New Albums, 12; Airplay Guide, 22-23
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[E:] 09 a Second Face.Mp3=2129222 ACDC Whole Lotta Rosie (Rare Live
mTad [E:] 09 A Second face.mp3=2129222 ACDC Whole Lotta Rosie (rare live Bon Scott).mp3=4874280 Damnation of Adam Blessing - Second Damnation - 05 - Back to the River.mp3=5113856 Eddie Van Halen - Eruption (live, rare).mp3=2748544 metallica - CreepingDeath (live).mp3=4129152 [E:\1959 - Miles Davis - Kind Of Blue] 01 So What.mp3=13560814 02 Freddie Freeloader.mp3=14138851 03 Blue In Green.mp3=8102685 04 All Blues.mp3=16674264 05 Flamenco Sketches.mp3=13561792 06 Flamenco Sketches (Alternate Take).mp3=13707024 B000002ADT.01.LZZZZZZZ.jpg=19294 Thumbs.db=5632 [E:\1965 - The Yardbirds & Sonny Boy Williamson] 01 - Bye Bye Bird.mp3=2689034 02 - Mister Downchild.mp3=4091914 03 - 23 Hours Too Long.mp3=5113866 04 - Out Of The Water Coast.mp3=3123210 05 - Baby Don't Worry.mp3=4472842 06 - Pontiac Blues.mp3=3864586 07 - Take It Easy Baby (Ver 1).mp3=4153354 08 - I Don't Care No More.mp3=3166218 09 - Do The Weston.mp3=4065290 10 - The River Rhine.mp3=5095434 11 - A Lost Care.mp3=2060298 12 - Western Arizona.mp3=2924554 13 - Take It Easy Baby (Ver 2).mp3=5455882 14 - Slow Walk.mp3=1058826 15 - Highway 69.mp3=3102730 albumart_large.jpg=11186 [E:\1971 Nazareth] 01 - Witchdoctor Woman.mp3=3994574 02 - Dear John.mp3=3659789 03 - Empty Arms, Empty Heart.mp3=3137758 04 - I Had A Dream.mp3=3255194 05 - Red Light Lady.mp3=5769636 06 - Fat Man.mp3=3292392 07 - Country Girl.mp3=3933959 08 - Morning Dew.mp3=6829163 09 - The King Is Dead.mp3=4603112 10 - Friends (B-side).mp3=3289466 11 - Spinning Top (alternate edit).mp3=2700144 12 - Dear John (alternate edit).mp3=2628673 -
Interpret Songtitel Sprache
www.karaoke-verleih-münchen.de Karaoke-Liste 2017 Seite 1 Interpret Songtitel Sprache ABIDIN 70001 BOSUNA BOSUNA Türkisch ABIDIN 72123 BOşUNA BOşUNA Türkisch ABIDIN 70002 ZIRZIR Türkisch ADAMO 70003 HER YERDE KAR VAR Türkisch ADJA PEKKAN 71198 HOSGORSEN Türkisch AHMET KAYA 70005 AGLADIKCA Türkisch AHMET KAYA 70006 ARKA MAHALLE Türkisch AHMET KAYA 70161 ARKA MAHALLE Türkisch AHMET KAYA 70007 BENI BUL ANNE Türkisch AHMET KAYA 70008 CILLI KEDI Türkisch AHMET KAYA 70461 CILLI KEDI Türkisch AHMET KAYA 70009 HADI SEN GIT ISINE Türkisch AHMET KAYA 71063 HADI SEN GIT ISINE Türkisch AHMET KAYA 70010 HANI BENIM GENCLIGIM Türkisch AHMET KAYA 71168 HANI BENIM GENCLIGIM Türkisch AHMET KAYA 70011 KAFAMA SIKAR GIDERIM Türkisch AHMET KAYA 71312 KAFAMA SIKAR GIDERIM Türkisch AHMET KAYA 70012 KUM GIBI Türkisch AHMET KAYA 71440 KUM GIBI Türkisch AHMET KAYA 70013 NENNI BEBEK Türkisch AHMET KAYA 71641 NENNI BEBEK Türkisch AHMET KAYA 70014 OY BENIM CANIM Türkisch AHMET KAYA 71746 OY BENIM CANIM Türkisch AHMET KAYA 70015 SÖYLE YAGMUR CAMUR Türkisch AHMET TURAN SAN 70016 SULAR DURULUR DERLER Türkisch AHMET TURAN SAN 70017 SULAR DURULUR DERLER Türkisch AJDA 70381 BU NE BICIM HAYAT Türkisch AJDA PEKKAN 70004 AGLAMA ANNE Türkisch AJDA PEKKAN 70020 AGLAMA ANNE Türkisch AJDA PEKKAN 70073 AGLAMA ANNE Türkisch AJDA PEKKAN 70021 AH FATMA Türkisch AJDA PEKKAN 70022 AH FATMA Türkisch AJDA PEKKAN 70077 AMAZON Türkisch AJDA PEKKAN 70023 ANLAMADIM GITTI Türkisch AJDA PEKKAN 70122 ANLAMADIM GITTI Türkisch AJDA PEKKAN 70024 ATLI KARINCA DöNüYOR DöNüYOR Türkisch AJDA PEKKAN -
A Brief History of Aranjman Translations: the Earliest Examples of Turkish Pop Music
VOLUME 5, ISSUE 1 June 2019 79 eISSN: 2444-1961 https://doi.org/10.14201/clina201951 CLINA Vol. 5-1, 79-93 June 2019 eISSN: 2444-1961 DOI: https://doi.org/10.14201/clina2019517993 A Brief History of Aranjman Translations: the Earliest Examples of Turkish Pop Music Una breve historia de las traducciones aranjman: los primeros ejemplos de la música pop turca Alaz PESEN Boğaziçi University Recibido febrero-2019. Revisado: marzo-2019. Aceptado: mayo-2019. Abstract: Aranjman in Turkish is a loanword borrowed from French. When used in the context of music, it refers to the 1960s, a formative stage in introducing foreign pop music with Turkish lyrics into the Turkish cultural repertoire. The present study views the aranjman era, which has so far constituted a blank space, from the perspective of translation studies. It first sketches out a theoretical framework fusing Even-Zohar’s «invention», «import» and «cultural repertoire» with André Lefevere’s notions of «rewritings» and «patrons». Briefly reviewing the latest approaches in song translation studies, the study proposes subcategories to the term «rewriting» to refer to instrumentation, voice and lyrics levels as «reperforming», «resinging» and «relyricizing» respectively, which altogether enable the song to be rewritten in another language. These acts cannot be achieved in the absence of music producers, who are the «patrons» initiating the recording or «rerecording» of a song in any given music industry. From a general perspective, it was the collaboration of these patrons and rewriters that introduced first the inventions and then the imports into the Turkish pop music cultural repertoire. CLINA Alaz PESEN vol. -
Çağımızın Hastalığı Diş Sıkma (Bruksizm) Ve Tedavi Yöntemleri Dt
İÇİNDEKİLER HOŞ SOHBET 4 Duygularımızın Tercümanı: Gülden DİŞİNİZE TAKILANLAR 8 Hamilelikte Diş Hekimliği Uygulamaları Dt. Kübra Doğan BEGO İLE DİŞİNİZE GÖRE 10 Çağımızın Hastalığı Diş Sıkma (Bruksizm) ve Tedavi Yöntemleri Dt. Beyza Ünal Görgün TREND SAĞLIK 12 Hamilelikte En Sık Görülen Şikayetler ve Çözüm Önerileri Esra Ertuğrul YAŞAMA AÇILAN PENCERE 16 Ne Kadar Hızlı Olduğunun Farkında mısın? Yavaşla! DİŞ DOSTU Diş Dostu Derneği Adına Danışma Kurulu Yayına Hazırlayan DİŞ DOSTU DERNEĞİ KORO Fikir Ajansı İmtiyaz Sahibi Doç. Dr. Aylin Baysan Levent Mah. Nispetiye Cad. Selda Alemdar Dinçer Prof. Dr. Betül Kargül Mevlana Mah. Yıldırım Beyazıt Cad. Yeşil Ufuk Apt. 9/3 Esenyurt-İstanbul Dost Apt. Kat:1 Daire:2 Dr. Engin Aksoy İmajlar: unsplash.com Levent/İstanbul Diş Dostu Derneği Adına Prof. Dr. Funda Yanıkoğlu Tel: 0212 240 7353 Sorumlu Yazı İşleri Müdürü Dr. Gökhan Yamaner Baskı Faks: 0212 240 7301 KİRAZ BASIM MEDYA SANAYİ Şila Koen Prof. Dr. Hakan Özyuvacı [email protected] Prof. Dr. İlknur Tanboğa VE TİCARET A.Ş. Oruç Reis Mah. Giyimkent Sit. Bulvarı www.disdostu.org Dt. Mıgır Gülezyan 16, Sok. No: 112 Esenler/ İSTANBUL Dr. Oktay Dülger Tel: 0212 438 66 50 Yayın Türü: Dr. Remzi Ülgen Faks: 0212 438 66 51 Diş Sağlığı Projesi Dr. Seyhan Gücüm www.kirazmedya.com.tr DİŞ DOSTU, 3 ayda bir yayınlanır. Derginin hiçbir bölümü izinsiz çoğaltılamaz, başka bir dergide ve web sitesinde yayınlanamaz. DİŞ DOSTU’nda yer alan yazılardaki fikirler yazarlarına aittir ve yayıncı yazının içeriğinden sorumlu tutulamaz. Yayınlanan ilanların sorumluluğu ilan sahiplerine aittir. 2 DİŞ DOSTU’NDAN Sağlıklı yaşam farkındalığı Merhaba değerli “Diş Dostu” ailem, Öncelikle hepimize sağlıklı, varlıklı, hızlı geçen zamanı iyi değerlendirebileceğimiz, farkındalıklarımızın yüksek olaca- ğı 2020 yılı ve sonrası diliyorum. -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
Türk Pop Müziğinde Yapilan
İNÖNÜ ÜNİVERSİTESİ SANAT VE TASARIM DERGİSİ Inonu University Journal of Art and Design ISSN: 1309-9876 E-ISSN: 1309-9884 Cilt/Vol. 2 Sayı/No. 6 (2012): 323-335 Yıllık Özel Sayı/ Annual Special Issue TÜRKİYE’DE POPÜLER MÜZİK KÜLTÜRÜ İÇERİSİNDE “COVER” KAVRAMI ÜZERİNE BİR İNCELEME M. Serkan ÇAKIR* İnönü Üniversitesi Güzel Sanatlar ve Tasarım Fakültesi Müzik Teknolojisi ABD, Malatya ÖZET Bu çalışmada; uluslararası müzik literatüründe “Cover” olarak adlandırılan ve ülkemizde de kullanılan kavram çeşitli açılardan incelenmiştir. Araştırmada, Türk Pop Müziğinde en çok coveri yapılan şarkılar, cover yapan sanatçılar ve gruplar belirlenmiş, cover yapma nedenleri ortaya konulmuştur. 31 popüler müzik şarkıcısı, 16 popüler müzik grubu ile ulaşılabilen eserleri incelenmiş, elde edilen bulgular yorumlanmıştır. Türk Pop Müziği sanatçıları ve grupları; gündemde olan, dillerden düşmeyen ve genellikle kendi tarzlarındaki parçaların coverlerini ticari kaygılardan ve gündemden düşmemek için yapmaları, Türk Pop Müziği parçalarının daha çok talep görmesinden dolayı en fazla coverlemenin Türk Pop Müziği tarzında yapılması, birçok sanatçının, kötü giden müzik piyasası, albüm satışlarındaki yetersizlik ve/veya yeni beste bulma sıkıntısından dolayı kendi coverlerini piyasaya çıkarmaları ile dikkat çekmiştir. Anahtar Kelimeler: Yeniden seslendirme, Türkçe pop, düzenleme A RESEARCH ON THE CONCEPT OF "COVER" INSIDE THE POPULAR MUSIC CULTURE IN TURKEY ABSTRACT In the study, the research is carried out to determine the most covered songs, the musicians and the bands who cover, to find the reasons of covering and to end up a conclusion. For this aim, 31 Turkish Pop Musical Artist, 16 Pop/Rock Band and their works have been inverstigated. The study carried out shows that: 1.Most of Turkish Pop Music artists and bands usually cover contemporary songs for commercial purposes and staying popular. -
Contribution of Translations and Adaptations to the Birth of Turkish Pop Music
Asian Journal of Humanities and Social Studies (ISSN: 2321 – 2799) Volume 04 – Issue 03, June 2016 Contribution of Translations and Adaptations to the Birth of Turkish Pop Music Ayşe Şirin Okyayuz Bilkent University Ankara, Turkey Email: yener [AT] bilkent.edu.tr _________________________________________________________________________________ ABSTRACT— Popular songs are important multimodal mass media products through which cultures are communicated to people of different backgrounds, and these are widely translated. But, the study of the translations of popular songs has been partially neglected in translation studies. In an effort to contribute to filling this gap, the article aims to underline the importance of the translation and adaptation of songs; to explain how songs were translated and adapted to give birth to Turkish pop music; and to provide an example of an instance where socio- political and cultural realities and aspirations, aided by different translational strategies, helped shape a new music culture. Keywords— song translation, adaptation, replacement text, transfer postulate, relationship postulate _______________________________________________________________________________________________ 1. INTRODUCTION: SONGS, CULTURES AND SONG TRANSLATION Songs not only reflect a society, in some cases, they create social conditions including facilitation of social change. Songs are valuable resources for telling us what concerned people, how they saw issues and how they expressed their hopes, aspirations and frustrations. Songs do not consist of just the lyrics and the tune, but also of all the contexts in which they are created, experienced, produced, and consumed (Spitzer & Walters 2015, 1). S. Hallam (2008) refers to a song being, “powerful at the level of social group, because it facilitates communication which goes beyond words, enables meanings to be shared, and promotes the development and maintenance of individual, group, cultural and national identities.” Some translation scholars also acknowledge this. -
Bar›Flarock'a Geri Say›M Bafllad› • Ajda Pekkan Ve Enrico Macias
TÜRK‹YE MUSIK‹ ESER‹ SAH‹PLER‹ MESLEK B‹RL‹⁄‹ DERG‹S‹ temmuz-a¤ustos 2007 say›: 5 S • TÜRK‹YE MUSIK‹ ESER‹ SAH‹PLER‹ MESLEK B‹RL‹⁄‹ DERG‹S‹ • SAYI: 5 Bar›flaRock’a geri say›m bafllad› • Ajda Pekkan ve Enrico Macias • Söyleflileriyle: Fatih Erkoç, Sezen Cumhur Önal, Tu¤rul Paflao¤lu, Cahit Berkay • Tarihin sesli tan›klar› 45’likler ve Mehmet Ö. Alkan • Korsan›n Seyir Defteri • Ahmet Adnan Saygun • Live Earth • Pilot bölgelerde lisanslama ata¤› • Mevlana Y›l› etkinlikleri • Haberler Bar›flaRock, Bar›fl’a Rock Merhabalar, S›cak zaman zaman dayan›lmaz Komflu bir sektöre, yay›nc›l›k sek- oldu¤umuzu inatç› kalplerimize safhaya ulafl›yordu. Bir taraftan törüne kulak verip, ortak sorun- kaz›yan bir flark›, Islak Islak. serin yerler bulmaya çal›fl›yor, bir lar›m›z› ve birarada yap›labilecek- O Cem Karaca’n›n açt›¤› yola taraftan iflimizi yap›yorduk. Güzel leri tart›flmaya açmaya çal›flm›flt›k. ç›km›fl, Türkçe sözlü rock müzi¤e bir say›y› bitirmek üzere Müzi¤in usta kalemlerinden Murat daha bu genç yafl›nda ciddi katk›lar oldu¤umuzu hissediyor, çeflitli konu- Meriç Ajda Pekkan-Enrico Macias yapmaya bafllam›flt›. Olgunluk döne- lara son halini vermeye çal›fl›yor- buluflmas›ndan hareket etmifl, biz- minde kimbilir bizleri nerelere duk. Bu say›da neler yoktu ki! leri Enrico’nun memleket popuna götürecekti. Görünen köy k›lavuz katk›lar›na ve Ajda-Enrico istemez misali, büyük ifller bekliyor- Mehmet Ö. Alkan ile ‹stanbul buluflmalar›n›n tarihine götürmüfltü. duk Bar›fl’tan. Üniversitesinde 45’lik plaklar Bar›fl sadece müzisyen de¤ildi. -
Monster Hits Weekend! 31 October
MONSTER HITS WEEKEND! 31 OCTOBER - 1 NOVEMBER 2020 POP MUZIK M DEVIL GATE DRIVE SUZI QUATRO TIGHTER, TIGHTER ALIVE AND KICKING DRESSED FOR SUCCESS ROXETTE OUR LIPS ARE SEALED GO GO'S YOU'RE MOVING OUT TODAY CAROL BAYER SAGER TOO YOUNG TO BE MARRIED THE HOLLIES UPTOWN GIRL BILLY JOEL SOME GIRLS RACEY BEAST OF BURDEN BETTE MIDLER SUGAR BABY LOVE RUBETTES SHE'S THE ONE THE COCKROACHES TAKE IT EASY THE EAGLES SOMETHING'S WRONG WITH ME AUSTIN ROBERTS GOOSE BUMPS CHRISTIE ALLEN HOW DO YOU DO? MOUTH & McNEAL GOOD MORNING STARSHINE OLIVER TIRED OF TOWING THE LINE ROCKY BURNETTE COTTONFIELDS BEACH BOYS S-S-S-SINGLE BED FOX MOST PEOPLE I KNOW THINK THAT I'M CRAZY BILLY THORPE ETERNAL FLAME THE BANGLES HORROR MOVIE SKYHOOKS NINETEENTH NERVOUS BREAKDOWN THE ROLLING STONES GET USED TO IT ROGER VOUDOURIS ONE TIN SOLDIER COVEN ROCKABILLY REBEL MAJOR MATCHBOX LIFE IN A NORTHERN TOWN DREAM ACADEMY WARM RIDE GRAHAM BONNET THE LOVE GAME JOHN PAUL YOUNG KOKOMO BEACH BOYS STAYIN' ALIVE BEE GEES TOAST AND MARMALADE FOR TEA TIN TIN JANUARY PILOT DON'T PAY THE FERRYMAN CHRIS DeBURGH HIT THE ROAD JACK RAY CHARLES MY COO CA CHOO ALVIN STARDUST ESCAPE RUPERT HOLMES BANG BANG BA ROBERTSON WHENEVER YOU NEED SOMEBODY RICK ASTLEY YOU GOT IT ROY ORBISON LUCKY NUMBER LENE LOVICH DO IT AGAIN BEACH BOYS EYE OF THE TIGER SURVIVOR LITTLE RED ROOSTER THE ROLLING STONES SEASONS IN THE SUN TERRY JACKS I GOT YOU SPLIT ENZ EAGLE ROCK DADDY COOL LIFE SHERBET COMPUTER GAMES MI SEX SHE'S SO FINE EASYBEATS KING OF WISHFUL THINKING GO WEST WHEN I'M DEAD AND GONE McGUINNESS FLINT HAIR -
Current Top 40.Doc
2000+ And Top 40 All About That Bass Meghan Trainor Little Things One Direction Am I Wrong? Nico & Vinz Love Foolosophy Jamiroquai Amnesia 5SOS Love Generation Bob Sinclar Anaconda Nicky Minaj Low Flo Rida Baby Justin Bieber Marry You Bruno Mars Bad Romance Lady Gaga Memories David Guetta Bang Bang Jessie J Moves Like Jagger Maroon 5 Beautiful People Chris Brown New Thang Redfoo Best Night Justice Crew OMG Usher ft Will.I.Am Blame Calvin Harris On The Floor Jennifer Lopez Blurred Lines Robin Thicke Only Girl In The World Rhianna Boom Clap Charlie XCX Only Love Can Hurt Like This Paloma Faith Born This Way Lady Gaga Party Rock Anthem LMFAO Budapest George Ezra Please Don't Stop The Music Rhianna California Gurls Katy Perry Prayer In C Lily Wood Call Me Maybe Carly Rae Jepsen Price Tag Jessie J ft B.O.B Candyman Christina Aguilera Problem Ariana Grande Chandelier Sia Que Sera Justice Crew Club Can't Handle Me Flo-Rida Right Round Flo Rida Cool Kids Echosmith Riptide Vance Joy Cosmic Girl Jamiroquai Rock DJ Robbie Williams Count On Me Bruno Mars Royals Lorde Best Song Ever One Direction Run The World Beyonce DJ Got Us Falling In Love Usher ft Pitbull Sex On Fire Kings Of Leon Don't Stop The Party Black Eyed Peas Sexy Back Justin Timberlake Break Free Ariana Grande Shake It Off Taylor Swift Down Jay Z ft Lil Wayne She Came To Give It To You Usher Feat. Nicki Minaj Dynamite Taio Cruz Shots LMFAO ft Lil Jon Empire State Of Mind Jay Z ft Alicia Keys Single Ladies Beyonce Fancy Iggy Azalea Sky Full Of Stars Coldplay Feel So Close Calvin Harris -
SUZI QUATRO & Band 2019 Veranstaltungsort Halle 2 Einlass
28.09.2019 SUZI QUATRO & Band 2019 Veranstaltungsort Halle 2 Einlass 19:00 Beginn 20:00 Uhr Veranstalter Goldrush Productions GmbH Liebe Besucher, wir möchten Sie darauf hinweisen, dass die Halle 3A inzwischen Halle 2 heißt. Bitte folgen Sie am Veranstaltungstag der entsprechenden Ausschilderung auf unserem Gelände. Zur weiteren Orientierung können Sie unter dem Reiter „Gelände“ auch den neuen Geländeplan einsehen. Hinweis: Aufgrund mehrerer Parallelveranstaltungen wird mit einem erhöhten Verkehrsaufkommen gerechnet. Auch können die Parkplätze in ummittelbarer Nähe zu den Westfalenhallen frühzeitig ausgebucht sein. Wir empfehlen daher eine rechtzeitige Anreise, wenn möglich mit öffentlichen Verkehrsmitteln. SUZI QUATRO & Band 2019 Suzi wurde am 03.Juni 1950 in Detroit/ USA als Susan Kaye Quatro geboren – und dies ist Ihr richtiger Name. Da man den Namen Quatroki Ihres von Italien in die USA eingewanderten Großvaters nur schwer aussprechen konnte, änderte man ihn kurzerhand in Quatro. 1970 fand Suzi Quatro ihren Weg nach England, wo Sie einen Plattenvertrag bei Michie Most unterschrieb. In der Plattenszene machte die 1,57 Meter kleine und als weibliche „Elvis- Presley- Kopie“ bezeichnete Suzi Quatro erstmals 1973 auf sich aufmerksam: Gleich Ihre erste Single „Can The Can“ schoss im Mai an die Spitze der britischen Charts und sorgte weltweit für Aufsehen. Ihr Support für die legänderen „Grand Funk Railroad“ in Amerika und Australien zog eine eigene US- In der Plattenszene machte die 1,57 Meter kleine und als weibliche „Elvis- Presley- Kopie“ bezeichnete Suzi Quatro erstmals 1973 auf sich aufmerksam: Gleich Ihre erste Single „Can The Can“ schoss im Mai an die Spitze der britischen Charts und sorgte weltweit für Aufsehen. -
Identity, Spectacle and Representation: Israeli Entries at the Eurovision
Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show.