The French Flute Tradition
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Commissioned Flute Choir Pieces Presented By
THE COMMISSIONED FLUTE CHOIR PIECES PRESENTED BY UNIVERSITY/COLLEGE FLUTE CHOIRS AND NFA SPONSORED FLUTE CHOIRS AT NATIONAL FLUTE ASSOCIATION ANNUAL CONVENTIONS WITH A BRIEF HISTORY OF THE FLUTE CHOIR AND ITS REPERTOIRE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Yoon Hee Kim Graduate Program in Music The Ohio State University 2013 D.M.A. Document Committee: Katherine Borst Jones, Advisor Dr. Russel C. Mikkelson Dr. Charles M. Atkinson Karen Pierson Copyright by Yoon Hee Kim 2013 Abstract The National Flute Association (NFA) sponsors a range of non-performance and performance competitions for performers of all ages. Non-performance competitions are: a Flute Choir Composition Competition, Graduate Research, and Newly Published Music. Performance competitions are: Young Artist Competition, High School Soloist Competition, Convention Performers Competition, Flute Choirs Competitions, Professional, Collegiate, High School, and Jazz Flute Big Band, and a Masterclass Competition. These competitions provide opportunities for flutists ranging from amateurs to professionals. University/college flute choirs perform original manuscripts, arrangements and transcriptions, as well as the commissioned pieces, frequently at conventions, thus expanding substantially the repertoire for flute choir. The purpose of my work is to document commissioned repertoire for flute choir, music for five or more flutes, presented by university/college flute choirs and NFA sponsored flute choirs at NFA annual conventions. Composer, title, premiere and publication information, conductor, performer and instrumentation will be included in an annotated bibliography format. A brief history of the flute choir and its repertoire, as well as a history of NFA-sponsored flute choir (1973–2012) will be included in this document. -
The Founder of the Ljubljana Festival Is the City of Ljubljana the Patron
The Founder of the Ljubljana Festival is the City of Ljubljana The Patron of the 2019 Ljubljana Festival is the Mayor of the City of Ljubljana, Mr Zoran Janković. PRESS RELEASE Ljubljana, May 2019 LJUBLJANA FESTIVAL – CULTURAL HUB AT THE HEART OF YOUR SUMMER CULTURAL EXPERIENCE Every summer the Ljubljana Festival makes an important contribution to the cultural life of Ljubljana with a carefully selected programme covering a wide variety of genres. Today’s press conference in the Red Hall at Ljubljana Town Hall served to present this year’s 67th Ljubljana Festival, which will run from July until September. Once again the festival will feature ballet and opera performances, musicals, chamber and symphonic concerts, the International Fine Arts Colony, workshops for children and young people, the Ljubljana Festival on the Ljubljanica, and much more. Even before the official start of the festival, you will have the unique opportunity to hear Verdi’s Requiem conducted by the great Plácido Domingo, in his first appearance as a conductor in Slovenia. This pre-festival event will be followed at beginning of July by the most eagerly awaited cultural event of the year: the opening of the 67th Ljubljana Festival, which gets under way with Aida, one of the best known and most frequently performed operas not only of Verdi's oeuvre, but in the entire history of opera. Director Dražen Siriščević’s imaginative staging will make the most of the outdoor setting and the opera will include an appearance by thoroughbred Lipizzaner horses from the stud farm in Lipica. The events of the Ljubljana Festival take place throughout the summer and Slovenia’s capital will continue to welcome some of the biggest names in music – performers of worldwide renown – right up until September. -
Dayton C. Miller Flute Collection
Guides to Special Collections in the Music Division at the Library of Congress Dayton C. Miller Flute Collection LIBRARY OF CONGRESS WASHINGTON 2004 Table of Contents Introduction...........................................................................................................................................................iii Biographical Sketch...............................................................................................................................................vi Scope and Content Note......................................................................................................................................viii Description of Series..............................................................................................................................................xi Container List..........................................................................................................................................................1 FLUTES OF DAYTON C. MILLER................................................................................................................1 ii Introduction Thomas Jefferson's library is the foundation of the collections of the Library of Congress. Congress purchased it to replace the books that had been destroyed in 1814, when the Capitol was burned during the War of 1812. Reflecting Jefferson's universal interests and knowledge, the acquisition established the broad scope of the Library's future collections, which, over the years, were enriched by copyright -
2018 Available in Carbon Fibre
NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished -
Georgian Country and Culture Guide
Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager). -
Sonata for Flute and Piano in D Major, Op. 94 by Sergey Prokofiev
SONATA FOR FLUTE AND PIANO IN D MAJOR, OP. 94 BY SERGEY PROKOFIEV: A PERFORMANCE GUIDE HONORS THESIS Presented to the Honors Committee of Texas State University-San Marcos in Partial Fulfillment of the Requirements for Graduation in the Honors ColLege by Danielle Emily Stevens San Marcos, Texas May 2014 1 SONATA FOR FLUTE AND PIANO IN D MAJOR, OP. 94 BY SERGEY PROKOFIEV: A PERFORMANCE GUIDE Thesis Supervisor: ________________________________ Kay Lipton, Ph.D. School of Music Second Reader: __________________________________ Adah Toland Jones, D. A. School of Music Second Reader: __________________________________ Cynthia GonzaLes, Ph.D. School of Music Approved: ____________________________________ Heather C. GaLLoway, Ph.D. Dean, Honors ColLege 2 Abstract This thesis contains a performance guide for Sergey Prokofiev’s Sonata for Flute and Piano in D Major, Op. 94 (1943). Prokofiev is among the most important Russian composers of the twentieth century. Recognized as a leading Neoclassicist, his bold innovations in harmony and his new palette of tone colors enliven the classical structures he embraced. This is especially evident in this flute sonata, which provides a microcosm of Prokofiev’s compositional style and highlights the beauty and virtuosic breadth of the flute in new ways. In Part 1 I have constructed an historical context for the sonata, with biographical information about Prokofiev, which includes anecdotes about his personality and behavior, and a discussion of the sonata’s commission and subsequent premiere. In Part 2 I offer an anaLysis of the piece with generaL performance suggestions and specific performance practice options for flutists that will assist them as they work toward an effective performance, one that is based on both the historically informed performance context, as well as remarks that focus on particular techniques, challenges and possible performance solutions. -
4940010-9Eda5e-809730512629.Pdf
cantilena II Charles-Marie Widor (1844-1937) Suite for flute and piano, Op. 34 17:07 1 Moderato 3:33 2 Scherzo: Allegro vivace 2:52 3 Romance: Andantino 4:19 4 Final: Vivace 6:22 Cecile Chaminade (1857-1944) 5 Concertino, Op. 107 8:12 Henri Dutilleux (1916-2013) 6 Sonatine for flute and piano 10:11 Otar Taktakishvili (1924-1989) Sonata for flute and piano 18:07 7 Allegro cantabile 6:52 8 Aria: Moderato con moto 5:07 9 Allegro scherzando 6:07 Astor Piazzolla (1921-1992) Histoire du Tango 23:48 10 Bordel 1900 4:14 11 Café 1930 9:08 12 Night-club 1960 5:19 13 Concert d’aujourd’hui 5:06 Total CD duration 78:08 Odinn Baldvinsson flute Patricia Romero piano THE MUSIC Charles-Marie Widor (1844-1937) is today mainly recognised for his compositions for the organ, in particular ten large-scale works described as “Symphonies for Organ”. From 1870 to 1934 he was the organist of St. Sulpice in Paris, and was professor of organ at the Paris Conservatoire, following in the footsteps of Cesar Franck. He was, however, a prolific composer, his output including three operas, symphonies, concertos, chamber music, piano solos and songs. Of his chamber works, perhaps one of his finest pieces is this Suite for Flute and Piano, Op. 34. Widor composed the Suite in 1877 (although it was not published until 1898) for Paul Taffanel (1844-1908), a fellow professor at the Conservatoire and a fine, highly influential flautist who developed many technical aspects of flute playing to the extent that France became the acknowledged centre of the flute in Europe. -
Paul Taffanel Hagyatéka
Liszt Ferenc Zeneművészeti Egyetem 28. számú művészet- és művelődéstörténeti tudományok besorolású doktori iskola PAUL TAFFANEL HAGYATÉKA VÁMOSI-NAGY ZSUZSA TÉMAVEZETŐ: ITTZÉS GERGELY DLA DOKTORI ÉRTEKEZÉS 2014 I TARTALOMJEGYZÉK I. KÖSZÖNETNYILVÁNÍTÁS ....................................................................................... III II. BEVEZETÉS ................................................................................................................. IV 1. A FRANCIA FUVOLAISKOLA KIALAKULÁSÁNAK ÁTTEKINTÉSE .................. 1 1.1. Fuvolás zeneszerzők Franciaországban a XVII. századtól napjainkig .................... 1 1.1.1. A francia fuvolaiskola ...................................................................................... 1 1.1.2. A német fuvolaiskola ..................................................................................... 13 1.1.3. Alkotó fuvolások Európa más országaiban .................................................... 16 1.2. A párizsi Conservatoire .......................................................................................... 20 1.3. Böhm újításai és fogadtatásuk. A Böhm-Gordon per ............................................ 28 1.4. A Böhm-fuvolák fogadtatása német és francia földön és adaptálásuk a párizsi Conservatoire-ban .............................................................................................................. 33 2. PAUL TAFFANEL, A MODERN FRANCIA FUVOLAISKOLA MEGALAPOZÓJA . ...................................................................................................................................... -
The History and Process of the Development of the Modern Flute
Running Head: FLUTE DEVELOPMENT 1 The History and Process of the Development of the Modern Flute Sarah Vitullo A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2013 FLUTE DEVELOPMENT 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Kevin Chiarizzio, D.M.A. Thesis Chair ______________________________ Robert Mills, M.M. Committee Member ______________________________ Michael Babcock, Ph.D. Committee Member ______________________________ Marilyn Gadomski, Ph.D. Assistant Honors Director ______________________________ Date FLUTE DEVELOPMENT 3 Abstract The flute has gone through many phases of development starting from its early form to the modern model which is played today. Though many important flute makers, composers and musicians were part of this process, Johann Joachim Quantz and Theobald Boehm were the two major contributors to the flute’s technological developments. The flute started as a simple tube with holes to which keys were progressively added by Quantz. Boehm completely redesigned the flute to enable the performer to cover more holes than the human hand fingers alone are capable. Although the work of Quantz and Boehm took time to become accepted, the developments have become an integral part of what is now known as the modern flute. FLUTE DEVELOPMENT 4 The History and Process of the Development of the Modern Flute The development of the modern flute is a complex process which has been ongoing for thousands of years. The major developments of the modern flute occurred during the 1700s and 1800s and were largely a product of Johann Joachim Quantz and Theobald Boehm. -
08 De Noviembre De 2013 12A 12:00:00A 18:08 Sinfonía Op.3 No.4 En Mi Bem.May
PROGRAMACION DEL DIA: 08 NOVIEMBRE 2013 HORA PROGRAMA O TITULO DIRECTOR SOLISTA (S) 12:00:00a 00:00 Viernes, 08 de Noviembre de 2013 12A 12:00:00a 18:08 Sinfonía op.3 no.4 en Mi Bem.May. / Franz Ignaz Beck (1734-1809) Franz Ignaz Beck (1734-1809) Michael Schneider La Stagione Frankfurt 12:18:08a 18:26 Escenas infantiles op.15 p/piano / Robert Schumann (1810-1856) Robert Schumann (1810-1856) Catherine Collard-piano 12:36:34a 17:26 Kammermusik no.3 op.36 no.2 p/cello y orq. / Paul Hindemith (1895- Paul Hindemith (1895-1963) Riccardo Chailly Real del Concertgebouw Lynn Harrell-cello 12:54:00a 00:50 Identificación estación 01:00:00a 00:00 Viernes, 08 de Noviembre de 2013 1AM 01:00:00a 03:00 * CORTE INFORMATIVO * 01:03:00a 05:00 TODO LO QUE SOMOS ESTÁ EN LOS LIBROS (con Alicia Zendejas) 01:08:00a 22:53 Variaciones sinfónicas op.78 / Antonin Dvorak (1841-1904) Antonin Dvorak (1841-1904) Vaclav Neumann Filarmónica Checa 01:30:53a 03:32 Concierto no.2 p/violín y orq. / Bohuslav Martinu (1890-1959) Bohuslav Martinu (1890-1959) Vaclav Neumann Filarmónica Checa Josef Suk-violín 01:58:25a 00:50 Identificación estación 02:00:00a 00:00 Viernes, 08 de Noviembre de 2013 2AM 02:00:00a 06:00 ACENTOS 02:30:00a 03:00 AL HILO DEL TIEMPO (con Ernesto de la Peña) 02:57:00a 00:50 Identificación estación 03:00:00a 00:00 Viernes, 08 de Noviembre de 2013 3AM 03:00:00a 16:19 5 Piezas p/orq. -
Flute Pain Is the Keyed, Boehm System, End Blown Flute a Viable Adjunct? [Summary of a Performance Health Care Committee Presentation: NFA Orlando, 2018]
Flute Pain Is the keyed, Boehm system, End Blown Flute a Viable Adjunct? [summary of a Performance Health Care Committee presentation: NFA Orlando, 2018] What is the Incidence of Flute Pain? Fairly recently, Medical literature has addressed the following: ! 1. “The prevalence and incidence of musculoskeletal symptoms experienced by flautists” by Stanhope J, Milanese S, Occup Med (Lond). 2016 Mar. ! This study summarizes that it: “…precludes a clear understanding of the prevalence and location of musculoskeletal symptoms in flautists, although current evidence suggests that the prevalence is high…” ! 2. “Contributing factors, prevention, and management of playing-related musculoskeletal disorders among flute players internationally” by Lonsdale K, Laakso EL, Tomlinson V, Med Probl Perform Art. 2014 Sep;29(3):155-62 ! This study states: “…26.7% of all respondents were suffering from flute playing- related discomfort or pain; 49.7% had experienced flute playing-related discomfort or pain that was severe enough to distract while performing; and 25.8% had taken an extended period of time off playing because of discomfort or pain…” 3.”Incidence of injury and attitudes to injury management in skilled flute players” by Ackermann BJ, Kenny DT, Fortune J, Work. 2011;40(3):255-9. doi: 10.3233/ WOR-2011-1227. ! This study summarizes that: “…Flautists in this sample reported high rates of performance-related musculoskeletal disorders with the majority having been present for longer than 3 months…” ! ! Additionally, there are ongoing testimonials and inquiries in non-medical sources. Here are just a few, located easily on the internet. ! 1. The Flutist’s Pain Points, June 17, 2011 https://innovativeperformanceandpedagogy.wordpress.com/2011/06/17/the-flutists- pain-points/ ! This article lists the wrist, upper back, shoulder, and lower back as most common areas affected. -
BRAHMS VIOLIN SONATAS 1—2—3 & SCHERZO Augustin Dumay & Louis Lortie Johannes Brahms 1833–1897
1 Johannes BRAHMS VIOLIN SONATAS 1—2—3 & SCHERZO Augustin Dumay & Louis Lortie Johannes Brahms 1833–1897 Violin Sonata no. 1 in G op.78 2 Violinsonate Nr. 1 G-dur / Sonate pour violon et piano n° 1 en sol majeur 3 1 I Vivace ma non troppo 11.23 2 II Adagio – Più andante – Adagio 7.57 3 III Allegro molto moderato 9.16 Violin Sonata no. 2 in A op.100 Violinsonate Nr. 2 A-dur / Sonate pour violon et piano n° 2 en la majeur 4 I Allegro amabile 8.57 5 II Andante tranquillo – Vivace – Andante – Vivace di più – Andante – Vivace 6.06 6 III Allegretto grazioso (quasi andante) 5.30 Violin Sonata no. 3 in D minor op.108 Violinsonate Nr. 3 d-moll / Sonate pour violon et piano n° 3 en ré mineur 7 I Allegro 8.31 8 II Adagio 4.50 9 III Un poco presto e con sentimento 3.01 10 IV Presto agitato 5.19 Scherzo in C minor WoO 2 (F–A–E Sonata) 11 Scherzo c-moll / Scherzo en ut mineur 5.32 Augustin Dumay violin, Louis Lortie piano Violin : Guarneri del Gesù, 1743–44 (ex-Kogan) & Bow : Pierre Patigny (ex-Grumiaux) Piano : Steinway Model D Eternal recurrence Augustin Dumay sees in the Regensonate a spiritual, melancholy mood, suggested by the Regenlied which runs through it and the fine summer rain that falls on the Black Forest. The ‘Thun’ Sonate seems more classical and more cheerful, whereas the impassioned, heroic Third Sonata reveals a symphonic spirit. Yet their internal richness 4 The secret of a fulfilled artistic life might be said to be found in that aspiration embraces all of life’s contradictions, and they represent a corresponding range of challenges 5 towards indefinite repetition, ever alike and yet different, in a cyclical process of constant for performers wishing to capture the works’ essence ‘in a clear, subtle fashion, without DE > P.