College, Cambridge Antiquités, Fondation Gandur pour l’art/Geneve La, The Doris Duke Foundation, Honolulu, University, ed . Charles Melville, forthcoming . Publications: The Commercial Medium—Winslow Hawai’I, 2011; “Twentieth-Century Architecture “Majālis al-’Ushshāq: Written in Herat, Copied in Homer’s America / Art Posters of France, Tarpon in Spain: National Identity and the Legacy of the Shiraz and Read in Istanbul,” in Proceedings of the Springs, FL, 2011; “Cleopatra: The Woman Muslim Past,” Pennsylvania State University, New 11th International Congress of Turkish Art, Utrecht, behind the Myth,” in Kyriakos Savvopoulos (ed),

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AlNwsLtr11 mech1.indd 23 9/6/11 12:08:20 PM Alumni Updates Continued Ancient Near Eastern, Greek & Roman Art

First Hellenistic Studies Workshop. Alexandria “The Baptistery of Venice in Word and Image,” Publications: Manuscripts, Market and the 12-18 July 2009. Proceedings, Alexandria, 2010 . Source: Notes in the History of Art 30, Winter 2011; Transition to Print in Late Medieval Brittany, “The Princeton Portrait of Alexander the Great,” “From the Myth to the Margins: The Patriarch’s Farnham, Surrey, and Burlington, VT: Ashgate RECORD. Princeton University Art Museum 69, Piazza at San Pietro di Castello in Venice,” Publishing Ltd ., 2010; “The Book Trade in and 2010 . “Mixing - Juxtaposition - Fusion? : Toward Renaissance Quarterly 64, Summer 2011 . beyond the Duchy of Brittany during the Reign and Understanding of the Nature of Egyptian Art Lectures: “Genealogies in Italian Medieval of Anne de Bretagne,” The Cultural and Political of the Late Period,” in r . Manning, a . Mol, and Architecture,” Symposium on Medieval and Legacy of Anne de Bretagne. Negotiating Convention D . van der Zande (ed), The Archaeology of Culture Renaissance Architecture in Honor of Marvin in Books and Documents, ed . Cynthia J . Brown, Contact, Leiden 2010; “Ptolemy I Soter (367/6 Trachtenberg, Institute of Fine Arts, New York, Woodbridge: D .s . Brewer, 2010; “The Librarius to 282 BC),” SHEMU. The Egyptian Society of 2010; “Queen Theodolinda’s Inheritance: The and Libraire as Witnesses to the Evolving Book South Africa 14, April, 2010 . “In the Museums,” Visconti as Princes at San Giovanni in Monza,” Trade in Ducal Brittany,” Pecia 13, 2010; “Hand- Archaeological Tours News 1, November 2009; College Art Association annual conference, New Me-Downs: The (Re)use of Relief Metalcuts by “Nature’s Triune Embrace of Universal Love,” in York, 2011; “Battisteri italiani dopo il Mille: verso Brothers Étienne Larcher at Nantes and Jean The American College of Greece, Athens, 110th una rilettura,” lecture, Università degli Studi Du Pré at Paris,” Bulletin du bibliophile, 2011, Anniversary of Friendship between Greece and Japan. di Firenze, 2011; “Italy’s Medieval Baptistery forthcoming . Masaaki Noda. The Open Mind of Lafcadio Hearn, Building Boom and Ecclesiastical Lordship,” Athens, 2009, with Tadashi Kikugawa, “The lecture, University of Washington, Seattle, Holly Flora Ancient Egyptian Museum, Shibuya, Tokyo,” KMT 2011 .; “Heavenly Waters, Earthly Walls: Italy’s Medieval, PhD 2005 20, Summer 2009 . “The Nahman Alexander,” Magnificent Baptisteries,” lecture,W ake Forest Mailing Address: JARCE 43, 2007 . University, Winston-Salem, NC, 2011 . Woldenberg Art Center, Lectures: “The Commercial Medium —Winslow Honors and Awards: Hewlett Research Travel Tulane University, Homer’s America /Art Posters of France,” Tarpon Grant, Summer 2010 . Villa I Tatti Fellowship, New Orleans, LA 70115 Springs Campus of St . Petersburg College . Harvard Center for Italian Renaissance Studies, Email Address: “Masterpieces of Ancient Egyptian Art from the 2010-2011; Graham Foundation for Advanced hflora@tulane .edu Fondation Gandur pour l’Art” Geneve Collector’s Studies in the Fine Arts, Production Grant, 2011 . Website: http://tulane .edu/ Circle lecture, Museum of Fine Arts, St Petersburg, Projects: The Italian Piazza Transformed: Parma’s liberal-arts/art/flora .cfm fl . City Center in the Communal Age, in press with Latest Position: Associate Professor of Art History Honors and Awards: Visiting professor, The Pennsylvania State University Press . Research in (with tenure) Alexandria Center for Hellenistic Studies, Egypt . progress, new book project: Sanctified in Water, Publications: Book: The Devout Belief of the Projects: A.D. 79. The Art of Ancient Rome, Tokyo, Sealed in Stone: The Italian Baptistery from 1000 Imagination: The Meditations on the Life of Christ Taguchi Fine Art, Ltd ., 2010; Respect. Idols of Our to 1500 . Organized a conference on The Material and Female Franciscan Spirituality in Trecento Italy, Ancestors, Tokyo: Taguchi Fine Art, Ltd ., 2009 . Culture of the Italian Signori, 1200-1600, to be held Turnhout, Brepols, 2009; articles: “Empathy and on June 2011, Villa I Tatti, Harvard University Performative Vision in Oxford Corpus Christi College Andrew J. Clark Center for Italian Renaissance Studies . Ms . 410, Ikon: A Journal of Iconographic Studies, 3, Greek and Roman Art, MA 1973, PhD 1992 2010; “Women Wielding Knives: The Image of the Mailing Address: 5063 Gloria Avenue, Encino CA Mary B. Moore Virgin Circumcising the Christ Child,” in The Christ 91436 Greek and Roman, PhD 1971 Child in the Middle Ages and Renaissance, ed . Mary Email Address: andrew .jay .clark@gmail .com Mailing Address: 444 East 75th Street Apt 21-C, Dzon and Theresa Kenney, University of Toronto Latest Position: Independent Scholar New York, NY 10021 Press, 2011; “Gender, Image, and Devotion: Two Publications: English translation of M . Cygielman, Email Address: mbmoore@mindspring .com Illustrated Manuscripts of the Meditatione Vitae ed ., La Minerva di Arezzo, Florence 2010; preface Latest Position: Professor of Art History, Emerita, Christi,” in Proceedings of the Franciscan Institute for w . von Bonin, Alexander Mihaylovich, Cologne Hunter College - CUNY Conference on Franciscan Art, Denver, ed . Xavier 2011 . Publications: “The Hegesiboulos Cup,” Seubert, forthcoming 2012; “Patronage,” Studies in Project: Attic Black-figured Olpai and Oinochoai, Metropolitan Museum Journal, 2008; “Hephaistos Iconography, 33, forthcoming, 2012 . Allard Pierson Series, University of Amsterdam . Goes Home: An Attic Black-figured Column- Lectures: “The Art of Devotion in Late Medieval krater in the Metropolitan Museum,” Metropolitan Italy,” Saturday Lecture Series, The Cloisters, 2010; Areli Marina Museum Journal, 2010; “Kleitias, Dionysos and “Cimabue and the Franciscans in Rome, c . 1288- Romanesque Art, Gothic Art, Italian Art 1300- Cheiron,” Bulletin Antieke Beschaving, 2011 1292,” The American Academy in Rome, 2010; 1500, PhD 2004 “Franciscan Exegesis and the Figural Invention Mailing Address: 404 s . Willis Avenue, of Cimabue,” The American Academy in Rome, Champaign, IL 61821 Early Christian to Medieval Art 2011; “The Meditationes Vitae Christi and the Email Address: amarina@illinois .edu Franciscans in Pisa, c . 1350,” Scuola Normale Latest Position: Committee to Rescue Italian Art Diane E. Booton Superiore, Pisa, Italy, 2011; “The Curator’s Fellow 2010-11, Villa I Tatti, Harvard University Medieval Art, PhD 1994 Dilemma: Collecting and Issues of Repatriation,” Center for Italian Renaissance Studies; Assistant Mailing Address: 49 Harvard Ave Apt 4, Brookline University of Siena Law School, 2011 . Professor, History and Preservation Program, MA 02446 Honors and Awards: Millicent Mercer Johnsen School of Architecture, University of Illinois Email Address: diane .booton@gmail .com Postdoctoral Rome Prize in Medieval Studies, Publications: “Magnificent Architecture in Website: http://independent .academia .edu/ 2010-11; Tulane Provost’s Research Award 2010; Late Medieval Italy,” in C . Stephen Jaeger, ed ., DianeBooton/Papers Newcomb Institute for Research On Women Magnificence and the Sublime in Medieval Aesthetics: Latest Position: Staff Assistant, Student Affairs and fellowship 2010 Art, Architecture, Literature, and Music, The New Fellowships, Graduate School of Arts and Sciences, Projects: Cimabue, the Franciscans, and Artistic Middle Ages, New York: Palgrave Macmillan, 2010; Harvard University Change in Late Medieval Italy

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AlNwsLtr11 mech1.indd 24 9/6/11 12:08:20 PM Leslie M. Freudenheim Projects: Mixed-media collages in Faculty Paul N. Perrot Medieval Art & Architecture, MA 1966 exhibition Medieval Art/Classical Renaissance, MA 1952 Mailing Address: 1200 5th Avenue Apt 5B, New Mailing Address: 5440 Eagles Point Circle #305, York, NY 10029 Susan L’Engle Sarasota, FL 34231-9172 Email Address: leslie@freudenheim .com Medieval Manuscript Studies, PhD 2000 Email Address: paulnperrot @comcast .net Latest Position: Retired Mailing Address: 4501 Maryland Avenue, Apt . Latest Position: Director, Santa Barbara Museum Publications: “William Morris’ Impact on the San 303, St . Louis, MO 63108 of Art 1991-1995, Director, Virginia Museum Francisco Bay Region 1864-1910” William Morris Email Address: lengles@slu .edu of Fine Arts, 1984-1991, Assistant Secretary for Society US Newsletter, June 2011; “a . Page Brown, Website: http://slulink .slu .edu/special/vfl/index . Museum Programs, Smithsonian Institution, Architect” The Grove Encyclopedia of American html 1972-1984, Director, Corning Museum of Art 2010; “Oscar Wilde, Joseph Worcester and a Latest Position: Assistant Director, Vatican Film Glass, 1960-1972, Assistant Director, Corning Pre-Raphaelite Brotherhood in the Bay Area,” The Library, Saint Louis University Museum of Glass, 1954-1960, Assistant to the Pre-Raphaelite Society Newsletter of the United States, Publications: Forthcoming:“The Pro-active Director, Corning Museum of Glass, 1952-1954, 2010. Reader: Learning to Learn the Law,” in Medieval Assistant, The Cloisters, 1948-1952 , President, Lectures: “The Impact of William Morris, John Manuscripts, Their Makers and Users: A Special New York Association of Museums, President, Ruskin, Oscar Wilde and the Pre-Raphaelites Issue of Viator in Honor of Richard and Mary Rouse, Northeast Conference of the American Association on the Architecture, Furniture and the Art Turnhout, 2011; “Staging the Liber regulae,” of Museums . Chairman, Professional Relations of the San Francisco Bay Region” Delaware in Illuminating the Liber Regulae, Florence, Committee . Secretary and Vice president, Conference, “Useful & Beautiful,” 2010; “Gustav Kunsthistorisches Institut Florenz, Max-Planck American Association of Museums . Member Stickley, Joseph Worcester and the San Francisco Institut für Kunstgeschichte, 2011 . of Council, Chairman Finance and Program Swedenborgian Church” presented at The Stickley Projects: A book on Iconographies of Law; another Committee . President, International Center for Museum, Craftsman Farms, NJ, 2010 . on Three Italian Manuscripts of the Roman de Troie Conservation (ICCROM), Rome . Vice President Projects: Volunteer, Metropolitan Museum of International Council of Museums (ICOM), Art, 2007-present; Film Commentary: One of A. Dean McKenzie Paris . Chairman, US ICOM . Trustee, Winterthur several scholars presenting commentary in the Medieval Art, IFA, PhD 1965 Museum and Gardens . Chairman, National documentary filmDesigning with Nature: Arts & Email Address: Museum Act . Chairman, Visiting Committee, Crafts Architecture in Northern California, produced mckenzie@uoregon .edu Getty Conservation Institute by Emmy Award-winning producer Paul Bockhorst Latest Position: co-author Honors and Awards: Chevalier de l’Ordre des in cooperation with the Berkeley Architectural with Professor Ann Nicgorski Arts et Lettres, France . Secretary’s Gold Medal, Heritage Association, 2009 . Publications: Glory of Kings: Smithsonian Institution . ICCROM Award, Ethiopian Christian Art from Catherine Coffey Award, Mid Atlantic Association Dale Kinney Oregon Collections of Museums . Centennial Honor Roll, American Medieval and Byzantine, MA 1967, PhD 1975 Lecture: “What’s Unique Association of Museums Mailing Address: 427 Conshohocken State Road, About the Trinity” Round Table Club of Eugene, Bala Cynwyd, PA 19004 Eugene, Oregon Rebecca Reynolds Email Address: dkinney@brynmawr .edu Medievalist, Reborn Americanist, MA 1992 Latest Position: Retired from Bryn Mawr College Anita Moskowitz Mailing Address: 29 Ferry Street, Publications: “Edilizia di culto cristiano a Roma Italian Medieval and Gloucester, MA 01930 e in Italia centrale dalla metà del IV al VII secolo,” Renaissance Art, Email Address: rebecca@rebeccareynolds .com in Storia Dell’architettura italiana da Costantino a MA 1971, PhD 1978 Latest Position: Curator, Margaret Cassidy and Carlo Magno, ed . s . De Blaauw, Milan, 2010 . Mailing Address: John Paul Manship Collection Lectures: “The Translation of Objects,” Loyola 420 Riverside Drive, Apt 8G University Chicago, 2010; “Spolia as Signifiers New York, NY 10025 Lucy Freeman Sandler in Twelfth-Century Rome,” 17th International Email Address: anita . Romanesque/Gothic, PhD 1964 IRCLAMA Colloquium, Motovun, Croatia, 2010 moskowitz@stonybrook .edu Mailing Address: 60 East 8th Street 19E, New “Romanità a Roma: le basiliche del XII e XIII Latest Position: York, NY 10003 secolo fra tradizione e innovazione,” Convegno Professor of Art History Email Address: lucy .sandler@nyu .edu Internazionale di Studi sulla Cattedrale Cosmatesca Publications: The Façade Reliefs of the Cathedral of Latest Position: Helen Gould Sheppard Professor di Civita Castellana, Civita Castellana, 2010 . Orvieto, text by Anita Moskowitz; photographs by of Art History, emerita, New York University David Finn, Brepols . Harvey Miller Publications, Publications: “Rhetorical Strategies in the Pictorial Stephen Lamia 2009; “‘Dell’ Anima Trasmigrata’: Desiderio da Imagery of Fourteenth-Century Manuscripts: Medieval Art, MA 1973 Settignano and Giovanni Bastianini,” Atti del The Case of the Bohun Psalters,” in Rhetoric Mailing Address: 269 West 72nd Street, New Convegno . Desiderio da Settignano, Florence, beyond Words, Delight and Persuasion in the Arts York, NY 10023 forthcoming . of the Middle Ages, edited by Mary Carruthers, Email Address: LamiaS@dowling .edu Lectures: Conference co-chair, CAA Annual Cambridge, 2010; “Written with the Finger of Latest Position: Professor of Visual Arts & Meeting, New York, 2012: Introduction, “Carved- God’: Fourteenth-Century Images of Scribal Director of the Honors Program, Dowling College Recarved: the Surface of Sculpture .” Practice in the Lichtenthal Psalter,” in Teaching Publications: “Nostalgia, Memory and loca Projects: The Nineteenth-century Reception of the Writing, Learning to Write: Proceedings of the sancta: Romanesque Monuments as Macrocosmic Renaissance and the Sculpture of Giovanni Bastianini: XVIth Colloquium of the Comite International de Pilgrimage Souvenirs” in Monuments and Authentic Deception or Deceptive Authenticity?, book Paleographic Latine, edited by P . r . Robinson, Monumentality in Medieval and Early Modern manuscript in preparation . London, 2010; “Mary de Bohun’s ‘Livret de saintes’ Europe, at The University of Stirling, Scotland in Copenhagen,” in Tributes to Nigel Morgan,

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AlNwsLtr11 mech1.indd 25 9/6/11 12:08:21 PM Alumni Updates Continued Early Christian to Medieval Art continued

Contexts of Medieval Art: Images, Objects & Renaissance to 18th Century Art Honors and Awards: Research Fellow, National Ideas, edited by Julian M . Luxford and M . a . Gallery of Canada, 2010 Michael, London, 2010; “A ScientificT extbook Michaël J. Amy Projects: Co-curator with Kathleen Monaghan of a for a Noble Student: Sacrobosco’s Treatises in The Renaissance, MA 1989, PhD 1997 contemporary photography show for 2012 . New York Public Library,” in The Medieval Book, Mailing Address: College of Imaging Arts & Glosses from Friends & Colleagues of Christopher Sciences, Rochester Institute of Technology, 73 William L. Barcham de Hamel, edited by James H . Marrow, Richard Lomb Memorial Drive, Rochester, NY 14623 Baroque art, PhD 1974 Linenthal and William Noel, t’Goy, 2010; Email Address: Michael_Amy35@hotmail .com Mailing Address: 218 Harrison Avenue, Highland “One Hundred and Fifty Years of the Study of Website: www .michaelamy .com Park, NJ 08904 the Illuminated Book in England: The Bohun Latest Position: Professor of the History of Art, Email Address: williambarcham@gmail .com Manuscripts from the Nineteenth Century to the College of Imaging Arts & Sciences, Rochester Latest Position: currently retired Present,” in Gothic, Art and Thought in the Later Institute of Technology Publications: Passion in Venice, Crivelli to Tintoretto Medieval Period: Essays in Honor of Willibald Publications: “Art as a Disappearing Act: A and Veronese (The Man of Sorrows in Venetian Sauerlander, edited by Colum Hourihane, Conversation with Dustin Yellin”, in Sculpture, Art), co-authored with Catherine Puglisi, exh . Princeton 2011 . 29, June 2010; “Nothing Outlives Mortality: A cat ., Museum of Biblical Art, New York, 2010; Lectures: “The Bohuns and their Books: Conversation with Kristen Morgin”, in Sculpture, “Private Images for Public Spaces: Religious Art in Illuminated Manuscripts for Aristocrats in 29, April 2010 . Eighteenth-Century Venice,” in Venice in the Age Fourteenth-Century England,” Courtauld Institute, Lecture: “Thoughts on Francis and on the History of Canaletto, exh . cat ., Sarasota FL and Memphis London, Trinity College, Dublin, Glasgow of Art”, Rochester Institute of Technology, April TN, 2009-2010 (Munich, London and New York, University, 2011 . 2011 . 2009) . Honors and Awards: Mellon Emeritus Professor Lectures: February, March 2011: Save Venice, New Fellowship, 2010-2012 Lisa A. Banner York, and Boston: The Man of Sorrows in Venetian Projects: Co-Editor, Studies in iconography, Spanish Baroque through Goya, Art; March 2011: Gallerie dell’Accademia, Venice: 2009-; Member, International Advisory Board PhD 2006 Il Cristo morto ‘on Broadway’; March 2011: Ben for British Library Exhibition 2011-2012, “Royal Mailing Address: Gurion University, Beer Shiva, Israel: Picturing the Manuscripts: The Genius of Illumination; 410 Wynnewood Road, Pursuit of Happiness in the Eighteenth Century; April Member, Visiting Committee, Department of Pelham, NY 10803 2011: National Gallery of Art, Washington DC: Medieval and Renaissance manuscripts, Pierpont Email Address: Public Life and Festivals in Eighteenth-Century Venice Morgan Library and Museum, 2009; Forthcoming lisaabanner@aol .com (in conjunction with the exhibition, Canaletto and publication: Collected essays on the illuminated Latest Position: Co-Curator His Rivals) . manuscripts of the Bohun family and monograph with Jonathan Brown and on the Psalter and Hours of Humphrey de Bohun, Susan Galassi, “The Spanish Manner: Drawings Arthur R. Blumenthal London,British Library MS Egerton 3277, London, from Ribera to Goya,” Frick Collection, 2010- Italian Renaissance Art, Byzantine and Gothic Art, British Library, forthcoming . 2011 . MA 1966, PhD 1984 Publications: Entries, The Spanish Manner: Mailing Address: 1740 Bryan Avenue, Winter Polly Sartori Drawings from Ribera to Goya, SCALA; Review, Park, Florida 32789 15th-16th Century Northern Art and Medieval Benito Navarrete Prieto and Alfonso e . Pérez Email Address: lovingart@cfl .rr .com Art, MA 1983 Sánchez, “Album Alcubierre dibujos,” Master Website: www .lovingart .net Mailing Address: Sotheby’s, 1334 York Avenue, Drawings, 2010; “Bayeu’s Dove of the Holy Spirit Latest Positions: Director emeritus of the Cornell New York, NY 10021 for El Pilar” in Art in Spain and the Hispanic Fine Arts Museum; principle in Loving Art Email Address: Polly .sartori@sothebys .com World: Essays in Honor of Jonathan Brown, ed ., Partnerships, museum consultants Latest Position: Senior Vice President, Head of Sarah Schroth . The Religious Patronage of the Duke Publications: Baroque Painting in Lombardy Department 19th Century European Paintings of Lerma, Ashgate, 2009 (reviewed, Burlington (editing assistance only), 2011 Sotheby’s, New York Magazine, 2010) . Lectures: “In the Light of Naples: Francesco de Honors and Awards: As Head of the 19th Century Lectures: “Elusive Treasures: Drawing on Mura in America,” Italian Cultural Institute, New European Paintings at Sotheby’s in New York, I Velazquez, Ribera and Goya,” College Art York (also at University Club, Winter Park); “How organize two auctions each year . In my November Association, 2011; “Goya in New York to Look at Renaissance Art,” Cornell Fine Arts 2010 auction, a painting by the Victorian artist, Collections,” at Museum of Fine Arts, Boston, Museum; “How to Look at Baroque Art,” Brogan Sir Lawrence Alma Tadema, The Finding of Moses, 2010; “Spanish Master Drawings in North Museum sold for $36 million, setting a record as the most American Collections,” at The Frick Collection, Honors and Awards: Citation/award from NPR/ expensive 19th century European painting ever sold 2010; “Goya and his Predecessors in North PBS station for many years of service to public at auction . American Collections,” SUNY New Paltz; “Jusepe broadcasting Leonardo’s St . John the Baptist,” the National Projects: A museum exhibition in the u .s . on Gallery of Canada, 2010; “Techniques, Media Francesco de Mura (1696-1782), the Neapolitan and Characteristics of Spanish Drawings from the Baroque master, planned 2013-14 . 16th-18th centuries” Rutgers University, 2008; “The Printing Dynasty of Juan de Junta,” Harvard University, Early Modern History Workshop, 2008; “The Selection and Use of Alabaster: A Case Study,” RSA, Montreal, 2011; “Art and the Body in Early Modern Spain,” chair and respondent, RSA, Montreal, 2011 .

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AlNwsLtr11 mech1.indd 26 9/6/11 12:08:21 PM Suzanne Boorsch and Sculpture, in The Burlington Magazine; “A “Venetian Views by Carlevarijs, Canaletto and Renaissance, MA 1975 Responding Sensibility,” The New Republic. Guardi: Attributions, Dating and a Bit of History”, Mailing Address: Yale University Art Gallery PO Lectures: “Titian and Tragedy” The Frick and 11 entries, La Serenissima: Eighteenth-Century Box 208271, New Haven, CT 06520-8271 Collection . Venetian Art from North American Collections, Latest Position: Robert l . Solley Curator of Prints, Oklahoma City Museum of Art, 2010 Drawings, and Photographs Yassana Croizat-Glazer Lectures: “Side by Side: Oberlin’s Masterworks at European Art outside Italy, 1400-1600; Italian Art, the Phillips”, The Phillips Collection, 2010; “Larger Michael A. Brown 1300-1500, MA 2001, PhD 2008 than Life: Ter Brugghen’s Saint Sebastian Tended Colonial Latin American Art, MA 1999 PhD 2011 Email Address: croizatglazer@nyu .edu by Irene”, National Gallery of Art, 2011 Mailing Address: Denver Art Museum, 100 w . Latest Position: Jane and Morgan Whitney Fellow, Honors and Awards: Selected , 2011 fellow, the 14th Ave Pkwy, Denver, CO 80204 European Sculpture and Decorative Arts, The Center for Curatorial Leadership Email Address: mbrown@denverartmuseum .org Metropolitan Museum of Art Projects: Co-curator, “Larger than Life: Ter Latest Position: Mayer Curatorial Fellow, New Lectures: “Beauty Secrets: the Art of Cosmetics and Brugghen’s Saint Sebastian Tended by Irene”, World Department, Denver Art Museum Perfumery in Renaissance France,” ifa . (March National Gallery of Art, 2011; Reinstallation of the Publications: “D .C . Stapleton: Collecting Spanish 2010) “The Power of Transformation: Courtly permanent collection of the Allen Memorial Art Colonial Art in Colombia and Ecuador from the Mommeries and Mascarades in Sixteenth-Century Museum, Oberlin College, to open late summer Gilded Age to the First World War,” in The Arts France,” Metropolitan Museum of Art . 2011 . of South America: 1492-1850, ed ., Donna Pierce, Denver Art Museum, 2010; “The Image of an Alan Phipps Darr Joellyn T. Duesberry Empire: Portraiture in Spain and the Viceroyalties Renaissance, MA 1975, PhD 1980 15th-17th Century Landscape Drawings, MA 1967 of New Spain and Peru,” in Painting of the Publications: “Donatello, Desiderio and Geri Mailing Addresses: 2800 East Willamette Lane, Kingdoms: Shared Identities: Territories of the Spanish da Settignano, and Sculpture in Pietra Serena Greenwood Village, Colorado, 8012; 35A-BARN/ Monarchy, 16th-18th Centuries, ed ., Jonathan for a Boni Palace and Elsewhere in Florence: A STUDIO Thimble House Trail Brown . Meixico, D .f .: Fomento Cultural Banamex, Reassessment”, to be published in The Proceedings Millbrook, New York, 12545 2010; “La Imagen de un Imperio: el arte del retrato of the International Conference on Desiderio da Email Address: studio@joellynduesbery .com en España y los virreinatos de Nueva España y Settignano, conference held Villa I Tatti and Website: www .joellynduesberry .com Perú,” Pintura de los reinos: identidades compartidas Kunsthistorisches Institute in Florence, 2007, Publications: “Retrospective of 50 years’ landscape : territorios del mundo hispaìnico, siglos XVI-XVIII, forthcoming 2011-12; “Pietro Torrigiani and His painting,” Colorado Springs Fine Arts Center, ed ., Jonathan Brown . Meìxico, D .f .: Fomento Sculpture in Henrician England: Sources and June- September 2011, “Elevated Perspective: the Cultural Banamex, 2009 . Influences” inHenrici-Medici: Artistic Links between paintings of Joellyn Duesberry”, Rose Fredrick Lectures: “Alonso López de Herrera and the the Early Tudor Courts and Medicean Florence; Villa Publications, June 2011 . “Plein Air Magazine”, Foundation of Portraiture in New Spain,” I Tatti, Florence, and the Paul Mellon Centre, August 2011; “Southwest Art Magazine”, summer Renaissance Society of America, Montreal, 2011; London, conference held 2007, Yale University 2011 “Tales from the Vault: Gregorio Vásquez in the Press, forthcoming 2012; “A 19th century Royal Projects: PBS Film “Joellyn Duesberry, Life and Denver Art Museum .” Denver Art Museum, 2011; Sèvres ‘Déjeuner Chinois Réticulé’: An important Work”; Century Association Life Membership, NY; “From Quito to Bogotá: Treasures of Spanish New Acquisition at the Detroit Institute of Arts” to Governor’s Art Award, Colorado Colonial Art from the Stapleton Collection .” be published in the French Porcelain Society Journal, Phoenix Art Museum, 2010; “Displaying Art Volume IV, for the French Porcelain Society Wayne Franits Today: An Interview with Collector Jan Mayer .” Symposium in honor of Tamara Preaud, 2009, Seventeenth and Eighteenth-Century Art, PhD Frick Collection, New York, 2010 . forthcoming 2012 . 1987 Mailing Address: Professor of Art History, Andrew Butterfield Andria Derstine Department of Art and Music Histories, Syracuse Renaissance, PhD 1992 17th-18th c . Art, MA 1996, University Suite 308 Bowne Hall, Syracuse, NY Mailing Address: Andrew Butterfield Fine Arts, PhD 2004 13244-1200 LLC, 197 Broadway, Pleasantville, NY 10570 Mailing Address: Email Address: wefranit@syr .edu Email Address: Andrew@andrewbutterfield .com Allen Memorial Art Museum, Website: http://finearts .syr .edu/franitsbio .htm Website: www .andrewbutterfield .com Oberlin College, Latest Position: Professor of Art History Latest Position: President 87 North Main Street, Publications: “Gabriel Metsu and the Art of Publications: Body and Soul: Masterpieces Oberlin, OH 44074 Luxury,” in: exhib . cat . Gabriel Metsu, Dublin, of Italian Renaissance and Baroque Sculpture, Email Address: National Gallery of Ireland; Amsterdam, exhibition catalogue, New York, 2010 . Titian and Andria .Derstine@oberlin .edu Rijkmuseum; Washington D .C ., National Gallery the Golden Age of Venetian Painting, co-authored Website: http://www .oberlin .edu/amam/ of Art, 2010-11 . with Michael Clark and Edgar Peters Bowron, Latest Position: Curator of Collections and exhibition catalogue, The High Museum of Art, Curator of European & American Art the Minneapolis Institute of Arts, and the Museum Publications: Allen Memorial Art Museum, of Fine Arts, Houston, 2010-2011; “Gossart: The Oberlin College: Highlights from the Collection, Glow of Inspiration,” The New York Review of Allen Memorial Art Museum (in conjunction Books; “Titian and the Rebirth of Tragedy,” The with Marquand Books, Seattle), 2011; Entry on New York Review of Books; “A ‘Virgin and Child’ Lorenzo Tiepolo, European Treasures, International attributed to Andrea Sansovino,” The Burlington Gothic through Realism/Tesoros Europeos, Gótico Magazine; “The Fierce Emotions of Siena,” The Internacional hasta el Realismo, El Paso Museum of New York Review of Books; Review of Leonardo Art, El Paso Museum of Art Foundation, 2010;

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AlNwsLtr11 mech1.indd 27 9/6/11 12:08:22 PM Alumni Updates Continued Renaissance to 18th Century Art continued

Carina Fryklund Mary Tavener Holmes Further Thoughts on a “New” Thebaid,” in New Northern Renaissance and Baroque-Rococo, MA 1979 PhD 1986 Studies on Old Masters: Essays in Renaissance Art Baroque Art, MA 1985, Mailing Address: 7 West 81st Street 20B, New in Honour of Colin Eisler, ed . J . Garton and D . PHD 2000 York NY 10023 Wolfthal . Essays and Studies, ed . K . Eisenbichler, Mailing Address: Email Address: tav@acedsl .com 26 . Toronto: Centre for Renaissance and Nationalmuseum, Publications: Franzosische Gemalde I: Die Reformation Studies, 2011; “The Church and PO Box 161 76, S-103 24 Gemalde Antoine Watteaus und seines Kreises, w/ Desert Fathers in Early Renaissance Florence: Stockholm, SWEDEN Christoph Martin Vogtherr et al, Berlin 2011 . A Further Thoughts on a “New” Thebaid,” in New Email Address: Giraffe goes to Paris, Marshall Cavendish Children’s Studies on Old Masters: Essays in Renaissance Art CFD@nationalmuseum .se Books, 2010; “Nicolas Lancret: Ile de France ou Ile in Honour of Colin Eisler, ed . J . Garton and D . Website: www .nationalmuseum .se de Cythere?” Techne, 2010 . Wolfthal . Essays and Studies, ed . K . Eisenbichler, Latest Position: Research Curator, National 26 . Toronto: Centre for Renaissance and museum, Department of Research, Archives, and William Hood Reformation Studies, 2011 . Review of Michelangelo Library . New appointment as Senior Curator Italian Renaissance and in Print: Reproductions as Response in the Sixteenth of Prints and Drawings, Nationalmuseum, Baroque, PhD 1976 Century by Bernadine Barnes and Michelangelo. The Department of Collections . Mailing Address: Artist, the Man and his Times by William Wallace . Publications: f . Lammertse, C . Fryklund, a . 141 East 55th Street Apt 6-H, caa.reviews, 2011 . Boersma, Masterpiece or Copy? Two Versions of New York, NY 10022 Lectures: “Burial Practices in Renaissance Florence, Anthony van Dyck’s St Jerome with an Angel, Email Address: whood@ ca . 1250-1480,” Renaissance Society of America Rotterdam, Museum Boijmans van Beuningen, and williamhoodfinearts .com Annual Meeting, Montreal, 2011; “The Badia of Stockholm, Nationalmuseum, 2009; G . Cavalli- Website: www .williamhoodfinearts .com Florence: Art and Observance in a Renaissance Björkman, C . Fryklund, K . Sidén, Dutch and Flemish Latest Position: Visiting Professor, Columbia Monastery,” Visual Culture Colloquium, Lamar Painting, III: Flemish Paintings, ca 1600- ca 1800, University Dodd School of Art, University of Georgia, Athens, Stockholm, Nationalmuseum, 2010; C . Fryklund, Projects: Fortunes of the Male Nude (Book in 2010; The Badia of Florence: Art and Observance ”The Flemish Painter Adriaen van Stalbemt : Two preparation) in a Renaissance Monastery. Bloomington: Indiana Newly Discovered Paintings in the Collections of University Press, 2011 . the Swedish National Museum of Fine Arts,” in New Isabelle Hyman Honors/Awards: Lila Acheson Wallace Publications Studies on Old Masters: Essays in Renaissance Art in Italian Renaissance Architecture, MA 1966, PhD Grant at Villa I Tatti, 2010 [The Badia of Florence: Honor of Colin Eisler, eds . J . Garton and D . Wolfthal, 1968 Art and Observance in a Renaissance Monastery. University of Toronto, Center for Renaissance and Mailing Address: 1125 Park Avenue, New York, Indiana University Press, 2011] . Reformation Studies, 2011; C . Fryklund, Late Gothic n .Y . 10128 Wall Painting in the Southern Netherlands, Turnhout/ Email Address: isabelle .hyman@nyu .edu Deborah Lipton London, Brepols, 2011 . Latest Position: Professor Emerita, Department of Italian Renaissance, PhD 1974 Lectures: “Netherlandish Altarpieces for Sweden: Art History, New York University . Mailing Address: 200 East 36th Street #14D, New The Patronage of Bishop Cordt Rogge of Strängnäs,” Lectures: “The Architecture of Marcel Breuer and York, NY 10016 Annual Meeting of The Renaissance Society of Mid-Century Modernism .” Muscarelle Museum of Email Address: deborah .newyork@gmail .com America, Fondazione Cini, S Giorgio Maggiore, Art, College of William and Mary . Latest Position: Major Gift Officer, Cornell Venice, April 2010; ”Masterpiece or Copy? Two University New York City office Versions of Anthony van Dyck’s St Jerome with an Anne Leader Angel,” Nationalmuseum, Stockholm, May 2010 Italian Renaissance, Leatrice Mendelsohn Projects: Preparing a catalogue raisonnée of the MA 1995, PhD 2000 Renaissance Art and Architecture, MA 1968 Netherlandish and Flemish master drawings in the Mailing Address: Ancient and Medieval, PhD 1978 collections of the Nationalmuseum, a research- and 820 W Marietta Street NW Email Address: Personna@nyc .rr .com cataloguing project jointly funded by The Getty Apt 1463, Latest Position: Independent Appraiser and Foundation and the Swedish Academy of Letters, Atlanta, GA 30318 Consultant to O’Toole Ewald Art Associates History and Antiquities . Email Address: annecleader@gmail .com Publication: Catalogue Entry: the Panciatichi Holy Latest Position: Professor, Savannah College of Art Family in the Strozzi Palace, Bronzino exhibition Joshua Glazer and Design — Atlanta catalogue, Oct . 2010 Italian Art, 1300 – 1600, MA 2002, PhD 2008 Publications: Review, Leonardo da Vinci and Lectures: RSA California, 2009 Sirens, their origins Email Address: jglazer@christies .com the Art of Sculpture by Gary M . Radke . Exh . cat . and signification in the Renaissance. RSA Venice Latest Position: Associate Specialist, Old Master Atlanta and New Haven, 2009, and exh . Atlanta, 2010 Organizer and Chair of session on New Paintings, Christie’s New York 2009 – 2010 and J . Paul Getty Museum, 2010; Perspectives on the Paragone . caa.reviews, 2010 . Leonardo in Atlanta and Los Projects: Tentative book title: Style in 16th century Steven Haas Angeles . The Newsletter of the Italian Art Society 22, Italian Art. (including some previously delivered 17th Century Painting, MA 1970 2010; Review, Titian and the Golden Age of Venetian papers) Mailing Address: 150 East 69th Street, New York, Painting by Edgar Peters Bowron, ed . Exh . cat . New York 10021 Atlanta, Minneapolis, and Houston, 2010 and exh . Email Address: stevenhaas@earthlink .net Atlanta, 2010 – 2011; The Minneapolis Museum Latest position: George Platt Lynes Foundation, of Arts,2011; Houston, 2011 . caa.reviews, 2010; Director Titian Takes a Three-City Tour . The Newsletter Publications: George Platt Lynes: The Male Nudes of the Italian Art Society 23, 2011; “The Church (Rizzoli) and Desert Fathers in Early Renaissance Florence:

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AlNwsLtr11 mech1.indd 28 9/6/11 12:08:23 PM Elizabeth Helman Minchilli Projects: “Rembrandt in America .” Co-curator . Haven: BGC/Yale University Press, 2004; Stefanie 16th Century Renaissance Gardens, MA 1986 North Carolina Museum of Art (Oct 2011 – Walker and Frederick Hammond, eds . Life and Mailing Address: Via Baccina 59, Rome Italy Jan 2012), Cleveland Museum of Art (Feb 2012 – the Arts in the Baroque Palaces of Rome: Ambiente 00184 May 2012), and Minneapolis Institute of Arts Barocco New York/New Haven: BGC/Yale Email Address: elizabeth@elizabethminchilli .com (Jun 2012 – Sep 2012) . University Press, 1999 . Website: www .elizabethminchilli .com Lectures: “Renaissance Jewels of Bavaria”, Latest Position: Writer Harriet F. Senie American Society of Jewelry Historians, New York; Publications: Italian Rustic, Artisan 2009 . Italian Renaissance, PhD 1981 “Furnishings, Objects, and the Designed Interior,” Contributes to over 40 magazines including Mailing Address: 215 Sackett Street, Brooklyn, Getty Research Institute, Los Angeles Architectural Digest, Travel & Leisure, Food & NY 11231 Honors: Craig Hugh Smyth Fellowship, Villa Wine, etc . Email Address: hfsenie@gmail .com I Tatti, 2006; Honorary member, the Roman Projects: Just published two travel apps, Eat Rome Latest Position: Director of Museum Studies; goldsmith’s guild (Nobil Collegio di Sant’Eligio), and Eat Florence . professor of art history: City College, CUNY; The 2005; Fellow, American Academy in Rome, 2001 Graduate Center, CUNY Projects: The Roman Baroque designer Giovanni Derek A. R. Moore Lectures: “Public Art and Community” Fort Paolo Schor; the silver collection of Cardinal Pietro Renaissance, MA 1980, PhD 1988 Pierce, FL Aldobrandini; German Renaissance jewelry Mailing Address: 15 Pine Grove Avenue, Summit, Projects: Co-editor of Public Art Dialogue, a bi- NJ 07901 annual journal published by Taylor & Francis, Jack Wasserman Email Address: Derek .moore@som .com starting 2011; Co-director, Public Art Dialogue, a PhD 1961 Latest Position: Associate, Skidmore, Owings & CAA-affiliated organization Mailing Address: 409 Pine Street, Philadelphia, Merrill, LLP PA 19106 Lectures: “Planning the Denver Union Station Sandra Sider Email Address: wass@temple .edu Transit District,” AIA New York; “Designing the Gothic Renaissance, MA 2004 Publications: “The ‘St . Matthew’ Tondo for the New Integrated Terminal at Mumbai International Mailing Address: 3811 Orloff Avenue, Bronx, NY Capponi Chapel in s .felicita, Florence,” The Airport,” Brussels; “New Trends in Terminal 10463 Burlington Magazine, January 2010; Pontormo in Design,” Denver, Colorado Email Address: sandrasider@mac .com the Capponi Chapel in Santa Felicita in Florence,” Website: www .sandrasider .com Mitteilungen des Kunsthistorischen Institutes in Debra Pincus Latest Position: Independent curator, author, Florenz, LIII, 2009, (appears in 2011 issue) . MA 1963, PhD 1974 artist; President of Studio Art Quilt Associates Mailing Address: 619 Massachusetts Avenue, NE / (2011-2013, www .saqa .com) Dora Wiebenson Washington, DC 20002 Publications: Pioneering Quilt Artists, 1960-1980: Architecture: Renaissance to Modern, MA 1958 Email Address: d-pincus@nga .gov A New Direction in American Art, 2010 . Mailing Address: 250 Mercer Street, apt . B-1601 Latest Position: Appleton Professor, School of Projects: Exhibition (curator)—New York Fiber Email Address: centropa@rcn .com Visual Arts, Florida State University, Tallahassee, in the 21st Century, Lehman College Art Gallery, Latest Position: Owner, manager, editor, etc . of a Florida . Jan .-April 2002 . Monograph Series(author and editor)—The Studio journal Projects: Attended 2-day Pietro Bembo conference Quilt, Book (co-author)—Coming of Age: 21 Years Publications: Centropa: A journal of the in Padua, organized by the Centro Palladiano, (photographic essay) architecture and related arts of central Europe Vicenza, and presented material from my new project, “The Book Culture of Renaissance Venice .” Mary Stofflet Carolyn C. Wilson Northern Renaissance, MA 1969 Italian Renaissance, Anna Karolina Piotrowska Mailing Address: 1520 California Street Apt 9, Northern Renaissance, Baroque Art, PhD 2009 San Francisco, CA 94109 MA 1970 Mailing Address: P .o . Box 502420 Email Address: stofflet@earthlink .net Mailing Address: Email Address: akp221@nyu .edu Latest Position: Retired curator 2222 Goldsmith Street, Latest Position: Assistant Professor of Art History, Houston, TX 77030 American University of Dubai, United Arab Stefanie Walker Email Address: Emirates Baroque sculpture and decorative arts; MA 1987; cwilson68@hotmail .com PhD 1994 Latest Position: Adjunct Faculty, University of Tom E. Rassieur Mailing Address: 2906 26th Street N, Arlington, Houston, Fall 2010 Renaissance and Baroque, MA 1994 VA 22207 Publications: “Il polittico di Vittore Crivelli Mailing Address: Minneapolis Institute of Arts, Email Address: dstjwalker@gmail .com per San Francesco in Amandola,” Arte Veneta 2400 Third Avenue South, Minneapolis, MN Latest Position: Senior Program Officer, National 66 (2009), 2010; “Saint Joseph in the Early 55404 Endowment for the Humanities Cinquecento: New Readings of Two Parmigianino Email Address: trassieur@artsmia .org Publications: “Born(e) by God’s Breath: Bernini’s Drawings and a Rediscovered Bedoli,” in New Website: www .artsmia .org Angels for the Ponte Sant’Angelo”, Renaissance Studies on Old Masters: Essays in Renaissance Latest Position: John e . Andrus III Curator of Studies in Honor of Joseph Connors, 2011, Art in Honour of Colin Eisler, ed . J . Garton and Prints and Drawings forthcoming; “Benedetto Pamphilj’s Sunflower D .wolfthal, Toronto: Centre for Reformation Publications: “Chapters in Rembrandt’s Life as Carriage and the Designer Giovanni Paolo Schor”, and Renaissance Studies [Essays and Studies 26], a Printkmaker” in Pursuit of Faith: Etchings by Pamphilj and the Arts: Patronage and Consumption 2011; “Sanctus Joseph Nutritor Domini: A Triptych Rembrandt, Shelley Perlove, ed . Dearborrn, 2010 . in Baroque Rome, 2011, forthcoming; Susan Attributed to Jan Gossaert Considered as Evidence Lectures: “Rembrandt’s Learning Curve,” Weber Soros and Stefanie Walker, eds . Castellani of Early Hapsburg Embrace of St . Joseph’s Cult,” University of Michigan, Dearborn, 2010 . and Italian Archaeological Jewelry New York/New in Święty Józef - Patron na nasze czasy. Akta X

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AlNwsLtr11 mech1.indd 29 9/6/11 12:08:23 PM Alumni Updates Continued Renaissance to 18th Century Art continued

Międzynarodowego Kongresu Józefologicznego, Emily Braun Email: mtdewillermin@parisaav .com Kalisz: Centrum Józefologiczne, 2011; http:// Late 19th Century, Modern and Contemporary Website: www .parisaav .com www .josephologie .info/documents/reportages/10- European and American Art, PhD 1991 Latest position: Founder & Managing Director, symp-international-Kalisz-2009-Wilson-English . Mailing Address: 25 East 86th Street, New York, Académie des Arts de Vivre (luxury travel pdf; http://www .josephologie .info/documents/ NY 10028 specialist offering privileged access & educational reportages/10-symp-international-Kalisz-2009- Latest Position: Distinguished Professor, Hunter experiences) Wilson-Italian .pdf . “Joseph as Mary’s Champion: College and the Graduate Center, CUNY and The Distinctive Connection between the ‘Madonna Chair, Art History Program, Hunter College Anna Di Stasi del Giglio,’ the ‘Compagnia di San Giuseppe,’ and Publications: “Saturday Evenings at the Steins’” in 20th Century Art, MA 2008 the Church of San Giuseppe in Florence,” Joseph The Steins Collect: Matisse, Picasso and the Parisian Mailing Address: 20 Pine Street, Suite1814 New of Nazareth through the Centuries, Philadelphia: Avant-garde, ed . Janet Bishop et al .,Yale University York, NY 10005 Saint Joseph’s University Press, 2011 . Entries in B . Press, 2011; “The Modernity of Tradition: The Fine Email Address: anna@latincontemporary .com Dunbar, r . Munman, and e . Olszewski, Sixteenth- Arts in Fascist Italy 1919-1929,” In Reinterpreting the Website: www .latincontemporary .com Century Northern Drawings (Harvey Miller Corpus Past, ed . Irena Kossowska, Warsaw: Polish Academy Latest Position: Principal, Latin Contemporary, of Drawings in Midwestern Collections), 2011 (after of Sciences, 2011; “Bodies from the Crypt and Art Advisors Specializing in Contemporary Art Lucas Cranach the Younger, Jost Amman, Hans Other Tales of Italian Sculpture between the Wars,” from Latin America von Aachen) in Choas and Classicism, ed . Kenneth Silver, Solomon r . Guggenheim Museum, New York, 2010; Michelle Facos “I Saluti dell’amico lontano” (“Greetings from a Modern Art, MA 1983, 19th Century, Modern and Distant Friend”) in La Natura secondo de Chirico, PhD 1989 Contemporary Art ed . Achille Bonita Oliva, Rome: Palazzo delle Mailing Address: Esposizione and Federico Motta Editore, 2010 . 1201 East 7th Street FA 132, Patrick Amsellem (English and Italian editions) Indiana University, Modern & Contemporary Art and Architecture, Lectures: Invited Chair, “Visual Cultures of Bloomington, IN 47405 MA 2000, PhD 2007 the Risorgimento,” Mediating the Risorgimento/ Email Address: Mailing Address: 315 Seventh Avenue 19A, New Risorgimento Mediato,” Sympoisum organized mfacos@indiana .edu York, NY 10001 by John Davis and Massimo Riva, Brown Website: http://www .indiana .edu/~arthist/faculty/ Email Address: patrick .amsellem@nyu .edu University April 2011; “Magic Realism in 1943: facos .shtml Latest Position: Associate Curator of Photography, Reconsidering MoMA’s Exhibition History,” Latest Position: Professor, History of Art, Indiana Brooklyn Museum James Gallery, The Making of Americans Lecture University Bloomington; Adjunct Professor, Jewish Publications: Joakim Eneroth, Short Stories of the Series, The Graduate Center, CUNY, April 2011; Studies, Indiana University Bloomington Transparent Mind, New York: PowerHouse Books, Invited Respondent, Visual Culture in Italy and Publication: An Introduction to Nineteenth-Century 2010 (introduction) . Jesper Just: Romantic Delusions, Germany after Dictatorship and War; Symposium, Art, Routledge, 2011 . New York: Brooklyn Museum of Art, 2008 . Casa Italiana, New York University, April, 2010; Honors and Awards: Fellow 2010-11, Alfried Catalogue . “Spiders and Cells: Louise Bourgeois’ “Making Waves: Giacomo Balla and Emilio Pucci”, Krupp Wissenschaftskolleg Greifswald Experiential Architecture,” Louise Bourgeois. The 1960s Revisited: Fashion, Cinema, Urban Project: www .19thcenturyart-facos .com Maman, ed . Marika Wachtmeister, Stockholm: Space, The Center for the Humanities, Women’s, Atlantis, 2007 . “A Real and Imagined Winter,” Film, and Center for Gay and Lesbian Studies, Deborah A. Goldberg Photo-Eye, winter 2007 . CUNY and the University of Stockholm Center for Modern Art, MA 1990, Lectures: “Experimental Commemoration: Site- Fashion Studies, New York, March 2010 . PhD 2000 specificity, Interactivity, and Monumentality,” Mailing Address: Flower Tower: Symposium on Locational Identity, Claude Cernuschi 10 East End Avenue, 6F, Stavanger, Norway, December 2007 . Modern, MA 1983, PhD (1988) New York, New York 10075 “Spiders and Cells: Louise Bourgeois’ Experiential Mailing Address: Fine Arts/Devlin Hall 431, 140 Email Address: Architecture,” Louise Bourgeois, Maman, The Wanås Commonwealth Avenue, Chestnut Hill, MA 02467 deborahgoldberg@rcn .com Foundation, Wanås, Sweden, March 2007 . Email Address: cernusch@bc .edu Latest Position: Art Historian Projects: Places, 2010-2011, Brooklyn Museum Website: http://www .bc .edu/schools/cas/finearts/ Publication: Co-editor and co-writer, introduction, (co-curator) . Hank Willis Thomas: Unbranded, faculty/arthistory/cernuschi .html w/ Alexandra Keiser, Alexander Archipenko 2010, Brooklyn Museum . Extended Family, 2009- Latest Position: Professor, Boston College Revisited: An International Perspective, Bearsville, 2010, Brooklyn Museum (co-curator) . Jesper Publications: “Defining Self in Kokoschka’s Self- NY, The Archipenko Foundation, 2008 . Essay: Just: Romantic Delusions, 2008-2009, Brooklyn Portraits,” German Quarterly; “Depth and Surface, “’Modeling Light’: Alexander Archipenko’s Plexiglas Museum . 21: Selections of Contemporary Art from Will and Representation: Egon Schiele and Arthur Sculptures .” the Brooklyn Museum, 2008-2009, (co-curator) . Schopenhauer,” in Birth of the Modern: Style and Project: Designed online art history course, Goodbye Coney Island?, 2007, Brooklyn Museum Identity in Vienna 1900, Spring 2010; “The Case “Modern Art: 1880-1945,” for the Museum of for Inferred Intention,” College Art Association Modern Art, New York, 2010 Caroline Boillod Annual Conference, Chicago . Modern Architectural History, MA 2001 Mailing Address: 1150 Park Avenue Apt 9B, New Marie Therese de Willermin (née Aamodt) York, NY 10128 18th & 19th Century French & English Decorative Email Address: cboillod@yahoo .com Arts, MA 1974 Latest position: Senior Vice President, Marketing Mailing Address: 2, rue Donizetti, 75016 Paris, and Investor Relations at Weiss Multi-Strategy France Advisers, a hedge fund 30

AlNwsLtr11 mech1.indd 30 9/6/11 12:08:24 PM Elizabeth Gorayeb About; Jules Olitski, King Kong; Kate Owen, Victor Koshkin-Youritzin MA 2001 Hieroglyphics for the Ear; Michael Singer, Garden 19th and 20th Century Art; Museology, M A 1967, Mailing Address: 123 1st Avenue, New York, NY for the Seasons; and Tony Smith, SMOG . Certificate in MuseumT raining, 1969 (jointly 10003 issued by the Metropolitan Museum and the IFA) . Email Address: elizabeth .gorayeb@sothebys .com Ilona Katzew Email Address: vky@ou .edu Latest Position: Vice President and Head of Modern Art and Latin American Art (Colonial to Latest Position: David Ross Boyd Professor Research, Sotheby’s Impressionist and Modern Art, Contemporary), PhD 2000 of Art History, School of Art and Art History, 1334 York Avenue New York, NY 10021 Mailing Address: Latin American Art, Los Angeles University of Oklahoma; Vice President, National County Museum of Art, 5905 Wilshire Blvd, Los Koussevitzky Recordings Society (which includes Michele Greet Angeles, CA 90036 the former Stokowski Society) . Modern Latin American and European Art, PhD Email Address: ikatzew@lacma .org Publications: “Serge Koussevitzky: Concert 2004 Latest Position: Curator and Co-Department Programs, Paris 1921-28,” on-line journal of the Mailing Address: Associate Professor of Art Head, Latin American Art, Los Angeles County Koussevitzky Recordings Society History, Department of History and Art History Museum of Art Lectures: Inaugural speaker, “Distinguished MS 3G1, George Mason University 4400 Publications: Editor of Contested Visions in the Lecture Series,” Heritage Hall School, Oklahoma University Drive, Fairfax, VA 22030 Spanish Colonial Art (Yale University Press and City: delivered three public lectures: “19th- Email Address: mgreet@gmu .edu Los Angeles County Museum of Art, forthcoming Century French Classical, Romantic, Realist, and Lectures: Paper: “Latin American Artists in Paris 2011; “Valiant Styles: New Spanish Painting, Impressionist Painting,” “How To Judge Art,” between the Wars: Anita Malfatti and Amelia 1700–1785,” in Painting in Spanish America: From Oklahoma Art Education Association Conference, Peláez” Smithsonian Archives of American Art Conquest to Independence, co-eds ., Jonathan Brown University of Oklahoma, Norman; “19th-Century Seminar, 2011; “About Change: Wrestling with and Luisa Elena Alcalá, Yale University Press and French Impressionist Painting,” Charles B . the Image: Caribbean Interventions,” Symposium, El Viso, forthcoming 2011 or 2012; “La saga de Goddard Center for the Visual and Performing Art Museum of the Americas, Washington, DC, los orígenes . Una reinterpretación americanista de Arts, Ardmore, OK; “Degas,” Mabee-Gerrer 2011; Introduction and Discussant College Art dos cuadros de Cristóbal de Villalpando,” Anales Museum of Art, St . Gregory’s University, Shawnee, Association Annual Conference, New York, 2011; del Instituto de Investigaciones Estéticas, Mexico, OK . “A Man from the Virgin Forest of Brazil: Vicente do Universidad Nacional Autónoma de México, Rego Monteiro’s Quelques visages de Paris” Miami forthcoming 2011; “Remedo de la ya muerta Karen J. Leader Art Museum, 2010; “Transatlantic Encounters: América:” The Construction of Festive Rites in Nineteenth Century, MA 2002, PhD 2009 Latin American Artists in Paris between the Colonial Mexico,” in Contested Visions in the Mailing Address: 320 Plaza Real P211, Boca Wars”“Surrealism and the Americas,” Conference, Spanish Colonial Art, ed . i . Katzew, Yale University Raton, FL 33432 Rice University, Houston, 2010; “César Moro’s Press and Los Angeles County Museum of Art, Email Address: karen .leader@nyu .edu Transnational Surrealism” Georgetown University, forthcoming 2011; “Miscegenation and Blood in Latest Position: Assistant Professor of Art History, 2010; “Indigenism as a Modernist Strategy in Spanish America,” in Evonne Levy and Ken Mills, Florida Atlantic University, Boca Raton FL Andean Art” Museo’s Simposio 2010: Nexus New eds .,Lexikon of the Hispanic Baroque, University Publications: “Connaisseuses and Cocottes: Women York, El Museo del Barrio, New York, NY Panel: of Texas Press, forthcoming 2011 or 2012; at the Salon in French Caricature” in Temma “Camilo Egas and New York: A Conversation” Roundtable discussion published as “Of Treasures Balducci and Heather Belknap Jensen eds . Bourgeois (with Anna Indych-Lopez) to Revelations: Mobility and the Multiple Lives of Femininity and Public Space in 19th-Century Projects: Manuscript in progress: Transatlantic the Exhibition The Arts in Latin America, 1492- European Visual Culture, forthcoming, 2011 . Encounters: Latin American Artists in Paris between 1820 . A Curators’ Forum,” Colonial Latin American Lectures: Connaisseuses, Cocottes, and Art as Tart, the Wars Review, 19, 2010 . South Florida Women’s Studies Colloquium . Honors and Awards: NEH and NEA planning Honors and Awards: Lifelong Learning Society John M. Hunisak grants for upcoming exhibition Contested Visions in (Jupiter) Faculty Research and Travel Fund Modern (Nineteenth Century), PhD 1976 the Spanish Colonial World. Projects: ORLAN Resurfacing: Surgery- Mailing Address: 2 Little Pond Road, Middlebury, Projects: Upcoming Exhibitions (LACMA): Performance Photos and New Works; with campus VT 05753 Contested Visions in the Spanish Colonial World, visit by the artist . Stories on the Skin: Tattoo Email Address: hunisak@middlebury .edu November 2011 . Matta: A Retrospective, 2015. Culture at FAU Latest Position: Professor, History of Art and Juan Patricio Morlete Ruiz: The Art of Copying and Architecture, Middlebury College Invention in Eighteenth Century Mexico, 2013-14 . Roxana Marcoci Publications: “Warhol and Opera: Andy’s Secret,” Modern 20th Century Art in exhibition catalogue Warhol Live, Museum of Linda Konheim Kramer Mailing Address: Fine Arts, Montreal, and The Warhol Museum, 19th Century American Art, MA 1968, French The Museum of Modern Art, Pittsburgh, 2009; Whitney Stoddard Memorial Modern, PhD 2000 11 West 53 Street, Lecture, Williams College, 2010: “The First Mailing Address: 372 Central Park West #15P, New York, NY 10019 Decade of the Committee on Art in Public Places New York, NY 10025 Email Address: at Middlebury College” Email Address: Kramerlin@gmail .com Roxana_Marcoci@moma .org Projects: I chaired the committee, which acquired Latest Position: Retired December 31, 2010 Website: www .moma .org and installed the following works on the college’s as Executive Director of the Nancy Graves Latest Position: Curator, Department of campus: Scott Burton, Bench and Table; Dan Foundation . Now, Director Emeritus Photography, The Museum of Modern Art, New Graham, Pavilion (Two-Way Mirror Curved Publications: Linda Konheim Kramer, “Interview,” York Hedge Zig-Zag Labyrinth); Jenny Holzer, Bench in Flora: Paintings by Janet Alling, New York, 2010 . Publications: The Original Copy: Photography (Selections from Truisms); Robert Indiana, of Sculpture, 1839 to Today, New York: The LOVE Cube; Clement Meadmore, Around and Museum of Modern Art, 2010; “From Face to

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Mask: Collage, Montage, and Assemblage in West, New York, New York 10025 Email Address: mel .shahbazian@gmail .com Contemporary Portraiture,” in Modern Women: Email Address: artviews@verizon .net Latest Position: Associate Product Manager Women Artists at The Museum of Modern Art, edited Latest Position: Owner, Art Views at Cnet .com - I work on developing user by Cornelia Butler and Alexandra Schwartz, New engagement products for a popular tech reviews York: The Museum of Modern Art, 2010 . Jason Rosenfeld and news site . Honors and Awards: Recipient of Center for Modern Art, MA 1993, PhD 1999 Curatorial Leadership, New York Email Address: jrosenfeld@mmm .edu Judith B Tankard Projects: Upcoming exhibitions: Projects 96: Haris Latest Position: Distinguished Chair and Associate Modern Architectural History, Epaminonda; Sanja Ivekovi: Sweet Violence—both Professor of Art History, Marymount Manhattan MA 1967 MoMA, 2011 . College Email Address: Lectures: “Millais and ‘the lustre of Titian,’” judith@tankard .net Barbara C. Matilsky The Reception of Titian in Britain, c . 1769- Website: Nineteenth Century and 1877: Artists, Collectors, Critics, International www .judithtankard .com Modern Art, PhD 1983 Conference, University of St Andrews, and School Latest Position: Independent Mailing Address: of Art History, Scotland scholar specializing in the Whatcom Museum, Projects: Pre-Raphaelites: Victorian Avant-Garde, history of landscape architecture 121 Prospect Street, Tate Britain, London, 2012 –2013; National Publications: Beatrix Farrand: Private Gardens, Bellingham, WA, 98225 Gallery of Art, Washington, D .C ., 2013; Pushkin Public Landscapes, The Monacelli Press, 2009; Email Address: Museum of Art, Moscow, 2013 (co-curator Gertrude Jekyll and the Country House Garden: From bcmatilsky@cob .org with Alison Smith, Senior Curator and Head of the Archives of Country Life, Rizzoli, 2011 . Website: www .vanishing-ice .org Acquisitions, Tate Britain, and Tim Barringer, Paul Lectures: Institute of Classical Architecture, Latest Position: Curator of Art, Whatcom Mellon Professor of British Art, Yale University) . Huntington Library, Beatrix Farrand Society, Museum Stephen Hannock: Landscapes, Marlborough Gallery, Chicago Botanic Garden, Mechanics Institute (San Publications: Show of Hands: Northwest Women 40 New York and London, England . Francisco), Temple University, Hill-Stead Museum, Artists, 1880-2010 2010 Projects: Traveling exhibitions: Lesley Dill/ Poetic Samuel Sachs II Honors and Awards: Beatrix Farrand named 2010 Visions: Shimmer, Allegorical Figure and Sister American, MA 1963 Honor Book for the Historic New England Book Gertrude Morgan, 2011; Vanishing Ice: Alpine and Mailing Address: 169 Stone Hill Road, Bedford, Prize Polar Landscapes in Art, 1775-2012, forthcoming NY 10506 2013 . Email Address: ss .ii@verizon .net Anne Umland Latest Position: President, Pollock-Krasner Modern, MA 1988, Tom McDonough Foundation, New York; Director Emeritus, The PhD 1997 Modern Art, MA 1993, PhD 1998 Frick Collection, New York Mailing Address: Mailing Address: 17 Saint John Avenue, Department of Painting & Binghamton, NY 13905 USA Margaret Samu Sculpture, Email Address: tmcdonou@binghamton .edu 19th-century European Art, MA 2004, PhD 2010 The Museum of Modern Art, Website: http://www2 .binghamton .edu/art- Mailing Address: 7410 35th Avenue Apt 208W, 11 West 53rd Street, history/faculty/tmcdonou .html Jackson Heights, NY 11372-8149 NYC, NY 10019 Latest Position: Associate Professor and Chair, Art Email Address: margaret .samu@gmail .com Email Address: anne_umland@moma .org History, Binghamton University Latest Position: The Sylvan C . Coleman and Latest Position: Curator, Department of Painting Publications: “Iñaki Bonillas,” Artforum; Pamela Coleman Memorial Fellow (Postdoctoral), and Sculpture, “The Archivist of Urban Waste: Zoe Leonard, The Metropolitan Museum of Art Publications: “Frida Kahlo, Self-Portrait with Photographer as Rag-Picker,” Afterall; “In Between: Lectures: “Realist Critics and the Female Nude Cropped Hair” and “Georgia O’Keeffe, Farmhouse Tom McDonough in Conversation with Anne in Nineteenth-Century Russia,” Yale University; Window and Door .” In Modern Women: Women Collier,” Fantom; “Trips and Traps,” in Francis Alÿs, “Neo-Primitivism, Rayism, and Abstraction,” Artists at The Museum of Modern Art, Connie Tate and MoMA) “Expropriating Expropriation,” Columbia University; “The Female Nude in Butler and Alexandra Schwartz, eds . New York: in Claire Fontaine: Economies, North Miami, the Age of Russian Realism,” Wellesley College . The Museum of Modern Art, 2010; ed . Joan Miró: MOCA North Miami . “Russian Connections at the Metropolitan Museum Painting and Anti-Painting, 1927-1937, New York: Lectures: Bard Center for Curatorial Studies; Yale of Art,” Metropolitan Museum of Art . The Museum of Modern Art, 2008; “Alberto University; the Banff International Curatorial Giacometti’s Moving and Mute Objects .” In A Fine Institute; São Paulo Bienal; Social Forum for Julie Saul Regard: Essays in Honor of Kirk Varnedoe, Patricia Architecture, Ankara; Cornell University; Institute Modern/Contemporary Art, MA 1982 G . Berman and Gertje Utley eds . London: Ashgate of Contemporary Art, London; University of Mailing Address: Julie Saul Gallery, 535 West Publishing, Ltd, 2008; co-ed . w/Adrian Sudhalter, British Columbia 22nd Street 6th Floor, New York, NY 10011 Dada in the Collection of The Museum of Modern Projects: Sowing the Wind: A History of the Email Address: juliem@saulgallery .com Art . New York: The Museum of Modern Art, 2008 . Situationist International (Reaktion); essays in Projects: “Sarah Anne Johnson Arctic Wonderland” Lectures: Captured Encounters: Documenting Histoire sociale de l’art—une anthologie critique, Julie Saul Gallery, NY . the Surrealist Object, VU Magazine, 1933, CAA, 1930-1990 (INHA) and Kunst und Politik . Chicago, February 2010 . Melissa Shahbazian Projects: The Erotic Object: Surrealist Sculpture from Nancy R. Reinish Early Modern Spanish Painting, MA 2009 the Collection . The Museum of Modern Art, New Modern Art, MA 1978 Mailing Address: 56 Macondray Lane, San York, NY . 2009-2010; Joan Miró: Painting and Mailing Address: Art Views, 336 Central Park Francisco, CA 94133 Anti-Painting, 1927-1937 . The Museum of Modern

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AlNwsLtr11 mech1.indd 32 9/6/11 12:08:25 PM Art, New York, NY . 2008-2009 . Shara Wasserman Honors and Awards: Awarded Curatorial Prize MA 1985 by the Catalan Association of Art Critics, 2009; Mailing Address: AAMC Award for Excellence for Outstanding Via Giampaolo della Exhibition on East Coast, 2009 Chiesa 4 – 00152 Rome, Italy Gertje Utley Email Address: 19th Century, Modern and Contemporary Art, s .wasserman@tiscalinet .it PhD 1997 Latest Position: Art History Faculty and Mailing Address: 19 East 88th Street, PH E, New Director of Exhibitions Temple University Rome York, NY 10128 Campus, Italy; Visiting Critic, Cornell in Rome; Email Address: gutley@rcn .com Independent curator Latest Position: Independent scholar Projects: The Unity of Italy and The USA: A Publications: “Picasso’s politics” The Burlington Bridge of 150 Years, Grazia Toderi, Red Orbits Magazine, September 2010 . curated by Ludovico Pratesi and Shara Wasserman . Lectures: “Picasso and Political Commitment: painting as ‘an instrument of war for attack and Bonnie Yochelson defense against the enemy’,” Picasso Museum, Modern Art, MA 1979 PhD 1985 Barcelona 2010; “Europe Post-War: Art and Mailing Address: 335 Greenwich Street Apt . 2C, Politics; the Situation in England, France and New York, NY 10013 Germany,” Departament de Filosofia, Universitat Email Address: byochelson@gmail .com Autonoma de Barcelona, Fundació Miró, Latest Position: Independent curator Barcelona, 2010; “Paul Gauguin: in Search of Projects: Alfred Stieglitz New York, Seaport Paradise,” for the cruise line Seabourne . “Picasso in Museum New York, 2010 – 2011; book published Love: the Artist and his Muses,” for the cruise line by Skira Rizzoli, 2010 . Seabourne . Alice S. Zimet Heidi Violand Modern, MA 19 74 Modern Art, PhD 1990 Mailing Address: 40 East 88th Street 7A, New Mailing Address: Chalet Igeli CH – 3918, York, NY 10128 Wiler, Switzerland; Roggenstrasse 14D – 70794, Email Address: alice@artsandbusinesspartners .com Filderstadt, Germany Website: www .artsandbusinesspartners .com Email Address: heidi .violand@web .de Latest Position: President, Arts +Business Partners LLC (corporate sponsorship consulting) Debra Wacks Lectures: Regularly lecture/guest speaker regarding MA 1993 Corporate Sponsorship; US Department of State Mailing Address: (Russia, Hungary, Macedonia,Serbia) . Adjunct #A10 Burnside Villa, Professor, New York University; Newest lecture: 9 South Bay Road, “Collecting Photography for Beginners” (Int’l Ctr epulse Bay, Hong Kong of Photography, Camera Club of NY and others) Email Address: dwacks@mindspring .com Latest Position: Part Time Other Fields Professor, Savannah College of Art and Design, Hong Kong Sari Neidell Cohen Publications: “Playing with Dada: Hannah Wilke’s MA 1998 Irreverent Artistic Discourse with Duchamp” Mailing Address: Neuberger Berman, 605 Third in From Diversion to Subversion: Games, Play, Avenue, 19th floor, New York, NY 10158 and Twentieth-Century Art, ed . David Getsy, Email Address: sari .cohen@nb .com Pennsylvania State University Press, 2011; Latest Position: Collections Manager/Assistant Moderator, “Action Script—Symposium on Vice President, Neuberger Berman Art Program Performance Art Practice and Documentation in Asia,” Hong Kong, Asia Art Archive . Kate Zanzucchi MA 1999 Mailing Address: Yale University Press, P .o . Box 209040, New Haven, CT 06520 Email Address: kate .zanzucchi@yale .edu Website: www .yalebooks .com/art Latest Position: Senior Production Editor, Art Books, and Managing Editor, Special Projects

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AlNwsLtr11 mech1.indd 33 9/6/11 12:08:25 PM Alumni donors

The Institute of Fine Arts would like to express its gratitude to all of its alumni who made generous contributions this past year . We are proud to have so many devoted alumni who choose to invest in the future of the Institute . Listed below are alumni who made gifts of $100 or more between 7/1/10 and 7/31/2011 . Thank you!

$35,000 + Elisabeth Dunn Jennifer l . Ball Linda s . Lourie Suzanne Deal Booth Marianne V . Elrick-Manley Mary w . Ballard Constance Lowenthal Anne Bick Ehrenkranz Shelley Fletcher Andaleeb Badiee Banta Rosa Lowinger Suzanne P . Fredericks Sarah Barack Alisa l . Luxenberg $25,000 to $35,000 William l . Hickman William Lee Barcham Vivian B . Mann Estrellita B . Brodsky William G . Holman Susan Johnston Barnes Ira s . Mark Alexandra Munroe Mary Tavener Holmes Robert a . Baron Christa C . Mayer-Thurman Isabelle Hyman Jane r . Becker Elizabeth P . McGowan $5,000 to $24,999 Anna D . Kartsonis Daniel M . Belasco Melissa s . Meighan Catherine Coleman Brawer Charles J . Katz Caroline Boillod Jerry D . Meyer Gregory s . Hedberg J . Edward Kidder, Jr . Leslie Davidson Bruning Priscilla Elkow Muller Gertrude M . Helms Norman l . Kleeblatt Marian Burleigh-Motley Norman e . Muller Phoebe Dent Weil Sarah B . Landau Thomas a . Buser Maya B . Muratov Mariët Westermann Richard s . Lanier Gabriella B . Canfield Andrea Spaulding Norris Anonymous Myron Laskin, Jr . Andrea Y . Chevalier Nadine M . Orenstein $1,000 to $4,999 Jan Lynn Leja Sue Ann Chui Ronald Y . Otsuka Emily f . Braun Susan D . Marcus Yeon Shim Chung Joan H . Pachner Mary Braman Buchan Barbara G . Mathes Judith Colton Elizabeth C . Parker Ruth a . Butler Mary Elizabeth Mitchell Wanda M . Corn Philip M . Pearlstein Margaret Holben Ellis Rabia J . Mitchell Nicola M . Courtright Suzanne Meek Pelzel Irving l . Finkelstein Mary B . Moore Dario a . Covi Elizabeth a . Pergam Dorothy & Terrence Mahon Frances Land Moore Stephen Paul Crenshaw Ruth Perlin Michele D . Marincola Anne & James Morganstern Kristi Anne Dahm Barbara e . Pollard Anna Marguerite McCann Robert s . Nelson Örgü Dalgíç Barbara J . Price Linda Nochlin Jo Anne C . Olian Alan Phipps Darr Catherine r . Puglisi Judith Oppenheimer Janice Carlson Oresman Martha l . Dunkelman Stuart w . Pyhrr Anne Litle Poulet Elizabeth a . Oustinoff Eugene J . Dwyer Lisa M . Rafanelli Anne n . Rorimer David t . Owsley Martha e . Easton Nancy r . Reinish Lisa a . Rotmil Beatrice C . Rehl Carol s . Eliel Linda Jones Roccos Shelley K . Sass Sabine Rewald Eric M . Frank Allen Rosenbaum Joan Troccoli Curtis M . Roberts Leslie & Tom Freudenheim Diana P . Rowan Paula J . Volent Jason Marshall Rosenfeld Patricia Mosle Friedman Rebecca Rushfield-Wittert Stark & Michael Ward Jennifer Russell Kathryn Calley Galitz Edmund Campion Ryder Steven a . Weintraub Lucy Freeman Sandler Janne Gallen-Kallela-Siren Cynthia H . Sanford Dale G . Zaklad Sarah w . Schroth Jorge a . Garcia-Tuduri Polly J . Sartori Anonymous (4) Ann Seibert Jasper Gaunt Ingrid l . Schaffner Nuno C . Senos e . Adina Gordon Peggy Schiffer $500 to $999 Kent John Severson Lois r . Granato Sheila Schwartz Marcia e . Brocklebank Christine M . Singer Michele M . Greet Julie a . Shean Philippe de Montebello Betty Selly Smith Rosalind r . Grippi a . Kate Sheerin Jean e . Dommermuth Sharon Dunlap Smith Steven r . Haas Suzanna B . Simor Mildred l . Glimcher Paul Stanwick Susan Tagliabue Hapgood Kathryn a . Smith Kathryn Moore Heleniak Mary Stofflet Ena s . Heller Hannah f . Solomon Victoria M . Jenssen Joyce Hill Stoner John J . Herrmann, Jr . Jack Soultanian, Jr . Matthew H . Kennedy Suzanne l . Stratton-Pruitt Julia P . Herzberg Donna Michele Stein Korn Jay a . Levenson Carol f . Tabler Michelle Martha Hobart Elizabeth Rosen Stone Roger w . Lipsey Marie C . Tanner Anne Hoene Hoy Marlene Barasch Strauss Charles s . Moffett Marcia r . Toledano Michael Jacoff Cecil l . Striker Cynthia Wolk Nachmani Phyllis r . Tuchman Annette l . Juliano James w . Sykes Jr . Marjorie n . Shelley Gertje r . Utley Abdallah M Kahil Deborah Lee Trupin Priscilla Parsons Soucek Mark P . Watters Ellen V .r . Kenney-Shawa Anne w . Umland Harriet K . Stratis Joannah C . Wilmerding Dale B . Kinney Emily Trevor Van Vleck Claire Svetlik-Mann Lynn H . Zelevansky Lynda Klich Julie a . Van Voorhis Reva June Wolf Linda Konheim Kramer Patricia a . Waddy $100 to $199 Carol Herselle Krinsky Stefanie Walker $200 to $499 Lynne D . Ambrosini Marsa Laird Irene CioffiW hitfield James s . Ackerman Dita G . Amory a . Floyd Lattin Jane l . Williams Susan Anderson Michael J . Amy Ruthann r . Lehrer Peter M . Wolf Gwendolyn Boeve-Jones Susan & Richard Arms Candace J . Lewis Bonnie e . Yochelson Kate Carmel Nancy e . Ash Charles t . Little Eric M . Zafran Rachel l . Danzing Konstanze Bachmann Carolyn Logan Alice M . Zrebiec Julie Lynn DesChamps Sanchita Balachandran Alison D . Lonshein Shelley e . Zuraw 34

AlNwsLtr11 mech1.indd 34 9/6/11 12:08:25 PM INSTITUTE OF FINE ARTS – NYU

Annual Giving Campaign For Alumni Alumni giving has always played a vital role in supporting many areas of the Institute . With a contribution of $50 or more, you secure a year of IFA Alumni Association membership, and enjoy access to the IFA library, continued invitations to IFA events, and the annual Alumni Newsletter . Thank you in advance for your support and for staying involved with your alma mater .

Name: ______Address: ______

Phone: ______email: ______

Amount of Gift: $5,000 $1,000 $500 $250 $100 Other $______With a gift of $50 or more you can enjoy daytime library privileges at the IFA. Alumni who donate $100 or more are recognized in the Alumni Newsletter. Alumni who donate $5,000 or more are eligible for membership in the Connoisseurs Circle. To learn more about the Connoisseurs Circle and member benefits please contact Hope O’Reilly at 212-992-5869 or visit the IFA website at: www .nyu .edu/gsas/dept/fineart/support/connoisseurs .htm

Designation: Please designate my annual fund gift toward:

The IFA Annual Alumni Fund (10-89540) Supports alumni outreach like the Walter S. Cook Lecture, reunions, newsletters, and summer stipends for student travel and research, and more.

The IFA Annual Alumni Fellowship Fund (10-89540-AF001) Exclusively supports student financial aid.

The Conservation Center Annual Fund (22-89000-R2145) Provides essential support that can be directed to areas of greatest need at the Conservation Center.

Payment Method: Check enclosed (made payable to New York University)

Transfer of securities (please call Hope O’Reilly at 212-992-5869 )

Credit Card – card #:______Expires ____ / ____ / _____

Signature: ______

The Institute is part of the Graduate School of Arts & Sciences at New York University, a not-for-profit 501(c)(3) organization . All gifts to NYU, including the Institute of Fine Arts, are tax-deductible to the full extent of the law .

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AlNwsLtr11 mech1.indd 35 9/6/11 12:08:25 PM The Alumni Association 1 East 78th Street, New York, NY 10075

AlNwsLtr11 mech1.indd 36 9/6/11 12:08:26 PM