It Ain't Gonna Rain No Mo' Extra Verses - Repeat Chorus After Each Verse

Total Page:16

File Type:pdf, Size:1020Kb

It Ain't Gonna Rain No Mo' Extra Verses - Repeat Chorus After Each Verse I b'l WendeU 'Kall o FORSTER MUSIC PUBLISHER INC. ~35 SOUTH WABASH AVI!. CHICAGO Mississippi Mammy Erwin R Schmidt Marty Bloom CHORUS Slowly Casper Nathan I . · · ~fo"'o OM f",f'h' hI ISS-ISS-Ip - pi am-my cant you ear your oney am-my call -- ing? , , i .. ~ - . · ..........." · '" _-I · . · f' U-JU I p ~UUr · - • h_ i J .J ;;-::J I .. .... ~ I , , , ° ' 1 0' Mam-my 0' mille 1m pin-ing all 0' th e time 1 love you; , I ::::--...., - -, r I --- ~ . " oJ ..- IJ.......... i :.r - r. M r 1 vi - ~lJ~ .; .". ,., , ...--;. ,- L - · - -- " I I Cop!lrigAt MCMXX/P 0u For8ter Music Pull. Inc. ChicaGO MADE IN U.S.A Land Of My Sunset Dreams • CHORUS J WENDELL HALL. ~ss-zqnl ,v. , I TenderlY1f£tk J I Jr-J to. h L I I I I I · r r I I r r r r II ~r Oh take mc: back to the land of sun-set dreams,Underbright shining skies, In the light of y01l" , ~ 1'\ I• . , ,----.. , · - rtf· .. 1-6 . r .. ~~. • . .. I ~ -<II • • I~I (2. imP I I I J . - " .. · I ~ . I 1 I -<II /I I• , , I , I J L J I I I I I , , I r I I . r r r . I I. I I eyes, The ros hue on the gold - en tint-ed blue, Brings back all the sun-shine of - y ,, 1'\ 1--:---" . ;--..... " ~ ~ .. ~ r ... :~~ • •• -<II • • • • ~~ I. I . ,.." I I I I I, L-'"> I J . I I -z:. I '" I Copyright MCM.XXIV bY ForS1.4;:r Music Publisher Inc.,Chicag9.,1 D1. Int~rnationa.l <?uPYJ:ight S~cured. Made in U.S.A. GET IT FROM YOUR·MllSICDE"A1.ER'.. PRlti:E·4OC PER COPY IF FOR Am REASON··HE WONT SUPPLY YOU MAIL AMOUNT STATED DIRECT TO THE PUBUSHER FORSTER MUSIC PUBLISHER, Inc.. 235 South Wabash Avenue, CHICAGO, IL.... SUID Ie FOR 84 PACE POPULAR CATALOG AND lOe FOR THREE STANDARD CATALOGS 3 "It. Ain't Gonna Rain No Mo'" To play this Ukulele Arrangement with piano ,tune Uke as follows: 4th string ~2ndString By WENDELL HALL 3rd String ! I L 1st String Moderato Put Uke Capo On 3rd Fret. ::> ~ I In::>. P"""!!l ::> ::> ! I . '- I "'I ... f f r r r t£r . I '. .. ,. , .. ,. •• •• • • • • Ukulele ArrfJlngement by • MAY SINGHI BREEN I · · I . I .. Oh! the ni~ht ,,"as dark arid Oh! lVlo - sq~i - to he fly Till Ready ~ I · · • • · • .. • • H-." -. .,"'~ p Hf P I . II to. I I I I I · · · · · -.-{ ,. \ I I . -- .. ! I I I drear - y. The aIr was full 6f sleet, The high, Mo - squi - to he fly Jow, If ~ I I I . ~ ., " Hl" r f r • • w r r I I .. • .rJ ..J j J · , Copyright MCMXXIII by Wendell Woods Hall .. Made in Chicago Iuternatlonal CopyrIght Secured All Rights Re~erved Copyright transferredMCMXXlII to Forster Music Pub.lnc.,Chicago,I1l. 4 \ I '1 I , .' I old man stood out In the storm, his shoes were full ~f f~et. old man 'Skee - ta light on me, he ain't gonna fly no fiO: ~ 1 J L I L-1 I I 4) .... .... :> ~ ~ b-J r i ,:: ' .. · • •• • •• • • H-+' CHORUS (Not fast) * * I * H ..+- 1 . · · , t Oh! it ~t gbn - ria rkin Ao cio' Ao rna, it >- :> 1\ I . "- I >- 1 · · . ~ r . Rr r r r Rf r P-f I · · • • .... \ I I , · , , 4 ai~t gon - ria rain ho rna, But how In the world can the ., >, '1 .I I I I ::r I ~ . ~ t r r r r I L - · • ". ,. o. o. ,. I / ~. \ ~ I :> n2 I . : r olQ folks tell, It ain't a-gon-na· raIn no ~o'. Oh! 'it 'mo~ :: '1 1 I :> I ==r. l 1 . .. · t i ~ "Ii .. r i r r i W' r r ,.Jl- · · · r. '. ,. f. • • • •• It Ahlt Gonna,ete. 2 • Optional "CHI·N.K Y "-~ AFTox-trot ango tnat1'"s Just a I'ltt1ed'ff 1 erent 5 It Ain't Gonna Rain No Mo' Extra Verses - Repeat Chorus After Each Verse By WENDELL HALL I. Oh the butteTfl)' fli ts on wings of gold, 13. Now I sat down in the garden The June -Bug wings of flame, A bee came buzzin' round, The Bed-Bug has no wings at all, So 1 '3tood up and let the bee But he gets there just the same o· Sit where I sat down. 2. Oh a Bull-frog sittin' on a lily-pad, 14, Oh I've got a gal with big blue eyes Lookin~ up at the skies, And the Sweetest ruby lips, The lily-pad bToke and the fTog fell in, But she ain't got no more pepper, Got water all in his eyes. Than a garter snake has hips. 3. Oh a black and white animal out in the woods, 15. A bare-headed man bewildered Says ain't that little cat pretty, Says to me"Where am I at?" I went right over to pick it up, Now I don't think that's what he meant But it wasn't that kind of a kitty. He meant ((Where is my hat". 4. Ob a man lay down by. a sewer 16. Got a red- head gal in Chicago And by the sewer he died Got a letter from her today Now at the coroners re-quest Here's what she said-My hair was red They called it sewer-side. But now you've turned it J5Tey. 5. Here's a verse 'bout a man and a trombone, 17. Get away from my front window The words to it are few, Quit knockin' at my front. door He blew, he blew, he blew, he blew, 'Cause I've got another Sweetie He Blaoey, Blaaey, Blue. And I can't use you no mo'. 6. Oh I saw a sign in a hardware store, 18. Oh the air was full of rain-drops, Boy wanted sixteen years, And the street was fun of hiros, Now that's too long to wait fUT a boy, They stood around like tree trunks, It brings eyes to my tears. A-Iookin' at the' limbs. 7. Possum up a 'simmon tree, 19. She was happy till she met him, Rabbit on the ground, Then she left him an alone, Rabbit say you old son-of- a-gun, 'Cause the big ox slippeo, and his trousers ripped Shake them 'simmons down. And he broke his' collar-bone. 3. Got a li'l 01' dog whose name is Jack, 20. Oh they tell me that a graveyard' I wish they'd bring him back, Is a dawg-gone lonesome place, He chases the big hogs over the fence, They pun you down into a hole A.nd the littlf> ones through the crack. And throw mud in your face. 9. Now Mary had a little hunb, 21. I'm headin' down to'ward the levee, It had a sooty foot, I got me a rock and a rope, In little Mary's bread and jam Now if those dawg-gone Blues don't leave His sooty foot he put. Gonna slip right off the slope. 10. A peanut sittin' on a railroad track, 22. Oh the rain was rainin' pitchforks, It's heart was all a-flutter, Poor old horse out in the wet, The train came roarin' round "l curve I bought some corn, and it wasn't long Toot, toot I Peanut Butter. 'Fore the horse had his cornet. 11. I know a Swedish waitress 2..'\. A bald - headed man in a re~taurant Her maiden name was Schwartz Said) "Waitress, my' cocoa's COOl," Good Gosh the gal was homely The waitress yelled if your co~oa's' cold Like a dish-pan full of warts. Put on your hat"you fool! 12. The fox he has a bushy tail 24. A Red Headed Music Maker The possum's tail is bare, I'm just a Southern Boy The rabbit has no tail at all A wand'ring minstrel roamin' round, Btlt only a tuft of hair. A-try'n to spread the joy. "WHERE THE SACRAMENTO RIVER FLOWS"·· A song you'll like Sad Hawaiian Sea LEE S. ROBERTS CHORUS ~ .3J . • : · . " ,And the sad sad kell 'se~med to croon a rriel • 0 • "dy----- As we wan ........ ~ '3l - I. - I ,--- ....... · · - . ,t '~. <- I I I~f-z . II LlI" I ~ "r I"~ ~r ~ I p;) .1 ,~JI-r; I "f I ? I~n. .('1 1 1,-. ...':. r1 · . · ....r · • I ~ . dered by __ Like a t'en • d'er lov • eh sigh, __ Tho'we're part ed how,_ ~ I --. I I IlL I I - . r If' r. 11"'11' r...-f- : fr1 I .-.---- . i1 I }~JJ)L r I 1 L-I . - Copyrigllt MCMXXIU by F~rster Music ~ublisher II} Ch:ag:.IfJ. International Copyri"ht Secured MADE IN U.S.A. All Rights Reserve, Music by Gt~r~~N Lonely Little Wallflow'r SEYMOUR SIMONS CHORUS Wi8tfulty in rythm " > , t ~- I I'm on-Iy a lone-Iy lit-tie wall- flow'r,- A hu-man just bloom-in' a -lone, '1 .... I i ~~t+ -~ ~ #~ ":'.'~ :.'i .; 1I~ i ,.• IliqFr 11 1I---.JI fr~r I';;:P' ---- rrt- . :: ::<ii ::: ::<ii ... ~~ 11 ::: ::: 11 :: 'i ::: ~ .. 'iI 'iI • .. 11 'i Like lit-tIe Jack Horn-er with out an-y plums, I sit in a corn-er just :> ... Copyright MCMXXIII by Forster Music Pub. Inc., Chicago,ll!., International Cop.YriRht S~cured. MADE IN U.S.A All Rights Reserved CET IT FROM YOUR MUSIC DEALER. PRICE 40c PER COPY IF FOR ANY REASON HE WONT SUPPLY YOU MAIL AMOUNT STATED DIRECT TO THE PUBLISHER .
Recommended publications
  • Christopher A. Reynolds Collection of Women's Song
    http://oac.cdlib.org/findaid/ark:/13030/kt1t1nf085 No online items Inventory of the Christopher A. Reynolds Collection of Women's Song Sara Gunasekara & Jared Campbell Department of Special Collections General Library University of California, Davis Davis, CA 95616-5292 Phone: (530) 752-1621 Fax: (530) 754-5758 Email: [email protected] © 2013 The Regents of the University of California. All rights reserved. Inventory of the Christopher A. D-435 1 Reynolds Collection of Women's Song Collector: Reynolds, Christopher A. Title: Christopher A. Reynolds Collection of Women's Song Date (inclusive): circa 1800-1985 Extent: 15.3 linear feet Abstract: Christopher A. Reynolds, Professor of Music at the University of California, Davis, has identified and collected sheet music written by women composers active in North America and England. This collection contains over 3000 songs and song publications mostly published between 1850 and 1950. The collection is primarily made up of songs, but there are also many works for solo piano as well as anthems and part songs. In addition there are books written by the women song composers, a letter written by Virginia Gabriel in the 1860s, and four letters by Mrs. H.H.A. Beach to James Francis Cooke from the 1920s. Physical location: Researchers should contact Special Collections to request collections, as many are stored offsite. Repository: University of California, Davis. General Library. Dept. of Special Collections. Davis, California 95616-5292 Collection number: D-435 Language of Material: Collection materials in English Biography Christoper A. Reynolds received his PhD from Princeton University. He is Professor of Music at the University of Californa, Davis and author of Papal Patronage and the Music of St.
    [Show full text]
  • Messages of American Popular Song to Women During World War II
    “I’m Doin’ It for Defense”: Messages of American Popular Song to Women during World War II A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements of the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2013 by Amy Brooks BM, Bob Jones University, 2008 Committee Chair: bruce d. mcclung, PhD Abstract World War II presented many new opportunities for American women. In this time of need, they were called upon to take an active part in the war effort, whether by means of working in a factory, growing a victory garden, or serving as a volunteer for wartime organizations. Women made great strides forward in areas such as the workforce and the military. The American popular song industry promoted these new roles for women. I have compiled over 150 songs from 1940 to1945 that relate to women’s roles during the World War II era. Of these songs, I have chosen a select number of songs that best demonstrate popular culture’s attitudes and actions towards women during the war. These songs can be divided into five categories: women in the military, women in the workforce, women’s war effort, women’s responsibilities to men in uniform, and women in the immediate post-war period. I have studied the representative songs by considering their lyrics to identify the objectives supported by the popular song industry. I took into consideration the venues in which they were presented and how these performances influenced their reception.
    [Show full text]
  • What Does “The Ukulele Lady,” a Songwriter, and “The Babe” All Have
    What does “The Ukulele Lady,” a songwriter, and “The Babe” all have in common with Asbury Park? here are those who view history as a timeline—one event leading directly into another without diversion: “Time marches on!” Then Tthere are others, like myself, who see it as a branching, web-like organic thing—a variety of unexpected contacts and off-beat juxtapositions uniting a variety of people and events. This is especially characteristic of the history of cities, where people, diverse, yet similar, dwell within close proximity and live overlapping lives. And so it is with my city, Asbury Park, where one story always leads to another (and another...). Perhaps the constant rhythm of the waves on the shore destined Asbury Park to be a destination for music. Founded as a seaside resort by Methodist convert James Bradley in 1871, in its earliest days, only music of a religious nature was permitted. As its popularity grew, visitors demanded greater variety in their music, so concert bands with their wide repertories came into favor. John Philip Sousa was the best known leader of this type of ensemble; he and his band performed next door in Ocean Grove thirteen times between 1910 and 1926. The lead trombonist with the Sousa Band was Arthur Pryor (1870-1942) who left Sousa and debuted his own band in 1903. He first played in Asbury Park in 1904, and was so popular that the Arthur Pryor Band performed there yearly through 1930, performing sixty concerts each summer. Pryor popularized Ragtime music in the area, and was also a composer of songs.
    [Show full text]
  • Tonk Bros. Co
    Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org 40 THE MUSIC TRADE REVIEW FEBRUARY 13, 1926 concert on a given night of the leading orches- Chicago Manufacturers Discuss Question tras of that community. The concert was held in the beautiful Majestic Theatre and everyone of Holding Semi-Annual Market There interested was invited and urged to attend. Through the medium of newspaper and di- Chicago Zone of Association, in Enthusiastic Meeting, Discusses Project of Holding Group Dis- rect-mail advertising, the affair was given a play of Products Twice Annually—Retiring Officers Presented Silver Service background of real interest and the result was an attendance that entirely taxed the capacity /CHICAGO, ILL., February 6.—One of the ' The members also discussed holding a semi- of the house. The orchestras participating in most enthusiastic and entertaining meetings annual musical merchandise market in this city, the event were Steve Gardner and His Orches- ever held by the Association of Musical Mer- for the purpose of having a group display of tra, the Texas Collegians, Fatz Obernier's Or- chandise Manufacturers, Chicago Zone, took the products of the member firms to visiting chestra and Harold Caldwell and His Orchestra. place on the evening of February 4 in the South jobbers. Another topic which was given much Steve Gardner, one of the best-known mu- Room of the Auditorium Hotel, the new meet- attention was the value of using quality strings sicians in the entire country, WHS director of ing place of the Association. It was attended on ukuleles and banjo-ukuleles as part of the the group and the program consisted of every- by thirty-five members and their guests, includ- original equipment, and in this discussion the thing from semi-classical to the pulse-quicken- ing F.
    [Show full text]
  • 3&£ INCORPORATING the ROYAL GAZETTE (Established 1828) and the BERMUDA COLONIST (Established 1866)
    3&£ INCORPORATING THE ROYAL GAZETTE (Established 1828) and THE BERMUDA COLONIST (Established 1866) VOL. 15—No. 27 HAMILTON, BERMUDA FRIDAY, JANUARY 31, 1930 3D PER COPY—40/- PER ANNUM TRADE NAVAL DELEGATES OUT­ IN THE HOUSE BERMUDACHURCHSOCIETYI NEW YORK STOCK THEY SAY ANNUAL GENERAL MARKET That the speed mania has reached LINE RESFfCTIVE here. * * * Long Debate on a Pri­ MEETING That the excitement of motor cycle racing is something new PLANS m vate Bill *$m The Annual Meeting of the Ber­ Yesterday's Closing tons. * * * muda Church Society to be held That the statistician might get tonight at 8.15 in the Mechanics to work and find out how long HaU is open to the pubUc, everyone Prices it wiU take the racers to cover the Rights of Companies tointereste d in the welfare of the island. Church of England in Bermuda * * * being invited to attend it. AUeghany Corp.. 26| That sport and music are evidently Hold Land going hand to hand. Striking Speech by Sir Esme His ExceUency the Governor wiU AUied Chemical. 275 preside and His Lordship the Bishop Am. Can™- .. * 128J * • • will also be present and wiU address Am. & Foreign Power.. 9I§ That more and more of each are The petition of various well- being provided. Howard known members of the Bermuda the meeting. Am. Locomotive. 100 § • The Agenda wiU consist of the Am. Power & Light 86 J * •* * business community for incorpora­ That thus we become cosmopolitan tion under the name of the Harr­ reading, of the Annual Report by Am. Smelting & Refining 73 in taste. ington Heights Development Coy.
    [Show full text]
  • Eldon Black Sheet Music Collection This Sheet Music Is Only Available for Use by ASU Students, Faculty, and Staff
    Eldon Black Sheet Music Collection This sheet music is only available for use by ASU students, faculty, and staff. Ask at the Circulation Desk for assistance. (Use the Adobe "Find" feature to locate score(s) and/or composer(s).) Call # Composition Composer Publisher Date Words/Lyrics/Poem/Movie Voice & Instrument Range OCLC 000001a Allah's Holiday Friml, Rudolf G. Schirmer, Inc. 1943 From "Katinka" a Musical Play - As Presented by Voice and Piano Original in E Mr. Arthur Hammerstein. Vocal Score and Lyrics 000001b Allah's Holiday Friml, Rudolf G. Schirmer, Inc. 1943 From "Katinka" a Musical Play - As Presented by Voice and Piano Transposed in F Mr. Arthur Hammerstein. Vocal Score and Lyrics by Otto A. Harbach 000002a American Lullaby Rich, Gladys G. Schirmer, Inc. 1932 Voice and Piano Low 000002b American Lullaby Rich, Gladys G. Schirmer, Inc. 1932 Voice and Piano Low 000003a As Time Goes By Hupfel, Hupfeld Harms, Inc. 1931 From the Warner Bros. Picture "Casablanca" Voice and Piano 000003b As Time Goes By Hupfel, Hupfeld Harms, Inc. 1931 From the Warner Bros. Picture "Casablanca" Voice and Piano 000004a Ah, Moon of My Delight - In A Persian Garden Lehmann, Liza Boston Music Co. 1912 To words from the "Rubaiyat of Omar Khayyam" Voice and Piano Medium, F 000004b Ah, Moon of My Delight - In A Persian Garden Lehmann, Liza Boston Music Co. 1912 To words from the "Rubaiyat of Omar Khayyam" Voice and Piano Medium, F 000004c Ah, Moon of My Delight - In A Persian Garden Lehmann, Liza Boston Music Co. 1912 To words from the "Rubaiyat of Omar Khayyam" Voice and Piano Medium, F 000005 Acrostic Song Tredici, David Del Boosey & Hawkes, Inc.
    [Show full text]
  • Printed Music Collection (Single Sheet Music) Title Composer Publisher
    Printed Music Collection (Single Sheet Music) Copyright / Publication Title Composer Publisher Date Physical description Other information Sabbath Chimes F. Henri Klickmann Harold Lossiter Music Company 1913 9" x 12", 6 pages reverie arranged, fingered, and edited by Moissaye Boguslawski; music by Sack Waltz, The Metcalf Moderné Publicaitons 1936 9" x 12", 4 pages sack waltz piano solo Harmonized and arranged by Johan S. Svendsen; Revised and fingered by Gustav Saeterjentens Sondag (Sehnsucht Der Saenger.; "Favorite Recital Solos For the Sennerin) Ole Bull Carl Fischer, Inc. 1901 10.5" x 13.5", 3 pages Violin with Piano Accopaniment Series 1" lyrics by Edward Madden; music by Joe Niemeyer and Nina Payne featured on Sail On To Ceylon Herman Paley Jerome H. Remick & Co. 1916 10.5" x 13.5", 6 pages cover Carmen Lombardo and John Jacob Sailboat In The Moonlight, A Loeb Crawford Music Corporation 1937 9" x 12", 6 pages featured by Mickey Alpert Carmen Lombardo and John Jacob alternate cover, with Guy Lombardo Sailboat In The Moonlight, A Loeb Crawford Music Corporation 1937 9" x 12", 6 pages featured on cover revised edition with ukelele arrangement, Saint Louis Blues W.C. Handy Handy Bros. Music Co. Inc. 1914 9" x 12", 6 pages (detached) Marion Harris featured on cover Salome William Loraine F.A. Mills Music Publisher 1898 10.5" X 13.5", 10 pages intermezzo for the pianoforte lyrics by Harry Williams; music by 10.5" x 13.5", 6 pages San Antonio Egbert Van Alstyne Jerome H. Remick & Co. 1907 (detached) cover art by Starmer Will Rossiter "The Chicago 10.5" x 13.5", 8 pages Sand Dunes (My Desert Rose) Byron Gay Publisher" 1918 (detached) "an oriental one-step", originally interpreted by Norma Brandt (America's Will Rossiter "The Chicago Rising Danseuse) in "Dance of the Sand Sand Dunes Byron Gay Publisher" 1918 10.5" x 13.5", 8 pages Dunes" lyrics by Haven Gillespie; music by J.
    [Show full text]
  • Broadway Sheet Music Collection Print Collection 31 Finding Aid Prepared by Siduri Beckman
    Broadway sheet music collection Print Collection 31 Finding aid prepared by Siduri Beckman. Last updated on July 26, 2016. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2016 June 28 Broadway sheet music collection Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 7 - Page 2 - Broadway sheet music collection Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Title Broadway sheet music collection Call number Print Collection 31 Date [inclusive] 1918-1929 Extent 2 linear feet (6 boxes) Language English Language Note The bulk of the material is
    [Show full text]
  • BATHROBES the MILLER* PECK
    GIVE HER BATHROBES t HOSIERY One Apple E Make A Splendid Gift Two Eve*. ffy that makes two an hour* of love yf Mannish models colorful stripes solid and laughter' f] shades with contrasting collars, matching bolt and silk tassels two pockets some ^lUUTJCHS with breast pocket It to 4*. .fi.PS to M.U Extra sipes 4S to 10.......«3.PS i” Flannel Not a Mi New York—Manhattan'* odd* end end*, but chiefly odds: Division street, down by the Brooklyn bridge and the old “Five Corners,” wit- r Robes nesses a return of the old-fashioned milliner Way. way back, when New York was younger and gayer, this was the very heart of the fasb- Heavy weight all-over figureJ Good Evening. I lonable hat and dressmaking belt Paris styles, which now bloeeom patters* conservative 'shades. In Fifth avenue or In 6t7h street, were then copied in little lofts by Silk cord and tassels .beauti- —rd— _ hand-workers But they went when the swanky uptown shoppes fully tailored with corded edges oh PERHAPS flourished Now that a long lull has thrown doxens out of work, VB jjt they are back, competing with the shops that still try to collar sailors collars-W to 46. $1.85 to $4.85 as they pass and sell a cheap suit—willy-nilly Especially , IB Extra sixes 48 and 60-...$$.$5 If we can live. Incidentally, several of the smartest places In the uptown sone were of the the other day, Men’s Bath Robes And keep on living, started by graduates Blast Side Only NO-MEND I noted that Hattie Carnegie's exclusive place was suing the wife of Attractively tailored with lone roll When sorrow rusts the in our door, Coupon Specials hinges the recent Walker, for a bill This place, I collars .
    [Show full text]
  • George Rochberg's "American Bouquet (Versions of Popular Music)"
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 A Proper Vernacular: George Rochberg's American Bouquet (Versions of Popular Music) Matthew Cochran Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A PROPER VERNACULAR: GEORGE ROCHBERG'S AMERICAN BOUQUET (VERSIONS OF POPULAR MUSIC) By MATTHEW COCHRAN A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the Treatise of Matthew Cochran defended on 23 March 2006. _________________________ Jeffery Kite-Powell Professor Co-Directing Treatise _________________________ Bruce Holzman Professor Co-Directing Treatise _________________________ Evan Jones Outside Committee Member _________________________ Larry Gerber Outside Committee Member _________________________ Karen Clarke Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii For Jean iii ACKNOWLEDGEMENTS I am indebted to Eliot Fisk for his contributions to the guitar's repertoire, and for providing invaluable information about Rochberg's music for this project. Thanks to Dr. Jeffery Kite-Powell and Professor Bruce Holzman for their expertise and encouragement; to Mom, Dad, and Julie Ann for their patience and support. iv TABLE OF CONTENTS List of Musical Examples ................................................................................ vi Abstract ………………………………………………………………….. xi INTRODUCTION............................................................................................ 1 1. A SURVEY OF MUSICAL BORROWING IN ROCHBERG'S WORKS ... 4 2. EXAMINATION OF AMERICAN BOUQUET'S SOURCE MATERIAL .... 14 Richard Rodgers and Lorenz Hart "My Heart Stood Still"........................ 15 Harry Warren "I Only Have Eyes for You".............................................
    [Show full text]
  • Radio Mirror 3311.Pdf
    OK Would You Like to Buy- a brand new stomach- perfect lungs- a fine heart-· normal blood pressure? WHEN a "pan" on your car wears oue-you throw it The very fact that you can't buy "spare pans" for this away and get a new one. But when a "pan" in your most wonderful of all machines-is reason enough to keep own physical machine "goes bad" you can't possibly the original "parts" in excellent condition, And this you replace it. Nowhere can you buy a new stomach­ can do easily-if you know how. You can avoid the two good lungs- a fine heare-normal blood pressure or cenain fate that faces 800,000 people who die every year of any other vital pan of the human body, preventable disease. You can add 15 years to your life, New and Complete Home Health Library in Five, Big, Beautiful Volumes Disease- that stealthy dangerous thief in the question of health, sickness, .... nd disease: . will be ready for shipment .. bout night- is always lurking near you. Hundreds October 11th. Only a limited ol thousands die every year from bronchltls, Banish Disease- Insure Health edition is being published at this pneumonia. kidney disorders. tuberculosis, It is now possible (or every home to be pro­ low price--so be sure to rcserve Influenza. intestinal troubles and other UIl­ (c([cd against the ra .... ages of disease. It is no\\' your set now. necessary disc.1Sc . Almost a a simple and C;lSY matter for cvery million people die each year of member of the (amily 10 have ex­ preventable disease- and need· pert health advice instantly aVAil- Reserve Your Set Now lessly so, Notice able every hour of the day and night- through Bernarr Madad­ Small Monthly Payments Nature always warns of im­ den's great new Home Health Money Back Guarantee Library.
    [Show full text]
  • Jake Shimabukuro, Ukulele Virtuoso Honolulu, Hawaii
    Interviews and Performances “When I played my first chord, I was hooked. I fell in love.” Jake Shimabukuro, Ukulele Virtuoso Honolulu, Hawaii Jake Shimabukuro BIOGRAPHY: Jake Shimabukuro gets a lot of music out of a ukulele. That’s no accident, he’s been playing all his life. When he was four, his mother gave him a uke, showed him four chords and told him he could play two-hundred and fifty-three Hawaiian songs with those three chords. Even though no-one around him played, something kept him coming back to the uke and he taught himself to play the music around him. His parents listened to some Beatles, some Jazz, Jake listened to some Zeppelin, some Pearl Jam and when Jake took his playing out into local cafes, that’s the music he bought with him. As a teen working in a record store, he was asked by local uke legend, Byron Yasui, to audition as a substitute on a recording, and that audition began a friendship and opened Jake to a new world of classical style and technique. He toured a little, ended up in New York, recorded a video, playing While My Guitar Gently weeps in Central Park and posted it on YouTube. Before long, he started getting the calls: Tours, TV, radio, and he was on his way. That clip has been viewed over two million times. He has released an album every year for the last five years and all of them have won awards. “The uke is part of the rags to riches stories of songwriters who came with nothing, and contributed to the musical landscape of the world.” Lil’ Rev, Tin Pan Alley Historian and Performer Milwaukee, Wisconsin Lil Rev BIOGRAPHY: Born in Milwaukee, WI, Lil’ Rev grew up immersed in the culture of his garment-trade community.
    [Show full text]