DOCSLIB.ORG

NATIONAL CONFERENCE April 12 -15 , 2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

NATIONAL CONFERENCE April 12th-15th, 2017 Marriott Marquis Marina San Diego, CA Jennifer Loeb PCA/ACA Conference Coordinator Joseph H. Hancock, II PCA/ACA Executive Director of Events Drexel University Brendan Riley PCA/ACA Executive Director of Operations Columbia College Chicago Sandhiya John Editor Wiley-Blackwell Copyright 2017, PCA/ACA Additional information about the PCA/ACA available at pcaaca.org Table of Contents President’s Welcome 2 Conference Administration 3 Area Chairs 3 Officers 15 Board Members 15 Program Schedule Overview 18 Special Events & Ceremonies 18 Exhibits & Paper Table 20 2017 Ray and Pat Browne Award Winners 22 Special Guests 23 Schedule by Topic Area 24 Daily Schedule Overview 69 Full Daily Schedule 105 Index 244 Floor Maps 292 Dear PCA/ACA Conference Attendees, Welcome! We are so pleased that you have joined us in San Diego for what promises to be another stimulating and enriching conference. In addition to the hundreds of sessions available, a meeting highlight will be an address from our Lynn Bartholome Eminent Scholar awardee, David Feldman of Imponderables fame. As always, there will be plenty of times and spaces to connect with old friends and make new ones: area interest sessions, coffee breaks, film screenings, and special themed events and roundtables. Be sure to take advantage of the networking and scholarly connection opportunities in the book exhibit room. And don’t forget about Friday’s all conference reception! Graduate students and new-comers, we welcome you especially. We hope you will find this a professional home for years to come. Finally, as you depart San Diego at week’s end, be sure to mark your calendars for our Indianapolis meeting, March 25 – April 1, 2018. Have a great conference! Diane Calhoun-French, President 2 Conference Administration Academics and Collegiate Aging and Senior Culture Culture Frederick J. Augustyn, Jr. Arlene Caney Library of Congress Community College of augustynfrederick5@gmail .com Philadelphia American Indian [email protected] Literatures and Cultures Adaptation Film, TV, Lit., Constance Bracewell and Electronic Gaming) University of Arizona Glenn Jellenik [email protected] University of Central Arkansas Richard Sax [email protected] University of New Mexico- Valencia Campus Adolescence in Film and [email protected] Television Kylo-Patrick Hart American Literature Texas Christian University Corey Taylor [email protected] Rose-Hulman Institute of Technology Advertising [email protected] Chris Swindell Marshall University Animation [email protected] David S. Silverman Kansas Wesleyan University African-American Culture [email protected] Gaynell Sherrod Virginia Commonwealth Peter Chanthanakone University University of Iowa [email protected] [email protected] Age of Theodore Roosevelt & Popular Appalachian Studies Culture Emily Satterwhite Daniel Murphy Virginia Tech Hanover College [email protected] [email protected] 3 Conference Administration Area Chairs Baby Boomers Culture Armed Conflict James Von Schilling Robert McLaughlin Northampton Community Illinois State University College [email protected] [email protected] Sally Parry BDSM/Kink/Fetish Illinois State University Michelle Martinez [email protected] Sam Houston State University [email protected] Art & Design Culture Joy Sperling Biographies Denison University Susie Skarl [email protected] University of Nevada, Las Vegas Vicky Pass [email protected] Salisbury College [email protected] Black Performing Arts Michael Borshuk Asian Popular Culture Texas Tech University John A. Lent [email protected] Drexel Hill, Pennsylvania [email protected] Jonafa Banbury Ying Xu Independent Scholar Drexel Hill, Pennsylvania [email protected] [email protected] Body in Culture Australian and New Lynn Sally Zealand Popular Culture Metropolitan College of New Glen Thomas York Queensland University of [email protected] Technology Border Studies, Cultural [email protected] Economy and Migration Araceli Masterson-Algar Augustana College [email protected] 4 Conference Administration Area Chairs Brazilian Popular Culture Cemeteries and Manuel Martinez Gravemarkers Ohio Dominican University J. Joseph Edgette Widener [email protected] University [email protected] Monica Ayala-Martinez Denison University Children's Literature and [email protected] Culture Amie Doughty SUNY British Popular Culture Oneonta Frank Riga Canisius [email protected] College [email protected] Children's/YA Series Books and Dime Novels James Keeline Maureen Thum University of San Diego, California Michigan [email protected] [email protected] Business and Corporate Circuses and Circus Culture Culture Alexis Wolstein Diana K. Osborne Illinois State University Spokane Community College [email protected] [email protected] Civil War and Caribbean & Transatlantic Reconstruction Cultural Production & Issues Randal W. Allred Carmen Gabriela Febles Brigham Young University, Susquehanna University Hawaii [email protected] [email protected] Jorge Febles Collecting and University of North Florida Collectibles Kevin M. [email protected] Moist Penn State Altoona Celebrity in Culture [email protected] Michael Brody Potomac, Maryland [email protected] 5 Conference Administration Area Chairs Comedy and Humor Dance and Dance Culture Peter Seely Celeste Fraser Delgado Benedictine University Dance Heritage Coalition [email protected] [email protected] Comics and Comic Art Jennifer Atkins Terence Wandtke Florida State University Judson University [email protected] [email protected] Disasters, Apocalypses, Nicole Freim and Catastrophes College of Coastal Georgia Robert Bell [email protected] Loyola Univ. New Orleans [email protected] Communication and Digital Culture Robert Ficociello xtine Burrough University of Nebraska University of Texas, Dallas Kearney [email protected] [email protected] Copyright and Intellectual Eastern European Studies Property Jeffrey Johnson Brendan Riley Joint POW/MIA Accounting Columbia College Chicago Command [email protected] [email protected] Creative Fiction Writing Ecology and Culture Lisa Muir Margaret O'Shaughnessey Wilkes Community College University of North Carolina [email protected] at Chapel Hill [email protected] 6 Conference Administration Area Chairs Education, Teaching, Fashion, Style, History and Popular Appearance, Culture Consumption and Design Edward Janak Joseph Hancock University of Wyoming Drexel University [email protected] [email protected] Eros, Pornography and Jessica Strubel Popular Culture University of North Texas Ken Muir [email protected] Appalachian State University [email protected] Fat Studies Lesleigh Owen Exercise and Fitness Black Hills State University Virginia Cowen [email protected] University of Medicine & Dentistry of New Jersey Festivals and Faires Kimberly [email protected] Tony Korol-Evans Independent Scholar Fairy Tales [email protected] Linda Holland-Toll Mount Olive College Film [email protected] Donald E. Palumbo East Carolina University Robin Gray Nicks [email protected] University of Tennessee- Knoxville Film Adaptation David [email protected] Moody SUNY, Oswego [email protected] Amanda Caleb Misericordia University Film and History [email protected] Cynthia J. Miller Emerson College Fan Culture and Theory [email protected] Katherine Larsen George Washington University [email protected] 7 Conference Administration Area Chairs Folklore Generation X Kathryn Edney Shay Rahm Regis College University of Central Oklahoma [email protected] [email protected] German Literature and Food in Popular Culture Beverly Taylor Culture Claude Desmarais University of North Carolina University of British Columbia [email protected] [email protected] Game Studies Nicholas Mizer Gothic in Literature, Film, and Culture Texas A&M [email protected] Louis Palmer Castleton State College Matthew Wysocki [email protected] Flagler College [email protected] Horror Kristopher Woofter Gay, Lesbian, and Queer Concordia Univ, Dawson College Studies [email protected] Bruce Drushel Miami University Jim Iaccino [email protected] Chicago School of Professional Psychology Gender and Media Studies [email protected] Debbie Phillips Muskingum College [email protected] Indian Culture, Art and Media Rekha Menon Gender Studies Berklee College of Music Carrie Marjorie Peirce [email protected] Azusa Pacific University [email protected] 8 Conference Administration Area Chairs Internet Culture Latin Americans and Latinos: Colin Helb Identity Issues and Cultural Elizabethtown College Stereotypes [email protected] Raul Rosales Drew University Mary Beth Ray [email protected] Plymouth State University [email protected] Law and Popular Culture Robert Harker Jack London Life and Georgia State Bar Assn, Works California State Bar Assn. Gina Rossetti [email protected] Saint Xavier University [email protected] Libraries, Archives, Journalism and Media Museums, and Popular Research Culture Allen Ellis James Von Schilling Northern Kentucky University Northampton Community [email protected] College [email protected] Casey Hoeve Language Attitudes and Kansas State University Popular Linguistics [email protected] James Mitchell Salve Regina University Literature and Madness [email protected] Russ Pottle Misericordia University Latin American Film and [email protected]
Recommended publications
  • 2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday

    2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday

    Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p.
  • Absurd Results, Scrivener's Errors, and Statutory Interpretation Andrew S

    Absurd Results, Scrivener's Errors, and Statutory Interpretation Andrew S

    Brooklyn Law School BrooklynWorks Faculty Scholarship Fall 2006 Absurd Results, Scrivener's Errors, and Statutory Interpretation Andrew S. Gold Brooklyn Law School, [email protected] Follow this and additional works at: https://brooklynworks.brooklaw.edu/faculty Part of the Other Law Commons, and the Public Law and Legal Theory Commons Recommended Citation 75 U. Cin. L. Rev. 25 (2006-2007) This Article is brought to you for free and open access by BrooklynWorks. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of BrooklynWorks. ABSURD RESULTS, SCRIVENER'S ERRORS, AND STATUTORY INTERPRETATION Andrew S. Gold* INTRODUCTION When a sheriff arrests a postal employee for murder, does the arrest violate a law against obstructing the passage of the mail?' Or, suppose that a statute makes it illegal to "draw blood" in the streets. Do its terms apply to a doctor who performs emergency surgery in the street?2 What of a prisoner who breaks out of prison because the building is on fire? Does his flight violate a law against prison escapes? 3 Many would say that these laws should not be taken literally. In order to avoid odd results, however, courts sometimes have to rewrite a statute's words. For example, the Ninth Circuit recently concluded, while interpreting the Class Action Fairness Act of 2005, that the word "less" actually means "more. ' 4 Other courts have found that the word "of' means "or,"5 and the word "unlawful" means "lawful." 6 Should judges ever have the power to revise unambiguous statutes? Textualists generally say no to this question, and yet they recognize * Assitant Professor, DePaul University College of Law.
  • October 2008 Comedy Channel Highlights

    October 2008 Comedy Channel Highlights

    www.comedychannel.com.au OCTOBER 2008 HIGHLIGHTS THE MERRICK & ROSSO SHOW WORLD PREMIERE Thursday October 2 @ 8.30pm Continues Thursdays at 8.30pm Merrick and Rosso are back on the box where they belong, with the keys to the Foxtel car - and enough fuel in the tank to really cause some chaos! They’ll finally return to their broadcasting birth place at The Comedy Channel with THE MERRICK & ROSSO SHOW. So what’s on the cards for the new show? Each week the boys will front up before a live studio audience with their unique take on anything and everything. From what’s happening in the world of news to the big questions: Can you deep fry a watermelon? On THE MERRICK & ROSSO SHOW, celebrities will make regular guest appearances from in-studio interviews to recorded comedy pieces to show you a side of them never before seen. Into the mix will go plenty of studio audience interaction and more mayhem and stupidity than is legal in three states. For perhaps the first time, Merrick Watts and Tim Ross will truly focus the energy and excitement of their legendary sell-out live comedy shows and bring that force to the electric television. It’s hotter than Gordon Ramsay’s kitchen, is sure to top Brendan Nelson’s approval ratings and it’s ‘wronger’ than an Austrian family get-together. THE MERRICK & ROSSO SHOW will allow nobody to be immune from their parodies and sketch comedy. Finally, as Merrick and Rosso are keen to point out, “Put simply, the show is Morcambe and Wise meets The Star Wars Christmas Special at an Alcoholics Anonymous meeting during The French Renaissance… on a weeknight.” Buckle up Australia, for a riotous half hour of THE MERRICK & ROSSO SHOW.

  • Alors Quel Sera Le Catalogue Proposé En France ? Mais Alors Que Contiendra-T-Il Exactement ?

    Comment ajouter l’application Netflix sur n’importe quelle TV Home » Catalogue Netflix des films et séries TV en France La solution pour régler le problème entre Netflix et OVH 7 mars 2016 Logo Netflix Netflix vous paye 4000$ pour prendre des photos #grammasters 2 mars 2016 Comment ajouter l’application Netflix Personne ne peut nier que le royaume du streaming sur n’importe quelle TV aujourd’hui a bouleversé l’univers de toutes les 11 février 2016 tranches d’âges en nous faisant tous plonger dans les tunnels de l’extraordinaire afin de nous faire Bande annonce de la série Marseille découvrir son autre monde, son monde magique qui 22 janvier 2016 a vu défiler en son sein tout ce que la planète compte de films universels et de séries télévisées extrêmement attractives. Et dans ce contexte on Janvier 2016 : Calendrier des sorties peut faire appel à l’exemple de l’entreprise sur Netflix France américaine fondée en 1997 de vidéo à la demande 8 janvier 2016 en illimité, Netflix, qui fait le buzz en ce moment en occupant particulièrement la une de la plupart des médias à l’occasion de son arrivée sur les écrans de l’Hexagone pour le 15 septembre prochain en France. Une entrée magistrale dans le paysage audiovisuel français qui ne fait pas l’unanimité, loin de là, et qui soulève de nombreuses questions, de concurrence certes, mais également à propos du catalogue que va offrir ce géant américain. Alors quel sera le catalogue proposé en France ? En effet, Netflix s’est toutefois montré beaucoup plus flou sur la question du contenu français mais cependant Reed Hastings le PDG de Netflix affirma que son entreprise respectera bien la chronologie des médias et à ce titre ne proposera pas un catalogue aussi étoffé que celui des États-Unis, du Canada ou même du Royaume-Uni puisqu’il appliquera sa stratégie habituelle qui consiste à démarrer avec un bon catalogue de contenu qu’il améliorera mois après mois pour arriver à un excellent catalogue et déclara qu’il n’a jamais proposé un catalogue exhaustif le jour du lancement .
  • Université De Montréal Feminist Contributions to Industrial Design

    Université De Montréal Feminist Contributions to Industrial Design

    Université de Montréal Feminist Contributions to Industrial Design and Design for Sustainability Theories and Practices par Isabel Prochner École de design, Faculté de l’aménagement Thèse présentée en vue de l’obtention du grade de Philosophiæ Doctor (Ph.D) en Aménagement mars, 2018 © Prochner, 2018 ii Université de Montréal Cette thèse intitulée : Feminist Contributions to Industrial Design and Design for Sustainability Theories and Practices présentée par Isabel Prochner a été évaluée par un jury composé des personnes suivantes : Christophe Abrassart Président rapporteur Anne Marchand Directrice de recherche Joëlle Rouleau Membre du jury Pinar Kaygan Examinatrice externe Claudine Déom Représentant du doyen iii iv Résumé Ce projet étudie comment des perspectives féministes pourraient informer les théories et les pratiques du design industriel et du design durable. Les diverses perspectives féministes sur et dans le design industriel promettent d’offrir plusieurs contributions uniques et précieuses, en surlignant des problèmes sociaux ou en lien avec la durabilité dans le domaine et en suggérant des options plus durables. Cependant, il n’y a pas beaucoup d’initiatives féministes en design industriel, donc les contributions potentielles d’une perspective féministe ne sont pas bien connues et sont minimalement explorées et exploitées. Ainsi, ce projet demande : comment le féminisme informe-t-il les théories et les pratiques du design industriel et du design durable ? Les buts sont d’identifier les critiques et les recommandations féministes envers le design industriel, d’identifier les relations entre les initiatives féministes en design industriel et le design durable, et d’identifier les connaissances que les initiatives féministes en design pourraient offrir au design durable.
  • Knights of Sidonia Vol. 5 Online

    Knights of Sidonia Vol. 5 Online

    erfpQ [Online library] Knights of Sidonia Vol. 5 Online [erfpQ.ebook] Knights of Sidonia Vol. 5 Pdf Free Tsutomu Nihei DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook #154303 in eBooks 2015-12-08 2015-12-08File Name: B00J6Y9AMK | File size: 40.Mb Tsutomu Nihei : Knights of Sidonia Vol. 5 before purchasing it in order to gage whether or not it would be worth my time, and all praised Knights of Sidonia Vol. 5: 1 of 1 people found the following review helpful. Tanikaze, what happened to your face?By Jamil BhattiAre you really wondering if these are still good after five installments? OF COURSE! In what is rapidly becoming one of my favorite series, Nihei again puts out another solid, epic science fiction manga. The quality of the storytelling is what most consistently impresses me, each volume is full of plot revelations and unexpected developments. I hope this series can continue for some time, there doesn’t seem to be any shortage of great ideas in here. If you’ve loved the previous issues then of course you need this one - my only regret is that I didn’t discover Nihei’s work soon enough to get his Blame! series before it went out of print, don’t let that happen with this one!0 of 0 people found the following review helpful. Just order the next volume too!By Steve MontThis series just keeps becoming more and more complex and entertaining and beautiful. Do yourself a favor and order volume 6 as well because you are going to want to pick it up IMMEDIATELY after the last page of this volume.0 of 0 people found the following review helpful.
  • Master-Planned Communities

    Master-Planned Communities

    the distance between you and everything you care about is no greater than the distance between you and your wireless phone. WIRELESS FROM AT&T. -.- YOUR WORLD. CLOSE AT HAND. AT&T AT&T DIGITAL POCKE'fNET"' SERVICE I AT&T FAMILY PIAN I AT&T REGIONAL ADVANTAGE PIAN I AT&T INTERNATIONAL WIRELESS I AT&T WIRELESS BUSINESS SOLUTIONS I All<T DIGITAL ONE RATE'" © 2000AT&T COMMENTARY BRBNNANL~E. eID TECHNOLOGY The good, the bad & the e-ugly have a long way to go before we're in the arne Our continued sue- Here's the good news. evada may not be Silicon Valley, but our state league with Silicon Valley. Nis getting its share of new information tech­ Our continued success in attracting technology nology (IT) companies. States across the nation companies to Nevada depends a great deal on cess in anracting are in fierce competition for what has become the how our elected officials handle key technology "golden" industry. Technology companies are issues. Among these issues is the Sparn Law, sought after because they are environmentally passed in 1997 by Nevada legislators in an effort technology com- friendly, low water users and they pay substan­ to stop unsolicited commercial e-mail. The law tially higher than most other industries. Accord­ has huge loopholes and has done little to stop ing to the American Electronics Association, spammers who continue to target Nevadans. The panies to Nevada high-tech workers earn an average salary of commerce clause of the U.S. Constitution is used $53,000, a figure that is 80 percent higher than by judges as a reason to invalidate state attempts salaries in other industries.
  • AHEAD Students Mourn Death of Teen

    AHEAD Students Mourn Death of Teen

    Suggestions for 'Modern Food Gifts to make in no time, Bl Homelbwn < <>MM> •*!< ATIONH WUTWOHK" Sunday December 7,1997 G: Putting You In Touch With Your World VOLUME 33 NUMBER 53 WESTLAND, MICHIGAN • 78 PAGES • http://observer-eccentric.coin SEVENTY-FIVE CENTS 01W7 BomaToWp CommujilcttSoa* Network, lac THE WEEK Students mourn death of teen AHEAD • Fourteen-year-old Alycia Madgwick died shortly before 3:30 p.m. Thursday after she was taken off of MONDAY life support at the Univer­ sity or Michigan Medical School board: The Wayne- Center in Ann Arbor. Westland school board BY DARRELL CLEM meets at 7p.m. at the dis­ AND MARK CBESTOEY trict offices on Marquette STAFF WRITERS in Westland. Grief-stricken Livo­ nia Franklin High School students are Holiday exhibit: The Gar­ mourning the loss of den City Fine Arts Associ­ 14-year-old Alycia Madgwick, a popular ation will hold its Holi­ pompon squad member day Art Exhibit and Sale who died from injuries she suffered in Dec. 8-13 in The Art a car that plunged into a Westland ditch on a rainy Wednesday night. Gallery I Studio at 29948 "She was always a happy, smiling Ford, between Henry Ruff person," lOth-grader Erin Huber said. "What I will remember most about and Middlebelt (in Sheri­ her was she had the prettiest smile," dan Square), Garden lOth-grader Andrew Morales said. City. Madgwick died shortly before 3:30 p.m. Thursday after she was taken off of life support at the University of Michigan Medical Center in Ann TUESDAY Arbor. The Westland girl's death came 20 hours after she and four friends Winterfest: The Westland were involved in a one-car accident on PHOTOS BY JZBBT & MTOOZA Joy Road at Ingram, west of Merriman.
  • Film Studies (FILM) 1

    Film Studies (FILM) 1

    Film Studies (FILM) 1 FILM-115 World Cinema 3 Units FILM STUDIES (FILM) 54 hours lecture; 54 hours total This course will survey the historical, social, and artistic development FILM-100 Survey and Appreciation of Film 3 Units of cinema around the globe, introducing a range of international films, 54 hours lecture; 54 hours total movements, and traditions. This course is an introduction to the history and elements of filmmaking Transfers to both UC/CSU such as narrative, mise-en-scene, cinematography, acting, editing, and FILM-117 Director's Cinema 3 Units sound as well as approaches to film criticism. 54 hours lecture; 54 hours total Transfers to both UC/CSU This course examines the historical and artistic career of a seminal FILM-101 Introduction to Film Production 3 Units director in cinema history. Possible subjects include Martin Scorsese, 36 hours lecture; 54 hours lab; 90 hours total Alfred Hitchcock, Francis Ford Coppola, and Woody Allen. This course is designed to introduce you to the creative process Transfers to CSU only of filmmaking. We will study all aspects of production from the FILM-120 Horror Film 3 Units conceptualization of ideas and scripting, to the basic production 54 hours lecture; 54 hours total equipment and their functions, and finally the production and post- This course offers an in-depth examination of the popular horror film production processes. Assignments will emphasize visualization, through an analysis of its historical evolution, major theories, aesthetics shooting style, and production organization. Presentation of ideas in and conventions, and the impact of its role as a reflection of culture both the written word and visual media are integral to the production society.
  • Bay Guardian | August 26 - September 1, 2009 ■

    Bay Guardian | August 26 - September 1, 2009 ■

    I Newsom screwed the city to promote his campaign for governor^ How hackers outwitted SF’s smart parking meters Pi2 fHB _ _ \i, . EDITORIALS 5 NEWS + CULTURE 8 PICKS 14 MUSIC 22 STAGE 40 FOOD + DRINK 45 LETTERS 5 GREEN CITY 13 FALL ARTS PREVIEW 16 VISUAL ART 38 LIT 44 FILM 48 1 I ‘ VOflj On wireless INTRODUCING THE BLACKBERRY TOUR BLACKBERRY RUNS BETTER ON AMERICA'S LARGEST, MOST RELIABLE 3G NETWORK. More reliable 3G coverage at home and on the go More dependable downloads on hundreds of apps More access to email and full HTML Web around the globe New from Verizon Wireless BlackBerryTour • Brilliant hi-res screen $ " • Ultra fast processor 199 $299.99 2-yr. price - $100 mail-in rebate • Global voice and data capabilities debit card. Requires new 2-yr. activation on a voice plan with email feature, or email plan. • Best camera on a full keyboard BlackBerry—3.2 megapixels DOUBLE YOUR BLACKBERRY: BlackBerry Storm™ Now just BUY ANY, GET ONE FREE! $99.99 Free phone 2-yr. price must be of equal or lesser value. All 2-yr. prices: Storm: $199.99 - $100 mail-in rebate debit card. Curve: $149.99 - $100 mail-in rebate debit card. Pearl Flip: $179.99 - $100 mail-in rebate debit card. Add'l phone $100 - $100 mail-in rebate debit card. All smartphones require new 2-yr. activation on a voice plan with email feature, or email plan. While supplies last. SWITCH TO AMERICA S LARGEST, MOST RELIABLE 3G NETWORK. Call 1.800.2JOIN.IN Click verizonwireless.com Visit any Communications Store to shop or find a store near you Activation fee/line: $35 ($25 for secondary Family SharePlan’ lines w/ 2-yr.
  • Transgressive Representations of Gender in the Works of Emilia Pardo Bazán Sarah Berard Louisiana State University and Agricultural and Mechanical College

    Transgressive Representations of Gender in the Works of Emilia Pardo Bazán Sarah Berard Louisiana State University and Agricultural and Mechanical College

    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2012 Hijos de la decadencia: transgressive representations of gender in the works of Emilia Pardo Bazán Sarah Berard Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Berard, Sarah, "Hijos de la decadencia: transgressive representations of gender in the works of Emilia Pardo Bazán" (2012). LSU Master's Theses. 1654. https://digitalcommons.lsu.edu/gradschool_theses/1654 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. HIJOS DE LA DECADENCIA: TRANSGRESSIVE REPRESENTATIONS OF GENDER IN THE WORKS OF EMILIA PARDO BAZÁN A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Foreign Languages and Literatures by Sarah Honoré Berard B.A., Louisiana State University 2010 May 2012 DEDICATION To my favorite New Women, my mom and my grandmother Irene. ii ACKNOWLEDGEMENTS It is a pleasure to thank those who made this thesis possible. First, I must thank God for the many blessings that have allowed me to be a New Woman and champion her cause through my studies. I also owe my deepest gratitude to Dr. Dorota Heneghan who encouraged me to apply to the Master’s program and graciously agreed to direct my thesis even while on sabbatical.
  • Materia Y Forma De Los Dioses Mayas Del Período Clásico

    Materia Y Forma De Los Dioses Mayas Del Período Clásico

    ARTÍCULOS Revista Española de Antropología Americana ISSN: 0556-6533 https://doi.org/10.5209/reaa.66526 Materia y forma de los dioses mayas del período Clásico Ana García Barrios1 Recibido: 5 de marzo 2019 / Aceptado: 7 de junio de 2019 Resumen. Los artistas mayas del período Clásico tuvieron un interés especial por mostrar determinadas marcas o iconos dentro de los cuerpos de los seres sagrados que poblaron su cosmovisión. Esos motivos integrados en la imagen de ciertos dioses, tema principal de este trabajo, fueron utilizados para mos- trar al observador algunas de sus cualidades, principalmente la materia y sus componentes. El corpus sobre el que se trabaja aquí son determinadas vasijas del período Clásico (250-900 d.C.), con un doble enfoque disciplinario, la iconografía y la escritura, claves imprescindibles para comprender cómo se concibieron los dioses en la plástica maya antigua. Palabras clave: arte maya; periodo Clásico; dioses; marcas corporales; vasijas; iconografía; materia. [en] Matter and Form of the Mayan Gods of the Classic Period Abstract. Mayan artists of the Classic Period had a special interest in showing some marks or icons within the bodies of the sacred beings. Of great interest for this study, these motifs integrated in the image of some gods were used to show the observer some basic concepts around its nature and compo- sition. The approach used here starts from the iconography and writing of the Classic Period (250-900 AD), trying from this perspective to find the key elements that allow to understand how gods were conceived in the ancient Maya plastic. Keywords: Maya art; Classic Period; gods; corporal signals; vessels; iconography; matter.