Video Research: Documenting and Learning from Hiv and Aids Communication Strategies for Social Change in Ghana

Total Page:16

File Type:pdf, Size:1020Kb

Video Research: Documenting and Learning from Hiv and Aids Communication Strategies for Social Change in Ghana VIDEO RESEARCH: DOCUMENTING AND LEARNING FROM HIV AND AIDS COMMUNICATION STRATEGIES FOR SOCIAL CHANGE IN GHANA by Heiko Decosas BA Communications, SFU 2006 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF COMMUNICATION In the School of Communication © Heiko Decosas 2010 SIMON FRASER UNIVERSITY Summer 2010 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the “Institutional Repository” link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. The author has further agreed that permission for multiple copying of this work for scholarly purposes may be granted by either the author or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without the author’s written permission. Permission for public performance, or limited permission for private scholarly use, of any multimedia materials forming part of this work, may have been granted by the author. This information may be found on the separately catalogued multimedia material and in the signed Partial Copyright Licence. While licensing SFU to permit the above uses, the author retains copyright in the thesis, project or extended essays, including the right to change the work for subsequent purposes, including editing and publishing the work in whole or in part, and licensing other parties, as the author may desire. The original Partial Copyright Licence attesting to these terms, and signed by this author, may be found in the original bound copy of this work, retained in the Simon Fraser University Archive. Simon Fraser University Library Burnaby, BC, Canada Last revision: Spring 09 STATEMENT OF ETHICS APPROVAL The author, whose name appears on the title page of this work, has obtained, for the research described in this work, either: (a) Human research ethics approval from the Simon Fraser University Office of Research Ethics, or (b) Advance approval of the animal care protocol from the University Animal Care Committee of Simon Fraser University; or has conducted the research (c) as a co-investigator, collaborator or research assistant in a research project approved in advance, or (d) as a member of a course approved in advance for minimal risk human research, by the Office of Research Ethics. A copy of the approval letter has been filed at the Theses Office of the University Library at the time of submission of this thesis or project. The original application for approval and letter of approval are filed with the relevant offices. Inquiries may be directed to those authorities. Simon Fraser University Library Simon Fraser University Burnaby, BC, Canada Last update: Spring 2010 ABSTRACT The dynamic landscape of global communications continues to present new challenges for the design and analysis of media and communication within international development projects. This Masters project uses video and web technology to document, explore and extend the role of communication in a Canadian International Development Agency funded HIV and AIDS stigma reduction project in Ghana, West Africa. The project includes a documentary video entitled: The Challenge of Stigma: Reflections on community education as a pathway to change. The video looks at the situation of AIDS related stigma in Ghana and draws from 50 interviews to highlight the University teacher-training program delivering HIV/AIDS education through distance learning. A collaborative production process is detailed in this project report in efforts to discuss project challenges as well as propose experimental online architecture for open collaborative media production and communication for development strategies. Keywords: HIV and AIDS, Ghana, West Africa, Video Research, Documentary filmmaking, Communication for Development, Communication for Social Change, Participatory Development, Openness, ICT4D. iii ACKNOWLEDGEMENTS Thanks and deep gratitude to: Manisha and Om who believe in me, my parents who instilled in me compassion and activism, my in-laws who support me resolutely, Dave Murphy and Pat and Roger Howard who guided me, Martin Laba and Betty Mitchell who made it all possible, and those in Ghana who warmly received me. iv TABLE OF CONTENTS Approval.............................................................................................................................ii Abstract............................................................................................................................. iii Acknowledgements...........................................................................................................iv Table of Contents...............................................................................................................v 1: Introduction................................................................................................................. 1 2: HIV and AIDS in Ghana: ............................................................................................. 4 3: Communication for development: power, participation and Information technologies.................................................................................................................. 10 3.1 The power of Ideas................................................................................................. 10 3.2 Communication and Participation........................................................................... 14 3.3 The Digital Divide ................................................................................................... 17 4: Video Research:........................................................................................................ 22 4.1 Cinema and social science..................................................................................... 22 4.2 Video Research in the field:.................................................................................... 33 4.2.1 Research Identity........................................................................................ 33 4.2.2 Pre-Production............................................................................................ 33 4.2.3 Production................................................................................................... 35 4.2.4 Post Production........................................................................................... 43 5: CONCLUSION............................................................................................................ 51 Appendix A: DVD Video Appendix .............................................................................. 53 Bibliography .................................................................................................................. 54 ________________________________________________........................................ 58 v 1: INTRODUCTION “Obosom anim woko no mprensa.” The oracle is always consulted three times. (Akan Proverb) “The Challenge of Stigma: Reflections on community education as a pathway to change” is a 22-minute documentary video (Appendix 1). It is the cornerstone of this Communication Masters Project and brings together research and contributions from many different people and organisations. My research and documentary video work is situated within the context of a University partnership project between; Simon Fraser University (SFU) in Vancouver, Canada, the University of Ghana, Legon (UG), the University of Cape Coast (UCC), and the University of Education, Winneba (UEW), all in Ghana. The project administration occurs primarily within the Distance and Continuing Education Departments in all of the partner schools. Since 2003, all four Universities have collectively worked towards HIV prevention and AIDS stigma reduction in Ghana. The project Directors have set out to achieve this through: (1) building Ghanaian universities’ institutional capacity to design and deliver an HIV distance education course; (2) developing materials and instruction methods for HIV education; and (3) training schoolteachers and community youth facilitators to deliver HIV education to school children and out of school youth. The education project is funded by the Canadian International Development Agency (CIDA) and financially administered by the Association of Universities and Colleges of 1 Canada (AUCC) (SFU,2008). The funding envelope for
Recommended publications
  • African Slavery in Documentary Films Why Now?
    Journal of Global Slavery 5 (2020) 1–21 brill.com/jgs African Slavery in Documentary Films Why Now? Francesca Declich University of Urbino Carlo Bo [email protected] Marie Rodet SOAS, University of London [email protected] The last two decades have witnessed much scholarly debate around discursive and non-discursive legacies of African slavery, as well as a growing interest in memories of slavery from the African continent.1 At the same time, an increas- 1 A large body of publications has emerged on slavery in the African continent, including among others: Martin A. Klein, “Studying the History of Those Who Would Rather Forget: Oral History and the Experience of Slavery,”History in Africa 16 (1989): 215; Edward A. Alpers, “Recollecting Africa: Diasporic Memory in the Indian Ocean World,”African Studies Review 43 (1) (2000): 83–99; Rosalind Shaw, Memories of the Slave Trade: Ritual and the Historical Imag- ination in Sierra Leone (Chicago: University of Chicago Press, 2002); Eric E. Hahonou and Baz Lecocq, “Introduction: Exploring Post-Slavery in Contemporary Africa,”International Journal of African Historical Studies 48, no. 2 (2015): 181–192; Alice Bellagamba, Sandra E. Greene, Martin A. Klein, African Slaves, African Masters. Politics, Memories, Social Life (Trenton NJ: Africa World Press, 2017); Alice Bellagamba. “Yesterday and today. Studying African slav- ery, the Slave Trade and their Legacies through Oral Sources,” in Alice Bellagamba, Sandra E. Greene, Martin A. Klein, eds., African Voices on Slavery and the Slave Trade. Vol 2: Sources and Methods (Cambridge: Cambridge University Press, 2016), 174–197; Alice Bellagamba. “Living in the shadows of slavery”, OPEN DEMOCRACY (2016) https://www.opendemocracy .net/beyondslavery/alice‑bellagamba/living‑in‑shadows‑of‑slavery, accessed on 10 Novem- ber 2019; Marie Rodet, “Escaping Slavery and Building Diasporic Communities in French Soudan and Senegal, ca.
    [Show full text]
  • Generic Instability and Identity in the Contemporary Novel
    Generic Instability and Identity in the Contemporary Novel Generic Instability and Identity in the Contemporary Novel Edited by Madelena Gonzalez and Marie-Odile Pittin-Hédon Generic Instability and Identity in the Contemporary Novel, Edited by Madelena Gonzalez and Marie-Odile Pittin-Hédon This book first published 2010 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2010 by Madelena Gonzalez and Marie-Odile Pittin-Hédon and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-1732-5, ISBN (13): 978-1-4438-1732-5 TABLE OF CONTENTS Introduction Madelena Gonzalez ................................................................................... vii Chapter One Generic Instability and the Limits of Postcolonial Identity Crossing Borders and Transforming Genres: Alain Robbe-Grillet, Edward Saïd, and Jamaica Kincaid Linda Lang-Peralta ...................................................................................... 2 Reading Nara’s Diary or the Deluding Strategies of the Implied Author in The Rift Marie-Anne Visoi...................................................................................... 11 Contaminated Copies: J.M.Coetzee’s
    [Show full text]
  • African Slavery on Documentary Films: Why Now?
    This is the accepted version of an article published by Brill in the Journal of Global Slavery. Available online: https://doi.org/10.1163/2405836X-00501008 Accepted version downloaded from SOAS Research Online: https://eprints.soas.ac.uk/32829/ African Slavery on Documentary Films: Why Now? Francesca Declich, University of Urbino Carlo Bo, [email protected] Marie Rodet, School of Oriental and African Studies, [email protected] The last two decades have witnessed much scholarly debate around discursive and non- discursive legacies of African slavery, and a growing interest on memories of slavery for the African continent.1 At the same time, an increasing amount of video material has been produced giving a voice to enslaved populations and their descendants in Africa and the global diaspora. This has included the production of documentaries as well as fiction films based on historical facts.2 As part of this movement, the Centre international de recherches sur les esclavages (CIRESC/France) in collaboration with the Laboratório de História Oral e Imagem, Federal University of Fluminense (LABHOI Brazil) and Centre interuniversitaire d’études sur les lettres, les arts et les traditions de l’Université de Laval (CELAT/Canada) have been 1 A large body of publications has emerged on slavery in the African continent, including among others: Martin A. Klein. “Studying the History of Those Who Would Rather Forget: Oral History and the Experience of Slavery.” History in Africa 16 (1989), 215; Edward A. Alpers. “Recollecting Africa: diasporic memory in the Indian Ocean world.” African Studies Review 43 (1) (2000), 83–99; Rosalind Shaw.
    [Show full text]
  • Participatory Video and Reflexivity the Experiences of Eight Adult Learners
    Participatory Video and Reflexivity The Experiences of Eight Adult Learners Kyung-Hwa Yang Department of Integrated Studies in Education Faculty of Education, McGill University Montreal, Canada August 2012 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy. © Kyung-Hwa Yang 2012 ii CONTENTS Abstract vi Résumé vii Acknowledgements ix 1 Introduction 1 Background 3 The Evolution of Participatory Video 6 Framing the Thesis 21 Research Questions 31 Strategy of Inquiry 32 Situating Myself 33 Organizing the Thesis 35 2 Reflexivity in and through Participatory Video 37 Is Reflexivity Good for Participatory Research? 39 What does Participatory Video Have to Do with Reflexivity? 50 Summary of Chapter 60 3 The Project 63 Context 64 Process 68 My Approach to Analysis 96 Summary of Chapter 104 4 Inside the Project: Processes and Outcomes 105 The Presentation 106 Reading the Primary Text, Ready, Set, and Engage 108 The Process of Participatory Video Making 112 What Difference Can Participation Make? 119 Summary of Chapter 124 5 The Voice of the Participants and Reflexivity 125 Contextualizing the Data 126 Producer Text 1: What the Participants Had to Say about Participatory Video 127 Producer Text 2: What the Participants Had to Say through Participatory Video 134 iii Ethical Advantages and Challenges of Participatory Video 141 Summary of Chapter 144 6 Learning as Experience 147 Learning in the Context of Participatory Video 148 The Participant Text: The Experience of Learning 150
    [Show full text]
  • Living in the End Times Programme
    Living in the End Times: Utopian and Dystopian Representations of Pandemics in Fiction, Film and Culture 13-15 January 2021 A Virtual Conference Hosted by Cappadocia University, Turkey Keynote Speakers: Maggie Gee, Larissa Lai, Elizabeth Outka, Kim Stanley Robinson, Raffaella Baccolini, Laurence Davis, Patricia McManus, Tom Moylan, Darko Suvin, and Phillip E. Wegner Organising Committee: Heather Alberro (Nottingham Trent University, UK) Emrah Atasoy (Cappadocia University, Turkey) Nora Castle (University of Warwick, UK) Rhiannon Firth (University of Essex, UK) Martin Greenwood (University of Manchester, UK) Robert Horsfield (Birmingham, UK) Burcu Kayışcı Akkoyun (Boğaziçi University, Turkey) Pelin Kıvrak (Harvard University, USA) Conrad Scott (University of Alberta, Canada) Bridget Vincent (University of Nottingham, UK) Contents Conference Schedule 01 Time Zone Cheat Sheets 07 Schedule Overview & Teams/Zoom Links 09 Keynote Speaker Bios 13 Musician Bios 18 Organising Committee 19 Panel Abstracts Day 2 - January 14 Session 1 23 Session 2 35 Session 3 47 Session 4 61 Day 3 - January 15 Session 1 75 Session 2 89 Session 3 103 Session 4 119 Presenter Bios 134 Acknowledgements 176 For continuing updates, visit our conference website: https://tinyurl.com/PandemicImaginaries Conference Schedule Turkish Day 1 - January 13 Time Opening Ceremony 16:00- Welcoming Remarks by Cappadocia University and 17:30 Conference Organizing Committee 17:30- Coffee Break (30 min) 18:00 Keynote Address 1 ‘End Times, New Visions: 18:00- The Literary Aftermath of the Influenza Pandemic’ 19:30 Elizabeth Outka Chair: Sinan Akıllı Meal Break (60 min) & Concert (19:45-20:15) 19:30- Natali Boghossian, mezzo-soprano 20:30 Hans van Beelen, piano Keynote Address 2 20:30- 22:00 Kim Stanley Robinson Chair: Tom Moylan Follow us on Twitter @PImaginaries, and don’t forget to use our conference hashtag #PandemicImaginaries.
    [Show full text]
  • The Fever Dream of Documentary a Conversation with Joshua Oppenheimer Author(S): Irene Lusztig Source: Film Quarterly, Vol
    The Fever Dream of Documentary A Conversation with Joshua Oppenheimer Author(s): Irene Lusztig Source: Film Quarterly, Vol. 67, No. 2 (Winter 2013), pp. 50-56 Published by: University of California Press Stable URL: http://www.jstor.org/stable/10.1525/fq.2014.67.2.50 Accessed: 16-05-2017 19:55 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Film Quarterly This content downloaded from 143.117.16.36 on Tue, 16 May 2017 19:55:39 UTC All use subject to http://about.jstor.org/terms THE FEVER DREAM OF DOCUMENTARY: A CONVERSATION WITH JOSHUA OPPENHEIMER Irene Lusztig In the haunting final sequence of Joshua Oppenheimer’s with an elegiac blue light. The camera tracks as she passes early docufiction film, The Entire History of the Louisiana a mirage-like series of burning chairs engulfed in flames. Purchase (1997), his fictional protagonist Mary Anne Ward The scene has a kind of mysterious, poetic force: a woman walks alone at the edge of the ocean, holding her baby in wandering alone in the smoke, the unexplained (and un- a swaddled bundle.
    [Show full text]
  • Download (1541Kb)
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/77618 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Kate Elizabeth Willman PhD Thesis September 2015 NEW ITALIAN EPIC History, Journalism and the 21st Century ‘Novel’ Italian Studies School of Modern Languages and Cultures University of Warwick 1 ~ TABLE OF CONTENTS ~ Acknowledgements ………………………………………………………………………...... 4 Declaration …………………………………………………………………………………... 5 Abstract …………………………………………………………………………………….... 6 INTRODUCTION ………………………………………………………………………..... 7 - Wu Ming and the New Italian Epic …………………………………………………. 7 - Postmodern Impegno ……………………………………………………………….. 12 - History and Memory ……………………………………………………………….. 15 - Representing Reality in the Digital Age ………………………………………….... 20 - Structure and Organisation …………………………………………………………. 25 CHAPTER ONE ‘Nelle lettere italiane sta accadendo qualcosa’: The Memorandum on the New Italian Epic ……………………………………………………………………..... 32 - New ………………………………………………………………………………… 36 - Italian ……………………………………………………………………………….. 50 - Epic …………………………………………………………………………………. 60 CHAPTER TWO Periodisation ………………………………………………………….. 73 - 1993 ………………………………………………………………………………… 74 - 2001 ...........................................................................................................................
    [Show full text]
  • An Inquiry Into Modes of Existence
    An Inquiry into Modes of Existence An Inquiry into Modes of Existence An Anthropology of the Moderns · bruno latour · Translated by Catherine Porter Harvard University Press Cambridge, Massachusetts London, England 2013 Copyright © 2013 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America The book was originally published as Enquête sur les modes d'existence: Une anthropologie des Modernes, copyright © Éditions La Découverte, Paris, 2012. The research has received funding from the European Research Council under the European Union’s Seventh Framework Programme (fp7/2007-2013) erc Grant ‘ideas’ 2010 n° 269567 Typesetting and layout: Donato Ricci This book was set in: Novel Mono Pro; Novel Sans Pro; Novel Pro (christoph dunst | büro dunst) Library of Congress Cataloging-in-Publication Data Latour, Bruno. [Enquête sur les modes d'existence. English] An inquiry into modes of existence : an anthropology of the moderns / Bruno Latour ; translated by Catherine Porter. pages cm “The book was originally published as Enquête sur les modes d'existence : une anthropologie des Modernes.” isbn 978-0-674-72499-0 (alk. paper) 1. Civilization, Modern—Philosophy. 2. Philosophical anthropology. I. Title. cb358.l27813 2013 128—dc23 2012050894 “Si scires donum Dei.” ·Contents· • To the Reader: User’s Manual for the Ongoing Collective Inquiry . .xix Acknowledgments . xxiii Overview . xxv • ·Introduction· Trusting Institutions Again? . 1 A shocking question addressed to a climatologist (02) that obliges us to distinguish values from the ac- counts practitioners give of them (06). Between modernizing and ecologizing, we have to choose (08) by proposing a different system of coordinates (10).
    [Show full text]
  • In Defense of Genre Blending
    In Defense of Genre Blending. Author Affiliation Sarah E. Worth and Furman University, U.S. Sean McBratnie Abstract: Readers often only care about one distinction when it comes to things they read. Is it fiction or nonfiction? Did it happen or didn’t it? Presumably, we make sense of events we believe happened in a different way than we make sense of the ones that we don’t believe. Deconstructionists often warn us about the hazards that occur with the strict binary thinking we tend to orient ourselves with. When this binary is blurred, which it often is in many contemporary works of literature, readers become unsettled. It is our position that genre, and even the more broad categories of fiction and nonfiction, should not be found exclusively as properties internal to the text itself, but rather, the way we make sense of genre is an active process of narrative comprehension. We will question how the particular binary concerning fiction and nonfiction has sold us short concerning the ways in which we make sense of literary texts, and how much more fluid our notions of genre really could and should be. We also want to argue that the reduction of the binary of genre merely into fiction and nonfiction is a gross oversimplification of the ways in which we understand both genres themselves, as well as the ways in which we understand both truth and reference. Readers seem to care an awful lot about the apparent truth content of the books they choose. Is it fiction or non-fiction? Did it happen or did it not? Presumably, readers make sense of events they believe happened in a differ- ent way than they make sense of the ones that they don’t believe happened.
    [Show full text]
  • Olmo and the Seagull
    Nadica Denic Student nr: 10603557 [email protected] EMBODYING HYBRIDITY: Enactive-ecological approach to filmic self-perception and self- enactment in contemporary docufiction film Research Master Thesis Department of Media Studies University of Amsterdam Supervisor: Patricia Pisters Second reader: Abe Geil I express my gratitude to a number of people. I am thankful to Patricia Pisters for her guidance through my film-philosophical curiosities. To my family, for always being there. And to Adel, Mare and Matthias, who always made friendship a priority. Table of Contents Introduction ..................................................................................................................................... 1 Chapter 1: Enactive-Ecological Theory of Perception ................................................................... 7 1.1 Embodied Cognition ............................................................................................................. 7 1.2 Ecological Affordances ....................................................................................................... 10 1.3 Cultural Modification of Affordances ................................................................................. 12 1.4 Mediation of Bodily Presence ............................................................................................. 15 Chapter 2: Affordances of Filmic Self-Perception ....................................................................... 19 2.1 Mediating Spatiality ...........................................................................................................
    [Show full text]
  • A Socio-Economic Study of the Camorra Through Journalism
    A SOCIO-ECONOMIC STUDY OF THE CAMORRA THROUGH JOURNALISM, RELIGION AND FILM by ROBERT SHELTON BELLEW (under the direction of Thomas E. Peterson) ABSTRACT This dissertation is a socio-economic study of the Camorra as portrayed through Roberto Saviano‘s book Gomorra: Viaggio nell'impero economico e nel sogno di dominio della Camorra and Matteo Garrone‘s film, Gomorra. It is difficult to classify Saviano‘s book. Some scholars have labeled Gomorra a ―docufiction‖, suggesting that Saviano took poetic freedoms with his first-person triune accounts. He employs a prose and news reporting style to narrate the story of the Camorra exposing its territory and business connections. The crime organization is studied through Italian journalism, globalized economics, eschatology and neorealistic film. In addition to igniting a cultural debate, Saviano‘s book has fomented a scholarly consideration on the innovativeness of his narrative style. Wu Ming 1 and Alessandro Dal Lago epitomize the two opposing literary camps. Saviano was not yet a licensed reporter when he wrote the book. Unlike the tradition of news reporting in the United States, Italy does not have an established school for professional journalism instruction. In fact, the majority of Italy‘s leading journalists are writers or politicians by trade who have gravitated into the realm of news reporting. There is a heavy literary influence in Italian journalism that would be viewed as too biased for Anglo- American journalists. Yet, this style of writing has produced excellent material for a rich literary production that can be called engagé or political literature. A study of Gomorra will provide information about the impact of the book on current Italian journalism.
    [Show full text]
  • IFFR Feature Film Contact List
    Angola Air Conditioner World premiere Programme section: Bright Future Main Programme Director(s): Fradique Prod. Countries: Angola Prod. Year: 2020 Length: 72 Genre: Fiction 49th Company: Geração 80 INTERNATIONAL FILM FESTIVAL Contact: Jorge Cohen ROTTERDAM Email: [email protected] Logline: Air conditioners mysteriously start January 22 – falling from buildings in the Angolan capital. February 02, 2020 The search for a working unit forms the starting point for an pleasantly free film representing the city's heartbeat. A great jazzy soundtrack, a rap FEATURE FILM CONTACT LIST and the chaotic hum of the city guide us through January 31, 2020 its streets and buildings. Sold territories: All available Argentina Los que vuelven International premiere Programme section: Voices Main Programme Director(s): Laura Casabé Prod. Countries: Argentina Prod. Year: 2019 Length: 93 Genre: Fiction Company: Reel Suspects Contact: Alejandro Israel Email: [email protected] Logline: In this drama dealing with fear and oppression in South America, supernatural powers are unleashed when, in desperation, the wife of a white landowner invokes the spirits of the indigenous people. Her stillborn child is Patagonia. The calm, unchanging nature of the brought back to life, but at a terrible price. Is this impressive landscape contrasts with her restless the feared retribution? inner life, and the people from her past elicit old Sold territories: Argentina emotions and new insights, some of which are not so uplifting. Las poetas visitan a Juana Bignozzi Trailer: International premiere https://www.youtube.com/watch?v=hgAm8iev Programme section: Signatures Szw Director(s): Laura Citarella, Mercedes Halfon Sold territories: All available Prod.
    [Show full text]