DOCSLIB.ORG

CLAUDI ARIMANY 60 ANYS JAAAA???...NO FOTIS!!! Flautistes Claudi Arimany Mariano BAS Patricia DE NO Jordi GENDRA Josep-Francesc PALOU Xavier RELATS Eduard SÁNCHEZ

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CLAUDI ARIMANY 60 ANYS JAAAA???...NO FOTIS!!! Flautistes Claudi Arimany Mariano BAS� Patricia DE NO Jordi GENDRA� Josep-Francesc PALOU Xavier RELATS� Eduard SÁNCHEZ marata ConcertsCLAUDI ARIMANY 60 ANYS JAAAA???...NO FOTIS!!! Flautistes Claudi Arimany Mariano BAS Patricia DE NO Jordi GENDRA Josep-Francesc PALOU Xavier RELATS Eduard SÁNCHEZ Dimarts, 29 de desembre de 2015 Vespre, a les 21h. Parròquia de Santa Coloma de Marata Les Franqueses del Vallès Claudi Arimany, flauta PROGRAMA Claudi Arimany és, en la meva opinió, un dels millors flautistes de la seva generació. És un d'aquells virtuosos que posen la tècnica, la sonoritat i els colors del fraseig al servei de I la musicalitat i la sensibilitat, cosa que no està en mà de molts". Jean-Pierre Rampal, agost 99 Obertura de l'Òpera "La Flauta Màgica" Kv 620 W.A.Mozart Claudi Arimany va néixer a Granollers (Barcelona). És considerat un dels solistes catalans de més prestigi amb (1756-1791) una important trajectòria de gran projecció internacional. Ha actuat sempre com a solista, juntament amb artistes de la talla de J.P. Rampal, M.Maisky, M. Nordmann, F. Ayo, N. Zabaleta, V. dels Àngels, C. Orbelian, V. Pikaisen, M. Larrieu, J. Suk, A. Nicolet, J.J. Kantorov, C. Quartet en Mi Major per a quatre flautes Friedrich Kuhlau Scimone, Cuartet Borodin, etc., essent convidat per les més importants orquestres tals com l'English Chamber Andante maestoso (1786-1832) Orchestra, Berlin Philarmonic Ch. Orchestra, China National Symphony Orchestra, Philarmonia Virtuosi de Nova Scherzo York, Franz Liszt de Budapest, Israel Sinfonietta, Ensemble Orchestral de París, Solistes de Zagreb, Orq. Bach Adagio molto de Munich, Orquestra Simfònica de Praga (FOK), Orchestra Internazionale d´Italia, Moscow Chamber Orchestra, Stuttgarter Kammerorchester, Amadeus Chamber Orchestra, Prague Chamber Orchestra, Berliner Kammerorchester, Allegro assai European Union Chamber Orchestra, I Virtuosi Italiani i la Filharmònica Txeca entre moltes d'altres. Claudi Arimany ha ofert concerts a practicament tots els països d'Europa, i també a Rússia, Estats Units, II Canadà, Brasil, Israel, Liban, Kazakhistan, Thailandia, Xina, Japó, etc., actuant a importants auditoris com ara el Chicago Simphony Hall, Washington Library of Congres, Carnegie Hall de Nova York, Boston Simphony Hall, Palau de la Música Catalana de Barcelona, Concertgebouw d´Amsterdam, Wellington de Londres, Beethoven "Chats" Cinc peces pintoresques per a quatre flautes Marc Berthomieu House de Bonn, Franz Liszt Academy de Budapest, Teatro Real i Auditorio Nacional de Madrid, Hofburg Persan Bleu (1906-1991) Redoutensaal, Palais Auersperg i Wiener Konzerthaus de Viena, Beijing National Concert Hall de Pekin, Hollywood Puma Bowl de Los Angeles, Txaikowsky de Moscou, Rudolfinum i Smetana Hall de Praga, Gasteig i Herkules Saal Siamois de Munich, Kolarak de Belgrad, Lieder halle de Stuttgart, Théâtre Champs Elysées, Salle Pleyel i Salle Gaveau Lynx de París o el Suntory Hall i el Bunka Kay Kan de Tòquio. Chat Perché Compta amb una àmplia discografia amb més de coranta CD,s per a les firmes SONY Classical, NOVALIS, DENON, SAPHIR, DELOS Int., etc. molts dels quals han estat premiats, incloent els primers enregistraments de l'obra completa per a flauta de Franz i Carl Doppler (9 CD), l´integral dels concerts per a flauta i orquestra Trio en Sol Major Ludwig van Beethoven de François Devienne (4CD), la dels concerts de Joan Baptiste Plà, compositor català del XVIII, de Mozart, de Allegro (1770-1827) Hoffmeister, etc. Andante Considerat per Jean-Pierre Rampal com un dels més grans flautistes de la seva generació, van ser companys Rondo allegratto durant molts anys als escenaris de tot el món, resultant ser l'hereu d'un estil d'interpretar i d'entendre l'art de la música. "Tritsch-Tratsch Polka" Johann Strauss Claudi Arimany utilitza en els seus concerts l'emblemàtica flauta d'or W.S. Haynes de J.P.Rampal. "Radetzky march" (1804-1849) "Claudi Arimany posseeix un so bellíssim i una resplendent personalitat com a intèrpret. Va tocar a la Boston Simphony Hall amb autèntica passió i grandesa" The Boston Globe - USA Richard Dyer Proper concert: 6 de març de 2016 Concert nº 221 Recital de Clavecí clavicèmbal Aparcament i Entrada lliures Jordi Ribell, Concerts de Marata - Apartat 151 - 08400 GRANOLLERS [email protected] - Tel. 93 849 31 04.
Load more

Recommended publications
  • The Founder of the Ljubljana Festival Is the City of Ljubljana the Patron
    The Founder of the Ljubljana Festival is the City of Ljubljana The Patron of the 2019 Ljubljana Festival is the Mayor of the City of Ljubljana, Mr Zoran Janković. PRESS RELEASE Ljubljana, May 2019 LJUBLJANA FESTIVAL – CULTURAL HUB AT THE HEART OF YOUR SUMMER CULTURAL EXPERIENCE Every summer the Ljubljana Festival makes an important contribution to the cultural life of Ljubljana with a carefully selected programme covering a wide variety of genres. Today’s press conference in the Red Hall at Ljubljana Town Hall served to present this year’s 67th Ljubljana Festival, which will run from July until September. Once again the festival will feature ballet and opera performances, musicals, chamber and symphonic concerts, the International Fine Arts Colony, workshops for children and young people, the Ljubljana Festival on the Ljubljanica, and much more. Even before the official start of the festival, you will have the unique opportunity to hear Verdi’s Requiem conducted by the great Plácido Domingo, in his first appearance as a conductor in Slovenia. This pre-festival event will be followed at beginning of July by the most eagerly awaited cultural event of the year: the opening of the 67th Ljubljana Festival, which gets under way with Aida, one of the best known and most frequently performed operas not only of Verdi's oeuvre, but in the entire history of opera. Director Dražen Siriščević’s imaginative staging will make the most of the outdoor setting and the opera will include an appearance by thoroughbred Lipizzaner horses from the stud farm in Lipica. The events of the Ljubljana Festival take place throughout the summer and Slovenia’s capital will continue to welcome some of the biggest names in music – performers of worldwide renown – right up until September.
    [Show full text]
  • Late Fall 2020 Classics & Jazz
    Classics & Jazz PAID Permit # 79 PRSRT STD PRSRT Late Fall 2020 U.S. Postage Aberdeen, SD Jazz New Naxos Bundle Deal Releases 3 for $30 see page 54 beginning on page 10 more @ more @ HBDirect.com HBDirect.com see page 22 OJC Bundle Deal P.O. Box 309 P.O. 05677 VT Center, Waterbury Address Service Requested 3 for $30 see page 48 Classical 50% Off beginning on page 24 more @ HBDirect.com 1/800/222-6872 www.hbdirect.com Classical New Releases beginning on page 28 more @ HBDirect.com Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Late Fall 2020 Late Fall 2020 Classics & Jazz Catalog, with a broad range of offers we’re sure will be of great interest to our customers. Catalog Index Villa-Lobos: The Symphonies / Karabtchevsky; São Paulo SO [6 CDs] In jazz, we’re excited to present another major label as a Heitor Villa-Lobos has been described as ‘the single most significant 4 Classical - Boxed Sets 3 for $30 bundle deal – Original Jazz Classics – as well as a creative figure in 20th-century Brazilian art music.’ The eleven sale on Double Moon, recent Enlightenment boxed sets and 10 Classical - Naxos 3 for $30 Deal! symphonies - the enigmatic Symphony No. 5 has never been found new jazz releases. On the classical side, HBDirect is proud to 18 Classical - DVD & Blu-ray and may not ever have been written - range from the two earliest, be the industry leader when it comes to the comprehensive conceived in a broadly Central European tradition, to the final symphony 20 Classical - Recommendations presentation of new classical releases.
    [Show full text]
  • CHAMBER CONCERTS of the 67TH LJUBLJANA FESTIVAL the Slovene Philharmonic String Chamber Orchestra Is Preparing a Concert with Th
    CHAMBER CONCERTS OF THE 67TH LJUBLJANA FESTIVAL The Slovene Philharmonic String Chamber Orchestra is preparing a concert with the acclaimed mandolinist Avi Avital. Winner of the prestigious Aviv Competition in 2007, Israeli musician Avi Avital is the first mandolinist in the history of the competition to be so honoured. A passionate and charismatic musician, his performances have electrified audiences around the world. He is also the first mandolin soloist to be nominated for a classical Grammy. (29. 7. at 8.00pm, National Gallery) The Georgian Chamber Orchestra Ingolstadt was founded in Tbilisi (Georgia) in 1964. Its move to Ingolstadt (Germany) in early 1990 opened a new chapter in its story. Despite the move to a different cultural and geographical environment, it maintains its Eastern European identity, at the same time acting as an important cultural ambassador for the city of Ingolstadt. For its Ljubljana concert the orchestra will be conducted by the Armenian conductor Ruben Gazarian, who since 2015 has also been its artistic director. The soloists will be Fabrizio Meloni (clarinet), Vicente Campos (trumpet) and Giuseppe Albanese (piano). (30. 7. at 8.00pm, National Gallery) The concert evening Death and the Maiden places the spotlight on the vocal- instrumental works of two Romantic composers who are among the most notable composers of lieder: Hugo Wolf and Franz Schubert. Songs for female voice and strings and Death and the Maiden for soprano and strings have been arranged by the artistic director of the Slovene Philharmonic String Chamber Orchestra, Klemen Hvala. The fourteen-member ensemble was founded in 1993 with support from the Ministry of Culture of the Republic of Slovenia.
    [Show full text]
  • CLÀSSICA a LA REIAL ACADÈMIA Dimarts 20 De Març De 2018 a Les
    CLÀSSICA A LA REIAL ACADÈMIA Dimarts 20 de març de 2018 a les 20.00 hores Reial Acadèmia Catalana de Belles Arts de Sant Jordi Saló d’actes Barcelona “Haynes Flute Days Celebration” 10:00h. a 14:00h. / 17:00h. a 19:00h. “Exposició de flautes Haynes d’alta gama” ENTRADA LLIURE Durant la Celebració Haynes, pot provar les prestigioses flautes Haynes i canviar impressions amb l’artista -resident de Haynes a Boston, senyor Alan Weiss. Seran en or 14 K, 19.5 K i 10 K i també de plata. 19:00h. “Conferència sobre les mítiques flautes WMS HAYNES” ENTRADA LLIURE ALAN WEISS flautista, conferenciant i representant de la fàbrica a Boston __________________________________________________________________ 20:00 h. “Tres “Rolls-Royce” de la flauta” (15 euros sense reserva i 12 euros amb reserva a www.fomentdelaclassica.cat) SHIGENORI KUDO CLAUDI ARIMANY ALAN WEISS PEDRO JOSÉ flauta “Haynes” d’or flauta “Haynes” d’or flauta “Haynes” d’or RODRÍGUEZ LARRAÑAGA Piano Georg Philipp TELEMANN (Alemanya, 1681 - 1767) Quartet en re menor per a tres flautes i baix continu Andante Vivace Largo Allegro Franz DOPPLER (Imperi austríac, 1821 - Àustria, 1883) “Duettino Americain”, Op. 37 per a dues flautes i piano Ludwig van BEETHOVEN (Alemanya, 1770 - Àustria, 1827) Trio en Sol Major per a tres flautes Allegro Andante Rondo: allegretto Johann Nepomuk HUMMEL (Eslovàquia, 1778 - Alemanya, 1837) Grand Rondeau Brillant”, Op.126 per a flauta i piano Mathieu Andre REICHERT (Bélgica, 1830 - 1880) “Plaisanterie Musicale” sur Trois Airs Allemands per a tres flautes i piano Vull rebre informació de les activitats de l’Associació pel Foment de la Música Clàssica (Li preguem que ompli clarament les dades i ens ho entregui a la sortida del concert) (Si no ho vol retallar, demani un formulari a la sortida) Nom i primer cognom ...................................................................................................
    [Show full text]
  • HACE Treinta Y Cinco Años, El 22 De Septiembre De 1972, La
    Depósito Legal: A-1.583-1997 Such Serra, S.A.L. - Alcalde Lorenzo Carbonell, 57 - Alicante ACE treinta y cinco años, el 22 de septiembre de 1972, la Sociedad de Conciertos de Alicante iniciaba sus activida- Hdes con un recital de Victoria de los Ángeles en homenaje al gran pianista alicantino Gonzalo Soriano. Treinta y cinco años es un periodo de tiempo muy corto para una Institución, pero muy dilatado para las personas; y todos los que hemos colaborado en hacer posible la Sociedad de Conciertos, cuan- do miramos atrás tenemos la sensación de haber recorrido un largísi- mo camino que ha estado lleno de dificultades que hemos podido ir venciendo con esfuerzo y con tenacidad. También han sido muy importantes las satisfacciones que han compensado nuestros desvelos. Tal vez si tenemos que resumir en una sola palabra el “secreto” de la Sociedad de Conciertos es el entusiasmo que se ha mantenido desde la iniciación hasta el momento presente. La razón fundamental de nacer la Sociedad era la de programar conciertos de gran calidad artística, y esta meta afortunadamente se ha conseguido. En ciclos anteriores hemos editado varias memorias, y ahora al cumplirse los 35 años de vida de la Sociedad creemos conveniente resumir todos los conciertos programados, para que se tenga una visión unitaria y de conjunto de nuestras actividades, tanto para los socios, como para las agencias de contratación, y para algunos artis- tas que son reticentes a visitar ciudades pequeñas, y que al compro- bar la importancia de los interpretes que han pasado por nuestra Sociedad han aceptado actuar por considerar que la Sociedad de Conciertos de Alicante es un foro de prestigio.
    [Show full text]
  • The French Flute Tradition
    The French Flute Tradition by Liesl Stoltz Dissertation presented as partial fulfilment of the requirements for the degree Master of Music (Performance) Faculty of Humanities University of Cape Town Supervisor: Prof. James May February 2003 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town DECLARATION I, the undersigned, declare that this dissertation is my own, unaided work. It is being submitted in part fulfilment of the requirements for the degree of Master of Music (Performance). It has not been previously submitted in its entirety or in part for any degree or examination at any other university. ~. : ~~o!f\ ......... ......~~ '.. ~Q~3 ..... Liesl StoI'tZ ii ABSTRACT The French flute tradition is remarkable and is admired by flautists, teachers and students of the flute all over the world. The dissertation researched the development of this tradition from the pre-Baroque period through to the modern era and tried to determine the underlying factors that stimulated its development specifically in France. The first key was added to the flute in France and with this the Hotteteres created the blueprint for the modern flute of today. During the Classical period the conservative French retarded the development of the instrument and the repertoire for the flute by initially rejecting additional keys.
    [Show full text]
  • JOSEP FRANCESC PALOU Flute JOSEP
    JOSEP FRANCESC PALOU flute JOSEP FRANCESC PALOU was born in Arta, Mallorca. It was formed in Barcelona with CLAUDI ARIMANY and in Paris with RAYMOND GUIOT and ALAIN MARION. He has also received advice from J.P. RAMPAL, M. LARRIEU, J.GUILLEM and M. MARTINEZ. He has performed in many countries such as France, Germany, Norway, Italy, Slovenia, Czech Republic, United States and Russia. He has performed as a soloist, Mozart, Bach, Jolivet, Rodrigo, Reinecke, Ibert, Vivaldi, Cimarosa, Quantz .... with the orchestras Franz Liszt from Budapest, Soloists of the Berlin Philharmonic, the Moscow Kremlin Orchestra , Balearic Symphony Orchestra, Collegium Instrumentale of Valencia, Andres Segovia Orchestra, Moscow Chamber Orchestra, Hongarian Viortuosi, Czech Bohemian Orchestra and I Musici di Vivaldi, among others. He has performed with J. P. RAMPAL, M. LARRIEU, C. ARIMANY, J. L.BEAUMADIER, T.INDERMÜLHE, J. GUILLEM, Ph. BENDER, J. ROLLA, S. BROTONS, E. M. LEFT, M.GALDUF, V. BALAGUER, E.PALOMARES, A. RIERA and I. JAGLA among others. The recording of flute concertos and two flutes unpublished by JJ Quantz with the orchestra HUNGARIAN VIRTUOSI (Columna) with unanimous critical success, was elected DISCOVERY OF THE MONTH in the prestigious British magazine uk.net. Recently published double CD Syrinx (Cas Músic) with Miquel Mestre and Andreu, Riera which gathers stories about birds by Avelino Hernandez writer and flute music of composers Messiaen, Debussy, Blanquer, Albéniz, Rimsky Korsakov ... He has also recorded chamber music about the Balearic composer Josep Prohens (Ona Digital) whose music and its interpretation gathered rave reviews from the specialized music magazine (La Vanguardia) He has premiered, performed and recorded works by leading composers of the Balearic Islands as Josep Prohens, X.
    [Show full text]
  • CLÀSSICA a LA REIAL ACADÈMIA Dimarts 25 De Febrer De 2020 a Les
    CLÀSSICA A LA REIAL ACADÈMIA Dimarts 25 de febrer de 2020 a les 20.00 hores Reial Acadèmia Catalana de Belles Arts de Sant Jordi Saló d’actes Barcelona “Trios barrocs i clàssics” CLAUDI ARIMANY flauta EDUARD SÁNCHEZ flauta JORDI RIBELL clavecí Johann Joachim QUANTZ (Alemanya, 1697 - 1773) Trio Sonata en Sol menor Allegro ma non troppo Cantabile Allegro Joan Baptista PLA (Balaguer, 1720 - París, 1773) Trio Sonata en Re menor Allegro moderato Adagio Allegro Franz Joseph HAYDN (Àustria, 1732 - 1809) Duo núm. 4 per a dues flautes en Re Major Allegretto Largo cantábile e mesto Menuetto Finale presto Carl Philipp Emanuel BACH (Alemanya, 1714 - 1788) Trio Sonata en Mi Major Wot. 162 Allegretto Adagio di molto Allegro assai “Claudi Arimany és, en la meva opinió, un dels millors flautistes de la seva generació. És un d’aquells virtuosos que posen la tècnica, la sonoritat i els colors del fraseig al servei de la musicalitat i la sensibilitat, cosa que no està en mà de molts” Jean-Pierre Rampal Claudi Arimany va néixer a Granollers (Barcelona). És considerat un dels solistes catalans de més prestigi amb una important trajectòria de gran projecció internacional. Ha actuat sempre com a solista, juntament amb artistes de la talla de J. P. Rampal, M. Maisky, M. Nordmann, F. Ayo, N. Zabaleta, V. dels Àngels, C. Orbelian, V. Pikaisen, M. Larrieu, J. Suk, A. Nicolet, J. J. Kantorov, C. Scimone, Cuartet Borodin, etc., essent convidat per les més importants orquestres tals com l’English Chamber Orchestra, Berlin Philarmonic Ch. Orchestra, Wiener Hofburg Orchestra, China National Symphony Orchestra, Philarmonia Virtuosi de Nova York, Franz Liszt de Budapest, Israel Sinfonietta, Ensemble Orchestral de París, Solistes de Zagreb, Orq.
    [Show full text]
  • 1-27 Julio 2019 Péter Csaba Director Artístico
    PROGRAMA GENERAL 1-27 julio 2019 Péter Csaba Director artístico www.encuentrodesantander.es ÍNDICE CONTENTS Bienvenida 5 Welcome La Academia 9 The Academy Profesores y participantes 14 Teachers and participants El Escenario 17 The Stage Calendario general 19 General Programme Programas de conciertos 21 Concerts’ Programmes Compositores y obras 87 Composers and Works Biografías 97 Biographies Información práctica 127 Practical Information Agradecimientos 128 Acknowledgements Equipo de gestión 129 Management Team 5 El patrimonio The Cantabrian heritage embraces all senses. It de Cantabria goes beyond the material realm and raises to the abarca todos spiritual level when from its mountain landscapes los sentidos. and valleys the primary sound of nature arises Trasciende a lo and is read poetically with music. Academy The material y tam- bién se eleva al Cantabria is proud of its musical tradition but this orden espiritual vocation it is also open to all cultural and artistic cuando des- sensitivities as rain which revitalizes the land. Be- de sus paisajes cause the music, although it expresses the perso- montañosos y nal features of each people, is above all a universal / La Academia valles surge el language which unifies women and men from the sonido primario five continents. Therefore, Cantabria has welco- de la naturaleza y se interpreta poético con la me with open arms those great events, that as música. the Santander Encounter of Music and Academy, make our region a reference in the international Cantabria se muestra orgullosa de su tradición music field. musical, pero esa vocación también se abre generosa a todas las sensibilidades culturales y I will never acknowledge enough the great work artísticas, como lluvia que revitaliza la tierra.
    [Show full text]
  • CONCERT a LA RAMON LLULL Dilluns 4 De Març De 2019 a Les 22.00 Hores COL·LEGI MAJOR UNIVERSITARI RAMON LLULL Capella Rubió I Bellver Barcelona
    CONCERT A LA RAMON LLULL Dilluns 4 de Març de 2019 a les 22.00 hores COL·LEGI MAJOR UNIVERSITARI RAMON LLULL Capella Rubió i Bellver Barcelona CAPELLA RUBIÓ i BELLVER ORQUESTRA DE FLAUTES DE BARCELONA OFB DARIA MEDVEDEVA piano ELENA SENTÍS flauta MANUEL COBAS flauta ANTON SERRA flauta WOLFGANG AMADEUS MOZART (Àustria, 1756 - 1791) CONCERT PER A PIANO i ORQUESTRA en La M KV 414 Allegro Andante Rondeau FRANZ DOPPLER (Imperi austríac, 1821 - Àustria, 1883) ANDANTE I RONDÓ PER A DUES FLAUTES I ORQUESTRA WOLFGANG AMADEUS MOZART (Àustria, 1756 - 1791) CONCERT PER A FLAUTA i ORQUESTRA en Re M KV 314 Allegro aperto Andante ma non troppo Allegro Vull rebre informació de les activitats de l’Associació pel Foment de la Música Clàssica (Li preguem que ompli clarament les dades i ens ho entregui a la sortida del concert) (Si no ho vol retallar, demani un formulari a la sortida) Nom i primer cognom .................................................................................................................. Correu electrònic ......................................................................................................................... L’ORQUESTRA DE FLAUTES DE BARCELONA neix l’any 2005, sota la direcció de Vicens Prats, Flauta Solista de L’Orquesta de París, amb el propòsit de donar a conèixer un tipus de formació musical poc freqüent en el nostre país. Des del febrer del 2008 el director titular és Joaquim Piqué: director de diverses formacions musicals i cors, que dirigí entre els anys 2000 i 2007 l'escolania de Montserrat i que actualment és cantant i assistent de director del Cor de Cambra del Palau de la Música. Durant aquests anys l'orquestra ha fet nombrosos concerts amb programes molt variats que inclouen obres des dels grans compositors clàssics fins als més contemporanis, passant per reculls de petites peces o muntatges on música i imatge s'uneixen en una mescla artística molt atractiva.
    [Show full text]
  • La Intimidad Sonora. 25 De Abril De 2016 Intérpretes
    CONCIERTOS TEMÁTICOS LA INTIMIDAD SONORA. 25 DE ABRIL DE 2016 Ya nuestra intimidad es tan inmensa que la muerte la esconde en su vacío. Mario Benedetti, Intimidad La intimidad abierta y exultante del clasicismo vienés, el intimismo de Schubert y el romanticismo melancólico de Schumann. La mirada hacia el interior, la huida de lo externo en busca de refugio o aislamiento lleva a la intimidad, espacio emotivo que invita a la meditación y sugerencia para el reencuentro con uno mismo. El lenguaje de la música, lenguaje de abstracción por excelencia, es el lenguaje de la intimidad desplegada libremente como un mundo de plenitud emotiva. INTÉRPRETES: Claudi Arimany, flauta Pedro Rodríguez, piano PROGRAMA: Robert Schumann (1810-1856) Adagio y Allegro op.70 Wolfgang Amadeus Mozart (1756-1787) Sonata en Si bemol mayor KV. 454 Largo Allegro Andante Allegretto Franz Schubert (1797-1828) Introducción y Variaciones sobre el Lied “Trockne Blumen” D802-op.post.160 CONCIERTOS TEMÁTICOS “Claudi Arimany es, en mi opinión, uno de los mejores flautistas de su generación. Es uno de aquellos virtuosos que ponen la técnica, la sonoridad y los colores del fraseo al servicio de la musicalidad y la sensibilidad, lo cual no está al alcance de muchos”. Jean-Pierre Rampal, Agosto 99 Claudi Arimany, flauta. Claudi Arimany nació en Granollers (Barcelona). Realizó sus estudios en Barcelona y París. Es considerado uno de los solistas catalanes de mayor prestigio, con una importante trayectoria de gran proyección internacional. Ha actuado, siempre como solista, con artistas como J.P.Rampal, M.Nordmann, M.Maisky, C.Scimone, F.Ayo, N.Zabaleta, Victoria de los Ángeles, C.Orbelian, V.Pikaisten, M.Larrieu, J.Suk, A.Nicolet, J.J.Kantorov, Borodin Quartet, etc., y ha sido invitado por importantes orquestas tales como English Chamber Orchestra, Berlin Philarmonic Kammerorchester, China Nacional Symphony Orchestra, Philarmonia Virtuosi de Nueva York, Franz Liszt de Budapest, Israel Sinfonietta, Solistas de Zagreb, Orquesta Sinfónica de Praga (FOK), entre muchas otras.
    [Show full text]
  • The French Flute Tradition
    The French Flute Tradition by Liesl Stoltz Dissertation presented as partial fulfilment of the requirements for the degree Master of Music (Performance) Faculty of Humanities University of Cape Town Supervisor: Prof. James May February 2003 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town DECLARATION I, the undersigned, declare that this dissertation is my own, unaided work. It is being submitted in part fulfilment of the requirements forthe degree of Master of Music (Performance). It has not been previously submitted in its entirety or in part for any degree or examination at any other university. Signature Removed . .... -�� ·.. �Q03_ ..... Liesl........ Stoltz . ii ABSTRACT The French flute tradition is remarkable and is admired by flautists, teachers and students of the flute all over the world. The dissertation researched the development of this tradition from the pre-Baroque period through to the modern era and tried to determine the underlying factors that stimulated its development specifically in France. The first key was added to the flute in France and with this the Hotteteres created the blueprint for the modern flute of today. During the Classical period the conservative French retarded the development of the instrument and the repertoire for the flute by initially rejecting additional keys.
    [Show full text]