KODAK Advantix Films
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Do Something Important.TM
2.6X zoom in a cool, compact, capsule design with Advanced Photo System convenience. Do somethingwww.minolta.com important.TM www.minolta.com It’s All Within Your Grasp The VECTIS 260 makes picture-taking more fun for the whole family. The Advanced Photo System means easier operation and higher quality pictures, and a powerful 2.6X zoom expands your photo possibilities. Various automatic functions make it simple for everyone to take great pictures. It’s the compact camera that gives you more. ADVANCED PHOTO SYSTEM Get closer with 2.6X zoom! High-quality zoom lens adds variety to your photos. Powerful 2.6X Zoom A zoom lens this powerful gives you much greater versatility in framing your shots. You can take broad shots of the scenery, then zoom in for close-ups of the kids. The zoom range is a wide 25 — 65mm (equivalent to 31— 81mm in 35mm for- mat). For close-ups, you can move in as close as 1.64 ft. to your subject at any focal length, without having to set a special mode. Best of all, 25mm WIDE your photo will be sharp and clear, thanks to the Minolta high quality 4-element, 4-group zoom lens. 65mm TELE Greater ease and convenience Advanced Photo System makes photography more enjoyable — from start to finish! Index Prints for At-a-Glance Selection Drop-In Loading With photos this good, you’ll want to make reprints ... and now and Film Chamber Lock you can easily select the ones you want. With your pictures The ultimate in film loading you’ll receive an Index Print sheet, making it easy ease. -
Advanced Photo System Format Selector
Patentamt Europaisches || || 1 1| || || 1 1 1 1|| 1 1|| || || (19) J European Patent Office Office europeen des brevets (11) EP 0 878 730 A1 (12) EUROPEAN PATENT APPLICATION (43) Date of publication:ation: (51) |nt. CI.6: G03B 17/24 18.11.1998 Bulletin 1998/47 (21) Application number: 98201408.6 (22) Date of filing: 01.05.1998 (84) Designated Contracting States: (72) Inventors: AT BE CH CY DE DK ES Fl FR GB GR IE IT LI LU • Freeman, Jay Davis MC N L PT SE Rochester, New York 1 4650-2201 (US) Designated Extension States: • Carr, Thomas Daniel AL LT LV MK RO SI Rochester, New York 1 4650-2201 (US) • Chamberlain IV, Frederick Rockwell (30) Priority: 1 6.05.1 997 US 857392 Rochester, New York 1 4650-2201 (US) (71) Applicant: EASTMAN KODAK COMPANY (74) Representative: Rochester, New York 1 4650 (US) Lewandowsky, Klaus, Dipl.-lng. et al Kodak Aktiengesellschaft, Patentabteilung 70323 Stuttgart (DE) (54) Advanced photo system format selector (57) In a single use camera (100), having a roll of magnetically coated film (14) with defined image frames disposed in the camera; and further having an exposure system for selectively exposing an image frame of the film in one of a plurality of image formats; the improve- ment comprising: a movably mounted permanent magnet (26); and a manually selectable mechanism coupled to the permanent magnet (26) for moving the permanent magnet to record a magnetic mark on the magneti- cally coated film at a predetermined location rela- tive to an exposed image frame, the location of the FIG. -
FILM FORMATS ------8 Mm Film Is a Motion Picture Film Format in Which the Filmstrip Is Eight Millimeters Wide
FILM FORMATS ------------------------------------------------------------------------------------------------------------ 8 mm film is a motion picture film format in which the filmstrip is eight millimeters wide. It exists in two main versions: regular or standard 8 mm and Super 8. There are also two other varieties of Super 8 which require different cameras but which produce a final film with the same dimensions. ------------------------------------------------------------------------------------------------------------ Standard 8 The standard 8 mm film format was developed by the Eastman Kodak company during the Great Depression and released on the market in 1932 to create a home movie format less expensive than 16 mm. The film spools actually contain a 16 mm film with twice as many perforations along each edge than normal 16 mm film, which is only exposed along half of its width. When the film reaches its end in the takeup spool, the camera is opened and the spools in the camera are flipped and swapped (the design of the spool hole ensures that this happens properly) and the same film is exposed along the side of the film left unexposed on the first loading. During processing, the film is split down the middle, resulting in two lengths of 8 mm film, each with a single row of perforations along one edge, so fitting four times as many frames in the same amount of 16 mm film. Because the spool was reversed after filming on one side to allow filming on the other side the format was sometime called Double 8. The framesize of 8 mm is 4,8 x 3,5 mm and 1 m film contains 264 pictures. -
Advanced Photo System™ [IX240] Format SLR Camera PRONEA S / Specifications
Advanced Photo System™ [IX240] Format SLR Camera PRONEA S / Specifications Type of camera: Autofocus, built-in Speedlight, electronically controlled focal Data for front imprint: Year/Month/Day, M/D/Y, D/M/Y, plane shutter Advanced Photo System™ (IX240 format) sin- Hr./Min. and No Imprint. gle-lens reflex Data for backprint: Hr./Min., M/D/Y, D/M/Y or Y/M/D/Hr./Min. Compatible film: IX240 cartridge film; 16.7 × 30.2mm picture format when No Imprint selected. 30 titles in 12 languages can be Print Type: Three types are available: H, P and C backprinted. Power: from the camera body, date data remains in memory for approx. 5 minutes without batteries Lens mount: Nikon F mount Power source: Two CR2-type lithium batteries; four 1.5V “AA”-size alkaline Lenses: IX-Nikkor lenses, AF Nikkor lenses (PC Micro 85mm f/2.8D (LR6) or lithium (FR6) batteries with Power Pack MB-11 cannot be used) Battery power: I for sufficient power; O indicates batteries are Focus modes: Autofocus (AF) or Manual (M) confirmation: nearing exhaustion; blinking O indicates batteries are just Autofocus: Auto-Servo AF: automatically chooses Single Servo AF or about exhausted; no indication/symbol appears when batter- Continuous Servo AF operation according to the subject sta- ies are completely exhausted or improperly installed tus, i.e. stationary or moving (including directional information) Autofocus TTL phase detection system using Nikon AM280 Number of 40- (25-) exposure film rolls per fresh battery (Approx.)*: detection system: autofocus module; AF-Assist Illuminator provided At 20°C/68°F At –10°C/14°F Autofocus detection range: Approx. -
Photography Techniques Intermediate Skills
Photography Techniques Intermediate Skills PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 21 Aug 2013 16:20:56 UTC Contents Articles Bokeh 1 Macro photography 5 Fill flash 12 Light painting 12 Panning (camera) 15 Star trail 17 Time-lapse photography 19 Panoramic photography 27 Cross processing 33 Tilted plane focus 34 Harris shutter 37 References Article Sources and Contributors 38 Image Sources, Licenses and Contributors 39 Article Licenses License 41 Bokeh 1 Bokeh In photography, bokeh (Originally /ˈboʊkɛ/,[1] /ˈboʊkeɪ/ BOH-kay — [] also sometimes heard as /ˈboʊkə/ BOH-kə, Japanese: [boke]) is the blur,[2][3] or the aesthetic quality of the blur,[][4][5] in out-of-focus areas of an image. Bokeh has been defined as "the way the lens renders out-of-focus points of light".[6] However, differences in lens aberrations and aperture shape cause some lens designs to blur the image in a way that is pleasing to the eye, while others produce blurring that is unpleasant or distracting—"good" and "bad" bokeh, respectively.[2] Bokeh occurs for parts of the scene that lie outside the Coarse bokeh on a photo shot with an 85 mm lens and 70 mm entrance pupil diameter, which depth of field. Photographers sometimes deliberately use a shallow corresponds to f/1.2 focus technique to create images with prominent out-of-focus regions. Bokeh is often most visible around small background highlights, such as specular reflections and light sources, which is why it is often associated with such areas.[2] However, bokeh is not limited to highlights; blur occurs in all out-of-focus regions of the image. -
Modular Encapsulation and Japanese Dominance of the Professional Camera Sub-Market, 1955-1974
Paper to be presented at the DRUID Society Conference 2014, CBS, Copenhagen, June 16-18 Modular Encapsulation and Japanese Dominance of the Professional Camera Sub-Market, 1955-1974. Paul Windrum Nottingham University Business School Strategy [email protected] Michelle Haynes University of Nottingham Business School [email protected] Peter Thompson Goizueta Business School Emory University [email protected] Abstract Modular encapsulation provides new features without altering the number of the core modules that make up a complex product, or their functionality. This innovation strategy has not been considered in the mirroring literature. Using a dataset of prices and product features for 1,816 professional cameras sold between 1955 and 1974, we apply data envelope analysis (DEA) to test the strategic significance of lens and body encapsulation by proprietary automated exposure (AE) systems. We find that the professional camera market was modular between 1955 and 1960, dominated by Ger-man specialist body and specialist lens manufacturers. Market structure changed due to the success of innovative Japanese start-ups, particularly integrated body and lens manufacturers who, from 1961, successfully developed proprietary AE systems that offered users novel features. The success of these Japanese integrated manufacturing firms broke the mirror between product architecture and industry architecture. Jelcodes:O31,L60 Breaking the Mirror DRUID Conference Submission Breaking the Mirror: Modular Encapsulation and Japanese Dominance of the Professional Camera Sub-Market, 1955- 1974. February 2014 Abstract Modular encapsulation provides new features without altering the number of the core modules that make up a complex product, or their functionality. This innovation strategy has not been considered in the mirroring literature. -
11.4 the Optics of Other Devices
11.4 The Optics of Other Devices projection head Activity 11.4.1 Optics of an Overhead Projector focus knob Overhead projectors (Figure 1), like many optical systems, consist of three sys- tems that work together: a mechanical system, an electronic system, and an optical system. Their function is to project an enlarged image from a transparent film onto a distant screen. In this activity, you will see how the different optical optical components of the projector work together. stage Materials overhead projector appropriate screwdrivers projector case Procedure Figure 1 1. Before turning on the overhead projector, open the optical stage to see An overhead projector inside the projector case. Sketch the arrangement of optical components by considering what a cross-section of the projector would look like. Note the arrangement of any bulbs, mirrors, or lenses that you find in the projector case. Add the optics of the projection head to your sketch. 2. Turn on the projector to project an image of a letter onto a screen nearby. Make adjustments to focus the image. 3. Use the focus knob to move the projection head upward. How does this affect the image? Refocus the image. 4. Use the focus knob to move the projection head downward. How does this affect the image? Refocus the image. 5. Move the projector farther from the screen. How does this affect the image? Analysis (a) Draw a ray diagram, with at least three different rays, showing how light travels from the bulb to the screen. (b) In table form, describe the structure and function of each optical compo- nent of the overhead projector. -
The Christie Xenolite 35Mm Movie Projector System
The Christie Xenolite 35mm Movie Projector System User’s Guide 2 The Christie Xenolite 35mm Movie Projector System Version 5-062412 Printed June 2012 Published by: FedEx Office 2125 El Camino Real Santa Clara, CA 95050 http://www.fedex.com Copyright 2012 David Hovey [email protected] All rights reserved. Table of Contents 3 Table of Contents Introduction 7 System Overview 9 The Movie Projector Unit 9 Main Control Panel 10 Projector Motor and Gear Systems 11 Film Pathway Compartment 12 The Illumination Lamp 13 Lens System 14 Failsafe Unit 15 DTS Sound Reader Unit 15 Film Platter and Tree Unit 16 The Brain 17 The Dancer 17 The Film Pucks and Safety Ring 18 The Film Platter 18 The Film Tree 19 The Film Rollers 19 The DTS Sound Console 20 CD Player 20 4 The Christie Xenolite 35mm Movie Projector System The Control Panel 21 The Amplification Units 21 Getting Started 23 Maintenance Supplies 23 Lens Cleaner 24 Projector Cleaner 24 Synthetic Lubricant 25 Lens Cleaning Wipes 25 Projector Cleaning Wipes 25 Disposable Gloves 25 Cotton Swabs 26 Oil Dispenser 26 Compressed Air Container 26 Flashlight 26 Safety Precautions 26 Lens and Projector Cleaner 26 Synthetic Lubricant 26 Maintenance 27 Checking and Filling the Oil Reservoir 27 Cleaning the Lenses 29 Cleaning the Projection Plate 30 Cleaning the Film pathway Compartment 31 Lubricating the Visible Gear Systems 31 Format and Sound Setup 33 Checking the Film Formats 33 Adjusting the Theatre Curtains 34 Changing the Lenses 35 Table of Contents 5 Changing the Aperture Plate 36 Changing the Movie -
Download Product Catalog
PHOTOGRAPHIC EQUIPMENT Developing excellence for over 65 years 150 Years of Manufacturing Excellence The Charles Beseler Company was founded in 1869 as a manufacturer of a variety of products including inhalers, magic lanterns with oil lamps and stereopticons. By 1943 the company had become an innovative audio-visual company serving the military and education markets. In 1953, Beseler entered the amateur and professional photography fields with the development of the 45 Series Enlarger and other darkroom products. Today, the Charles Beseler Company continues to be the leading supplier of photographic darkroom equipment for the educational market. Proudly made in the USA, at a modern manufacturing facility in Stroudsburg, Pennsylvania, Beseler’s line of high-quality photographic equipment continues to withstand the test of time and remains the industry standard for professionals and amateurs alike. beseler.com NEW PRODUCT DESIGN AND INNOVATION. A BESELER TRADITION. Our team of experts is constantly working on engineering and manufacturing new products to meet your most challenging photographic needs. Check back on our website to discover the very latest Beseler products, parts and accessories in the coming months! From enlargers and light sources to copy stands and easels, Beseler offers the highest quality photographic equipment, all backed by an experienced sales and service team. See why photographers have trusted our products for generations. ENLARGERS 2-3 LIGHT SOURCES 4-5 EASELS 6 COPY STANDS 7 ACCESSORIES AND REPLACEMENT PARTS 8-9 800.237.3537 • beseler.com 1 ENLARGERS 23C III-XL Enlargers All 23C III-XL enlargers are built around the extra long and rigid twin girder construction which helps reduce vibrations while allowing print sizes larger than 16” x20” on the baseboard. -
70-300Mm F/4-5.6 Di LD Model
AF70-300mm F/4-5.6 Di LD Macro 1: 2 300mm ((EquivalentEquivalent toto 464655mm )) Exposure:Exposure: ApertureAperture FullyFully OpenedOpened AutoAuto ISO400ISO400 ©2006 Tony Corbell new It’s never been easier to capture great action shots Lens designed for both 35mm film and digital SLR cameras. Model A17 For Canon AF, Konica Minolta AF-D, Nikon AF-D, and Pentax AF http://www.tamron.com E Make your pictures better than ever, with a lens that offers both long telephoto and macro capability A compact, lightweight telephoto zoom Optical design meets digital camera •Specifications featuring high image quality for both performance characteristics Model A17 Focal Length 70-300mm digital SLRs and 35mm film cameras Maximum Aperture F/4-5.6 Tamron’s “Internal Surface Coatings”* and new Angle of View Diagonal: 34˚21'-8˚15'(22˚33'- 5˚20') Tamron has redesigned its lightweight, compact multiple-layer coating technology on ordinary Horizontal: 28˚51'-6˚52'(18˚49'- 4˚26') AF70-300mm F/4-5.6 telephoto zoom lens that elements reduce ghosting and flare that hap- Vertical: 19˚16'-4˚21'(12˚22'- 2˚35') ( )= for APS-C sized digital cameras. already had a great reputation for being easy to pens due to reflections that can occur when Lens Construction 13 elements in 9 groups use. The result? A Di series lens that now goes light enters the lens as well as reflections Minimum Focus Distance 1.5m (59.0")(normal) 0.95m (37.4")(Macro Mode at f=180-300mm) equally well with digital SLRs and 35mm film cam- caused by the imager itself. -
HALS Photography Guidelines Define the Photographic Products Acceptable for Inclusion in the HABS/HAER/HALS Collections Within the Library of Congress
Historic American Landscapes Survey Guidelines for Photography Prepared for U.S. Department of the Interior National Park Service Historic American Buildings Survey/ Historic American Engineering Record/ Historic American Landscapes Survey Prepared by Tom Lamb, January 2004 HABS/HAER/HALS Staff (editing & revision, July 2005) 1 INTRODUCTION 1.0 ROLE OF THE PHOTOGRAPHER 1.1 Photographic Procedures 1.1.1 Composition 1.1.2 Lighting 1.1.3 Focus 1.1.4 Exposure 1.1.5 Perspective 1.2 Photographic Copies 1.3 Photography of Measured Drawings 1.4 Property Owners and/or Responsible Agencies 1.5 HALS Photographic Process 1.6 Methodology of Landscape Photography 1.7 Field Journal 1.8 Photographic Key 1.9 Identification 1.10 Captions 1.11 Site 1.12 Other Types of Photography often included in HALS 1.12.1 Historic Photography 1.12.2 Repeat and Matched. 1.12.3 Copy Work 1.12.4 Measured Drawings 1.12.5 Aerial Photography 1.12.6 Historic Aerials 2.0 PHOTOGRAPHING THE LANDSCAPE 2.1 Elements of site context that should be considered for photography 2.1.1 Geographic location 2.1.2 Setting 2.1.3 Natural Systems Context 2.1.4 Cultural/Political Context 2.2 Physical conditions on a site may be influenced by elements of time 2.2.1 Era/Period/Date of Landscape 2.2.2 Design Context or Period Influences 2.2.3 Parallel Historic Events 2.2.4 Parallel Current Events 2.3 The historic continuum/evolution of a site may include: 2.3.1 Chronology of Physical Layers 2.3.2 Periods of Landscape Evolution 2.3.3 Landscape Style 2.3.4 Periods of Construction 2.3.5 Land Use/Land 2.3.6 Settlement. -
Nikon Nuvis 60 Nuvis60qd
Instruction Manual ENGLISH Manual de instrucciones J FOREWORD © ®®@®Cii;@ Thank you for purchasing the Nikon Nuvis 60/60 QD. This compact camera employs the Advanced Photo System (IX240 Nikon Nuvis 60 System). To obtain the best results from your new camera, be sure to read through this instruction manual thoroughly. Note: Before using your camera on an important occasion such as a wedding or holiday, take some trial shots to familiarize No reproduction in any form of this manual, in whole or in part (except for brief quotation in critical articles or reviews), may be made without written authorisation from NIKON CORPORATION. Nikon yourself with all of its features. Nuvis 60QD Queda prohibida la reproduccion total o parcial de este manual (salvo en lo que se refiere a citas Nikon cannot be held responsible for malfunctions caused by using the Nuvis 60/60 QD in ways not specified in this breves en articulos o revistas especializadas), sin la autohzacion escrita de NIKON CORPORATION. manual. CAMERA PARTS (Nuvis 60 QD) © Shutter-release button ® Self-timer button © CHP selector © Zoom switch ® Flash mode/red-eye reduction button ® Cartridge chamber cover © Mid-roll rewind button © Power switch @ Tripod socket © Lock-release lever @ Flash ® Battery chamber cover NIKON CORPORATION ©Strap slot ® Viewfinder window @ Date/time battery cover (Nuvis 60 QD only) FUJI BLDG., 2 3. MARUNOUCHI 3-CHOME, © Red-eye reduction lamp/self-timer ® Autofocus window © Rear LCD panel (Nuvis 60 QD only) CHIYODA-KU. TOKYO 100. JAPAN indicator lamp ® Lens cover @