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The Photographic Revolution Back in 1877 a 23 -Year-Old Bank Clerk, George Eastman, Took up Photography As a Hobby
the photographic revolution Back in 1877 a 23 -year-old bank clerk, George Eastman, took up photography as a hobby. Like all picturetakers of his time, he carried a huge camera and tripod, chemicals, a tent for a darkroom, and other equipment. He had to make a "wet plate" by coating a light-sensitive emulsion on a piece of glass immediately before he exposed it. Picturetaking at that time was hard work, but Eastman felt it could be made easier and more fun. After many experiments in his mother's kitchen, he found a way to mass- produce photographic dry plates, and in 1880 he started to make them com mercially in a rented loft in the downtown section of Rochester, N. Y . In 1884 Eastman introduced a paper-base "film," and in 1888, the No.1 Kodak Camera - the small box camera which simplified photography so that anyone could take pictures. Eastman himself coined the trademark "Kodak" and the famous advertising slogan "You press the button, we do the rest." The Kodak camera caught on quickly, and the company sold over 100,000 of them in the first eight years. Today, some 52 million Americans take more Picturetaking in the days before Kodak cameras. than two billion snapshots each year. Picture taking has become America's number- one hobby. 2 © 1962 Eastman Kodak Company -I.. .. 1 I ~ , The No. 1 Kodak The first Folding New styling was fea· The popular Brownie Camera of 1888 sim· Brownie Camera was tured in Baby Brown Starflash Camera was plified photography. offered in 1904. -
Photo History Newsletters • Vol
THE AMALGAMATED PHOTO HISTORY NEWSLETTERS • VOL. 2-2 2021 We hope that the Covid pandemic soon passes away so we can get back to normal with regular meetings and events. In the interim here are addi- tional newsletters to keeping you read- ing. Please enjoy. Ken Metcalf of the Graflex Journal has another interesting issue which should entertain you well. Another fine newsletter comes from The Western Canada Photographic Historical Association in British Colum- bia with some fine reading content. Permissions granted: Graflex Journal– Ken Melcalf The Western Canada Photographic Historical Association– Tom Parkinsion SHARING INFORMATION ABOUT GRAFLEX AND THEIR CAMERAS ISSUE 3 2020 FEATURES some leather that was a good match. Thickness was right, color was good, and the pebble grain was close National Graflex Gets a New Coat by Paul S. Lewis……..….....….....….1 enough. So, I had them send me a large sheet; 12x17. Camera Group - Roger Beck………….…….………...….…..…………....2 Having a good supply would allow for some mistakes Viewing Wild Animals at Night by William V. Ward …….…...…………..4 and assure me that there would be enough length and Hold It! Part 1 by Ken Metcalf.……………….…………….…………….....5 width to cover the missing panels with one complete Graflex Patents by Joel Havens….…..………………...…………….…...12 piece. The source I used was Cameraleather ([email protected]). I did just check with them to be sure similar material is available. The report is that although the material is available, supply is limited. So, with material and camera in hand, the next step Ed: Mr. Lewis is a Graflex Journal subscriber and author was to get the new cover panels cut out and attached. -
Kodak-History.Pdf
. • lr _; rj / EASTMAN KODAK COMPANY A Brief History In 1875, the art of photography was about a half a century old. It was still a cumbersome chore practiced primarily by studio professionals and a few ardent amateurs who were challenged by the difficulties of making photographs. About 1877, George Eastman, a young bank clerk in Roch ester, New York, began to plan for a vacation in the Caribbean. A friend suggested that he would do well to take along a photographic outfit and record his travels. The "outfit," Eastman discovered, was really a cartload of equipment that included a lighttight tent, among many other items. Indeed, field pho tography required an individual who was part chemist, part tradesman, and part contortionist, for with "wet" plates there was preparation immediately before exposure, and develop ment immediately thereafter-wherever one might be . Eastman decided that something was very inadequate about this system. Giving up his proposed trip, he began to study photography. At that juncture, a fascinating sequence of events began. They led to the formation of Eastman Kodak Company. George Eastman made A New Idea ... this self-portrait with Before long, Eastman read of a new kind of photographic an experimental film. plate that had appeared in Europe and England. This was the dry plate-a plate that could be prepared and put aside for later use, thereby eliminating the necessity for tents and field processing paraphernalia. The idea appealed to him. Working at night in his mother's kitchen, he began to experiment with the making of dry plates. -
History of KODAK Cameras
CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P. -
TORRANCE PRESS Thursday, December 10, 1959
A-4 TORRANCE PRESS Thursday, December 10, 1959 cfvkoni 5020 WEST 190TH ST AND ANZA AVE. 3 Blocks West of Hawthorn* Blvd Ideal Fighter Jet Simulate actual flight *nd combat. Mattel Site moving targets are projected en a wall. Target stops moving 1 A QO Ideal 35" Doll Showdown" Set when hit. «<rw C o n t a i n t all three Sav-on brings you this doll at a low, Shootin' S h I I guns. Huckleberry Hound low price. "Patti" is sited and pro Complete with 9 car- irido.es, 30 bullet-noses Made of Du Font's crush resistant portioned os o 3-year-old qlrl. Her «nd instruction sheet. plush. Vinyl face can even be washed. Stands 19" high. 3.98 curly Boron hair con be shampooed 7.98 and set. She also has big. bright, Horseshoe Gun Rack sleeping eyet. You really have to Large l9x4l/2 " wooden reek with tee this do If lo appreciate it. Come Toy Cash Register metal horseshoes end saddle New "S p a c e-A g e" emehet. Spike-style nails for easy QflC M toon and find *>ut for yourtelf. styling end "putn-but- hanging. wU ton" operation make* tKW machine Nke pro fessional models. In 'Ruthie' Horsman Doll clude* play money Pony tall Hairdo. Attractively 18.88 dressed in a flocked nylon dress with bolero-style taffeta yoke and 0 90 2.38 petticoat. QJM niminuflimmiiiiiiiiiiiiiitiiiitiiiiiiiNMniiiiiiiiiiiiiiiiinnflinminnniHiHiiiiiiiiiiiii Adjustable Play Desk Lionel Train Set Lady Sunbeam Delnxe Wonder Horse Tico Train Set Sturdy construction "Texas Special" Die- Beautifully molded of Plastic trains with "Shavemaster" with exclu finished in a lustrous sel locomotive, box rugged plastic in rich track over 8' long. -
Photofinishing Prices 08-01-19 X CUSTOMER 08-03-19.Pub
Miscellaneous Film Processing Services (Page 1 of 2) August 1, 2019 110 & 126 Develop, Scan & Print (C-41) Seattle Filmworks 35mm Processing Service Time: 10 Lab Days Matte or Glossy finish prints. Process: ECN-II or SFW-XL. Service Time: up to 2 weeks. C-41 process. Prints, if requested, on Kodak Royal paper. Applicable Films: Seattle Filmworks; Signature Color; Scanning the negatives is required prior to making prints. Eastman 5247 or 5294; Kodak Vision 2 or Vision 3 500T / We develop your cartridge of negatives ($4.90), scan the 5218 or 7218. visible images ($1.58 per negative), and, if requested, make prints ($0.20 per print). Scans are written to CD (no charge). Choose Matte or Glossy, 4x6 or 3½x5. Kodak Royal Paper. 110 film makes 4x5" prints. 126 film makes 4x4" prints. Default service is 4x6 Matte prints (if you don’t specify). Minimum charge : $12.00 Develop Only service Minimum Charge : $4.90 Develop Only service (blank film) ECN-II Develop & Print 4x6 or 3½x5 Identical 110 & 126 C-41 Develop Negatives & Scan to CD First Set 2nd Set Develop Develop & 20 or 24 Exposure ....................... 22.95 .................... 6.00 & Scan Scan & Print 36 Exposure ................................ 26.95 .................... 9.00 12 Exposure ................................ 23.86 .................. 26.26 Scan ECN-II process film to CD: 24 Exposure ................................ 42.82 .................. 47.62 Discount for unscannable negs ….1.58 each 1Reprint 2Enlargement Discount for prints not made from blank images ..........20 each Quality Quality Scanning Price per Roll CD CD Scans & Prints from Old 110 & 126 Negs with Develop & Print .......... -
KODAK Advantix Films
TECHNICAL DATA / ADVANCED PHOTO SYSTEM February 2002 • E-7003 KODAK ADVANTiX Films Welcome to the innovative world of the Advanced Photo Kodak offers three color negative films for the Advanced System and KODAK ADVANTiX Films! Photo System. These films share the following features: At the heart of the Advanced Photo System, KODAK ADVANTiX Films are truly hybrid products. They use Features Benefits breakthrough photographic emulsion and coating • KODAK Film Safe • Worry-free, drop-in loading technologies to deliver excellent image quality in the smaller Cassette • Automatic film threading and rewinding film format. • Safe storage of negatives At the same time, Kodak’s magnetics technology enables • Index print of all exposures coating the entire surface of the film with a transparent • Choice of picture • “Classic,” similar to 35 mm prints magnetic layer. This layer records digital information that formats on the same • “Group,” for slightly wider shots links all Advanced Photo System components through roll • “Pan,” for panoramic scenes information exchange (IX). IX permits communication • Film Status Indicator • Easy identification of status of between you, the camera, the film, and the photofinishing (FSI) on cassette film inside the cassette— unexposed, partially exposed, equipment in the lab that processes and prints your film. exposed, or processed ADVANTiX Films come in a unique elliptical film • Choice of film speed • Selection of 100-, 200-, or cassette called a KODAK Film Safe Cassette. A code 400-speed film number is assigned to each cassette and the film inside. The • Information Exchange • Exposure and print format data number enables automatic rematching of the cassette and (IX) recorded on the film to optimize film in photofinishing operations. -
My Mother's Camera
Manning 1 Pam Manning Marydorsey Wanless Retro Camera Seminar AR399 F April 10, 2011 My Mother’s Camera The Kodak Brownie camera has a long history with the Eastman Kodak company which began in February 1900 with the introduction of a very basic cardboard box camera with a simple lens that took 2¼ inch square pictures and cost only $1. The Brownie introduced the concept of snapshot photography and was intended to introduce photography to everyone, not just professional photographers (Kodak). What is considered one of the greatest slogans in advertising history, “You push the button, we do the rest” reinforced the simplicity of the Brownie camera (American Heritage). Designed and marketed for children, the Brownie camera was named after popular characters created by Palmer Cox, a children’s author and illustrator. Cox was the Walt Disney of his day. His Brownie characters were as well known in the 1880’s as Mickey Mouse is today (Kodak). Like Disney’s characters, Cox’s Brownies often appeared in ads. They helped sell everything from candies to cigars, coffee to ice cream, and even painkillers. Brownie dolls, games, puzzles, and trading cards were eagerly sought. And so was the Brownie camera, far beyond anyone’s expectations (Kodak). My history with the Kodak Brownie began when my mother took my picture with her Kodak Brownie Hawkeye. She would direct me to stand in a certain pose or perform a certain task. When she was happy with what she saw she would then back away from me, hold the camera about waist height, look down into the viewfinder and click. -
SENATE April 30, 2013, 2:30 Pm 202 Robert Sutherland Hall
Agenda MEETING OF THE SENATE April 30, 2013, 2:30 pm 202 Robert Sutherland Hall Page I Opening Session . 1. Adoption of Agenda . That Senate suspend rule 7 of the Rules of Procedure for the Senate to provide for a presentation and consultation on the Campus Master Plan and the Library and Archives Master Plan to immediately precede Motions (other than from Committees); That Senate extend the maximum duration for the meeting to three hours (5:30 pm); and That Senate adopt the agenda as circulated. 2. Adoption of the minutes of the previous meeting . 13 - 25 a. Minutes of March 19, 2013 That Senate adopt the minutes of March 19, 2013 as circulated. 3. Principal's Report . 26 - 28 a. Principal's Written Report to Senate [Information] [5 min] . 4. Provost's Report . 29 - 30 a. Provost's Written Report to Senate [Information] [5 min] . II Committee Motions and Reports . 31 - 37 1. Five-year Renewal: SNOLAB (SARC) [Action] [3 min] That Senate approve the renewal of the SNOLAB Institute for an additional period of five years, effective April 2, Queen's University at Kingston Agenda 2013, subject to ratification by the Board of Trustees. 38 - 47 2. Committee Restructuring (SORC) (for discussion) [Notice of Motion] [10 min] Motion 1: That Senate establish the Senate Governance and Nominating Committee effective September 1, 2013 and that the Senate Operations Review Committee and the Senate Nominating Committee be dissolved effective August 31, 2013. Motion 2: That the Senate Agenda Committee be retitled the Senate Agenda and Summer Advisory Committee and that the committee mandate be revised as recommended effective September 1, 2013. -
Pousse Cornet Vente Du 03/02/2020 - 1 Blois Valoir Blois 41000Blois
SVV POUSSE CORNET VENTE DU 03/02/2020 - 1 BLOIS VALOIR BLOIS 41000BLOIS HOTEL DES VENTES DE BLOIS LUNDI 3 FEVRIER 2020 A 13H PHOTOS - LIVRES – TIMBRES – CPA – APPAREILS PHOTOS Marie-Edith POUSSE-CORNET Guillaume & Amélie CORNET Expositions publiques : Commissaires-priseurs 32 avenue Maunoury 41000 Blois Le matin de la vente de 9 h 30 à 11h30 Tel : 02 54 78 45 58 – Fax : 02 54 78 68 01 Photos : www.interencheres.com/41001 - www.poussecornet.auction.fr 1 SVV POUSSE CORNET VENTE DU 03/02/2020 - 1 BLOIS VALOIR BLOIS 41000BLOIS N° Description Estimations 1, APPAREIL photo Leica 3 chrome 1934, Ernest Leitz Wetzlar D.RP. N°138100, optique Leitz 200 / 250 Elmar 1: 3.5 F=50mm 2, APPAREIL stéréoscopique Velleaus ICA Polyscop 200 / 250 3, APPAREIL Exakta Varex Jhagee Dresden 60 / 80 4, APPAREIL photo Édixa-mat reflex. Mod B-L 100 / 120 5, Objectif Foca Teleoptar 135f4 60 / 80 6, Jumelles militaire Clement Huet avec sacoche, WW1 20 / 40 7, APPAREIL Gaumont Block-notes n°3434 200 / 300 8, APPAREIL Stereo PhotoJumelles 120 / 150 9, MURER D-U MURERB& Duroni 4.5*6 obj 140mm f4,5 vers 1915 1 160 / 180 10, Visionneuse Stéréo Unis avec vues positives Chamonix et divers France 80 / 100 11, Longchamp 30 / 40 11,1 Projecteur de cinéma forain REMCO RD 16. (manque plaque) 40 / 60 12, APPAREIL à soufflet, chambre Atom 50 / 80 13, SPIDO 6*12 louis Gaumont 1897 200 / 250 14, APPAREIL à soufflet Voigtlander Perkeo 200 / 250 15, KODAK Hawk Eye N°127 film 20 / 40 16, PATHE : Patheorama avec sa boîte 60 / 80 17, LOTS LAMPES 50 / 80 18, KODAK Bulls-eye N°2, 96 modèl 20 / 40 19, APPAREIL Murer's Express, newness. -
FILM FORMATS ------8 Mm Film Is a Motion Picture Film Format in Which the Filmstrip Is Eight Millimeters Wide
FILM FORMATS ------------------------------------------------------------------------------------------------------------ 8 mm film is a motion picture film format in which the filmstrip is eight millimeters wide. It exists in two main versions: regular or standard 8 mm and Super 8. There are also two other varieties of Super 8 which require different cameras but which produce a final film with the same dimensions. ------------------------------------------------------------------------------------------------------------ Standard 8 The standard 8 mm film format was developed by the Eastman Kodak company during the Great Depression and released on the market in 1932 to create a home movie format less expensive than 16 mm. The film spools actually contain a 16 mm film with twice as many perforations along each edge than normal 16 mm film, which is only exposed along half of its width. When the film reaches its end in the takeup spool, the camera is opened and the spools in the camera are flipped and swapped (the design of the spool hole ensures that this happens properly) and the same film is exposed along the side of the film left unexposed on the first loading. During processing, the film is split down the middle, resulting in two lengths of 8 mm film, each with a single row of perforations along one edge, so fitting four times as many frames in the same amount of 16 mm film. Because the spool was reversed after filming on one side to allow filming on the other side the format was sometime called Double 8. The framesize of 8 mm is 4,8 x 3,5 mm and 1 m film contains 264 pictures. -
I. Basic Operation (Preparation)
10 lcon indicators used in this manual BASIC OPERATION (PREPARATION) BASIC OPERATION Operation direction Attention Lamp blinking I. BASIC OPERATION (PREPARATION) Attaching the Camera Strap 11 123 BASIC OPERATION (PREPARATION) BASIC OPERATION 1. Use a coin or similar object to slide the clasp 3. To remove the strap, repeat step 1. in the direction of the arrow. 2. Put the clasp onto the strap lug of the cam- • Adjust the length of the strap with the buckle. era with the arrow indication facing out, and • After fitting the strap and adjusting the length, pull slide the lock plate back to the original posi- the strap hard to confirm that the strap has tion. securely attached to the camera. • There is a pocket on the strap so you can store a small accessory. 12 Loading the Batteries 123 BASIC OPERATION (PREPARATION) BASIC OPERATION 1. To remove the battery holder, lift the battery 3. To secure the battery holder, turn the battery holder release knob and turn it in the direc- holder release knob in the direction of the tion of the arrow. arrow. 2. Load six 1.5V AA-size batteries in the battery holder in accordance with the diagram located in the battery holder. 13 • This camera requires battery power for operation. Always use six 1.5V AA size batteries. • The ISO film speed and number of exposed frames are unchanged if the batteries are replaced. (PREPARATION) BASIC OPERATION • Keep spare batteries on hand when shooting out doors or while traveling. • Use of the optional Remote Battery Pack 645 is recommended when the camera is used in extremely low temperatures.