Kodak Magazine; Vol. 20, No. 9; Sept. 1941
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History of KODAK Cameras
CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P. -
Pousse Cornet Vente Du 03/02/2020 - 1 Blois Valoir Blois 41000Blois
SVV POUSSE CORNET VENTE DU 03/02/2020 - 1 BLOIS VALOIR BLOIS 41000BLOIS HOTEL DES VENTES DE BLOIS LUNDI 3 FEVRIER 2020 A 13H PHOTOS - LIVRES – TIMBRES – CPA – APPAREILS PHOTOS Marie-Edith POUSSE-CORNET Guillaume & Amélie CORNET Expositions publiques : Commissaires-priseurs 32 avenue Maunoury 41000 Blois Le matin de la vente de 9 h 30 à 11h30 Tel : 02 54 78 45 58 – Fax : 02 54 78 68 01 Photos : www.interencheres.com/41001 - www.poussecornet.auction.fr 1 SVV POUSSE CORNET VENTE DU 03/02/2020 - 1 BLOIS VALOIR BLOIS 41000BLOIS N° Description Estimations 1, APPAREIL photo Leica 3 chrome 1934, Ernest Leitz Wetzlar D.RP. N°138100, optique Leitz 200 / 250 Elmar 1: 3.5 F=50mm 2, APPAREIL stéréoscopique Velleaus ICA Polyscop 200 / 250 3, APPAREIL Exakta Varex Jhagee Dresden 60 / 80 4, APPAREIL photo Édixa-mat reflex. Mod B-L 100 / 120 5, Objectif Foca Teleoptar 135f4 60 / 80 6, Jumelles militaire Clement Huet avec sacoche, WW1 20 / 40 7, APPAREIL Gaumont Block-notes n°3434 200 / 300 8, APPAREIL Stereo PhotoJumelles 120 / 150 9, MURER D-U MURERB& Duroni 4.5*6 obj 140mm f4,5 vers 1915 1 160 / 180 10, Visionneuse Stéréo Unis avec vues positives Chamonix et divers France 80 / 100 11, Longchamp 30 / 40 11,1 Projecteur de cinéma forain REMCO RD 16. (manque plaque) 40 / 60 12, APPAREIL à soufflet, chambre Atom 50 / 80 13, SPIDO 6*12 louis Gaumont 1897 200 / 250 14, APPAREIL à soufflet Voigtlander Perkeo 200 / 250 15, KODAK Hawk Eye N°127 film 20 / 40 16, PATHE : Patheorama avec sa boîte 60 / 80 17, LOTS LAMPES 50 / 80 18, KODAK Bulls-eye N°2, 96 modèl 20 / 40 19, APPAREIL Murer's Express, newness. -
George Eastman Museum Annual Report 2018
George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita -
Lens Line Newsletter
Lens Line Newsletter April 2013 www.arundelcameraclub.org www.arundelcameraclub.org Contents 3 - 2012-2013 Schedule 4 - Club Announcements 5 - Dolphy & Dick’s Wedding 6 - Camera For Sale 7 - March Digital Competition Results 9 - March Monochrome Competition Results 11 - March Color Competition Results 13 - March Slide Competition Results 14 - Club Officers & POCs 15 - Club Information On the Cover: The cover image “Pregnancy” was taken by club member Bob Miller and won 2nd place in March’s Unlimited Digital competition. On This Page: The image above “Falling Slowly” was taken by club member Chuck Gallegos and placed 4th in March’s Unlimited Color Print competition. Copyright info: All Rights Reserved to the images in this newsletter by the respective photographers. www.arundelcameraclub.org 2012-2013 Schedule July 2012 January 2013 7 Field Trip – Tuckahoe Steam and Gas Annual Show 2 Program - Steven Rosenbach – New York Photography 9 Contest - Digital and Monochrome Prints Open August 12 Field Trip – U.S. Botanical Garden 18 Field Trip – Flying Circus and Balloon Festival 16 Tabletop Night/Macro 19 Summer Picnic – Jackie Colestock’s 23 Contest - Slides and Color Prints Open September 30 Program – John Milleker – Wet Plate Photography live demonstration 5 Club Year Intro February 12 Show and Tell 6 Program – Steve Gottlieb – 46 Things to Think About BEFORE You Press 19 Contest – Digital, Slide, Monochrome & Color Prints Open the Shutter….Part II 26 No Meeting – Yom Kippur – School Closed 13 Contest - Digital and Monochrome Prints Macro 29 Field Trip – Gettysburg 20 Program – David Blecman – The Business of Professional Photography 30 Club Exhibit – North County Library – Setup 1:00pm 23 Field Trip – Bombay Hook & Prime Hook October 27 Contest – Slides Open and Color Prints Macro 3 Program – Jeff Smallwood – Landscapes Planned and Unplanned. -
KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market. -
The Rise and Fall of Eastman Kodak: Looking Through Kodachrome Colored Glasses
American Journal of Humanities and Social Sciences Research (AJHSSR) 2020 American Journal of Humanities and Social Sciences Research (AJHSSR) e-ISSN : 2378-703X Volume-4, Issue-12, pp-219-224 www.ajhssr.com Research Paper Open Access The Rise and Fall of Eastman Kodak: Looking Through Kodachrome Colored Glasses Peter A. Stanwick1, Sarah D. Stanwick2 1Department of Management/Auburn University, United States 2School of Accountancy/Auburn University, United States Corresponding Author: Peter A. Stanwick ABSTRACT:Eastman Kodak is a truly iconic American brand. Established at the end of the nineteenth century, Kodak revolutionized the photography industry by letting every consumer have the ability to develop their own personal pictures at a low cost. However, Kodak stubbornly continued to embrace film photography long after consumers had shifted to digital based photography. In 2012, Kodak was forced to declare Chapter 11 bankruptcy due to its inability to generate positive cash flows in an industry which had moved beyond film photography. In an attempt to reverse its declining financial performance, Kodak introduced products such as the revised Super 8 camera, a smart phone, cryptocurrency, bitcoin mining and the development of chemicals for generic drugs. All of these new product introductions have failed or have been suspended. In addition, there are questions as to whether the real motive of these “new” product innovations was to be used to aid in the financial recovery of Kodak or were these actions based on manipulating Kodak‟s stock price for the personal gain of its executives. This article concludes by asking the question whether or not it is now time for Kodak to permanently close down its operations. -
Kodak Magazine; Vol. 17; No. 3; June 1938
"LOW TIDE/ ' by Ronald E. Karley, of Camera Works. This picture, taken along the Thames, was among 229 hung in the Seventeenth Annual Spring Exhibition of the Kodak Camera Club of Rochester. Further pictures from the exhibition will be found on pages 8 and 9 , and inside the back cover IN THIS ISSUE George Eastman: Portrait of a Pioneer Page 1 The Editor's Page Page 10 From errand boy to photography's knight-erra nt Fifty years after; many- and costly Memorable Meeting at Kodak P age 2 Highlights of Kodak International Exhibit Page 11 A picture of two famous inventors Fresh from its tour of sixteen cities The Oldest Stockholder; Oldest Employee Page 3 Activities Calendar Page 11 They tell of the early Kodak days The dates and the data Panorama Page 4 Out of the Hat Page 12 From our own watchtower Cartoonist; sailoT; old-timer Take a Trip Through Kodak Tracts Page 5 Market Day in Erongaricuaro Page 13 A look at the Company's home-building projects A picture from old M exico Advertising's Part in Kodak Progress Page 6 A Year's Roll of Retired Kodak Employees Page 15 Wheels hum when their products are wanted From Rochester, Chicago, and Los Angele.s Pictures from the Annual Spring Exhibition Page 8 "Along the Potomac" Inside Back Cover ... of the Kodak Camera Club of Rochester In the photograph gallery Copyright , 1938 Kodak C ompa ny Volume 17 JUNE 1938 Numbe r 3 George Eastman: Portrait of a Pioneer How an Errand Boy Became The at the bank went on as usual. -
Fourth Quarter 2014
G RAFLEX Since 1996 HISTORIC QUARTERLY VOLUME 19 ISSUE 4 FOURTH QUARTER 2014 FEATURES published between 1901 and 1910. In addition to this source, Folmer-Century Division of Eastman Kodak by Thomas Evans.….…...1 there are a few histories and accounts, notably by Eastman Ko- World War II Re-enactors…………………………………………...….4 dak Company in 1984 (unpublished), Dr. Rudolf Kingslake’s How to Build a Camera Collection by Jim Chasse ……………….…....5 1997 The Photographic Manufacturing Companies of Roches- Autographic Graflex...…………………...…....………....….……….….6 ter, New York, and a wonderfully detailed 2005 article by Ralph London in The Photogram, a newsletter of the Michigan Photographic Society. The existing accounts have discrepan- cies. George Eastman purchases Century Camera and Folmer & Schwing. The Eastman Kodak Company bought a controlling interest in the Century Camera Company on July 3, 1903,2 and moved them from the quarters they shared with some smaller compa- nies at 61 Atlantic Avenue, Rochester, NY, into a large, solid building at 12 Caledonia Avenue.2, 5 Century Camera Company continued to operate under their own name,5 issuing their own serial numbers, and in 1905 they bought, for $5,000,6 the Roch- ester Panoramic Camera Company, makers of the Cirkut re- 2, 7 FOLMER-CENTURY DIVISION OF volving panoramic camera. EASTMAN KODAK When Eastman Kodak acquired the Folmer & Schwing Manu- facturing Co. of New York in 1905, they were moved in with By Thomas Evans Century Camera at 12 Caledonia.5 Dr. Kingslake reports that in 1906, F&S was renamed the “Folmer & Schwing Division of 5 I n this article, I will attempt to disentangle the Century Cam- Eastman Kodak Company,” The shareholders of the Folmer & era Company and the Folmer & Schwing Manufacturing Com- Schwing Company signed a Certificate of Dissolution of F&S pany, as regards the manufacturing of different models of cam- on May 27, 1907, which was notarized June 3, 1907, complet- eras while operating under Eastman Kodak. -
The First 2¼ X 3¼ Speed Graphic and Its Lenses by Jim Chasse…...……1 Different Choices, Just for the Miniature Speed Graphic
SHARING INFORMATION ABOUT GRAFLEX AND THEIR CAMERAS ISSUE 2, 2017 shutter combinations would be needed for all the cameras FEATURES being made. The August 1939 Graflex catalog listed 10 The First 2¼ x 3¼ Speed Graphic and Its Lenses by Jim Chasse…...……1 different choices, just for the Miniature Speed Graphic. Graflex Strobomatic by John Fleming……...…………………….…...….…...4 Over the lifespan of the camera, over 30 lens/shutter op- Graflex Identification Cameras by Ken Metcalf…………………...………….6 tions were available. Graflex Ads by George Dunbar…………………………………..……...…...11 5x7 Bare-wood Graflex by Doug Frank....………………………...………...12 THE FIRST 2¼ x 3¼ SPEED GRAPHIC AND ITS LENSES By Jim Chasse In January 1947, Graflex introduced the Pacemaker se- ries, but that's a story for another day. This article will cover just the original miniature and some of the many, many lenses available, as almost all were fitted to the Miniature at the Graflex factory. The 2¼ x 3¼ Miniature Speed Graphic will now be referred to as the “2x3 mini.” I just recently located a very unusual lens and shutter combina- tion mounted on a Graflex 2x3 mini lens- In October 1938, in the middle of a world-wide depres- board. It is an f/3.7 sion, Folmer Graflex introduced the 2¼ x 3¼ Miniature 107mm Kodak Anas- Speed Graphic, above. Over 47,000 were manufactured tigmat Ektar number by December 1946. 22,000 were made between May 1313, with no letter 1938 and November 1941. 2,000 more were made be- date code, mounted in tween January 1942 to late 1944. From July 1945 a No. -
163448 369986.Pdf
UvA-DARE (Digital Academic Repository) From Grain to Pixel: The Archival Life of Film in Transition Fossati, G. Publication date 2009 Document Version Final published version License CC BY-NC Link to publication Citation for published version (APA): Fossati, G. (2009). From Grain to Pixel: The Archival Life of Film in Transition. (Framing film). Amsterdam University Press. http://oapen.org/search?identifier=369986 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:08 Oct 2021 FROM GRAIN TO PIXEL Fossati Herdruk DEF.indd 1 20-07-11 14:22 FRAMING FILM FRAMING FILM is a new book series dedicated to theoretical and analytical studies in restoration, collection, archival, and exhibition practices, in line with the existing archive of EYE Film Institute. -
Eastman Kodak: Can the Company Win the War Against Digital
Eastman Kodak: Can the company Win the War Against Digital Convenience? Eastman Kodak, Inc., the 130-year old imaging company located in Rochester, N.Y., has been in decline since the unprecedented proliferation of digital photography during the 1990’s. Now that cell phones have the ability to take pictures with image quality that rivals traditional print film, Kodak is struggling to remain viable in a market where digital convenience trumps the time-consuming analog process. Ironically, Kodak invented and built the first digital camera in 1975, but company executives were not forward-thinking enough to realize digital technology’s overwhelming convenience factor. In 2012, Kodak entered bankruptcy proceedings and sold many of its patents and intellectual property totaling $525 million to become a leaner company. Exiting bankruptcy in September of 2013, Kodak has been attempting to stage a comeback in the midst of critics who believe Kodak’s demise is a foregone conclusion. Kodak's First Digital Camera Other companies that have not changed with the times are either a shell of their former selves, no longer in business or facing certain extinction. Kodak Strategies: Are they plans for growth or simply stopgap measures? While Kodak still has a loyal base of customers, they are admittedly of an older generation. In an attempt to reverse this, Kodak has instituted various public relations and marketing efforts to help reintroduce the concept of analog image acquisition to a younger demographic. One effort has been to increase their presence on social media platforms. (Click the icons to visit Kodak’s social media channels) Kodak has also created The Reel Deal, a monthly email newsletter that extolls the benefits of shooting Hollywood motion pictures using film rather than digital photography. -
LKP: Pembuatan Ilustrasi Fotografi Untuk Majalah Citymagz Surabaya
BAB III LANDASAN TEORI 3.1 Fotografi Fotografi (dari bahasa Inggris: photography, yang berasal dari kata Yunani yaitu "photos" : Cahaya dan "Grafo" : Melukis/menulis.) adalah proses melukis/menulis dengan menggunakan media cahaya. Sebagai istilah umum, fotografi berarti proses atau metode untuk menghasilkan gambar atau foto dari suatu obyek dengan merekam pantulan cahaya yang mengenai obyek tersebut pada media yang peka cahaya. Alat paling populer untuk menangkap cahaya ini adalah kamera. Tanpa cahaya, tidak ada foto yang bisa dibuat. Prinsip fotografi adalah memokuskan cahaya dengan bantuan pembiasan sehingga mampu membakar medium penangkap cahaya. Medium yang telah dibakar dengan ukuran luminitas cahaya yang tepat akan menghailkan bayangan identik dengan cahaya yang memasuki medium pembiasan (selanjutnya disebut lensa). Untuk menghasilkan intensitas cahaya yang tepat untuk menghasilkan gambar, digunakan bantuan alat ukur berupa lightmeter. Setelah mendapat ukuran pencahayaan yang tepat, seorang fotografer bisa mengatur intensitas cahaya tersebut dengan mengubah kombinasi ISO/ASA (ISO Speed), diafragma (Aperture), dan kecepatan rana (speed). Kombinasi antara ISO, Diafragma & Speed disebut sebagai pajanan (exposure). Di era fotografi digital dimana film tidak digunakan, maka kecepatan film yang semula digunakan berkembang menjadi Digital ISO(Newhall, 2005:5). 10 9 3.2 Sejarah fotografi Fotografi seperti yang kita kenal sekarang adalah hasil dari penemuan. Yang pertama dalam bidang ilmu alam menghasilkan kamera, yang kedua dalam bidang