Modular Encapsulation and Japanese Dominance of the Professional Camera Sub-Market, 1955-1974
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35 Mm Aperture Priority 35Mm Cameras This Manual Is for Reference and Historical Purposes, All Rights Reserved
35 mm Aperture Priority 35mm cameras This manual is for reference and historical purposes, all rights reserved. This page is copyright © by [email protected], M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera compnay On-line camera manual library This is the full text and images from the manual. This may take 3 full minutes for all images to appear. If they do not all appear. Try clicking the browser "refresh" or "reload button" or right click on the image, choose "view image" then go back. It should now appear. To print, try printing only 3 or 4 pages at a time. Back to main on-line manual page If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will allow me to continue to buy new manuals and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal or wish to use your credit card, click on the secure site below. 35mm SLR EE Selection Guide Aperture-Priority INTRODUCTION 2 PENTAX ES THE APERTURE-PRIORITY SYSTEM YASHICA ELECTRO AX PROS AND CONS MORE ON THE WAY The Future What Does It All Mean? MINOLTA XK Should You Buy One? NIKKORMAT EL INTRODUCTION Progress towards exposure automation has been slow, but since the original Konica Autoreflex appeared in 1968, the pace has accelerated and there are now 10 35mm SLR cameras so equipped. -
KODAK Advantix Films
TECHNICAL DATA / ADVANCED PHOTO SYSTEM February 2002 • E-7003 KODAK ADVANTiX Films Welcome to the innovative world of the Advanced Photo Kodak offers three color negative films for the Advanced System and KODAK ADVANTiX Films! Photo System. These films share the following features: At the heart of the Advanced Photo System, KODAK ADVANTiX Films are truly hybrid products. They use Features Benefits breakthrough photographic emulsion and coating • KODAK Film Safe • Worry-free, drop-in loading technologies to deliver excellent image quality in the smaller Cassette • Automatic film threading and rewinding film format. • Safe storage of negatives At the same time, Kodak’s magnetics technology enables • Index print of all exposures coating the entire surface of the film with a transparent • Choice of picture • “Classic,” similar to 35 mm prints magnetic layer. This layer records digital information that formats on the same • “Group,” for slightly wider shots links all Advanced Photo System components through roll • “Pan,” for panoramic scenes information exchange (IX). IX permits communication • Film Status Indicator • Easy identification of status of between you, the camera, the film, and the photofinishing (FSI) on cassette film inside the cassette— unexposed, partially exposed, equipment in the lab that processes and prints your film. exposed, or processed ADVANTiX Films come in a unique elliptical film • Choice of film speed • Selection of 100-, 200-, or cassette called a KODAK Film Safe Cassette. A code 400-speed film number is assigned to each cassette and the film inside. The • Information Exchange • Exposure and print format data number enables automatic rematching of the cassette and (IX) recorded on the film to optimize film in photofinishing operations. -
Library of Congress Classification
T TECHNOLOGY (GENERAL) T Technology (General) Periodicals and societies. By language of publication 1 English 2 French 3 German 4 Other languages (not A-Z) (5) Yearbooks see T1+ 6 Congresses Industrial museums, etc. see T179+ International exhibitions see T391+ 7 Collected works (nonserial) 8 Symbols and abbreviations Dictionaries and encyclopedias 9 General works 10 Bilingual and polyglot Communication of technical information 10.5 General works Information centers 10.6 General works Special countries United States 10.63.A1 General works 10.63.A2-Z By region or state, A-Z 10.65.A-Z Other countries, A-Z 10.68 Risk communication 10.7 Technical literature 10.8 Abstracting and indexing Language. Technical writing Cf. QA42 Mathematical language. Mathematical authorship 11 General works 11.3 Technical correspondence 11.4 Technical editing 11.5 Translating 11.8 Technical illustration Cf. Q222 Scientific illustration Cf. T351+ Mechanical drawing 11.9 Technical archives Industrial directories 11.95 General works By region or country United States 12 General works 12.3.A-Z By region or state, A-Z Subarrange each country by Table T4a 12.5.A-Z Other regions or countries, A-Z Subarrange each country by Table T4a 13 General catalogs. Miscellaneous supplies 14 Philosophy. Theory. Classification. Methodology Cf. CB478 Technology and civilization 14.5 Social aspects Class here works that discuss the impact of technology on modern society For works on the role of technology in the history and development of civilization see CB478 Cf. HM846+ Technology as a cause of social change History Including the history of inventions 14.7 Periodicals, societies, serials, etc. -
FILM FORMATS ------8 Mm Film Is a Motion Picture Film Format in Which the Filmstrip Is Eight Millimeters Wide
FILM FORMATS ------------------------------------------------------------------------------------------------------------ 8 mm film is a motion picture film format in which the filmstrip is eight millimeters wide. It exists in two main versions: regular or standard 8 mm and Super 8. There are also two other varieties of Super 8 which require different cameras but which produce a final film with the same dimensions. ------------------------------------------------------------------------------------------------------------ Standard 8 The standard 8 mm film format was developed by the Eastman Kodak company during the Great Depression and released on the market in 1932 to create a home movie format less expensive than 16 mm. The film spools actually contain a 16 mm film with twice as many perforations along each edge than normal 16 mm film, which is only exposed along half of its width. When the film reaches its end in the takeup spool, the camera is opened and the spools in the camera are flipped and swapped (the design of the spool hole ensures that this happens properly) and the same film is exposed along the side of the film left unexposed on the first loading. During processing, the film is split down the middle, resulting in two lengths of 8 mm film, each with a single row of perforations along one edge, so fitting four times as many frames in the same amount of 16 mm film. Because the spool was reversed after filming on one side to allow filming on the other side the format was sometime called Double 8. The framesize of 8 mm is 4,8 x 3,5 mm and 1 m film contains 264 pictures. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Kerrisdale Cameras: Used List
KERRISDALE CAMERAS This used list is used by our staff internally and we post it weekly on our website, usually on Mondays and Thursdays. To Note: Descriptions are abbreviated because they are from our 'back-office' inventory system and meant for internal-use and therefore not fully "user-friendly". Items shown here were in stock on the morning of the report's date. Contact us to check current availability as items may have sold since this report was run. The item in stock may only be available in one of our seven stores. In most cases, we can transfer an item to any of our stores within one to three business days. Items marked "reserve" may be on hold. Please contact us to check availability. Item marked with two asterisks ** indicate that it is an item that regularly comes into stock and may have more than one in stock available. Also, many new items are required to be held for a month before we can sell them, as required by some municipalities' bylaws. These items are included here. We can accept deposits to hold an item for you until the police allow us to release it for sale. Contact Us: For more product information, to order, to find out which store the item is in, to request a transfer to another store, or to confirm stock availability, please call us at 604-263-3221 or toll-free at 1-866-310-3245 or email us: [email protected] Report Date: 08/26/2019 Date: 08/26/2019 Web Used List Time: 08:26 Department Description : DIGITAL CAMERA BATTERIES used Department Name : DCB Product Product Retail Code Name Price 449.QC NIMH -
11.4 the Optics of Other Devices
11.4 The Optics of Other Devices projection head Activity 11.4.1 Optics of an Overhead Projector focus knob Overhead projectors (Figure 1), like many optical systems, consist of three sys- tems that work together: a mechanical system, an electronic system, and an optical system. Their function is to project an enlarged image from a transparent film onto a distant screen. In this activity, you will see how the different optical optical components of the projector work together. stage Materials overhead projector appropriate screwdrivers projector case Procedure Figure 1 1. Before turning on the overhead projector, open the optical stage to see An overhead projector inside the projector case. Sketch the arrangement of optical components by considering what a cross-section of the projector would look like. Note the arrangement of any bulbs, mirrors, or lenses that you find in the projector case. Add the optics of the projection head to your sketch. 2. Turn on the projector to project an image of a letter onto a screen nearby. Make adjustments to focus the image. 3. Use the focus knob to move the projection head upward. How does this affect the image? Refocus the image. 4. Use the focus knob to move the projection head downward. How does this affect the image? Refocus the image. 5. Move the projector farther from the screen. How does this affect the image? Analysis (a) Draw a ray diagram, with at least three different rays, showing how light travels from the bulb to the screen. (b) In table form, describe the structure and function of each optical compo- nent of the overhead projector. -
The Christie Xenolite 35Mm Movie Projector System
The Christie Xenolite 35mm Movie Projector System User’s Guide 2 The Christie Xenolite 35mm Movie Projector System Version 5-062412 Printed June 2012 Published by: FedEx Office 2125 El Camino Real Santa Clara, CA 95050 http://www.fedex.com Copyright 2012 David Hovey [email protected] All rights reserved. Table of Contents 3 Table of Contents Introduction 7 System Overview 9 The Movie Projector Unit 9 Main Control Panel 10 Projector Motor and Gear Systems 11 Film Pathway Compartment 12 The Illumination Lamp 13 Lens System 14 Failsafe Unit 15 DTS Sound Reader Unit 15 Film Platter and Tree Unit 16 The Brain 17 The Dancer 17 The Film Pucks and Safety Ring 18 The Film Platter 18 The Film Tree 19 The Film Rollers 19 The DTS Sound Console 20 CD Player 20 4 The Christie Xenolite 35mm Movie Projector System The Control Panel 21 The Amplification Units 21 Getting Started 23 Maintenance Supplies 23 Lens Cleaner 24 Projector Cleaner 24 Synthetic Lubricant 25 Lens Cleaning Wipes 25 Projector Cleaning Wipes 25 Disposable Gloves 25 Cotton Swabs 26 Oil Dispenser 26 Compressed Air Container 26 Flashlight 26 Safety Precautions 26 Lens and Projector Cleaner 26 Synthetic Lubricant 26 Maintenance 27 Checking and Filling the Oil Reservoir 27 Cleaning the Lenses 29 Cleaning the Projection Plate 30 Cleaning the Film pathway Compartment 31 Lubricating the Visible Gear Systems 31 Format and Sound Setup 33 Checking the Film Formats 33 Adjusting the Theatre Curtains 34 Changing the Lenses 35 Table of Contents 5 Changing the Aperture Plate 36 Changing the Movie -
Download Product Catalog
PHOTOGRAPHIC EQUIPMENT Developing excellence for over 65 years 150 Years of Manufacturing Excellence The Charles Beseler Company was founded in 1869 as a manufacturer of a variety of products including inhalers, magic lanterns with oil lamps and stereopticons. By 1943 the company had become an innovative audio-visual company serving the military and education markets. In 1953, Beseler entered the amateur and professional photography fields with the development of the 45 Series Enlarger and other darkroom products. Today, the Charles Beseler Company continues to be the leading supplier of photographic darkroom equipment for the educational market. Proudly made in the USA, at a modern manufacturing facility in Stroudsburg, Pennsylvania, Beseler’s line of high-quality photographic equipment continues to withstand the test of time and remains the industry standard for professionals and amateurs alike. beseler.com NEW PRODUCT DESIGN AND INNOVATION. A BESELER TRADITION. Our team of experts is constantly working on engineering and manufacturing new products to meet your most challenging photographic needs. Check back on our website to discover the very latest Beseler products, parts and accessories in the coming months! From enlargers and light sources to copy stands and easels, Beseler offers the highest quality photographic equipment, all backed by an experienced sales and service team. See why photographers have trusted our products for generations. ENLARGERS 2-3 LIGHT SOURCES 4-5 EASELS 6 COPY STANDS 7 ACCESSORIES AND REPLACEMENT PARTS 8-9 800.237.3537 • beseler.com 1 ENLARGERS 23C III-XL Enlargers All 23C III-XL enlargers are built around the extra long and rigid twin girder construction which helps reduce vibrations while allowing print sizes larger than 16” x20” on the baseboard. -
70-300Mm F/4-5.6 Di LD Model
AF70-300mm F/4-5.6 Di LD Macro 1: 2 300mm ((EquivalentEquivalent toto 464655mm )) Exposure:Exposure: ApertureAperture FullyFully OpenedOpened AutoAuto ISO400ISO400 ©2006 Tony Corbell new It’s never been easier to capture great action shots Lens designed for both 35mm film and digital SLR cameras. Model A17 For Canon AF, Konica Minolta AF-D, Nikon AF-D, and Pentax AF http://www.tamron.com E Make your pictures better than ever, with a lens that offers both long telephoto and macro capability A compact, lightweight telephoto zoom Optical design meets digital camera •Specifications featuring high image quality for both performance characteristics Model A17 Focal Length 70-300mm digital SLRs and 35mm film cameras Maximum Aperture F/4-5.6 Tamron’s “Internal Surface Coatings”* and new Angle of View Diagonal: 34˚21'-8˚15'(22˚33'- 5˚20') Tamron has redesigned its lightweight, compact multiple-layer coating technology on ordinary Horizontal: 28˚51'-6˚52'(18˚49'- 4˚26') AF70-300mm F/4-5.6 telephoto zoom lens that elements reduce ghosting and flare that hap- Vertical: 19˚16'-4˚21'(12˚22'- 2˚35') ( )= for APS-C sized digital cameras. already had a great reputation for being easy to pens due to reflections that can occur when Lens Construction 13 elements in 9 groups use. The result? A Di series lens that now goes light enters the lens as well as reflections Minimum Focus Distance 1.5m (59.0")(normal) 0.95m (37.4")(Macro Mode at f=180-300mm) equally well with digital SLRs and 35mm film cam- caused by the imager itself. -
HALS Photography Guidelines Define the Photographic Products Acceptable for Inclusion in the HABS/HAER/HALS Collections Within the Library of Congress
Historic American Landscapes Survey Guidelines for Photography Prepared for U.S. Department of the Interior National Park Service Historic American Buildings Survey/ Historic American Engineering Record/ Historic American Landscapes Survey Prepared by Tom Lamb, January 2004 HABS/HAER/HALS Staff (editing & revision, July 2005) 1 INTRODUCTION 1.0 ROLE OF THE PHOTOGRAPHER 1.1 Photographic Procedures 1.1.1 Composition 1.1.2 Lighting 1.1.3 Focus 1.1.4 Exposure 1.1.5 Perspective 1.2 Photographic Copies 1.3 Photography of Measured Drawings 1.4 Property Owners and/or Responsible Agencies 1.5 HALS Photographic Process 1.6 Methodology of Landscape Photography 1.7 Field Journal 1.8 Photographic Key 1.9 Identification 1.10 Captions 1.11 Site 1.12 Other Types of Photography often included in HALS 1.12.1 Historic Photography 1.12.2 Repeat and Matched. 1.12.3 Copy Work 1.12.4 Measured Drawings 1.12.5 Aerial Photography 1.12.6 Historic Aerials 2.0 PHOTOGRAPHING THE LANDSCAPE 2.1 Elements of site context that should be considered for photography 2.1.1 Geographic location 2.1.2 Setting 2.1.3 Natural Systems Context 2.1.4 Cultural/Political Context 2.2 Physical conditions on a site may be influenced by elements of time 2.2.1 Era/Period/Date of Landscape 2.2.2 Design Context or Period Influences 2.2.3 Parallel Historic Events 2.2.4 Parallel Current Events 2.3 The historic continuum/evolution of a site may include: 2.3.1 Chronology of Physical Layers 2.3.2 Periods of Landscape Evolution 2.3.3 Landscape Style 2.3.4 Periods of Construction 2.3.5 Land Use/Land 2.3.6 Settlement. -
Yashica 230-AF Posted 9-1-'02
Yashica 230-AF Posted 9-1-'02 This camera manual library is for reference and historical purposes, all rights reserved. This page is copyright by , M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with Yashica Co., Japan On-line camera manual library This is the full text and images from the manual. If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will help me to continue to host this site, buy new manuals, and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal, use the link below. Use the above address for a check, M.O. or cash. www.PayPal.me/butkus Back to main camera manual page Thank you for your purchase of a Yashica 230-AF. This is a highly developed auto-focus SLR camera with many outstanding features. It is designed to work in perfect harmony with its dedicated flash. This camera features three auto-focus modes: normal auto-focus, continuous auto-focus and trap focus. These sophisticated focusing modes, in combination with various exposure modes such as programmed auto mode, will enable you to open up new picture-taking possibilities. It also provides an AE lock system based on the spot metering method, a large-size display panel for centralized information control and many other features that have been developed with latest technology.