Vanilla in Mexico Is Like Looking at Something in a Museum. It's Ancient
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THE REBOZO Marta Turok [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2016 SOME NATIONAL GOODS IN 1871: THE REBOZO Marta Turok [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Turok, Marta, "SOME NATIONAL GOODS IN 1871: THE REBOZO" (2016). Textile Society of America Symposium Proceedings. 993. http://digitalcommons.unl.edu/tsaconf/993 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Crosscurrents: Land, Labor, and the Port. Textile Society of America’s 15th Biennial Symposium. Savannah, GA, October 19-23, 2016. 511 SOME NATIONAL GOODS IN 1871: THE REBOZO1 Marta Turok [email protected], [email protected] The history of rebozos and jaspe (ikat) in Mexico still presents many enigmas and fertile field for research. Public and private collections in Mexican and foreign museums preserve a variety of rebozos from the mid-18th through the 20th centuries. However, it has been complicated to correlate these extant pieces with exact places of production and dates. Other sources such as written accounts and images focus mostly on their social uses, sometimes places of production or sale are merely mentioned yet techniques and designs are the information least dealt with. -
III Conference Brochure Mexico City 2014
International Insolvency Institute INTERNATIONAL INSOLVENCY INSTITUTE’S 14TH ANNUAL CONFERENCE June 9–10, 2014 Four Seasons Hotel Mexico, Mexico City Conference Co-Chairs E. Bruce Leonard CASSelS BROCK & BLACKWell LLP TORONTO John A. Barrett NORTON ROSE FUlbRIGHT HOUSTON Agustín Berdeja-Prieto BERDEJA Y ASOCIADOS, S.C. MEXICO City The International Insolvency Institute presents its 14th Annual Conference at the Four Seasons Hotel Mexico in Mexico City The International Insolvency Institute will present its Fourteenth Annual Conference in Mexico City on June 9 and 10, 2014. The III Mexico City Conference will feature reports and analyses of the most important current international insolvency issues and controversies described by speakers who are recognized as pre-eminent in their field from countries around the world. MEXICO CITY Mexico City has been described as an amazing urban playground with blockbuster attractions, stellar restaurants, museums, art exhibits and elegant hotels. Forbes Magazine has ranked Mexico City’s culinary scene Castillo de Chapultepec as fourth best in the world (after Paris, Rome and Tokyo). The III’s famous Legendary Dinner will be held at the renowned Franz Mayer Museum III NEXTGEN (CLASS III) (www.franzmayer.org.mx). The Conference will conclude with a glittering reception in the Castillo de Chapultepec, an enormous castle, full of INDUCTION CEREMONY history, that dominates the skyline of Mexico City and which has seen SUNDAY, JUNE 8, 2014 memorable battles and many significant events in the history of Mexico. 5:00 – 6:00 P.M. Marquis Reforma Hotel & Spa: CONFERENCE HOTELS Paseo de la Reforma 465, Col. The Conference hotel will be the Five Star Four Seasons Hotel Mexico Cuauhtemoc, México, D.F. -
Mexican Libraries, Archives and Museums: a Snapshot
MEXICAN LIBRARIES, ARCHIVES AND MUSEUMS: A SNAPSHOT An essay for the Encyclopedia of Library and Information Science, Third edition Marcel Dekker, Inc. 270 Madison Avenue New York, NY 10016 Phone:(212) 696-9000 x259 Fax: (212) 561-6613 [email protected] Jesús Lau, PhD* [email protected] www.jesuslau.com Director, USBI-VER Library Coordinator, UV Virtual Library (BiV) Universidad Veracruzana / DGB Veracruz, México www.uv.mx/usbi_ver www.uv.mx/bvirtual www.infolitglobal.info KEYWORDS. Mexican Libraries; Mexican Archives: Mexican Museums; Mexico; Library History; Libraries in Developing Countries ABSTRACT This paper offers a general introduction to the different types of Mexican libraries, museums and archives, with an emphasis on libraries and related subjects such as serials, book production, and library schools. Literature was consulted and direct data was gathered from websites and through telephone interviews of knowledgeable library professionals. Data used in this essay is not all recent. Therefore it is used mainly as an indicator of the general status of Mexican information development. *Data gathering assistance: Sergio Gómez-Vinales, and Jacobo Osuna GENERAL BACKGROUND Mexico is a large country, whose official name is Mexican United States, a federal constitutional republic. It is politically divided into 31 states and a Federal District (Mexico City). Its government is presidential with a constitutionally strong Congress and a supreme court. The president is elected for a non-renewable six-year term and appoints the cabinet. The country’s legislature is based on a bicameral Congress: 128-member Senate, and a 500-member Chamber of Deputies, elected for a three-year term.(1). -
The Mexican Rebozo: Heritage & Techniques, Or “Why Didn’T I Buy That Rebozo?!” Tour September 6-16, 2012 (10 Nights)
The Mexican Rebozo: Heritage & Techniques, or “Why didn’t I buy that rebozo?!” Tour September 6-16, 2012 (10 nights) Trip Highlights See master artisans use intricate dye resist techniques, known as "jaspe"(ikat). We see the process from the creating of thread bundles, tying off to create a pattern or design, dyeing and the cutting to reveal the pattern. Finally, the warp threads are carefully lined up on the loom for the weaving to begin! Visiting the important rebozo making centers of Mexico, including Santa Maria del Rio, Tenancingo, La Piedad, and the Purepecha Plateau. Enjoying the opportunity to see an- tique and present day rebozo collec- tions and meet their collectors. Learning about Heritage and Threats to this women’s garment, so im- portant to Mexico’s cultural heritage This year, our trip is scheduled around the Feria del Rebozo in Tenancingo, and traditions. the rebozo mecca of Mexico, known for exquisite ikat (jaspe) dye resist rebozos. We enjoy this unique opportunity to see (& buy) the “best from the Having Opportunities to Purchase best” for our special collections. Of course, lovely “daily wear” rebozos will Collection Quality Textiles at their be abundant, as we scour the plaza for the ones that “speak to us”. In Mexi- source and to meet the artisans. co City, we hear from experts such as Textile Anthropologist, Marta Turok & Historian Ana Paulina Gamez, visit the shrine of “Nuestor Senor del Appreciating how and why globaliza- Rebozo”, and see the Franz Mayer Museum antique rebozo collection. In tion is a threat to cultural diversity Michoacan, we trek to the Purepecha Plateau to visit master weavers in the and is evident through changes in dress and textile traditions. -
México Mágico: Magical Mexico City Exploring the Colors of Mexican Folk Art with Marina Aguirre and Dr. Khristaan Villela
México Mágico: Magical Mexico City Exploring the Colors of Mexican Folk Art With Marina Aguirre and Dr. Khristaan Villela For the Friends of Folk Art - Santa Fe, NM September 4 – 12, 2017 Join the Friends of Folk Art and MOIFA’s Director for a special journey to Mexico Day 1 – Monday, September 4 Arrive México City in the afternoon. Transfer to our centrally located accommodations at the Best Western Majestic Hotel. Dinner on your own Day 2 – Tuesday, September 5 Breakfast at hotel is included daily Visit and tour of Museo de Arte Popular (Folk Art Museum) Lunch at Casa de los Azulejos, “House of Tiles, an 18th century palace (included) Afternoon visit to National Museum of Anthropology, one of the most important museums in the world, and home to Mexico’s national collection of Precolumbian art. Our tour will focus on Mexico’s rich indigenous arts and its connection and historic roots in Mexican folk art. There will not be time to see the entire museum. Dinner at Bonito Restaurant in the Condesa neighborhood (included) 1 Day 3 – Wednesday, September 6 Breakfast at hotel Visit to Diego Rivera’s mural “Dream of a Sunday Afternoon in Alameda Central Park” at the Museo Mural Diego Rivera. The mural provides an introduction to Mexico’s history and is an important point of reference for the work of Diego Rivera. The museum is a 30-minute walk from the hotel so you can walk or ride in the van. Visit the private collection of Ruth Lechuga at the Franz Mayer Museum. This collection is only available to scholars, and we have a rare opportunity to enjoy one of the most important folk art collections in Mexico. -
Mexico City Guide Activities Activities
MEXICO CITY GUIDE ACTIVITIES ACTIVITIES Zócalo Tenampa A E The most important square in the city used as a meeting and gathering If you're in Mexico, you ought to try tequila. This bar with its many types to point and surrounded by some great sights. choose from is a good place to start. GPS: N19.43278, W99.13333 Plaza Garibaldi 12, 06000 Mexico City, Mexico GPS: N19.44023, W99.13923 Mexico City Metropolitan Cathedral / Catedral Metropolitana Lampuga Condesa B F de la Asunción de María Located in a beautiful district, this terrific restaurant and its seafood cuisine This enormous cathedral boasts sixteen chapels and can rival Europe's are a great dining choice. greatest churches. A stunning sight worth the visit. Ometusco 1, Mexico City, Mexico Durango No. 90, 06700 Mexico City, Mexico GPS: N19.40933, W99.17281 GPS: N19.43444, W99.13306 Phone: Phone: +52 55 5286 1525 +52 55 5208 3200 Opening hours: Restaurante Pujol Daily: 7:30 a.m. – 6:30 p.m. G Admission: An upscale Mexican restaurant serving outstanding dishes and with unde- Admission to the cathedral is free. niable atmosphere thanks to its small premises. Francisco Petrarca 254, 11570 Mexico City, Mexico GPS: N19.43358, W99.18548 Au Pied de Cochon C Phone: French cuisine at its finest. An upscale restaurant open 24 hours a day and +52 55 5545 3507 presenting a great choice for any special occasion. Hotel InterContinental Presidente Mexico City, Campos Elíseos 218, 11560 Tezka Mexico City, Mexico H GPS: N19.42816, W99.19322 A great upscale restaurant serving Basque cuisine in undeniable atmos- Phone: phere. -
Artists' Books : a Critical Anthology and Sourcebook
Anno 1778 PHILLIPS ACADEMY OLIVER-WENDELL-HOLMES % LI B R ARY 3 #...A _ 3 i^per ampUcm ^ -A ag alticrxi ' JZ ^ # # # # >%> * j Gift of Mark Rudkin Artists' Books: A Critical Anthology and Sourcebook ARTISTS’ A Critical Anthology Edited by Joan Lyons Gibbs M. Smith, Inc. Peregrine Smith Books BOOKS and Sourcebook in association with Visual Studies Workshop Press n Grateful acknowledgement is made to the publications in which the following essays first appeared: “Book Art,” by Richard Kostelanetz, reprinted, revised from Wordsand, RfC Editions, 1978; “The New Art of Making Books,” by Ulises Carrion, in Second Thoughts, Amsterdam: VOID Distributors, 1980; “The Artist’s Book Goes Public,” by Lucy R. Lippard, in Art in America 65, no. 1 (January-February 1977); “The Page as Al¬ ternative Space: 1950 to 1969,” by Barbara Moore and Jon Hendricks, in Flue, New York: Franklin Furnace (December 1980), as an adjunct to an exhibition of the same name; “The Book Stripped Bare,” by Susi R. Bloch, in The Book Stripped Bare, Hempstead, New York: The Emily Lowe Gallery and the Hofstra University Library, 1973, catalogue to an exhibition of books from the Arthur Cohen and Elaine Lustig col¬ lection supplemented by the collection of the Hofstra Fine Arts Library. Copyright © Visual Studies Workshop, 1985. All rights reserved. Printed in the United States of America. Except in the case of brief quotations in reviews and critical articles, no part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. -
Síntesis Informativa Vespertina
SÍNTESIS INFORMATIVA VESPERTINA Lunes 14 Junio 2021 VANNESA BOHÓRQUEZ LÓPEZ Museo de la Ciudad de México presenta expo en torno al tatuaje El Museo de la Ciudad de México (MCM) retomó las exposiciones presenciales con la muestra “Body Suit, boceto de tatuaje para cuerpo entero”, que abre espacio a una de las manifestaciones artísticas que se expresa a través de la tinta y la piel. Por múltiples razones, pero en particular por lo que significa que un recinto museístico caracterizado, como otros espacios semejantes, por presentar cierto tipo de arte, se convierta en el recinto donde se da lugar a los artistas del tatuaje, es particularmente un motivo de orgullo para mí y para toda la sociedad”, expresó Vannesa Bohórquez López, titular de la Secretaría de Cultura de la Ciudad de México, al inaugurar la muestra. Acompañada por Edgar Gamboa y Adrián García Solache, promotores culturales, tatuadores y curadores de la exposición, Bohórquez López también destacó que no sólo es la primera vez que el MCM se abre a la experiencia artística del tatuaje, sino probablemente también es la primera vez que un museo lo hace en la ciudad. La exposición “Body Suit, boceto de tatuaje para cuerpo entero”, estará disponible de martes a domingo de 11:00 a 17:00 horas a partir del viernes 11 de junio al domingo 12 de septiembre del presente año. (Once Noticias, Secc. Cultura, Once Digital, 14-05-2021, 10:15 hrs) Portales: La Crónica de Hoy, Allcitycanvas, Caile GDL, HOMO ESPACIOS: Cultura informa, el Corredor Interoceánico… y otras noticias El pasado 9 de junio, -
México City Travel Guide
T r a v e l G u i d e MINISTRY OF TOURISM INSTITUTE OF TOURIST PROMOTION Mexico City, March 29, 2019 On behalf of Dr. Claudia Sheinbaum, Head of Government of Mexico City, we give you the most cordial welcome to the capital of the country, the capital where everybody is more than welcome, a unique tourist destination in the world, with quality tourism services, a strong bearing on competitiveness and growth, historical places, innovative and inclusive. Mexico City, in addition to World Heritage Sites and ranking second as the city with the greatest number of museums, also offers its visitors a wide range of gastronomic, sporting, nature and recreational options. We hope that this guide becomes your ally to discover and know all the wonders that this great metropolis has for you, a guide for you to enjoy the cultural capital of America and that the warm hospitality of our people encorage you to return soon. Sincerely yours Carlos Mackinlay Secretary of Tourism for Mexico City How to use this Brochure Tap any button in the contents to go to Tap the button to get back to the the selected page. contents page or to the selected map. Contents Map Tap the logo or the image to go to the Tap the button to book your hotel or webpage. tour. Book Here Tap the logos to access the weather forecast, take a virtual tour of archaeological sites via Street View, enjoy videos and photos of México. Follow us in social media and keep up to date with our latest news, promotions and information about the tourist destinations in Mexico. -
ANOTHER AMAZING ART FAIR Behind the Scenes at ASF’S Signature Cultural Event
Winter 2011-2012 FocusTHE AMERICAN SCHOOL FOUNDATION, A.C. ANOTHER AMAZING ART FAIR Behind the Scenes at ASF’s Signature Cultural Event OPENING SOON! What You’ll Find Inside The New Fine Arts Center MORE THAN FUN AND GAMES A Q&A with Middle School Activities Coordinator Jonathan Chenier A magazine for alumni, parents, students, faculty & friends CONTENTS CAMPUS CURRENTS 22 Opening Soon... A look inside the new Fine Arts Center Winter BY KELLY ARTHUR GARRETT FAMILY FORUM 24 The Personalization of Organization 2011-2012 BY HARRY BRAKE 02 From the Executive Director FOCUS ON EDUCATION 26 Q&A Jonathan Chenier 03 From the Editorial Board A chat with the Middle School’s student activities specialist BY SLOANE STARKE 04 From the Board of Trustees The Ideas That Guide Us INSTITUTIONAL ADVANCEMENT 28 ASF’s Giving Program 05 News and Events Retreats, Trick or Treats, Green Schools, Tech Tools... 29 A Gala Inaugural and other goings-on 30 The 9th Annual ASF Golf Tournament DEPARTMENTS & DIVISIONS 10 Early Childhood Center STUDENT VOICES Brain Food 32 Street Art... Indoors BY YOLANDA GALÁN (’65) BY CAMILA MIGOYA, NAOMI KINOSHITA, VICTORIA LEUCONA AND RENATTA BROCKMAN 11 Lower School AluMNI Students Leading Students 33 Profile: Kathryn Blair (’38) BY DIEGO ZARAGOZA Forging a Legacy BY CINDY TANAKA (’91) 12 Middle School Going Mobile 34 Alumni Events BY REBECCA CRUTCHFIELD • Alumni Bowl: A Tradition Lives On • Career Day: A Learning Opportunity 13 Upper School Collaboration Cultivation 35 Class Notes BY KELLY ARTHUR GARRETT Keeping in touch with the ASF family, far and wide 14 The Arts 36 Reunions Gesture of Patience Who got together.. -
Guillén I SAN JUAN NEPOMUCENO and CRIOLLO IDENTITY in LATE
Guillén i SAN JUAN NEPOMUCENO AND CRIOLLO IDENTITY IN LATE VICEREGAL MEXICO ______________________________ A Thesis Presented to The Faculty of the Department of Art History University of Houston _______________________________ In Partial Fulfillment Of the Requirements for the Degree of Master of Art History _______________________________ By Maurisé Carin Guillén May, 2014 Guillén ii SAN JUAN NEPOMUCENO AND CRIOLLO IDENTITY IN LATE VICEREGAL MEXICO ____________________________________ Maurisé C. Guillén ____________________________________ H. Rodney Nevitt, Ph.D. Committee Chair _______________________________ Rex Koontz, Ph.D. _______________________________ Jessica Locheed, Ph.D. _______________________________ John W. Roberts, Ph.D. Dean, College of Liberal Arts and Sciences Department of English Guillén iii SAN JUAN NEPOMUCENO AND CRIOLLO IDENTITY IN LATE VICEREGAL MEXICO ______________________________ An Abstract of a Thesis Presented to The Faculty of the Department of Art History University of Houston _______________________________ In Partial Fulfillment Of the Requirements for the Degree of Master of Art History _______________________________ By Maurisé Carin Guillén May, 2014 Guillén iv ABSTRACT This thesis argues San Juan Nepomuceno was an integral part of the rise of the criollo consciousness and its visual culture by presenting archival evidence of the saint‟s devotion being cultivated by the criollos and Jesuits throughout the viceroyalty. It analyzes visual evidence of the saint by analyzing both the saint‟s iconography and the uniquely New World objects such as the monja coronada paintings and the escudo de monjas on which his image is found and their social function during the viceregal era. The saint was indigenized by symbols representing the New World and eventually integrated into the nationalist image matrix. My thesis seeks to explore why the lay criollos incorporated this foreign devotion within their culture and identity. -
Featured Releases 2 Limited Editions 102 Journals 109
Lorenzo Vitturi, from Money Must Be Made, published by SPBH Editions. See page 125. Featured Releases 2 Limited Editions 102 Journals 109 CATALOG EDITOR Thomas Evans Fall Highlights 110 DESIGNER Photography 112 Martha Ormiston Art 134 IMAGE PRODUCTION Hayden Anderson Architecture 166 COPY WRITING Design 176 Janine DeFeo, Thomas Evans, Megan Ashley DiNoia PRINTING Sonic Media Solutions, Inc. Specialty Books 180 Art 182 FRONT COVER IMAGE Group Exhibitions 196 Fritz Lang, Woman in the Moon (film still), 1929. From The Moon, Photography 200 published by Louisiana Museum of Modern Art. See Page 5. BACK COVER IMAGE From Voyagers, published by The Ice Plant. See page 26. Backlist Highlights 206 Index 215 Hilma af Klint: Paintings for the Future Edited with text by Tracey Bashkoff. Text by Tessel M. Bauduin, Daniel Birnbaum, Briony Fer, Vivien Greene, David Max Horowitz, Andrea Kollnitz, Helen Molesworth, Julia Voss. When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than 1,000 paintings and works on paper that she had kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint’s radically abstract painting practice—one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Her boldly colorful works, many of them large-scale, reflect an ambitious, spiritually informed attempt to chart an invisible, totalizing world order through a synthesis of natural and geometric forms, textual elements and esoteric symbolism.